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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2AD3C it is the complementary color #1D52C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2AD3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2AD3C shade: #E7AD37, #F8BF4A, #FFD15D, #FFE370 and #FFF583

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2AD3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2AD3C shade: #E2AD3C, #D19B29, #C08916, #AF7703 and #9E6500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2AD3C shade: #E2AD3C, #E2803C, #E2533C and #E23C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2AD3C shade: #E2AD3C, #E2DA3C, #BDE23C, #91E23C and #64E23C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2AD3C shade matches the following richer shades: #E2AD3C and #F4B32A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2AD3C shade: #E2AD3C, #D0A64E, #BEA060, #AB9972 and #999384

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2AD3C shade: #E2523C, #E27E3C, #E2AA3C, #E2D73C and #C1E23C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2AD3C shade: #B1811A, #D59B20, #E2AD3C, #E7BC60 and #EDCB84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2AD3C shade: #E2AD3C, #52E23C and #683CE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2AD3C shade: #E2AD3C, #3CE2AA and #AA3CE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2AD3C shade: #E2AD3C, #52E23C, #3C73E2 and #CC3CE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2AD3C shade: #E2AD3C, #3CE257, #3C73E2 and #E23CC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 73 / 11

HEX #E2AD3C

RGB 226 173 60

HSL 40.84, 0.74%, 0.56%

LAB 73.79, 8.69, 62.4

 

Complementary color

CMYK 85 / 58 / 0 / 24

HEX #1D52C3

RGB 29 82 195

HSL 220.84, 0.74%, 0.44%

LAB 38.26, 26.17, -63.67

 

CMYK 0 / 25 / 76 / 9

HEX #E7AD37

RGB 231 173 55

HSL 40.23, 0.79%, 0.56%

LAB 74.29, 10.62, 64.97

 

CMYK 0 / 23 / 70 / 3

HEX #F8BF4A

RGB 248 191 74

HSL 40.34, 0.93%, 0.63%

LAB 80.58, 9.22, 64.31

 

CMYK 0 / 18 / 64 / 0

HEX #FFD15D

RGB 255 209 93

HSL 42.96, 1%, 0.68%

LAB 85.83, 3.87, 62.01

 

CMYK 0 / 11 / 56 / 0

HEX #FFE370

RGB 255 227 112

HSL 48.25, 1%, 0.72%

LAB 90.49, -3.99, 58.75

 

CMYK 0 / 4 / 49 / 0

HEX #FFF583

RGB 255 245 131

HSL 55.16, 1%, 0.76%

LAB 95.25, -11.41, 55.6

 

CMYK 0 / 23 / 73 / 11

HEX #E2AD3C

RGB 226 173 60

HSL 40.84, 0.74%, 0.56%

LAB 73.79, 8.69, 62.4

 

CMYK 0 / 26 / 80 / 18

HEX #D19B29

RGB 209 155 41

HSL 40.71, 0.67%, 0.49%

LAB 67.4, 10.22, 62.74

 

CMYK 0 / 29 / 89 / 25

HEX #C08916

RGB 192 137 22

HSL 40.59, 0.79%, 0.42%

LAB 60.92, 11.99, 62.15

 

CMYK 0 / 32 / 98 / 31

HEX #AF7703

RGB 175 119 3

HSL 40.47, 0.97%, 0.35%

LAB 54.36, 14.04, 60.15

 

CMYK 0 / 36 / 100 / 38

HEX #9E6500

RGB 158 101 0

HSL 38.35, 1%, 0.31%

LAB 47.72, 16.42, 55.3

 

CMYK 0 / 23 / 73 / 11

HEX #E2AD3C

RGB 226 173 60

HSL 40.84, 0.74%, 0.56%

LAB 73.79, 8.69, 62.4

 

CMYK 0 / 43 / 73 / 11

HEX #E2803C

RGB 226 128 60

HSL 24.58, 0.74%, 0.56%

LAB 63.29, 32.62, 51.78

 

CMYK 0 / 63 / 73 / 11

HEX #E2533C

RGB 226 83 60

HSL 8.31, 0.74%, 0.56%

LAB 54.74, 54.39, 42.64

 

CMYK 0 / 73 / 73 / 11

HEX #E23C3C

RGB 226 60 60

HSL 0, 0.74%, 0.56%

LAB 51.53, 63.16, 39.06

 

CMYK 0 / 23 / 73 / 11

HEX #E2AD3C

RGB 226 173 60

HSL 40.84, 0.74%, 0.56%

LAB 73.79, 8.69, 62.4

 

CMYK 0 / 4 / 73 / 11

HEX #E2DA3C

RGB 226 218 60

HSL 57.11, 0.74%, 0.56%

LAB 85.32, -14.46, 73.46

 

CMYK 16 / 0 / 73 / 11

HEX #BDE23C

RGB 189 226 60

HSL 73.37, 0.74%, 0.56%

LAB 84.76, -33.4, 71.96

 

CMYK 36 / 0 / 73 / 11

HEX #91E23C

RGB 145 226 60

HSL 89.28, 0.74%, 0.56%

LAB 82.24, -49.72, 68.66

 

CMYK 56 / 0 / 73 / 11

HEX #64E23C

RGB 100 226 60

HSL 105.54, 0.74%, 0.56%

LAB 80.42, -63.23, 66.25

 

CMYK 0 / 23 / 73 / 11

HEX #E2AD3C

RGB 226 173 60

HSL 40.84, 0.74%, 0.56%

LAB 73.79, 8.69, 62.4

 

CMYK 0 / 27 / 83 / 4

HEX #F4B32A

RGB 244 179 42

HSL 40.69, 0.9%, 0.56%

LAB 77.07, 12.58, 72.32

 

CMYK 0 / 23 / 73 / 11

HEX #E2AD3C

RGB 226 173 60

HSL 40.84, 0.74%, 0.56%

LAB 73.79, 8.69, 62.4

 

CMYK 0 / 20 / 63 / 18

HEX #D0A64E

RGB 208 166 78

HSL 40.62, 0.58%, 0.56%

LAB 70.34, 5.72, 50.37

 

CMYK 0 / 16 / 49 / 25

HEX #BEA060

RGB 190 160 96

HSL 40.85, 0.42%, 0.56%

LAB 67.23, 2.75, 37.29

 

CMYK 0 / 11 / 33 / 33

HEX #AB9972

RGB 171 153 114

HSL 41.05, 0.25%, 0.56%

LAB 63.88, 0.68, 22.95

 

CMYK 0 / 4 / 14 / 40

HEX #999384

RGB 153 147 132

HSL 42.86, 0.09%, 0.56%

LAB 61.05, -0.47, 8.73

 

CMYK 0 / 64 / 73 / 11

HEX #E2523C

RGB 226 82 60

HSL 7.95, 0.74%, 0.56%

LAB 54.58, 54.81, 42.47

 

CMYK 0 / 44 / 73 / 11

HEX #E27E3C

RGB 226 126 60

HSL 23.86, 0.74%, 0.56%

LAB 62.86, 33.66, 51.33

 

CMYK 0 / 25 / 73 / 11

HEX #E2AA3C

RGB 226 170 60

HSL 39.76, 0.74%, 0.56%

LAB 73.05, 10.29, 61.67

 

CMYK 0 / 5 / 73 / 11

HEX #E2D73C

RGB 226 215 60

HSL 56.02, 0.74%, 0.56%

LAB 84.53, -12.97, 72.72

 

CMYK 15 / 0 / 73 / 11

HEX #C1E23C

RGB 193 226 60

HSL 71.93, 0.74%, 0.56%

LAB 85.03, -31.81, 72.31

 

CMYK 0 / 27 / 85 / 31

HEX #B1811A

RGB 177 129 26

HSL 40.93, 0.74%, 0.4%

LAB 57.19, 9.78, 57.32

 

CMYK 0 / 27 / 85 / 16

HEX #D59B20

RGB 213 155 32

HSL 40.77, 0.74%, 0.48%

LAB 67.79, 11.7, 66.05

 

CMYK 0 / 23 / 73 / 11

HEX #E2AD3C

RGB 226 173 60

HSL 40.84, 0.74%, 0.56%

LAB 73.79, 8.69, 62.4

 

CMYK 0 / 19 / 58 / 9

HEX #E7BC60

RGB 231 188 96

HSL 40.89, 0.74%, 0.64%

LAB 78.34, 5.01, 51.58

 

CMYK 0 / 14 / 44 / 7

HEX #EDCB84

RGB 237 203 132

HSL 40.57, 0.74%, 0.72%

LAB 83.12, 2.75, 39.77

 

CMYK 0 / 23 / 73 / 11

HEX #E2AD3C

RGB 226 173 60

HSL 40.84, 0.74%, 0.56%

LAB 73.79, 8.69, 62.4

 

CMYK 64 / 0 / 73 / 11

HEX #52E23C

RGB 82 226 60

HSL 112.05, 0.74%, 0.56%

LAB 79.9, -67.4, 65.57

 

CMYK 54 / 73 / 0 / 11

HEX #683CE2

RGB 104 60 226

HSL 255.9, 0.74%, 0.56%

LAB 40.68, 58.21, -77.4

 

CMYK 0 / 23 / 73 / 11

HEX #E2AD3C

RGB 226 173 60

HSL 40.84, 0.74%, 0.56%

LAB 73.79, 8.69, 62.4

 

CMYK 73 / 0 / 25 / 11

HEX #3CE2AA

RGB 60 226 170

HSL 159.76, 0.74%, 0.56%

LAB 80.88, -54.77, 15.5

 

CMYK 25 / 73 / 0 / 11

HEX #AA3CE2

RGB 170 60 226

HSL 279.76, 0.74%, 0.56%

LAB 48.6, 69.11, -64.15

 

CMYK 0 / 23 / 73 / 11

HEX #E2AD3C

RGB 226 173 60

HSL 40.84, 0.74%, 0.56%

LAB 73.79, 8.69, 62.4

 

CMYK 64 / 0 / 73 / 11

HEX #52E23C

RGB 82 226 60

HSL 112.05, 0.74%, 0.56%

LAB 79.9, -67.4, 65.57

 

CMYK 73 / 49 / 0 / 11

HEX #3C73E2

RGB 60 115 226

HSL 220.12, 0.74%, 0.56%

LAB 50.35, 19.7, -61.78

 

CMYK 10 / 73 / 0 / 11

HEX #CC3CE2

RGB 204 60 226

HSL 292.05, 0.74%, 0.56%

LAB 53.56, 75.64, -55.91

 

CMYK 0 / 23 / 73 / 11

HEX #E2AD3C

RGB 226 173 60

HSL 40.84, 0.74%, 0.56%

LAB 73.79, 8.69, 62.4

 

CMYK 73 / 0 / 62 / 11

HEX #3CE257

RGB 60 226 87

HSL 129.76, 0.74%, 0.56%

LAB 79.64, -68.87, 54.7

 

CMYK 73 / 49 / 0 / 11

HEX #3C73E2

RGB 60 115 226

HSL 220.12, 0.74%, 0.56%

LAB 50.35, 19.7, -61.78

 

CMYK 0 / 73 / 12 / 11

HEX #E23CC6

RGB 226 60 198

HSL 310.12, 0.74%, 0.56%

LAB 55.56, 75.9, -36.56

 

Description

Color code: HEX #E2AD3C | qconv.com Color code: HEX #E2AD3C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 173 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 173 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 73 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 73% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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