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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E27FDD it is the complementary color #1D8022. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E27FDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E27FDD shade: #E77FD8, #F891EB, #FFA3FE, #FFB5FF and #FFC7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E27FDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E27FDD shade: #E27FDD, #D16DCA, #C05BB7, #AF49A4 and #9E3791

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E27FDD shade: #E27EDD, #E27EC2, #E27EA7, #E27E8C and #E27E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E27FDD shade: #E27EDD, #CC7EE2, #B17EE2, #967EE2 and #7E7EE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E27FDD shade matches the following richer shades: #E27EDD, #EF71E8 and #FB65F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E27FDD shade: #E27EDD, #D58BD1, #C898C6, #BBA5BA and #AFB1AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E27FDD shade: #B27EE2, #CC7EE2, #E27EDD, #E27EC2 and #E27EA8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E27FDD shade: #D23BCB, #DA5DD4, #E27EDD, #E9A0E6 and #F1C1EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E27FDD shade: #E27FDD, #E2977E and #7EE2BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E27FDD shade: #E27FDD, #DDE27E and #7EDDE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E27FDD shade: #E27FDD, #E2977E, #7EE283 and #7EC9E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E27FDD shade: #E27FDD, #E2B57E, #7EE283 and #7EABE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 2 / 11

HEX #E27FDD

RGB 226 127 221

HSL 303.03, 0.63%, 0.69%

LAB 66.95, 51.4, -31.8

 

Complementary color

CMYK 77 / 0 / 73 / 50

HEX #1D8022

RGB 29 128 34

HSL 123.03, 0.63%, 0.31%

LAB 46.73, -46.67, 41.03

 

CMYK 0 / 45 / 6 / 9

HEX #E77FD8

RGB 231 127 216

HSL 308.65, 0.68%, 0.7%

LAB 67.37, 52.03, -28.33

 

CMYK 0 / 42 / 5 / 3

HEX #F891EB

RGB 248 145 235

HSL 307.57, 0.88%, 0.77%

LAB 73.68, 51.32, -28.92

 

CMYK 0 / 36 / 0 / 0

HEX #FFA3FE

RGB 255 163 254

HSL 300.65, 1%, 0.82%

LAB 78.82, 47.58, -31.25

 

CMYK 0 / 29 / 0 / 0

HEX #FFB5FF

RGB 255 181 255

HSL 300, 1%, 0.85%

LAB 82.66, 38.44, -25.9

 

CMYK 0 / 22 / 0 / 0

HEX #FFC7FF

RGB 255 199 255

HSL 300, 1%, 0.89%

LAB 86.67, 29, -19.82

 

CMYK 0 / 44 / 2 / 11

HEX #E27FDD

RGB 226 127 221

HSL 303.03, 0.63%, 0.69%

LAB 66.95, 51.4, -31.8

 

CMYK 0 / 48 / 3 / 18

HEX #D16DCA

RGB 209 109 202

HSL 304.2, 0.52%, 0.62%

LAB 60.57, 52.09, -31.22

 

CMYK 0 / 53 / 5 / 25

HEX #C05BB7

RGB 192 91 183

HSL 305.35, 0.44%, 0.55%

LAB 54.14, 52.7, -30.51

 

CMYK 0 / 58 / 6 / 31

HEX #AF49A4

RGB 175 73 164

HSL 306.47, 0.41%, 0.49%

LAB 47.7, 53.15, -29.62

 

CMYK 0 / 65 / 8 / 38

HEX #9E3791

RGB 158 55 145

HSL 307.57, 0.48%, 0.42%

LAB 41.29, 53.3, -28.45

 

CMYK 0 / 44 / 2 / 11

HEX #E27EDD

RGB 226 126 221

HSL 303, 0.63%, 0.69%

LAB 66.76, 51.9, -32.11

 

CMYK 0 / 44 / 14 / 11

HEX #E27EC2

RGB 226 126 194

HSL 319.2, 0.63%, 0.69%

LAB 65.74, 47.41, -18.58

 

CMYK 0 / 44 / 26 / 11

HEX #E27EA7

RGB 226 126 167

HSL 335.4, 0.63%, 0.69%

LAB 64.87, 43.43, -4.63

 

CMYK 0 / 44 / 38 / 11

HEX #E27E8C

RGB 226 126 140

HSL 351.6, 0.63%, 0.69%

LAB 64.15, 40.03, 9.68

 

CMYK 0 / 44 / 44 / 11

HEX #E27E7E

RGB 226 126 126

HSL 0, 0.63%, 0.69%

LAB 63.83, 38.51, 17.19

 

CMYK 0 / 44 / 2 / 11

HEX #E27EDD

RGB 226 126 221

HSL 303, 0.63%, 0.69%

LAB 66.76, 51.9, -32.11

 

CMYK 10 / 44 / 0 / 11

HEX #CC7EE2

RGB 204 126 226

HSL 286.8, 0.63%, 0.69%

LAB 64.36, 46.43, -38.81

 

CMYK 22 / 44 / 0 / 11

HEX #B17EE2

RGB 177 126 226

HSL 270.6, 0.63%, 0.69%

LAB 61.45, 38.74, -43.59

 

CMYK 34 / 44 / 0 / 11

HEX #967EE2

RGB 150 126 226

HSL 254.4, 0.63%, 0.69%

LAB 58.88, 31.37, -47.81

 

CMYK 44 / 44 / 0 / 11

HEX #7E7EE2

RGB 126 126 226

HSL 240, 0.63%, 0.69%

LAB 56.93, 25.3, -51.03

 

CMYK 0 / 44 / 2 / 11

HEX #E27EDD

RGB 226 126 221

HSL 303, 0.63%, 0.69%

LAB 66.76, 51.9, -32.11

 

CMYK 0 / 53 / 3 / 6

HEX #EF71E8

RGB 239 113 232

HSL 303.33, 0.8%, 0.69%

LAB 66.51, 63.69, -38.46

 

CMYK 0 / 60 / 3 / 2

HEX #FB65F4

RGB 251 101 244

HSL 302.8, 0.95%, 0.69%

LAB 66.79, 73.9, -44.55

 

CMYK 0 / 44 / 2 / 11

HEX #E27EDD

RGB 226 126 221

HSL 303, 0.63%, 0.69%

LAB 66.76, 51.9, -32.11

 

CMYK 0 / 35 / 2 / 16

HEX #D58BD1

RGB 213 139 209

HSL 303.24, 0.47%, 0.69%

LAB 67.44, 39.03, -24.51

 

CMYK 0 / 24 / 1 / 22

HEX #C898C6

RGB 200 152 198

HSL 302.5, 0.3%, 0.69%

LAB 68.62, 25.67, -16.73

 

CMYK 0 / 12 / 1 / 27

HEX #BBA5BA

RGB 187 165 186

HSL 302.73, 0.14%, 0.69%

LAB 70.19, 11.77, -7.84

 

CMYK 1 / 0 / 1 / 31

HEX #AFB1AF

RGB 175 177 175

HSL 120, 0.01%, 0.69%

LAB 72, -1.08, 0.77

 

CMYK 21 / 44 / 0 / 11

HEX #B27EE2

RGB 178 126 226

HSL 271.2, 0.63%, 0.69%

LAB 61.55, 39.02, -43.42

 

CMYK 10 / 44 / 0 / 11

HEX #CC7EE2

RGB 204 126 226

HSL 286.8, 0.63%, 0.69%

LAB 64.36, 46.43, -38.81

 

CMYK 0 / 44 / 2 / 11

HEX #E27EDD

RGB 226 126 221

HSL 303, 0.63%, 0.69%

LAB 66.76, 51.9, -32.11

 

CMYK 0 / 44 / 14 / 11

HEX #E27EC2

RGB 226 126 194

HSL 319.2, 0.63%, 0.69%

LAB 65.74, 47.41, -18.58

 

CMYK 0 / 44 / 26 / 11

HEX #E27EA8

RGB 226 126 168

HSL 334.8, 0.63%, 0.69%

LAB 64.9, 43.56, -5.15

 

CMYK 0 / 72 / 3 / 18

HEX #D23BCB

RGB 210 59 203

HSL 302.78, 0.63%, 0.53%

LAB 53.1, 73.44, -43.47

 

CMYK 0 / 57 / 3 / 15

HEX #DA5DD4

RGB 218 93 212

HSL 302.88, 0.63%, 0.61%

LAB 59.42, 63.76, -38.57

 

CMYK 0 / 44 / 2 / 11

HEX #E27EDD

RGB 226 126 221

HSL 303, 0.63%, 0.69%

LAB 66.76, 51.9, -32.11

 

CMYK 0 / 31 / 1 / 9

HEX #E9A0E6

RGB 233 160 230

HSL 302.47, 0.62%, 0.77%

LAB 74.94, 38.04, -24.41

 

CMYK 0 / 20 / 1 / 5

HEX #F1C1EF

RGB 241 193 239

HSL 302.5, 0.63%, 0.85%

LAB 83.48, 24.72, -16.25

 

CMYK 0 / 44 / 2 / 11

HEX #E27FDD

RGB 226 127 221

HSL 303.03, 0.63%, 0.69%

LAB 66.95, 51.4, -31.8

 

CMYK 0 / 33 / 44 / 11

HEX #E2977E

RGB 226 151 126

HSL 15, 0.63%, 0.69%

LAB 69.33, 25.31, 24.68

 

CMYK 44 / 0 / 15 / 11

HEX #7EE2BF

RGB 126 226 191

HSL 159, 0.63%, 0.69%

LAB 83.23, -37.41, 8.04

 

CMYK 0 / 44 / 2 / 11

HEX #E27FDD

RGB 226 127 221

HSL 303.03, 0.63%, 0.69%

LAB 66.95, 51.4, -31.8

 

CMYK 2 / 0 / 44 / 11

HEX #DDE27E

RGB 221 226 126

HSL 63, 0.63%, 0.69%

LAB 87.62, -15.85, 48.09

 

CMYK 44 / 2 / 0 / 11

HEX #7EDDE2

RGB 126 221 226

HSL 183, 0.63%, 0.69%

LAB 82.72, -26.83, -11.24

 

CMYK 0 / 44 / 2 / 11

HEX #E27FDD

RGB 226 127 221

HSL 303.03, 0.63%, 0.69%

LAB 66.95, 51.4, -31.8

 

CMYK 0 / 33 / 44 / 11

HEX #E2977E

RGB 226 151 126

HSL 15, 0.63%, 0.69%

LAB 69.33, 25.31, 24.68

 

CMYK 44 / 0 / 42 / 11

HEX #7EE283

RGB 126 226 131

HSL 123, 0.63%, 0.69%

LAB 82.09, -48.43, 37.49

 

CMYK 44 / 11 / 0 / 11

HEX #7EC9E2

RGB 126 201 226

HSL 195, 0.63%, 0.69%

LAB 77.1, -16.81, -19.69

 

CMYK 0 / 44 / 2 / 11

HEX #E27FDD

RGB 226 127 221

HSL 303.03, 0.63%, 0.69%

LAB 66.95, 51.4, -31.8

 

CMYK 0 / 20 / 44 / 11

HEX #E2B57E

RGB 226 181 126

HSL 33, 0.63%, 0.69%

LAB 76.51, 9.28, 34.15

 

CMYK 44 / 0 / 42 / 11

HEX #7EE283

RGB 126 226 131

HSL 123, 0.63%, 0.69%

LAB 82.09, -48.43, 37.49

 

CMYK 44 / 24 / 0 / 11

HEX #7EABE2

RGB 126 171 226

HSL 213, 0.63%, 0.69%

LAB 68.79, -0.74, -32.42

 

Description

Color code: HEX #E27FDD | qconv.com Color code: HEX #E27FDD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 127 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 127 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 2 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 2% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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