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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2AB71 it is the complementary color #1D548E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2AB71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2AB71 shade: #E7AB6C, #F8BD7F, #FFCF92, #FFE1A5 and #FFF3B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2AB71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2AB71 shade: #E2AB71, #D1995E, #C0874B, #AF7538 and #9E6325

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2AB71 shade: #E2AA6F, #E28B6F and #E26F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2AB71 shade: #E2AA6F, #E2C96F, #DBE26F, #BDE26F and #9EE26F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2AB71 shade matches the following richer shades: #E2AA6F, #F0AA61 and #FEAB53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2AB71 shade: #E2AA6F, #D3A97D, #C5A98B, #B7A999 and #A9A8A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2AB71 shade: #E26F73, #E28A6F, #E2A86F, #E2C76F and #DEE26F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2AB71 shade: #D3812B, #DB964D, #E2AA6F, #E9BE91 and #F0D2B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2AB71 shade: #E2AB71, #91E26F and #7B6FE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2AB71 shade: #E2AB71, #6FE2A8 and #A86FE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2AB71 shade: #E2AB71, #91E26F, #6FA8E2 and #BF6FE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2AB71 shade: #E2AB71, #6FE26F, #6FA8E2 and #E26FE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 50 / 11

HEX #E2AB71

RGB 226 171 113

HSL 30.8, 0.66%, 0.66%

LAB 73.86, 13.34, 37.54

 

Complementary color

CMYK 80 / 41 / 0 / 44

HEX #1D548E

RGB 29 84 142

HSL 210.8, 0.66%, 0.34%

LAB 35.11, 3.8, -37.2

 

CMYK 0 / 26 / 53 / 9

HEX #E7AB6C

RGB 231 171 108

HSL 30.73, 0.72%, 0.66%

LAB 74.32, 14.94, 40.81

 

CMYK 0 / 24 / 49 / 3

HEX #F8BD7F

RGB 248 189 127

HSL 30.74, 0.9%, 0.74%

LAB 80.67, 13.97, 39.42

 

CMYK 0 / 19 / 43 / 0

HEX #FFCF92

RGB 255 207 146

HSL 33.58, 1%, 0.79%

LAB 85.99, 9.21, 36.67

 

CMYK 0 / 12 / 35 / 0

HEX #FFE1A5

RGB 255 225 165

HSL 40, 1%, 0.82%

LAB 90.7, 2.03, 33.17

 

CMYK 0 / 5 / 28 / 0

HEX #FFF3B8

RGB 255 243 184

HSL 49.86, 1%, 0.86%

LAB 95.51, -4.75, 29.96

 

CMYK 0 / 24 / 50 / 11

HEX #E2AB71

RGB 226 171 113

HSL 30.8, 0.66%, 0.66%

LAB 73.86, 13.34, 37.54

 

CMYK 0 / 27 / 55 / 18

HEX #D1995E

RGB 209 153 94

HSL 30.78, 0.56%, 0.59%

LAB 67.39, 14.35, 38.97

 

CMYK 0 / 30 / 61 / 25

HEX #C0874B

RGB 192 135 75

HSL 30.77, 0.48%, 0.52%

LAB 60.82, 15.53, 40.46

 

CMYK 0 / 33 / 68 / 31

HEX #AF7538

RGB 175 117 56

HSL 30.76, 0.52%, 0.45%

LAB 54.16, 16.91, 41.97

 

CMYK 0 / 37 / 77 / 38

HEX #9E6325

RGB 158 99 37

HSL 30.74, 0.62%, 0.38%

LAB 47.4, 18.55, 43.35

 

CMYK 0 / 25 / 51 / 11

HEX #E2AA6F

RGB 226 170 111

HSL 30.78, 0.66%, 0.66%

LAB 73.59, 13.69, 38.24

 

CMYK 0 / 38 / 51 / 11

HEX #E28B6F

RGB 226 139 111

HSL 14.61, 0.66%, 0.66%

LAB 66.35, 30.25, 28.96

 

CMYK 0 / 51 / 51 / 11

HEX #E26F6F

RGB 226 111 111

HSL 0, 0.66%, 0.66%

LAB 60.5, 44.68, 21.18

 

CMYK 0 / 25 / 51 / 11

HEX #E2AA6F

RGB 226 170 111

HSL 30.78, 0.66%, 0.66%

LAB 73.59, 13.69, 38.24

 

CMYK 0 / 11 / 51 / 11

HEX #E2C96F

RGB 226 201 111

HSL 46.96, 0.66%, 0.66%

LAB 81.34, -2.61, 47.79

 

CMYK 3 / 0 / 51 / 11

HEX #DBE26F

RGB 219 226 111

HSL 63.65, 0.66%, 0.66%

LAB 87.29, -18.02, 54.74

 

CMYK 16 / 0 / 51 / 11

HEX #BDE26F

RGB 189 226 111

HSL 79.3, 0.66%, 0.66%

LAB 85.18, -29.68, 51.72

 

CMYK 30 / 0 / 51 / 11

HEX #9EE26F

RGB 158 226 111

HSL 95.48, 0.66%, 0.66%

LAB 83.34, -40.92, 49.08

 

CMYK 0 / 25 / 51 / 11

HEX #E2AA6F

RGB 226 170 111

HSL 30.78, 0.66%, 0.66%

LAB 73.59, 13.69, 38.24

 

CMYK 0 / 29 / 60 / 6

HEX #F0AA61

RGB 240 170 97

HSL 30.63, 0.83%, 0.66%

LAB 74.91, 18.3, 47.31

 

CMYK 0 / 33 / 67 / 0

HEX #FEAB53

RGB 254 171 83

HSL 30.88, 0.99%, 0.66%

LAB 76.57, 22.63, 56.34

 

CMYK 0 / 25 / 51 / 11

HEX #E2AA6F

RGB 226 170 111

HSL 30.78, 0.66%, 0.66%

LAB 73.59, 13.69, 38.24

 

CMYK 0 / 20 / 41 / 17

HEX #D3A97D

RGB 211 169 125

HSL 30.7, 0.49%, 0.66%

LAB 72.03, 9.54, 28.53

 

CMYK 0 / 14 / 29 / 23

HEX #C5A98B

RGB 197 169 139

HSL 31.03, 0.33%, 0.66%

LAB 70.95, 5.69, 19.27

 

CMYK 0 / 8 / 16 / 28

HEX #B7A999

RGB 183 169 153

HSL 32, 0.17%, 0.66%

LAB 70, 2.35, 10.07

 

CMYK 0 / 1 / 1 / 34

HEX #A9A8A7

RGB 169 168 167

HSL 30, 0.01%, 0.66%

LAB 68.92, 0.17, 0.63

 

CMYK 0 / 51 / 49 / 11

HEX #E26F73

RGB 226 111 115

HSL 357.91, 0.66%, 0.66%

LAB 60.58, 45.04, 19

 

CMYK 0 / 39 / 51 / 11

HEX #E28A6F

RGB 226 138 111

HSL 14.09, 0.66%, 0.66%

LAB 66.13, 30.78, 28.67

 

CMYK 0 / 26 / 51 / 11

HEX #E2A86F

RGB 226 168 111

HSL 29.74, 0.66%, 0.66%

LAB 73.1, 14.76, 37.63

 

CMYK 0 / 12 / 51 / 11

HEX #E2C76F

RGB 226 199 111

HSL 45.91, 0.66%, 0.66%

LAB 80.83, -1.58, 47.18

 

CMYK 2 / 0 / 51 / 11

HEX #DEE26F

RGB 222 226 111

HSL 62.09, 0.66%, 0.66%

LAB 87.52, -16.83, 55.07

 

CMYK 0 / 39 / 80 / 17

HEX #D3812B

RGB 211 129 43

HSL 30.71, 0.66%, 0.5%

LAB 61.42, 25.21, 56.65

 

CMYK 0 / 32 / 65 / 14

HEX #DB964D

RGB 219 150 77

HSL 30.85, 0.66%, 0.58%

LAB 67.58, 18.93, 48.07

 

CMYK 0 / 25 / 51 / 11

HEX #E2AA6F

RGB 226 170 111

HSL 30.78, 0.66%, 0.66%

LAB 73.59, 13.69, 38.24

 

CMYK 0 / 18 / 38 / 9

HEX #E9BE91

RGB 233 190 145

HSL 30.68, 0.67%, 0.74%

LAB 79.72, 9.36, 28.53

 

CMYK 0 / 13 / 25 / 6

HEX #F0D2B4

RGB 240 210 180

HSL 30, 0.67%, 0.82%

LAB 85.96, 5.98, 18.72

 

CMYK 0 / 24 / 50 / 11

HEX #E2AB71

RGB 226 171 113

HSL 30.8, 0.66%, 0.66%

LAB 73.86, 13.34, 37.54

 

CMYK 36 / 0 / 51 / 11

HEX #91E26F

RGB 145 226 111

HSL 102.26, 0.66%, 0.66%

LAB 82.68, -45.28, 48.12

 

CMYK 46 / 51 / 0 / 11

HEX #7B6FE2

RGB 123 111 226

HSL 246.26, 0.66%, 0.66%

LAB 53.03, 33.49, -57.28

 

CMYK 0 / 24 / 50 / 11

HEX #E2AB71

RGB 226 171 113

HSL 30.8, 0.66%, 0.66%

LAB 73.86, 13.34, 37.54

 

CMYK 51 / 0 / 26 / 11

HEX #6FE2A8

RGB 111 226 168

HSL 149.74, 0.66%, 0.66%

LAB 82.16, -45.88, 18.54

 

CMYK 26 / 51 / 0 / 11

HEX #A86FE2

RGB 168 111 226

HSL 269.74, 0.66%, 0.66%

LAB 57.25, 44.53, -50.28

 

CMYK 0 / 24 / 50 / 11

HEX #E2AB71

RGB 226 171 113

HSL 30.8, 0.66%, 0.66%

LAB 73.86, 13.34, 37.54

 

CMYK 36 / 0 / 51 / 11

HEX #91E26F

RGB 145 226 111

HSL 102.26, 0.66%, 0.66%

LAB 82.68, -45.28, 48.12

 

CMYK 51 / 26 / 0 / 11

HEX #6FA8E2

RGB 111 168 226

HSL 210.26, 0.66%, 0.66%

LAB 67.18, -2.62, -34.97

 

CMYK 15 / 51 / 0 / 11

HEX #BF6FE2

RGB 191 111 226

HSL 281.74, 0.66%, 0.66%

LAB 59.83, 50.62, -46.03

 

CMYK 0 / 24 / 50 / 11

HEX #E2AB71

RGB 226 171 113

HSL 30.8, 0.66%, 0.66%

LAB 73.86, 13.34, 37.54

 

CMYK 51 / 0 / 51 / 11

HEX #6FE26F

RGB 111 226 111

HSL 120, 0.66%, 0.66%

LAB 81.25, -55.34, 46.05

 

CMYK 51 / 26 / 0 / 11

HEX #6FA8E2

RGB 111 168 226

HSL 210.26, 0.66%, 0.66%

LAB 67.18, -2.62, -34.97

 

CMYK 0 / 51 / 0 / 11

HEX #E26FE2

RGB 226 111 226

HSL 300, 0.66%, 0.66%

LAB 64.18, 60.08, -38.89

 

Description

Color code: HEX #E2AB71 | qconv.com Color code: HEX #E2AB71 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 171 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 171 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 50 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 50% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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