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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2EF55 it is the complementary color #1D10AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2EF55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2EF55 shade: #E7EF50, #F8FF63, #FFFF76, #FFFF89 and #FFFF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2EF55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2EF55 shade: #E2EF55, #D1DD42, #C0CB2F, #AFB91C and #9EA709

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2EF55 shade: #E3EF57, #EFD357, #EFAA57, #EF8157 and #EF5857

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2EF55 shade: #E3EF57, #B9EF57, #90EF57, #67EF57 and #57EF70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2EF55 shade matches the following richer shades: #E3EF57 and #EFFE48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2EF55 shade: #E3EF57, #D6E166, #CAD275, #BDC384 and #B1B492

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2EF55 shade: #EFAB57, #EFD357, #E3EF57, #BAEF57 and #91EF57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2EF55 shade: #CEDF15, #DCEC31, #E3EF57, #E9F37D and #EFF6A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2EF55 shade: #E2EF55, #57EF82 and #BF57EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2EF55 shade: #E2EF55, #57E3EF and #EF57E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2EF55 shade: #E2EF55, #57EF82, #6457EF and #EF57C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2EF55 shade: #E2EF55, #57EFB0, #6457EF and #EF5797

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 64 / 6

HEX #E2EF55

RGB 226 239 85

HSL 65.06, 0.83%, 0.64%

LAB 91.03, -23.4, 70.12

 

Complementary color

CMYK 83 / 91 / 0 / 33

HEX #1D10AA

RGB 29 16 170

HSL 245.06, 0.83%, 0.36%

LAB 22.07, 54.56, -75.54

 

CMYK 3 / 0 / 67 / 6

HEX #E7EF50

RGB 231 239 80

HSL 63.02, 0.83%, 0.63%

LAB 91.37, -21.68, 72.47

 

CMYK 3 / 0 / 61 / 0

HEX #F8FF63

RGB 248 255 99

HSL 62.69, 1%, 0.69%

LAB 96.97, -21.41, 71.36

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF76

RGB 255 255 118

HSL 60, 1%, 0.73%

LAB 97.67, -17.33, 64.31

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF89

RGB 255 255 137

HSL 60, 1%, 0.77%

LAB 97.87, -15.76, 55.97

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9C

RGB 255 255 156

HSL 60, 1%, 0.81%

LAB 98.11, -13.92, 47.26

 

CMYK 5 / 0 / 64 / 6

HEX #E2EF55

RGB 226 239 85

HSL 65.06, 0.83%, 0.64%

LAB 91.03, -23.4, 70.12

 

CMYK 5 / 0 / 70 / 13

HEX #D1DD42

RGB 209 221 66

HSL 64.65, 0.7%, 0.56%

LAB 84.82, -22.69, 70.48

 

CMYK 5 / 0 / 77 / 20

HEX #C0CB2F

RGB 192 203 47

HSL 64.23, 0.62%, 0.49%

LAB 78.53, -21.84, 70.3

 

CMYK 5 / 0 / 85 / 27

HEX #AFB91C

RGB 175 185 28

HSL 63.82, 0.74%, 0.42%

LAB 72.16, -20.8, 69.24

 

CMYK 5 / 0 / 95 / 35

HEX #9EA709

RGB 158 167 9

HSL 63.42, 0.9%, 0.35%

LAB 65.69, -19.55, 66.8

 

CMYK 5 / 0 / 64 / 6

HEX #E3EF57

RGB 227 239 87

HSL 64.74, 0.83%, 0.64%

LAB 91.12, -22.88, 69.45

 

CMYK 0 / 12 / 64 / 6

HEX #EFD357

RGB 239 211 87

HSL 48.95, 0.83%, 0.64%

LAB 84.81, -4.14, 63.05

 

CMYK 0 / 29 / 64 / 6

HEX #EFAA57

RGB 239 170 87

HSL 32.76, 0.83%, 0.64%

LAB 74.69, 17.22, 51.9

 

CMYK 0 / 46 / 64 / 6

HEX #EF8157

RGB 239 129 87

HSL 16.58, 0.83%, 0.64%

LAB 65.55, 38.69, 41.26

 

CMYK 0 / 63 / 64 / 6

HEX #EF5857

RGB 239 88 87

HSL 0.39, 0.83%, 0.64%

LAB 58.05, 58, 32.09

 

CMYK 5 / 0 / 64 / 6

HEX #E3EF57

RGB 227 239 87

HSL 64.74, 0.83%, 0.64%

LAB 91.12, -22.88, 69.45

 

CMYK 23 / 0 / 64 / 6

HEX #B9EF57

RGB 185 239 87

HSL 81.32, 0.83%, 0.64%

LAB 88.32, -39.17, 65.64

 

CMYK 40 / 0 / 64 / 6

HEX #90EF57

RGB 144 239 87

HSL 97.5, 0.83%, 0.64%

LAB 86.18, -53.39, 62.7

 

CMYK 57 / 0 / 64 / 6

HEX #67EF57

RGB 103 239 87

HSL 113.68, 0.83%, 0.64%

LAB 84.64, -64.87, 60.57

 

CMYK 64 / 0 / 53 / 6

HEX #57EF70

RGB 87 239 112

HSL 129.87, 0.83%, 0.64%

LAB 84.45, -65.52, 49.31

 

CMYK 5 / 0 / 64 / 6

HEX #E3EF57

RGB 227 239 87

HSL 64.74, 0.83%, 0.64%

LAB 91.12, -22.88, 69.45

 

CMYK 6 / 0 / 72 / 0

HEX #EFFE48

RGB 239 254 72

HSL 64.95, 0.99%, 0.64%

LAB 95.87, -25.98, 79.88

 

CMYK 5 / 0 / 64 / 6

HEX #E3EF57

RGB 227 239 87

HSL 64.74, 0.83%, 0.64%

LAB 91.12, -22.88, 69.45

 

CMYK 5 / 0 / 55 / 12

HEX #D6E166

RGB 214 225 102

HSL 65.37, 0.67%, 0.64%

LAB 86.56, -20.27, 57.88

 

CMYK 4 / 0 / 44 / 18

HEX #CAD275

RGB 202 210 117

HSL 65.16, 0.51%, 0.64%

LAB 81.8, -16.29, 44.98

 

CMYK 3 / 0 / 32 / 24

HEX #BDC384

RGB 189 195 132

HSL 65.71, 0.34%, 0.64%

LAB 76.99, -12.09, 31.03

 

CMYK 2 / 0 / 19 / 29

HEX #B1B492

RGB 177 180 146

HSL 65.29, 0.18%, 0.64%

LAB 72.27, -6.91, 17.03

 

CMYK 0 / 28 / 64 / 6

HEX #EFAB57

RGB 239 171 87

HSL 33.16, 0.83%, 0.64%

LAB 74.93, 16.69, 52.17

 

CMYK 0 / 12 / 64 / 6

HEX #EFD357

RGB 239 211 87

HSL 48.95, 0.83%, 0.64%

LAB 84.81, -4.14, 63.05

 

CMYK 5 / 0 / 64 / 6

HEX #E3EF57

RGB 227 239 87

HSL 64.74, 0.83%, 0.64%

LAB 91.12, -22.88, 69.45

 

CMYK 22 / 0 / 64 / 6

HEX #BAEF57

RGB 186 239 87

HSL 80.92, 0.83%, 0.64%

LAB 88.38, -38.8, 65.72

 

CMYK 39 / 0 / 64 / 6

HEX #91EF57

RGB 145 239 87

HSL 97.11, 0.83%, 0.64%

LAB 86.23, -53.07, 62.76

 

CMYK 8 / 0 / 91 / 13

HEX #CEDF15

RGB 206 223 21

HSL 65.05, 0.83%, 0.48%

LAB 84.97, -26.34, 81.8

 

CMYK 7 / 0 / 79 / 7

HEX #DCEC31

RGB 220 236 49

HSL 65.13, 0.83%, 0.56%

LAB 89.59, -26.07, 80.4

 

CMYK 5 / 0 / 64 / 6

HEX #E3EF57

RGB 227 239 87

HSL 64.74, 0.83%, 0.64%

LAB 91.12, -22.88, 69.45

 

CMYK 4 / 0 / 49 / 5

HEX #E9F37D

RGB 233 243 125

HSL 65.08, 0.83%, 0.72%

LAB 92.97, -19.57, 55.26

 

CMYK 3 / 0 / 34 / 4

HEX #EFF6A3

RGB 239 246 163

HSL 65.06, 0.82%, 0.8%

LAB 94.7, -14.78, 39.21

 

CMYK 5 / 0 / 64 / 6

HEX #E2EF55

RGB 226 239 85

HSL 65.06, 0.83%, 0.64%

LAB 91.03, -23.4, 70.12

 

CMYK 64 / 0 / 46 / 6

HEX #57EF82

RGB 87 239 130

HSL 136.97, 0.83%, 0.64%

LAB 84.67, -62.95, 41.03

 

CMYK 20 / 64 / 0 / 6

HEX #BF57EF

RGB 191 87 239

HSL 281.05, 0.83%, 0.64%

LAB 56.21, 64.91, -59.06

 

CMYK 5 / 0 / 64 / 6

HEX #E2EF55

RGB 226 239 85

HSL 65.06, 0.83%, 0.64%

LAB 91.03, -23.4, 70.12

 

CMYK 64 / 5 / 0 / 6

HEX #57E3EF

RGB 87 227 239

HSL 184.74, 0.83%, 0.64%

LAB 83.55, -33.75, -17.02

 

CMYK 0 / 64 / 5 / 6

HEX #EF57E3

RGB 239 87 227

HSL 304.74, 0.83%, 0.64%

LAB 62.26, 73.86, -42.33

 

CMYK 5 / 0 / 64 / 6

HEX #E2EF55

RGB 226 239 85

HSL 65.06, 0.83%, 0.64%

LAB 91.03, -23.4, 70.12

 

CMYK 64 / 0 / 46 / 6

HEX #57EF82

RGB 87 239 130

HSL 136.97, 0.83%, 0.64%

LAB 84.67, -62.95, 41.03

 

CMYK 58 / 64 / 0 / 6

HEX #6457EF

RGB 100 87 239

HSL 245.13, 0.83%, 0.64%

LAB 46.65, 47.03, -74.98

 

CMYK 0 / 64 / 18 / 6

HEX #EF57C4

RGB 239 87 196

HSL 316.97, 0.83%, 0.64%

LAB 60.92, 69.3, -26.93

 

CMYK 5 / 0 / 64 / 6

HEX #E2EF55

RGB 226 239 85

HSL 65.06, 0.83%, 0.64%

LAB 91.03, -23.4, 70.12

 

CMYK 64 / 0 / 26 / 6

HEX #57EFB0

RGB 87 239 176

HSL 155.13, 0.83%, 0.64%

LAB 85.45, -54.54, 18.85

 

CMYK 58 / 64 / 0 / 6

HEX #6457EF

RGB 100 87 239

HSL 245.13, 0.83%, 0.64%

LAB 46.65, 47.03, -74.98

 

CMYK 0 / 64 / 37 / 6

HEX #EF5797

RGB 239 87 151

HSL 334.74, 0.83%, 0.64%

LAB 59.34, 63.75, -3.37

 

Description

Color code: HEX #E2EF55 | qconv.com Color code: HEX #E2EF55 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 239 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 239 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 64 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 64% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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