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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CAD275 it is the complementary color #352D8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CAD275. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CAD275 shade: #CFD270, #E0E483, #F1F696, #FFFFA9 and #FFFFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CAD275. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CAD275 shade: #CAD275, #B9C062, #A8AE4F, #979C3C and #868A29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CAD275 shade: #CAD274, #D2C174, #D2A874, #D28E74 and #D27574

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CAD275 shade: #CAD274, #B1D274, #97D274, #7ED274 and #74D284

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CAD275 shade matches the following richer shades: #CAD274, #D6E166, #E3F057 and #EFFF48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CAD275 shade: #CAD274, #BEC383, #B1B492, #A5A5A1 and #9997B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CAD275 shade: #D2A874, #D2C174, #CAD274, #B1D274 and #98D274

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CAD275 shade: #ADB83C, #BEC855, #CAD274, #D6DC94 and #E2E6B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CAD275 shade: #CAD275, #74D28F and #B474D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CAD275 shade: #CAD275, #74CAD2 and #D274CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CAD275 shade: #CAD275, #74D28F, #7C74D2 and #D274B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CAD275 shade: #CAD275, #74D2AB, #7C74D2 and #D2749B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 44 / 18

HEX #CAD275

RGB 202 210 117

HSL 65.16, 0.51%, 0.64%

LAB 81.8, -16.29, 44.98

 

Complementary color

CMYK 62 / 67 / 0 / 46

HEX #352D8A

RGB 53 45 138

HSL 245.16, 0.51%, 0.36%

LAB 25.16, 32.09, -50.74

 

CMYK 1 / 0 / 47 / 18

HEX #CFD270

RGB 207 210 112

HSL 61.84, 0.52%, 0.63%

LAB 82.12, -14.79, 47.89

 

CMYK 2 / 0 / 43 / 11

HEX #E0E483

RGB 224 228 131

HSL 62.47, 0.64%, 0.7%

LAB 88.43, -15.17, 46.73

 

CMYK 2 / 0 / 39 / 4

HEX #F1F696

RGB 241 246 150

HSL 63.13, 0.84%, 0.78%

LAB 94.66, -15.48, 45.58

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA9

RGB 255 255 169

HSL 60, 1%, 0.83%

LAB 98.29, -12.5, 41.16

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBC

RGB 255 255 188

HSL 60, 1%, 0.87%

LAB 98.6, -10.2, 32.12

 

CMYK 4 / 0 / 44 / 18

HEX #CAD275

RGB 202 210 117

HSL 65.16, 0.51%, 0.64%

LAB 81.8, -16.29, 44.98

 

CMYK 4 / 0 / 49 / 25

HEX #B9C062

RGB 185 192 98

HSL 64.47, 0.43%, 0.57%

LAB 75.39, -15.93, 46.14

 

CMYK 3 / 0 / 55 / 32

HEX #A8AE4F

RGB 168 174 79

HSL 63.79, 0.38%, 0.5%

LAB 68.87, -15.47, 47.26

 

CMYK 3 / 0 / 62 / 39

HEX #979C3C

RGB 151 156 60

HSL 63.13, 0.44%, 0.42%

LAB 62.24, -14.9, 48.24

 

CMYK 3 / 0 / 70 / 46

HEX #868A29

RGB 134 138 41

HSL 62.47, 0.54%, 0.35%

LAB 55.49, -14.15, 48.89

 

CMYK 4 / 0 / 45 / 18

HEX #CAD274

RGB 202 210 116

HSL 65.11, 0.51%, 0.64%

LAB 81.79, -16.39, 45.45

 

CMYK 0 / 8 / 45 / 18

HEX #D2C174

RGB 210 193 116

HSL 49.15, 0.51%, 0.64%

LAB 77.94, -4.52, 40.81

 

CMYK 0 / 20 / 45 / 18

HEX #D2A874

RGB 210 168 116

HSL 33.19, 0.51%, 0.64%

LAB 71.53, 8.71, 32.66

 

CMYK 0 / 32 / 45 / 18

HEX #D28E74

RGB 210 142 116

HSL 16.6, 0.51%, 0.64%

LAB 65.21, 22.79, 24.33

 

CMYK 0 / 44 / 45 / 18

HEX #D27574

RGB 210 117 116

HSL 0.64, 0.51%, 0.64%

LAB 59.6, 36.2, 16.73

 

CMYK 4 / 0 / 45 / 18

HEX #CAD274

RGB 202 210 116

HSL 65.11, 0.51%, 0.64%

LAB 81.79, -16.39, 45.45

 

CMYK 16 / 0 / 45 / 18

HEX #B1D274

RGB 177 210 116

HSL 81.06, 0.51%, 0.64%

LAB 80.01, -26.09, 42.85

 

CMYK 28 / 0 / 45 / 18

HEX #97D274

RGB 151 210 116

HSL 97.66, 0.51%, 0.64%

LAB 78.42, -35.57, 40.53

 

CMYK 40 / 0 / 45 / 18

HEX #7ED274

RGB 126 210 116

HSL 113.62, 0.51%, 0.64%

LAB 77.15, -43.82, 38.66

 

CMYK 45 / 0 / 37 / 18

HEX #74D284

RGB 116 210 132

HSL 130.21, 0.51%, 0.64%

LAB 76.96, -44.34, 30.21

 

CMYK 4 / 0 / 45 / 18

HEX #CAD274

RGB 202 210 116

HSL 65.11, 0.51%, 0.64%

LAB 81.79, -16.39, 45.45

 

CMYK 5 / 0 / 55 / 12

HEX #D6E166

RGB 214 225 102

HSL 65.37, 0.67%, 0.64%

LAB 86.56, -20.27, 57.88

 

CMYK 5 / 0 / 64 / 6

HEX #E3F057

RGB 227 240 87

HSL 65.1, 0.84%, 0.64%

LAB 91.39, -23.36, 69.73

 

CMYK 6 / 0 / 72 / 0

HEX #EFFF48

RGB 239 255 72

HSL 65.25, 1%, 0.64%

LAB 96.14, -26.45, 80.13

 

CMYK 4 / 0 / 45 / 18

HEX #CAD274

RGB 202 210 116

HSL 65.11, 0.51%, 0.64%

LAB 81.79, -16.39, 45.45

 

CMYK 3 / 0 / 33 / 24

HEX #BEC383

RGB 190 195 131

HSL 64.69, 0.35%, 0.64%

LAB 77.05, -11.82, 31.65

 

CMYK 2 / 0 / 19 / 29

HEX #B1B492

RGB 177 180 146

HSL 65.29, 0.18%, 0.64%

LAB 72.27, -6.91, 17.03

 

CMYK 0 / 0 / 2 / 35

HEX #A5A5A1

RGB 165 165 161

HSL 60, 0.02%, 0.64%

LAB 67.64, -0.75, 2.06

 

CMYK 13 / 14 / 0 / 31

HEX #9997B0

RGB 153 151 176

HSL 244.8, 0.14%, 0.64%

LAB 63.38, 5.84, -12.75

 

CMYK 0 / 20 / 45 / 18

HEX #D2A874

RGB 210 168 116

HSL 33.19, 0.51%, 0.64%

LAB 71.53, 8.71, 32.66

 

CMYK 0 / 8 / 45 / 18

HEX #D2C174

RGB 210 193 116

HSL 49.15, 0.51%, 0.64%

LAB 77.94, -4.52, 40.81

 

CMYK 4 / 0 / 45 / 18

HEX #CAD274

RGB 202 210 116

HSL 65.11, 0.51%, 0.64%

LAB 81.79, -16.39, 45.45

 

CMYK 16 / 0 / 45 / 18

HEX #B1D274

RGB 177 210 116

HSL 81.06, 0.51%, 0.64%

LAB 80.01, -26.09, 42.85

 

CMYK 28 / 0 / 45 / 18

HEX #98D274

RGB 152 210 116

HSL 97.02, 0.51%, 0.64%

LAB 78.48, -35.22, 40.61

 

CMYK 6 / 0 / 67 / 28

HEX #ADB83C

RGB 173 184 60

HSL 65.32, 0.51%, 0.48%

LAB 71.89, -19.8, 58.91

 

CMYK 5 / 0 / 58 / 22

HEX #BEC855

RGB 190 200 85

HSL 65.22, 0.51%, 0.56%

LAB 77.82, -19, 55.11

 

CMYK 4 / 0 / 45 / 18

HEX #CAD274

RGB 202 210 116

HSL 65.11, 0.51%, 0.64%

LAB 81.79, -16.39, 45.45

 

CMYK 3 / 0 / 33 / 14

HEX #D6DC94

RGB 214 220 148

HSL 65, 0.51%, 0.72%

LAB 85.82, -13.14, 34.76

 

CMYK 2 / 0 / 22 / 10

HEX #E2E6B3

RGB 226 230 179

HSL 64.71, 0.5%, 0.8%

LAB 89.87, -9.58, 24.47

 

CMYK 4 / 0 / 44 / 18

HEX #CAD275

RGB 202 210 117

HSL 65.16, 0.51%, 0.64%

LAB 81.8, -16.29, 44.98

 

CMYK 45 / 0 / 32 / 18

HEX #74D28F

RGB 116 210 143

HSL 137.23, 0.51%, 0.64%

LAB 77.15, -42.44, 24.76

 

CMYK 14 / 45 / 0 / 18

HEX #B474D2

RGB 180 116 210

HSL 280.85, 0.51%, 0.64%

LAB 58.83, 41.54, -38.7

 

CMYK 4 / 0 / 44 / 18

HEX #CAD275

RGB 202 210 117

HSL 65.16, 0.51%, 0.64%

LAB 81.8, -16.29, 44.98

 

CMYK 45 / 4 / 0 / 18

HEX #74CAD2

RGB 116 202 210

HSL 185.11, 0.51%, 0.64%

LAB 76.44, -23.89, -12.1

 

CMYK 0 / 45 / 4 / 18

HEX #D274CA

RGB 210 116 202

HSL 305.11, 0.51%, 0.64%

LAB 62.05, 48.87, -28.92

 

CMYK 4 / 0 / 44 / 18

HEX #CAD275

RGB 202 210 117

HSL 65.16, 0.51%, 0.64%

LAB 81.8, -16.29, 44.98

 

CMYK 45 / 0 / 32 / 18

HEX #74D28F

RGB 116 210 143

HSL 137.23, 0.51%, 0.64%

LAB 77.15, -42.44, 24.76

 

CMYK 41 / 45 / 0 / 18

HEX #7C74D2

RGB 124 116 210

HSL 245.11, 0.51%, 0.64%

LAB 53.42, 26.16, -47.61

 

CMYK 0 / 45 / 13 / 18

HEX #D274B7

RGB 210 116 183

HSL 317.23, 0.51%, 0.64%

LAB 61.32, 45.66, -19.26

 

CMYK 4 / 0 / 44 / 18

HEX #CAD275

RGB 202 210 117

HSL 65.16, 0.51%, 0.64%

LAB 81.8, -16.29, 44.98

 

CMYK 45 / 0 / 19 / 18

HEX #74D2AB

RGB 116 210 171

HSL 155.11, 0.51%, 0.64%

LAB 77.73, -36.94, 10.74

 

CMYK 41 / 45 / 0 / 18

HEX #7C74D2

RGB 124 116 210

HSL 245.11, 0.51%, 0.64%

LAB 53.42, 26.16, -47.61

 

CMYK 0 / 45 / 26 / 18

HEX #D2749B

RGB 210 116 155

HSL 335.11, 0.51%, 0.64%

LAB 60.39, 41.45, -4.62

 

Description

Color code: HEX #CAD275 | qconv.com Color code: HEX #CAD275 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 210 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 210 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 44 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 44% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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