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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 24 / 34 / 16 it is the complementary color CMYK 64 / 19 / 0 / 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 24 / 34 / 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 24 / 34 / 16: CMYK 0 / 26 / 38 / 14, CMYK 0 / 23 / 34 / 7, CMYK 0 / 21 / 31 / 1, CMYK 0 / 15 / 24 / 0 and CMYK 0 / 8 / 17 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 24 / 34 / 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 24 / 34 / 16: CMYK 0 / 24 / 34 / 16, CMYK 0 / 26 / 38 / 23, CMYK 0 / 29 / 43 / 29, CMYK 0 / 33 / 48 / 36 and CMYK 0 / 38 / 55 / 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 34 / 16

HEX #D6A38D

RGB 214 163 141

HSL 18.08, 0.47%, 0.7%

LAB 71.16, 15.86, 18.72

 

Complementary color

CMYK 64 / 19 / 0 / 55

HEX #295C72

RGB 41 92 114

HSL 198.08, 0.47%, 0.3%

LAB 36.63, -9.78, -17.61

 

CMYK 0 / 26 / 38 / 14

HEX #DBA388

RGB 219 163 136

HSL 19.52, 0.54%, 0.7%

LAB 71.58, 17.21, 22.12

 

CMYK 0 / 23 / 34 / 7

HEX #ECB59B

RGB 236 181 155

HSL 19.26, 0.68%, 0.77%

LAB 78.02, 16.46, 20.95

 

CMYK 0 / 21 / 31 / 1

HEX #FDC7AE

RGB 253 199 174

HSL 18.99, 0.95%, 0.84%

LAB 84.37, 15.8, 19.86

 

CMYK 0 / 15 / 24 / 0

HEX #FFD9C1

RGB 255 217 193

HSL 23.23, 1%, 0.88%

LAB 89.27, 9.68, 16.72

 

CMYK 0 / 8 / 17 / 0

HEX #FFEBD4

RGB 255 235 212

HSL 32.09, 1%, 0.92%

LAB 94.07, 3.16, 13.61

 

CMYK 0 / 24 / 34 / 16

HEX #D6A38D

RGB 214 163 141

HSL 18.08, 0.47%, 0.7%

LAB 71.16, 15.86, 18.72

 

CMYK 0 / 26 / 38 / 23

HEX #C5917A

RGB 197 145 122

HSL 18.4, 0.39%, 0.63%

LAB 64.58, 16.63, 19.91

 

CMYK 0 / 29 / 43 / 29

HEX #B47F67

RGB 180 127 103

HSL 18.7, 0.34%, 0.55%

LAB 57.91, 17.51, 21.22

 

CMYK 0 / 33 / 48 / 36

HEX #A36D54

RGB 163 109 84

HSL 18.99, 0.32%, 0.48%

LAB 51.11, 18.53, 22.68

 

CMYK 0 / 38 / 55 / 43

HEX #925B41

RGB 146 91 65

HSL 19.26, 0.38%, 0.41%

LAB 44.2, 19.73, 24.34

 

CMYK 0 / 24 / 34 / 16

HEX #D6A38D

RGB 214 163 141

HSL 18.08, 0.47%, 0.7%

LAB 71.16, 15.86, 18.72

 

CMYK 0 / 18 / 34 / 16

HEX #D6B08E

RGB 214 176 142

HSL 28.33, 0.47%, 0.7%

LAB 74.38, 8.98, 22.6

 

CMYK 0 / 12 / 34 / 16

HEX #D6BC8E

RGB 214 188 142

HSL 38.33, 0.47%, 0.7%

LAB 77.41, 2.6, 26.7

 

CMYK 0 / 7 / 34 / 16

HEX #D6C88E

RGB 214 200 142

HSL 48.33, 0.47%, 0.7%

LAB 80.49, -3.68, 30.82

 

CMYK 0 / 1 / 34 / 16

HEX #D6D48E

RGB 214 212 142

HSL 58.33, 0.47%, 0.7%

LAB 83.62, -9.83, 34.94

 

CMYK 0 / 24 / 34 / 16

HEX #D6A38D

RGB 214 163 141

HSL 18.08, 0.47%, 0.7%

LAB 71.16, 15.86, 18.72

 

CMYK 0 / 20 / 30 / 96

HEX #0A0807

RGB 10 8 7

HSL 20, 0.18%, 0.03%

LAB 2.29, 0.38, 0.56

 

CMYK 0 / 25 / 34 / 76

HEX #3D2E28

RGB 61 46 40

HSL 17.14, 0.21%, 0.2%

LAB 20.44, 5.8, 6.49

 

CMYK 0 / 24 / 34 / 56

HEX #70554A

RGB 112 85 74

HSL 17.37, 0.2%, 0.36%

LAB 38.61, 9.48, 10.73

 

CMYK 0 / 24 / 34 / 36

HEX #A37C6B

RGB 163 124 107

HSL 18.21, 0.23%, 0.53%

LAB 55.34, 12.7, 15.13

 

CMYK 0 / 24 / 34 / 16

HEX #D6A38D

RGB 214 163 141

HSL 18.08, 0.47%, 0.7%

LAB 71.16, 15.86, 18.72

 

CMYK 17 / 0 / 34 / 16

HEX #B2D68E

RGB 178 214 142

HSL 90, 0.47%, 0.7%

LAB 81.57, -24.37, 31.77

 

CMYK 34 / 30 / 0 / 16

HEX #8E95D6

RGB 142 149 214

HSL 234.17, 0.47%, 0.7%

LAB 63.43, 12.72, -34.03

 

CMYK 0 / 24 / 34 / 16

HEX #D6A38D

RGB 214 163 141

HSL 18.08, 0.47%, 0.7%

LAB 71.16, 15.86, 18.72

 

CMYK 34 / 0 / 23 / 16

HEX #8ED6A4

RGB 142 214 164

HSL 138.33, 0.47%, 0.7%

LAB 79.91, -32.87, 17.7

 

CMYK 23 / 34 / 0 / 16

HEX #A48ED6

RGB 164 142 214

HSL 258.33, 0.47%, 0.7%

LAB 63.42, 23.15, -33.9

 

CMYK 0 / 24 / 34 / 16

HEX #D6A38D

RGB 214 163 141

HSL 18.08, 0.47%, 0.7%

LAB 71.16, 15.86, 18.72

 

CMYK 17 / 0 / 34 / 16

HEX #B2D68E

RGB 178 214 142

HSL 90, 0.47%, 0.7%

LAB 81.57, -24.37, 31.77

 

CMYK 34 / 10 / 0 / 16

HEX #8EC0D6

RGB 142 192 214

HSL 198.33, 0.47%, 0.7%

LAB 75.02, -11.05, -16.28

 

CMYK 17 / 34 / 0 / 16

HEX #B28ED6

RGB 178 142 214

HSL 270, 0.47%, 0.7%

LAB 64.7, 27.4, -31.82

 

CMYK 0 / 24 / 34 / 16

HEX #D6A38D

RGB 214 163 141

HSL 18.08, 0.47%, 0.7%

LAB 71.16, 15.86, 18.72

 

CMYK 27 / 0 / 34 / 16

HEX #9CD68E

RGB 156 214 142

HSL 108.33, 0.47%, 0.7%

LAB 80.24, -32.08, 29.76

 

CMYK 34 / 10 / 0 / 16

HEX #8EC0D6

RGB 142 192 214

HSL 198.33, 0.47%, 0.7%

LAB 75.02, -11.05, -16.28

 

CMYK 7 / 34 / 0 / 16

HEX #C88ED6

RGB 200 142 214

HSL 288.33, 0.47%, 0.7%

LAB 66.89, 34.24, -28.26

 

Description

Color code: CMYK 0 / 24 / 34 / 16 | qconv.com Color code: CMYK 0 / 24 / 34 / 16 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 163 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 163 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 34 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 34% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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