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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2C0AE it is the complementary color #1D3F51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2C0AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2C0AE shade: #E7C0A9, #F8D2BC, #FFE4CF, #FFF6E2 and #FFFFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2C0AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2C0AE shade: #E2C0AE, #D1AE9B, #C09C88, #AF8A75 and #9E7862

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2C0AE shade: #E1BFAD, #E1B1AD and #E1ADAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2C0AE shade: #E1BFAD, #E1CDAD, #E1DBAD, #D9E1AD and #CBE1AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2C0AE shade matches the following richer shades: #E1BFAD, #EABCA3, #F3B99A and #FCB691

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2C0AE shade: #E1BFAD, #D8C2B6, #CFC4BF, #C6C7C8 and #BDCAD1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2C0AE shade: #E1ADB7, #E1B0AD, #E1BEAD, #E1CCAD and #E1DAAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2C0AE shade: #CB9070, #D6A78E, #E1BFAD, #ECD6CB and #F7EEE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2C0AE shade: #E2C0AE, #C5E1AD and #ADB0E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2C0AE shade: #E2C0AE, #ADE1BE and #BEADE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2C0AE shade: #E2C0AE, #C5E1AD, #ADD0E1 and #C9ADE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2C0AE shade: #E2C0AE, #B5E1AD, #ADD0E1 and #D8ADE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 23 / 11

HEX #E2C0AE

RGB 226 192 174

HSL 20.77, 0.47%, 0.78%

LAB 80.14, 9.36, 13.56

 

Complementary color

CMYK 64 / 22 / 0 / 68

HEX #1D3F51

RGB 29 63 81

HSL 200.77, 0.47%, 0.22%

LAB 24.98, -6.15, -14.6

 

CMYK 0 / 17 / 27 / 9

HEX #E7C0A9

RGB 231 192 169

HSL 22.26, 0.56%, 0.78%

LAB 80.49, 10.54, 16.8

 

CMYK 0 / 15 / 24 / 3

HEX #F8D2BC

RGB 248 210 188

HSL 22, 0.81%, 0.85%

LAB 86.84, 10.05, 15.85

 

CMYK 0 / 11 / 19 / 0

HEX #FFE4CF

RGB 255 228 207

HSL 26.25, 1%, 0.91%

LAB 92.24, 6, 13.62

 

CMYK 0 / 4 / 11 / 0

HEX #FFF6E2

RGB 255 246 226

HSL 41.38, 1%, 0.94%

LAB 97.09, -0.28, 10.68

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF5

RGB 255 255 245

HSL 60, 1%, 0.98%

LAB 99.76, -1.71, 4.76

 

CMYK 0 / 15 / 23 / 11

HEX #E2C0AE

RGB 226 192 174

HSL 20.77, 0.47%, 0.78%

LAB 80.14, 9.36, 13.56

 

CMYK 0 / 17 / 26 / 18

HEX #D1AE9B

RGB 209 174 155

HSL 21.11, 0.37%, 0.71%

LAB 73.67, 9.84, 14.5

 

CMYK 0 / 19 / 29 / 25

HEX #C09C88

RGB 192 156 136

HSL 21.43, 0.31%, 0.64%

LAB 67.1, 10.39, 15.51

 

CMYK 0 / 21 / 33 / 31

HEX #AF8A75

RGB 175 138 117

HSL 21.72, 0.27%, 0.57%

LAB 60.4, 11.02, 16.61

 

CMYK 0 / 24 / 38 / 38

HEX #9E7862

RGB 158 120 98

HSL 22, 0.24%, 0.5%

LAB 53.58, 11.75, 17.82

 

CMYK 0 / 15 / 23 / 12

HEX #E1BFAD

RGB 225 191 173

HSL 20.77, 0.46%, 0.78%

LAB 79.78, 9.37, 13.57

 

CMYK 0 / 21 / 23 / 12

HEX #E1B1AD

RGB 225 177 173

HSL 4.62, 0.46%, 0.78%

LAB 76.36, 16.84, 8.72

 

CMYK 0 / 23 / 23 / 12

HEX #E1ADAD

RGB 225 173 173

HSL 0, 0.46%, 0.78%

LAB 75.4, 18.98, 7.34

 

CMYK 0 / 15 / 23 / 12

HEX #E1BFAD

RGB 225 191 173

HSL 20.77, 0.46%, 0.78%

LAB 79.78, 9.37, 13.57

 

CMYK 0 / 9 / 23 / 12

HEX #E1CDAD

RGB 225 205 173

HSL 36.92, 0.46%, 0.78%

LAB 83.28, 2.01, 18.48

 

CMYK 0 / 3 / 23 / 12

HEX #E1DBAD

RGB 225 219 173

HSL 53.08, 0.46%, 0.78%

LAB 86.84, -5.22, 23.41

 

CMYK 4 / 0 / 23 / 12

HEX #D9E1AD

RGB 217 225 173

HSL 69.23, 0.46%, 0.78%

LAB 87.79, -11.21, 24.6

 

CMYK 10 / 0 / 23 / 12

HEX #CBE1AD

RGB 203 225 173

HSL 85.38, 0.46%, 0.78%

LAB 86.78, -16.27, 23.07

 

CMYK 0 / 15 / 23 / 12

HEX #E1BFAD

RGB 225 191 173

HSL 20.77, 0.46%, 0.78%

LAB 79.78, 9.37, 13.57

 

CMYK 0 / 20 / 30 / 8

HEX #EABCA3

RGB 234 188 163

HSL 21.13, 0.63%, 0.78%

LAB 79.67, 12.99, 18.91

 

CMYK 0 / 24 / 37 / 5

HEX #F3B99A

RGB 243 185 154

HSL 20.9, 0.79%, 0.78%

LAB 79.66, 16.92, 23.84

 

CMYK 0 / 28 / 42 / 1

HEX #FCB691

RGB 252 182 145

HSL 20.75, 0.95%, 0.78%

LAB 79.73, 20.99, 28.87

 

CMYK 0 / 15 / 23 / 12

HEX #E1BFAD

RGB 225 191 173

HSL 20.77, 0.46%, 0.78%

LAB 79.78, 9.37, 13.57

 

CMYK 0 / 10 / 16 / 15

HEX #D8C2B6

RGB 216 194 182

HSL 21.18, 0.3%, 0.78%

LAB 79.93, 5.8, 8.85

 

CMYK 0 / 5 / 8 / 19

HEX #CFC4BF

RGB 207 196 191

HSL 18.75, 0.14%, 0.78%

LAB 79.9, 2.97, 3.87

 

CMYK 1 / 0 / 0 / 22

HEX #C6C7C8

RGB 198 199 200

HSL 210, 0.02%, 0.78%

LAB 80.19, -0.16, -0.63

 

CMYK 10 / 3 / 0 / 18

HEX #BDCAD1

RGB 189 202 209

HSL 201, 0.18%, 0.78%

LAB 80.55, -3.04, -5.01

 

CMYK 0 / 23 / 19 / 12

HEX #E1ADB7

RGB 225 173 183

HSL 348.46, 0.46%, 0.78%

LAB 75.65, 20.47, 2.24

 

CMYK 0 / 22 / 23 / 12

HEX #E1B0AD

RGB 225 176 173

HSL 3.46, 0.46%, 0.78%

LAB 76.12, 17.37, 8.37

 

CMYK 0 / 16 / 23 / 12

HEX #E1BEAD

RGB 225 190 173

HSL 19.62, 0.46%, 0.78%

LAB 79.53, 9.9, 13.22

 

CMYK 0 / 9 / 23 / 12

HEX #E1CCAD

RGB 225 204 173

HSL 35.77, 0.46%, 0.78%

LAB 83.03, 2.53, 18.13

 

CMYK 0 / 3 / 23 / 12

HEX #E1DAAD

RGB 225 218 173

HSL 51.92, 0.46%, 0.78%

LAB 86.59, -4.7, 23.06

 

CMYK 0 / 29 / 45 / 20

HEX #CB9070

RGB 203 144 112

HSL 21.1, 0.47%, 0.62%

LAB 64.81, 18.47, 25.88

 

CMYK 0 / 22 / 34 / 16

HEX #D6A78E

RGB 214 167 142

HSL 20.83, 0.47%, 0.7%

LAB 72.15, 13.82, 19.55

 

CMYK 0 / 15 / 23 / 12

HEX #E1BFAD

RGB 225 191 173

HSL 20.77, 0.46%, 0.78%

LAB 79.78, 9.37, 13.57

 

CMYK 0 / 9 / 14 / 7

HEX #ECD6CB

RGB 236 214 203

HSL 20, 0.46%, 0.86%

LAB 87.11, 5.82, 8.18

 

CMYK 0 / 4 / 6 / 3

HEX #F7EEE9

RGB 247 238 233

HSL 21.43, 0.47%, 0.94%

LAB 94.66, 2.17, 3.48

 

CMYK 0 / 15 / 23 / 11

HEX #E2C0AE

RGB 226 192 174

HSL 20.77, 0.47%, 0.78%

LAB 80.14, 9.36, 13.56

 

CMYK 12 / 0 / 23 / 12

HEX #C5E1AD

RGB 197 225 173

HSL 92.31, 0.46%, 0.78%

LAB 86.37, -18.41, 22.44

 

CMYK 23 / 22 / 0 / 12

HEX #ADB0E1

RGB 173 176 225

HSL 236.54, 0.46%, 0.78%

LAB 73.14, 9.35, -24.93

 

CMYK 0 / 15 / 23 / 11

HEX #E2C0AE

RGB 226 192 174

HSL 20.77, 0.47%, 0.78%

LAB 80.14, 9.36, 13.56

 

CMYK 23 / 0 / 16 / 12

HEX #ADE1BE

RGB 173 225 190

HSL 139.62, 0.46%, 0.78%

LAB 85.23, -23.61, 11.73

 

CMYK 16 / 23 / 0 / 12

HEX #BEADE1

RGB 190 173 225

HSL 259.62, 0.46%, 0.78%

LAB 73.72, 16.28, -23.91

 

CMYK 0 / 15 / 23 / 11

HEX #E2C0AE

RGB 226 192 174

HSL 20.77, 0.47%, 0.78%

LAB 80.14, 9.36, 13.56

 

CMYK 12 / 0 / 23 / 12

HEX #C5E1AD

RGB 197 225 173

HSL 92.31, 0.46%, 0.78%

LAB 86.37, -18.41, 22.44

 

CMYK 23 / 8 / 0 / 12

HEX #ADD0E1

RGB 173 208 225

HSL 199.62, 0.46%, 0.78%

LAB 81.53, -7.86, -12.24

 

CMYK 11 / 23 / 0 / 12

HEX #C9ADE1

RGB 201 173 225

HSL 272.31, 0.46%, 0.78%

LAB 74.66, 19.78, -22.39

 

CMYK 0 / 15 / 23 / 11

HEX #E2C0AE

RGB 226 192 174

HSL 20.77, 0.47%, 0.78%

LAB 80.14, 9.36, 13.56

 

CMYK 20 / 0 / 23 / 12

HEX #B5E1AD

RGB 181 225 173

HSL 110.77, 0.46%, 0.78%

LAB 85.35, -23.95, 20.86

 

CMYK 23 / 8 / 0 / 12

HEX #ADD0E1

RGB 173 208 225

HSL 199.62, 0.46%, 0.78%

LAB 81.53, -7.86, -12.24

 

CMYK 4 / 23 / 0 / 12

HEX #D8ADE1

RGB 216 173 225

HSL 289.62, 0.46%, 0.78%

LAB 76.02, 24.64, -20.2

 

Description

Color code: HEX #E2C0AE | qconv.com Color code: HEX #E2C0AE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 192 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 192 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 23 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 23% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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