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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBE26F it is the complementary color #241D90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBE26F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBE26F shade: #E0E26A, #F1F47D, #FFFF90, #FFFFA3 and #FFFFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBE26F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBE26F shade: #DBE26F, #CAD05C, #B9BE49, #A8AC36 and #979A23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBE26F shade: #DBE26F, #E2CA6F, #E2AB6F, #E28C6F and #E26F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBE26F shade: #DBE26F, #BCE26F, #9DE26F, #7EE26F and #6FE27F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBE26F shade matches the following richer shades: #DBE26F, #E7F061 and #F3FE53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBE26F shade: #DBE26F, #CED37D, #C2C58B, #B6B799 and #A9A9A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBE26F shade: #E2AA6F, #E2C96F, #DCE26F, #BDE26F and #9FE26F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBE26F shade: #C9D32B, #D2DB4D, #DBE26F, #E3E991 and #ECF0B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBE26F shade: #DBE26F, #6FE28C and #B96FE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBE26F shade: #DBE26F, #6FDCE2 and #E26FDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBE26F shade: #DBE26F, #6FE28C, #756FE2 and #E26FC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBE26F shade: #DBE26F, #6FE2AE, #756FE2 and #E26FA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 51 / 11

HEX #DBE26F

RGB 219 226 111

HSL 63.65, 0.66%, 0.66%

LAB 87.29, -18.02, 54.74

 

Complementary color

CMYK 75 / 80 / 0 / 44

HEX #241D90

RGB 36 29 144

HSL 243.65, 0.66%, 0.34%

LAB 21.08, 41.44, -61.23

 

CMYK 1 / 0 / 53 / 11

HEX #E0E26A

RGB 224 226 106

HSL 61, 0.67%, 0.65%

LAB 87.62, -16.45, 57.5

 

CMYK 1 / 0 / 49 / 4

HEX #F1F47D

RGB 241 244 125

HSL 61.51, 0.84%, 0.72%

LAB 93.83, -16.93, 56.43

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 3 / 0 / 51 / 11

HEX #DBE26F

RGB 219 226 111

HSL 63.65, 0.66%, 0.66%

LAB 87.29, -18.02, 54.74

 

CMYK 3 / 0 / 56 / 18

HEX #CAD05C

RGB 202 208 92

HSL 63.1, 0.55%, 0.59%

LAB 80.98, -17.54, 55.78

 

CMYK 3 / 0 / 62 / 25

HEX #B9BE49

RGB 185 190 73

HSL 62.56, 0.47%, 0.52%

LAB 74.59, -16.94, 56.68

 

CMYK 2 / 0 / 69 / 33

HEX #A8AC36

RGB 168 172 54

HSL 62.03, 0.52%, 0.44%

LAB 68.09, -16.2, 57.29

 

CMYK 2 / 0 / 77 / 40

HEX #979A23

RGB 151 154 35

HSL 61.51, 0.63%, 0.37%

LAB 61.49, -15.28, 57.3

 

CMYK 3 / 0 / 51 / 11

HEX #DBE26F

RGB 219 226 111

HSL 63.65, 0.66%, 0.66%

LAB 87.29, -18.02, 54.74

 

CMYK 0 / 11 / 51 / 11

HEX #E2CA6F

RGB 226 202 111

HSL 47.48, 0.66%, 0.66%

LAB 81.6, -3.13, 48.1

 

CMYK 0 / 24 / 51 / 11

HEX #E2AB6F

RGB 226 171 111

HSL 31.3, 0.66%, 0.66%

LAB 73.83, 13.16, 38.54

 

CMYK 0 / 38 / 51 / 11

HEX #E28C6F

RGB 226 140 111

HSL 15.13, 0.66%, 0.66%

LAB 66.58, 29.72, 29.25

 

CMYK 0 / 51 / 51 / 11

HEX #E26F6F

RGB 226 111 111

HSL 0, 0.66%, 0.66%

LAB 60.5, 44.68, 21.18

 

CMYK 3 / 0 / 51 / 11

HEX #DBE26F

RGB 219 226 111

HSL 63.65, 0.66%, 0.66%

LAB 87.29, -18.02, 54.74

 

CMYK 17 / 0 / 51 / 11

HEX #BCE26F

RGB 188 226 111

HSL 79.83, 0.66%, 0.66%

LAB 85.11, -30.06, 51.63

 

CMYK 31 / 0 / 51 / 11

HEX #9DE26F

RGB 157 226 111

HSL 96, 0.66%, 0.66%

LAB 83.29, -41.27, 49.01

 

CMYK 44 / 0 / 51 / 11

HEX #7EE26F

RGB 126 226 111

HSL 112.17, 0.66%, 0.66%

LAB 81.83, -51.17, 46.89

 

CMYK 51 / 0 / 44 / 11

HEX #6FE27F

RGB 111 226 127

HSL 128.35, 0.66%, 0.66%

LAB 81.46, -53.09, 38.55

 

CMYK 3 / 0 / 51 / 11

HEX #DBE26F

RGB 219 226 111

HSL 63.65, 0.66%, 0.66%

LAB 87.29, -18.02, 54.74

 

CMYK 4 / 0 / 60 / 6

HEX #E7F061

RGB 231 240 97

HSL 63.78, 0.83%, 0.66%

LAB 91.76, -21.12, 66.19

 

CMYK 4 / 0 / 67 / 0

HEX #F3FE53

RGB 243 254 83

HSL 63.86, 0.99%, 0.66%

LAB 96.23, -23.85, 76.56

 

CMYK 3 / 0 / 51 / 11

HEX #DBE26F

RGB 219 226 111

HSL 63.65, 0.66%, 0.66%

LAB 87.29, -18.02, 54.74

 

CMYK 2 / 0 / 41 / 17

HEX #CED37D

RGB 206 211 125

HSL 63.49, 0.49%, 0.66%

LAB 82.48, -14.37, 41.94

 

CMYK 2 / 0 / 29 / 23

HEX #C2C58B

RGB 194 197 139

HSL 63.1, 0.33%, 0.66%

LAB 78.03, -10.27, 28.82

 

CMYK 1 / 0 / 16 / 28

HEX #B6B799

RGB 182 183 153

HSL 62, 0.17%, 0.66%

LAB 73.62, -5.52, 15.17

 

CMYK 0 / 0 / 1 / 34

HEX #A9A9A7

RGB 169 169 167

HSL 60, 0.01%, 0.66%

LAB 69.18, -0.37, 1.02

 

CMYK 0 / 25 / 51 / 11

HEX #E2AA6F

RGB 226 170 111

HSL 30.78, 0.66%, 0.66%

LAB 73.59, 13.69, 38.24

 

CMYK 0 / 11 / 51 / 11

HEX #E2C96F

RGB 226 201 111

HSL 46.96, 0.66%, 0.66%

LAB 81.34, -2.61, 47.79

 

CMYK 3 / 0 / 51 / 11

HEX #DCE26F

RGB 220 226 111

HSL 63.13, 0.66%, 0.66%

LAB 87.37, -17.63, 54.85

 

CMYK 16 / 0 / 51 / 11

HEX #BDE26F

RGB 189 226 111

HSL 79.3, 0.66%, 0.66%

LAB 85.18, -29.68, 51.72

 

CMYK 30 / 0 / 51 / 11

HEX #9FE26F

RGB 159 226 111

HSL 94.96, 0.66%, 0.66%

LAB 83.4, -40.58, 49.16

 

CMYK 5 / 0 / 80 / 17

HEX #C9D32B

RGB 201 211 43

HSL 63.57, 0.66%, 0.5%

LAB 81.39, -22.12, 74.24

 

CMYK 4 / 0 / 65 / 14

HEX #D2DB4D

RGB 210 219 77

HSL 63.8, 0.66%, 0.58%

LAB 84.43, -20.71, 66.01

 

CMYK 3 / 0 / 51 / 11

HEX #DBE26F

RGB 219 226 111

HSL 63.65, 0.66%, 0.66%

LAB 87.29, -18.02, 54.74

 

CMYK 3 / 0 / 38 / 9

HEX #E3E991

RGB 227 233 145

HSL 64.09, 0.67%, 0.74%

LAB 90.16, -14.99, 42.09

 

CMYK 2 / 0 / 25 / 6

HEX #ECF0B4

RGB 236 240 180

HSL 64, 0.67%, 0.82%

LAB 93.21, -10.78, 28.64

 

CMYK 3 / 0 / 51 / 11

HEX #DBE26F

RGB 219 226 111

HSL 63.65, 0.66%, 0.66%

LAB 87.29, -18.02, 54.74

 

CMYK 51 / 0 / 38 / 11

HEX #6FE28C

RGB 111 226 140

HSL 135.13, 0.66%, 0.66%

LAB 81.66, -51.03, 32.29

 

CMYK 18 / 51 / 0 / 11

HEX #B96FE2

RGB 185 111 226

HSL 278.61, 0.66%, 0.66%

LAB 59.14, 49.01, -47.18

 

CMYK 3 / 0 / 51 / 11

HEX #DBE26F

RGB 219 226 111

HSL 63.65, 0.66%, 0.66%

LAB 87.29, -18.02, 54.74

 

CMYK 51 / 3 / 0 / 11

HEX #6FDCE2

RGB 111 220 226

HSL 183.13, 0.66%, 0.66%

LAB 81.87, -29.64, -12.57

 

CMYK 0 / 51 / 3 / 11

HEX #E26FDC

RGB 226 111 220

HSL 303.13, 0.66%, 0.66%

LAB 63.92, 59.05, -35.95

 

CMYK 3 / 0 / 51 / 11

HEX #DBE26F

RGB 219 226 111

HSL 63.65, 0.66%, 0.66%

LAB 87.29, -18.02, 54.74

 

CMYK 51 / 0 / 38 / 11

HEX #6FE28C

RGB 111 226 140

HSL 135.13, 0.66%, 0.66%

LAB 81.66, -51.03, 32.29

 

CMYK 48 / 51 / 0 / 11

HEX #756FE2

RGB 117 111 226

HSL 243.13, 0.66%, 0.66%

LAB 52.56, 32.16, -58.06

 

CMYK 0 / 51 / 13 / 11

HEX #E26FC5

RGB 226 111 197

HSL 315.13, 0.66%, 0.66%

LAB 62.98, 55.29, -24.47

 

CMYK 3 / 0 / 51 / 11

HEX #DBE26F

RGB 219 226 111

HSL 63.65, 0.66%, 0.66%

LAB 87.29, -18.02, 54.74

 

CMYK 51 / 0 / 23 / 11

HEX #6FE2AE

RGB 111 226 174

HSL 152.87, 0.66%, 0.66%

LAB 82.29, -44.66, 15.57

 

CMYK 48 / 51 / 0 / 11

HEX #756FE2

RGB 117 111 226

HSL 243.13, 0.66%, 0.66%

LAB 52.56, 32.16, -58.06

 

CMYK 0 / 51 / 28 / 11

HEX #E26FA3

RGB 226 111 163

HSL 332.87, 0.66%, 0.66%

LAB 61.81, 50.4, -6.87

 

Description

Color code: HEX #DBE26F | qconv.com Color code: HEX #DBE26F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 226 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 226 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 51 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 51% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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