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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2BCAC it is the complementary color #1D4353. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2BCAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2BCAC shade: #E7BCA7, #F8CEBA, #FFE0CD, #FFF2E0 and #FFFFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2BCAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2BCAC shade: #E2BCAC, #D1AA99, #C09886, #AF8673 and #9E7460

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2BCAC shade: #E1BBAB, #E1ADAB and #E1ABAB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2BCAC shade: #E1BBAB, #E1CAAB, #E1D8AB, #DCE1AB and #CDE1AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2BCAC shade matches the following richer shades: #E1BBAB, #EAB8A2, #F3B499 and #FDB090

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2BCAC shade: #E1BBAB, #D8BFB5, #CFC3BE, #C6C7C7 and #BDCAD0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2BCAC shade: #E1ABB9, #E1ACAB, #E1BBAB, #E1C9AB and #E1D7AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2BCAC shade: #CC8A6E, #D7A38D, #E1BBAB, #ECD4CA and #F7EDE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2BCAC shade: #E2BCAC, #C7E1AB and #ABB2E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2BCAC shade: #E2BCAC, #ABE1BB and #BBABE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2BCAC shade: #E2BCAC, #C7E1AB, #ABD2E1 and #C6ABE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2BCAC shade: #E2BCAC, #B7E1AB, #ABD2E1 and #D6ABE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 24 / 11

HEX #E2BCAC

RGB 226 188 172

HSL 17.78, 0.48%, 0.78%

LAB 79.11, 11.19, 13.18

 

Complementary color

CMYK 65 / 19 / 0 / 67

HEX #1D4353

RGB 29 67 83

HSL 197.78, 0.48%, 0.22%

LAB 26.45, -7.97, -13.66

 

CMYK 0 / 19 / 28 / 9

HEX #E7BCA7

RGB 231 188 167

HSL 19.69, 0.57%, 0.78%

LAB 79.47, 12.38, 16.44

 

CMYK 0 / 17 / 25 / 3

HEX #F8CEBA

RGB 248 206 186

HSL 19.35, 0.82%, 0.85%

LAB 85.83, 11.86, 15.48

 

CMYK 0 / 12 / 20 / 0

HEX #FFE0CD

RGB 255 224 205

HSL 22.8, 1%, 0.9%

LAB 91.22, 7.77, 13.21

 

CMYK 0 / 5 / 12 / 0

HEX #FFF2E0

RGB 255 242 224

HSL 34.84, 1%, 0.94%

LAB 96.06, 1.43, 10.24

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF3

RGB 255 255 243

HSL 60, 1%, 0.98%

LAB 99.71, -2.05, 5.72

 

CMYK 0 / 17 / 24 / 11

HEX #E2BCAC

RGB 226 188 172

HSL 17.78, 0.48%, 0.78%

LAB 79.11, 11.19, 13.18

 

CMYK 0 / 19 / 27 / 18

HEX #D1AA99

RGB 209 170 153

HSL 18.21, 0.38%, 0.71%

LAB 72.63, 11.72, 14.13

 

CMYK 0 / 21 / 30 / 25

HEX #C09886

RGB 192 152 134

HSL 18.62, 0.32%, 0.64%

LAB 66.05, 12.32, 15.16

 

CMYK 0 / 23 / 34 / 31

HEX #AF8673

RGB 175 134 115

HSL 19, 0.27%, 0.57%

LAB 59.34, 13, 16.28

 

CMYK 0 / 27 / 39 / 38

HEX #9E7460

RGB 158 116 96

HSL 19.35, 0.24%, 0.5%

LAB 52.51, 13.79, 17.52

 

CMYK 0 / 17 / 24 / 12

HEX #E1BBAB

RGB 225 187 171

HSL 17.78, 0.47%, 0.78%

LAB 78.75, 11.21, 13.19

 

CMYK 0 / 23 / 24 / 12

HEX #E1ADAB

RGB 225 173 171

HSL 2.22, 0.47%, 0.78%

LAB 75.35, 18.69, 8.37

 

CMYK 0 / 24 / 24 / 12

HEX #E1ABAB

RGB 225 171 171

HSL 0, 0.47%, 0.78%

LAB 74.87, 19.77, 7.68

 

CMYK 0 / 17 / 24 / 12

HEX #E1BBAB

RGB 225 187 171

HSL 17.78, 0.47%, 0.78%

LAB 78.75, 11.21, 13.19

 

CMYK 0 / 10 / 24 / 12

HEX #E1CAAB

RGB 225 202 171

HSL 34.44, 0.47%, 0.78%

LAB 82.48, 3.29, 18.43

 

CMYK 0 / 4 / 24 / 12

HEX #E1D8AB

RGB 225 216 171

HSL 50, 0.47%, 0.78%

LAB 86.04, -3.96, 23.34

 

CMYK 2 / 0 / 24 / 12

HEX #DCE1AB

RGB 220 225 171

HSL 65.56, 0.47%, 0.78%

LAB 87.97, -10.39, 25.93

 

CMYK 9 / 0 / 24 / 12

HEX #CDE1AB

RGB 205 225 171

HSL 82.22, 0.47%, 0.78%

LAB 86.88, -15.85, 24.27

 

CMYK 0 / 17 / 24 / 12

HEX #E1BBAB

RGB 225 187 171

HSL 17.78, 0.47%, 0.78%

LAB 78.75, 11.21, 13.19

 

CMYK 0 / 21 / 31 / 8

HEX #EAB8A2

RGB 234 184 162

HSL 18.33, 0.63%, 0.78%

LAB 78.68, 14.99, 18.07

 

CMYK 0 / 26 / 37 / 5

HEX #F3B499

RGB 243 180 153

HSL 18, 0.79%, 0.78%

LAB 78.46, 19.45, 22.74

 

CMYK 0 / 30 / 43 / 1

HEX #FDB090

RGB 253 176 144

HSL 17.61, 0.96%, 0.78%

LAB 78.43, 24.42, 27.69

 

CMYK 0 / 17 / 24 / 12

HEX #E1BBAB

RGB 225 187 171

HSL 17.78, 0.47%, 0.78%

LAB 78.75, 11.21, 13.19

 

CMYK 0 / 12 / 16 / 15

HEX #D8BFB5

RGB 216 191 181

HSL 17.14, 0.31%, 0.78%

LAB 79.15, 7.24, 8.28

 

CMYK 0 / 6 / 8 / 19

HEX #CFC3BE

RGB 207 195 190

HSL 17.65, 0.15%, 0.78%

LAB 79.62, 3.33, 4

 

CMYK 1 / 0 / 0 / 22

HEX #C6C7C7

RGB 198 199 199

HSL 180, 0.01%, 0.78%

LAB 80.17, -0.34, -0.13

 

CMYK 9 / 3 / 0 / 18

HEX #BDCAD0

RGB 189 202 208

HSL 198.95, 0.17%, 0.78%

LAB 80.52, -3.24, -4.51

 

CMYK 0 / 24 / 18 / 12

HEX #E1ABB9

RGB 225 171 185

HSL 344.44, 0.47%, 0.78%

LAB 75.22, 21.85, 0.53

 

CMYK 0 / 24 / 24 / 12

HEX #E1ACAB

RGB 225 172 171

HSL 1.11, 0.47%, 0.78%

LAB 75.11, 19.23, 8.02

 

CMYK 0 / 17 / 24 / 12

HEX #E1BBAB

RGB 225 187 171

HSL 17.78, 0.47%, 0.78%

LAB 78.75, 11.21, 13.19

 

CMYK 0 / 11 / 24 / 12

HEX #E1C9AB

RGB 225 201 171

HSL 33.33, 0.47%, 0.78%

LAB 82.23, 3.82, 18.08

 

CMYK 0 / 4 / 24 / 12

HEX #E1D7AB

RGB 225 215 171

HSL 48.89, 0.47%, 0.78%

LAB 85.78, -3.44, 22.99

 

CMYK 0 / 32 / 46 / 20

HEX #CC8A6E

RGB 204 138 110

HSL 17.87, 0.48%, 0.62%

LAB 63.46, 21.95, 25.2

 

CMYK 0 / 24 / 34 / 16

HEX #D7A38D

RGB 215 163 141

HSL 17.84, 0.48%, 0.7%

LAB 71.26, 16.25, 18.88

 

CMYK 0 / 17 / 24 / 12

HEX #E1BBAB

RGB 225 187 171

HSL 17.78, 0.47%, 0.78%

LAB 78.75, 11.21, 13.19

 

CMYK 0 / 10 / 14 / 7

HEX #ECD4CA

RGB 236 212 202

HSL 17.65, 0.47%, 0.86%

LAB 86.6, 6.71, 7.97

 

CMYK 0 / 4 / 6 / 3

HEX #F7EDE9

RGB 247 237 233

HSL 17.14, 0.47%, 0.94%

LAB 94.41, 2.68, 3.12

 

CMYK 0 / 17 / 24 / 11

HEX #E2BCAC

RGB 226 188 172

HSL 17.78, 0.48%, 0.78%

LAB 79.11, 11.19, 13.18

 

CMYK 12 / 0 / 24 / 12

HEX #C7E1AB

RGB 199 225 171

HSL 88.89, 0.47%, 0.78%

LAB 86.47, -18, 23.63

 

CMYK 24 / 21 / 0 / 12

HEX #ABB2E1

RGB 171 178 225

HSL 232.22, 0.47%, 0.78%

LAB 73.5, 7.64, -24.38

 

CMYK 0 / 17 / 24 / 11

HEX #E2BCAC

RGB 226 188 172

HSL 17.78, 0.48%, 0.78%

LAB 79.11, 11.19, 13.18

 

CMYK 24 / 0 / 17 / 12

HEX #ABE1BB

RGB 171 225 187

HSL 137.78, 0.47%, 0.78%

LAB 85.05, -24.8, 13.03

 

CMYK 17 / 24 / 0 / 12

HEX #BBABE1

RGB 187 171 225

HSL 257.78, 0.47%, 0.78%

LAB 72.98, 16.44, -25.07

 

CMYK 0 / 17 / 24 / 11

HEX #E2BCAC

RGB 226 188 172

HSL 17.78, 0.48%, 0.78%

LAB 79.11, 11.19, 13.18

 

CMYK 12 / 0 / 24 / 12

HEX #C7E1AB

RGB 199 225 171

HSL 88.89, 0.47%, 0.78%

LAB 86.47, -18, 23.63

 

CMYK 24 / 7 / 0 / 12

HEX #ABD2E1

RGB 171 210 225

HSL 196.67, 0.47%, 0.78%

LAB 81.94, -9.5, -11.64

 

CMYK 12 / 24 / 0 / 12

HEX #C6ABE1

RGB 198 171 225

HSL 270, 0.47%, 0.78%

LAB 73.91, 19.92, -23.56

 

CMYK 0 / 17 / 24 / 11

HEX #E2BCAC

RGB 226 188 172

HSL 17.78, 0.48%, 0.78%

LAB 79.11, 11.19, 13.18

 

CMYK 19 / 0 / 24 / 12

HEX #B7E1AB

RGB 183 225 171

HSL 106.67, 0.47%, 0.78%

LAB 85.43, -23.59, 22.04

 

CMYK 24 / 7 / 0 / 12

HEX #ABD2E1

RGB 171 210 225

HSL 196.67, 0.47%, 0.78%

LAB 81.94, -9.5, -11.64

 

CMYK 5 / 24 / 0 / 12

HEX #D6ABE1

RGB 214 171 225

HSL 287.78, 0.47%, 0.78%

LAB 75.36, 25.07, -21.22

 

Description

Color code: HEX #E2BCAC | qconv.com Color code: HEX #E2BCAC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 188 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 188 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 24 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 24% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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