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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB14B9 it is the complementary color #14EB46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB14B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB14B9 shade: #F014B4, #FF26C7, #FF38DA, #FF4AED and #FF5CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB14B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB14B9 shade: #EB14B9, #DA02A6, #C90093, #B80080 and #A7006D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB14B9 shade: #EB14B9, #EB147F, #EB1445 and #EB1414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB14B9 shade: #EB14B9, #E314EB, #A914EB, #6F14EB and #3514EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB14B9 shade matches the following richer shades: #EB14B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB14B9 shade: #EB14B9, #D629AE, #C13EA3, #AD5298 and #98678D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB14B9 shade: #A714EB, #E014EB, #EB14BC, #EB1483 and #EB144A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB14B9 shade: #9F0E7D, #C5119B, #EB14B9, #EE3AC4 and #F160D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB14B9 shade: #EB14B9, #EB6E14 and #14EBC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB14B9 shade: #EB14B9, #BCEB14 and #14BCEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB14B9 shade: #EB14B9, #EB6E14, #14EB43 and #1491EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB14B9 shade: #EB14B9, #EBAE14, #14EB43 and #1451EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 21 / 8

HEX #EB14B9

RGB 235 20 185

HSL 313.95, 0.84%, 0.5%

LAB 53.67, 84.33, -31.88

 

Complementary color

CMYK 91 / 0 / 70 / 8

HEX #14EB46

RGB 20 235 70

HSL 133.95, 0.84%, 0.5%

LAB 81.84, -77.18, 63.73

 

CMYK 0 / 92 / 25 / 6

HEX #F014B4

RGB 240 20 180

HSL 316.36, 0.88%, 0.51%

LAB 54.37, 84.73, -27.82

 

CMYK 0 / 85 / 22 / 0

HEX #FF26C7

RGB 255 38 199

HSL 315.48, 1%, 0.57%

LAB 58.76, 87.33, -31.77

 

CMYK 0 / 78 / 15 / 0

HEX #FF38DA

RGB 255 56 218

HSL 311.16, 1%, 0.61%

LAB 60.91, 85.91, -39.21

 

CMYK 0 / 71 / 7 / 0

HEX #FF4AED

RGB 255 74 237

HSL 305.97, 1%, 0.65%

LAB 63.57, 83.5, -45.69

 

CMYK 0 / 64 / 0 / 0

HEX #FF5CFF

RGB 255 92 255

HSL 300, 1%, 0.68%

LAB 66.62, 80.09, -50.82

 

CMYK 0 / 91 / 21 / 8

HEX #EB14B9

RGB 235 20 185

HSL 313.95, 0.84%, 0.5%

LAB 53.67, 84.33, -31.88

 

CMYK 0 / 99 / 24 / 15

HEX #DA02A6

RGB 218 2 166

HSL 314.44, 0.98%, 0.43%

LAB 49.13, 80.41, -28.02

 

CMYK 0 / 100 / 27 / 21

HEX #C90093

RGB 201 0 147

HSL 316.12, 1%, 0.39%

LAB 44.98, 75.15, -23.34

 

CMYK 0 / 100 / 30 / 28

HEX #B80080

RGB 184 0 128

HSL 318.26, 1%, 0.36%

LAB 40.81, 69.66, -18.4

 

CMYK 0 / 100 / 35 / 35

HEX #A7006D

RGB 167 0 109

HSL 320.84, 1%, 0.33%

LAB 36.59, 64.1, -13.26

 

CMYK 0 / 91 / 21 / 8

HEX #EB14B9

RGB 235 20 185

HSL 313.95, 0.84%, 0.5%

LAB 53.67, 84.33, -31.88

 

CMYK 0 / 91 / 46 / 8

HEX #EB147F

RGB 235 20 127

HSL 330.14, 0.84%, 0.5%

LAB 51.49, 78.54, -0.75

 

CMYK 0 / 91 / 71 / 8

HEX #EB1445

RGB 235 20 69

HSL 346.33, 0.84%, 0.5%

LAB 50.21, 75, 32.74

 

CMYK 0 / 91 / 91 / 8

HEX #EB1414

RGB 235 20 20

HSL 0, 0.84%, 0.5%

LAB 49.75, 73.72, 57.67

 

CMYK 0 / 91 / 21 / 8

HEX #EB14B9

RGB 235 20 185

HSL 313.95, 0.84%, 0.5%

LAB 53.67, 84.33, -31.88

 

CMYK 3 / 91 / 0 / 8

HEX #E314EB

RGB 227 20 235

HSL 297.77, 0.84%, 0.5%

LAB 54.9, 89.59, -58.63

 

CMYK 28 / 91 / 0 / 8

HEX #A914EB

RGB 169 20 235

HSL 281.58, 0.84%, 0.5%

LAB 45.54, 81.14, -74.22

 

CMYK 53 / 91 / 0 / 8

HEX #6F14EB

RGB 111 20 235

HSL 265.4, 0.84%, 0.5%

LAB 37.62, 74.94, -87.53

 

CMYK 77 / 91 / 0 / 8

HEX #3514EB

RGB 53 20 235

HSL 249.21, 0.84%, 0.5%

LAB 32.38, 71.58, -96.39

 

CMYK 0 / 91 / 21 / 8

HEX #EB14B9

RGB 235 20 185

HSL 313.95, 0.84%, 0.5%

LAB 53.67, 84.33, -31.88

 

CMYK 0 / 91 / 21 / 8

HEX #EB14B9

RGB 235 20 185

HSL 313.95, 0.84%, 0.5%

LAB 53.67, 84.33, -31.88

 

CMYK 0 / 81 / 19 / 16

HEX #D629AE

RGB 214 41 174

HSL 313.87, 0.68%, 0.5%

LAB 50.61, 75.18, -30.5

 

CMYK 0 / 68 / 16 / 24

HEX #C13EA3

RGB 193 62 163

HSL 313.74, 0.51%, 0.5%

LAB 48.79, 62.38, -27.11

 

CMYK 0 / 53 / 12 / 32

HEX #AD5298

RGB 173 82 152

HSL 313.85, 0.36%, 0.5%

LAB 48.49, 46.25, -21.3

 

CMYK 0 / 32 / 7 / 40

HEX #98678D

RGB 152 103 141

HSL 313.47, 0.19%, 0.5%

LAB 49.86, 25.93, -12.94

 

CMYK 29 / 91 / 0 / 8

HEX #A714EB

RGB 167 20 235

HSL 281.02, 0.84%, 0.5%

LAB 45.24, 80.88, -74.73

 

CMYK 5 / 91 / 0 / 8

HEX #E014EB

RGB 224 20 235

HSL 296.93, 0.84%, 0.5%

LAB 54.39, 89.11, -59.47

 

CMYK 0 / 91 / 20 / 8

HEX #EB14BC

RGB 235 20 188

HSL 313.12, 0.84%, 0.5%

LAB 53.81, 84.69, -33.41

 

CMYK 0 / 91 / 44 / 8

HEX #EB1483

RGB 235 20 131

HSL 329.02, 0.84%, 0.5%

LAB 51.61, 78.87, -2.99

 

CMYK 0 / 91 / 69 / 8

HEX #EB144A

RGB 235 20 74

HSL 344.93, 0.84%, 0.5%

LAB 50.28, 75.21, 29.84

 

CMYK 0 / 91 / 21 / 38

HEX #9F0E7D

RGB 159 14 125

HSL 314.07, 0.84%, 0.34%

LAB 36.3, 62.53, -23.92

 

CMYK 0 / 91 / 21 / 23

HEX #C5119B

RGB 197 17 155

HSL 314, 0.84%, 0.42%

LAB 45.13, 73.65, -27.98

 

CMYK 0 / 91 / 21 / 8

HEX #EB14B9

RGB 235 20 185

HSL 313.95, 0.84%, 0.5%

LAB 53.67, 84.33, -31.88

 

CMYK 0 / 76 / 18 / 7

HEX #EE3AC4

RGB 238 58 196

HSL 314, 0.84%, 0.58%

LAB 57.26, 78.88, -32.61

 

CMYK 0 / 60 / 14 / 5

HEX #F160D0

RGB 241 96 208

HSL 313.66, 0.84%, 0.66%

LAB 63.03, 67.89, -30.44

 

CMYK 0 / 91 / 21 / 8

HEX #EB14B9

RGB 235 20 185

HSL 313.95, 0.84%, 0.5%

LAB 53.67, 84.33, -31.88

 

CMYK 0 / 53 / 91 / 8

HEX #EB6E14

RGB 235 110 20

HSL 25.12, 0.84%, 0.5%

LAB 60.66, 44.14, 64.99

 

CMYK 91 / 0 / 17 / 8

HEX #14EBC3

RGB 20 235 195

HSL 168.84, 0.84%, 0.5%

LAB 83.71, -55.56, 6.33

 

CMYK 0 / 91 / 21 / 8

HEX #EB14B9

RGB 235 20 185

HSL 313.95, 0.84%, 0.5%

LAB 53.67, 84.33, -31.88

 

CMYK 20 / 0 / 91 / 8

HEX #BCEB14

RGB 188 235 20

HSL 73.12, 0.84%, 0.5%

LAB 87.07, -39.12, 83.07

 

CMYK 91 / 20 / 0 / 8

HEX #14BCEB

RGB 20 188 235

HSL 193.12, 0.84%, 0.5%

LAB 70.95, -22.41, -34.22

 

CMYK 0 / 91 / 21 / 8

HEX #EB14B9

RGB 235 20 185

HSL 313.95, 0.84%, 0.5%

LAB 53.67, 84.33, -31.88

 

CMYK 0 / 53 / 91 / 8

HEX #EB6E14

RGB 235 110 20

HSL 25.12, 0.84%, 0.5%

LAB 60.66, 44.14, 64.99

 

CMYK 91 / 0 / 71 / 8

HEX #14EB43

RGB 20 235 67

HSL 133.12, 0.84%, 0.5%

LAB 81.82, -77.44, 64.79

 

CMYK 91 / 38 / 0 / 8

HEX #1491EB

RGB 20 145 235

HSL 205.12, 0.84%, 0.5%

LAB 58.41, 1.35, -53.93

 

CMYK 0 / 91 / 21 / 8

HEX #EB14B9

RGB 235 20 185

HSL 313.95, 0.84%, 0.5%

LAB 53.67, 84.33, -31.88

 

CMYK 0 / 26 / 91 / 8

HEX #EBAE14

RGB 235 174 20

HSL 42.98, 0.84%, 0.5%

LAB 74.82, 10.9, 75.28

 

CMYK 91 / 0 / 71 / 8

HEX #14EB43

RGB 20 235 67

HSL 133.12, 0.84%, 0.5%

LAB 81.82, -77.44, 64.79

 

CMYK 91 / 66 / 0 / 8

HEX #1451EB

RGB 20 81 235

HSL 222.98, 0.84%, 0.5%

LAB 41.27, 41.49, -81.7

 

Description

Color code: HEX #EB14B9 | qconv.com Color code: HEX #EB14B9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 20 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 20 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 21 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 21% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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