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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E29671 it is the complementary color #1D698E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E29671. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E29671: #E7966C, #F8A87F, #FFBA92, #FFCCA5 and #FFDEB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E29671. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E29671: #E29671, #D1845E, #C0724B, #AF6038 and #9E4E25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 50 / 11

HEX #E29671

RGB 226 150 113

HSL 19.65, 0.66%, 0.66%

LAB 68.88, 24.57, 31.16

 

Complementary color

CMYK 80 / 26 / 0 / 44

HEX #1D698E

RGB 29 105 142

HSL 199.65, 0.66%, 0.34%

LAB 41.72, -9.32, -26.79

 

CMYK 0 / 35 / 53 / 9

HEX #E7966C

RGB 231 150 108

HSL 20.49, 0.72%, 0.66%

LAB 69.39, 26.13, 34.62

 

CMYK 0 / 32 / 49 / 3

HEX #F8A87F

RGB 248 168 127

HSL 20.33, 0.9%, 0.74%

LAB 75.76, 25.01, 33.09

 

CMYK 0 / 27 / 43 / 0

HEX #FFBA92

RGB 255 186 146

HSL 22.02, 1%, 0.79%

LAB 80.99, 20.16, 30.08

 

CMYK 0 / 20 / 35 / 0

HEX #FFCCA5

RGB 255 204 165

HSL 26, 1%, 0.82%

LAB 85.59, 12.85, 26.29

 

CMYK 0 / 13 / 28 / 0

HEX #FFDEB8

RGB 255 222 184

HSL 32.11, 1%, 0.86%

LAB 90.3, 5.9, 22.86

 

CMYK 0 / 34 / 50 / 11

HEX #E29671

RGB 226 150 113

HSL 19.65, 0.66%, 0.66%

LAB 68.88, 24.57, 31.16

 

CMYK 0 / 37 / 55 / 18

HEX #D1845E

RGB 209 132 94

HSL 19.83, 0.56%, 0.59%

LAB 62.39, 25.74, 32.75

 

CMYK 0 / 41 / 61 / 25

HEX #C0724B

RGB 192 114 75

HSL 20, 0.48%, 0.52%

LAB 55.84, 27.07, 34.5

 

CMYK 0 / 45 / 68 / 31

HEX #AF6038

RGB 175 96 56

HSL 20.17, 0.52%, 0.45%

LAB 49.21, 28.57, 36.41

 

CMYK 0 / 51 / 77 / 38

HEX #9E4E25

RGB 158 78 37

HSL 20.33, 0.62%, 0.38%

LAB 42.54, 30.27, 38.41

 

CMYK 0 / 34 / 50 / 11

HEX #E29671

RGB 226 150 113

HSL 19.65, 0.66%, 0.66%

LAB 68.88, 24.57, 31.16

 

CMYK 0 / 26 / 51 / 12

HEX #E1A66F

RGB 225 166 111

HSL 28.95, 0.66%, 0.66%

LAB 72.51, 15.42, 36.86

 

CMYK 0 / 18 / 51 / 12

HEX #E1B96F

RGB 225 185 111

HSL 38.95, 0.66%, 0.66%

LAB 77.19, 5.32, 42.71

 

CMYK 0 / 9 / 51 / 12

HEX #E1CC6F

RGB 225 204 111

HSL 48.95, 0.66%, 0.66%

LAB 82.02, -4.56, 48.6

 

CMYK 0 / 1 / 51 / 12

HEX #E1DF6F

RGB 225 223 111

HSL 58.95, 0.66%, 0.66%

LAB 86.96, -14.15, 54.47

 

CMYK 0 / 34 / 50 / 11

HEX #E29671

RGB 226 150 113

HSL 19.65, 0.66%, 0.66%

LAB 68.88, 24.57, 31.16

 

CMYK 0 / 32 / 50 / 91

HEX #160F0B

RGB 22 15 11

HSL 21.82, 0.33%, 0.06%

LAB 4.85, 2.14, 2.77

 

CMYK 0 / 34 / 49 / 71

HEX #493025

RGB 73 48 37

HSL 18.33, 0.33%, 0.22%

LAB 22.53, 9.83, 11.63

 

CMYK 0 / 34 / 50 / 51

HEX #7C523E

RGB 124 82 62

HSL 19.35, 0.33%, 0.36%

LAB 39.01, 15.08, 18.86

 

CMYK 0 / 34 / 50 / 31

HEX #AF7458

RGB 175 116 88

HSL 19.31, 0.35%, 0.52%

LAB 54.35, 20.01, 24.92

 

CMYK 0 / 34 / 50 / 11

HEX #E29671

RGB 226 150 113

HSL 19.65, 0.66%, 0.66%

LAB 68.88, 24.57, 31.16

 

CMYK 26 / 0 / 51 / 12

HEX #A6E16F

RGB 166 225 111

HSL 91.05, 0.66%, 0.66%

LAB 83.5, -37.68, 49.37

 

CMYK 51 / 47 / 0 / 12

HEX #6F78E1

RGB 111 120 225

HSL 235.26, 0.66%, 0.66%

LAB 54.29, 25.15, -54.74

 

CMYK 0 / 34 / 50 / 11

HEX #E29671

RGB 226 150 113

HSL 19.65, 0.66%, 0.66%

LAB 68.88, 24.57, 31.16

 

CMYK 51 / 0 / 35 / 12

HEX #6FE193

RGB 111 225 147

HSL 138.95, 0.66%, 0.66%

LAB 81.48, -49.42, 28.48

 

CMYK 35 / 51 / 0 / 12

HEX #936FE1

RGB 147 111 225

HSL 258.95, 0.66%, 0.66%

LAB 55.08, 38.93, -53.31

 

CMYK 0 / 34 / 50 / 11

HEX #E29671

RGB 226 150 113

HSL 19.65, 0.66%, 0.66%

LAB 68.88, 24.57, 31.16

 

CMYK 26 / 0 / 51 / 12

HEX #A6E16F

RGB 166 225 111

HSL 91.05, 0.66%, 0.66%

LAB 83.5, -37.68, 49.37

 

CMYK 51 / 16 / 0 / 12

HEX #6FBDE1

RGB 111 189 225

HSL 198.95, 0.66%, 0.66%

LAB 73.03, -14.3, -25.41

 

CMYK 24 / 51 / 0 / 12

HEX #AA6FE1

RGB 170 111 225

HSL 271.05, 0.66%, 0.66%

LAB 57.42, 44.82, -49.45

 

CMYK 0 / 34 / 50 / 11

HEX #E29671

RGB 226 150 113

HSL 19.65, 0.66%, 0.66%

LAB 68.88, 24.57, 31.16

 

CMYK 41 / 0 / 51 / 12

HEX #84E16F

RGB 132 225 111

HSL 108.95, 0.66%, 0.66%

LAB 81.79, -48.96, 46.9

 

CMYK 51 / 16 / 0 / 12

HEX #6FBDE1

RGB 111 189 225

HSL 198.95, 0.66%, 0.66%

LAB 73.03, -14.3, -25.41

 

CMYK 9 / 51 / 0 / 12

HEX #CC6FE1

RGB 204 111 225

HSL 288.95, 0.66%, 0.66%

LAB 61.34, 53.93, -42.98

 

Description

Color code: HEX #E29671 | qconv.com Color code: HEX #E29671 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 150 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 150 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 50 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 50% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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