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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 24 / 1 / 22 it is the complementary color CMYK 46 / 0 / 44 / 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 24 / 1 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 24 / 1 / 22 shade: CMYK 0 / 26 / 6 / 20, CMYK 0 / 24 / 5 / 13, CMYK 0 / 21 / 3 / 7, CMYK 0 / 20 / 2 / 0 and CMYK 0 / 13 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 24 / 1 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 24 / 1 / 22 shade: CMYK 0 / 24 / 1 / 22, CMYK 0 / 27 / 2 / 29, CMYK 0 / 30 / 4 / 35, CMYK 0 / 34 / 5 / 42 and CMYK 0 / 40 / 8 / 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 24 / 1 / 22 shade: CMYK 0 / 24 / 1 / 22, CMYK 0 / 24 / 8 / 22, CMYK 0 / 24 / 14 / 22, CMYK 0 / 24 / 21 / 22 and CMYK 0 / 24 / 24 / 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 24 / 1 / 22 shade: CMYK 0 / 24 / 1 / 22, CMYK 5 / 24 / 0 / 22, CMYK 12 / 24 / 0 / 22, CMYK 19 / 24 / 0 / 22 and CMYK 24 / 24 / 0 / 22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 24 / 1 / 22 shade matches the following richer shades: CMYK 0 / 24 / 1 / 22, CMYK 0 / 34 / 1 / 17, CMYK 0 / 44 / 2 / 12, CMYK 0 / 52 / 2 / 7 and CMYK 0 / 60 / 2 / 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 24 / 1 / 22 shade: CMYK 0 / 24 / 1 / 22, CMYK 0 / 12 / 1 / 27, CMYK 2 / 0 / 2 / 30, CMYK 16 / 0 / 15 / 25 and CMYK 27 / 0 / 26 / 20

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 24 / 1 / 22 shade: CMYK 12 / 24 / 0 / 22, CMYK 5 / 24 / 0 / 22, CMYK 0 / 24 / 1 / 22, CMYK 0 / 24 / 8 / 22 and CMYK 0 / 24 / 14 / 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 24 / 1 / 22 shade: CMYK 0 / 42 / 2 / 33, CMYK 0 / 32 / 1 / 27, CMYK 0 / 24 / 1 / 22, CMYK 0 / 16 / 0 / 16 and CMYK 0 / 10 / 0 / 10

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 24 / 1 / 22 shade: CMYK 0 / 24 / 1 / 22, CMYK 0 / 19 / 24 / 22 and CMYK 24 / 0 / 9 / 22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 24 / 1 / 22 shade: CMYK 0 / 24 / 1 / 22, CMYK 1 / 0 / 24 / 22 and CMYK 24 / 1 / 0 / 22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 24 / 1 / 22 shade: CMYK 0 / 24 / 1 / 22, CMYK 0 / 19 / 24 / 22, CMYK 24 / 0 / 23 / 22 and CMYK 24 / 5 / 0 / 22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 24 / 1 / 22 shade: CMYK 0 / 24 / 1 / 22, CMYK 0 / 11 / 24 / 22, CMYK 24 / 0 / 23 / 22 and CMYK 24 / 13 / 0 / 22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 1 / 22

HEX #C797C5

RGB 199 151 197

HSL 302.5, 0.3%, 0.69%

LAB 68.25, 25.69, -16.75

 

Complementary color

CMYK 46 / 0 / 44 / 59

HEX #38683A

RGB 56 104 58

HSL 122.5, 0.3%, 0.31%

LAB 39.66, -26.94, 20.94

 

CMYK 0 / 26 / 6 / 20

HEX #CC97C0

RGB 204 151 192

HSL 313.58, 0.34%, 0.7%

LAB 68.59, 26.48, -13.4

 

CMYK 0 / 24 / 5 / 13

HEX #DDA9D3

RGB 221 169 211

HSL 311.54, 0.43%, 0.76%

LAB 75.11, 25.87, -13.9

 

CMYK 0 / 21 / 3 / 7

HEX #EEBBE6

RGB 238 187 230

HSL 309.41, 0.6%, 0.83%

LAB 81.53, 25.3, -14.39

 

CMYK 0 / 20 / 2 / 0

HEX #FFCDF9

RGB 255 205 249

HSL 307.2, 1%, 0.9%

LAB 87.85, 24.77, -14.86

 

CMYK 0 / 13 / 0 / 0

HEX #FFDFFF

RGB 255 223 255

HSL 300, 1%, 0.94%

LAB 92.25, 16.43, -11.45

 

CMYK 0 / 24 / 1 / 22

HEX #C797C5

RGB 199 151 197

HSL 302.5, 0.3%, 0.69%

LAB 68.25, 25.69, -16.75

 

CMYK 0 / 27 / 2 / 29

HEX #B685B2

RGB 182 133 178

HSL 304.9, 0.25%, 0.62%

LAB 61.6, 26.33, -16.3

 

CMYK 0 / 30 / 4 / 35

HEX #A5739F

RGB 165 115 159

HSL 307.2, 0.22%, 0.55%

LAB 54.83, 27.02, -15.82

 

CMYK 0 / 34 / 5 / 42

HEX #94618C

RGB 148 97 140

HSL 309.41, 0.21%, 0.48%

LAB 47.93, 27.77, -15.31

 

CMYK 0 / 40 / 8 / 49

HEX #834F79

RGB 131 79 121

HSL 311.54, 0.25%, 0.41%

LAB 40.89, 28.57, -14.73

 

CMYK 0 / 24 / 1 / 22

HEX #C898C6

RGB 200 152 198

HSL 302.5, 0.3%, 0.69%

LAB 68.62, 25.67, -16.73

 

CMYK 0 / 24 / 8 / 22

HEX #C898B9

RGB 200 152 185

HSL 318.75, 0.3%, 0.69%

LAB 68.2, 23.3, -10.13

 

CMYK 0 / 24 / 14 / 22

HEX #C898AC

RGB 200 152 172

HSL 335, 0.3%, 0.69%

LAB 67.81, 21.08, -3.44

 

CMYK 0 / 24 / 21 / 22

HEX #C8989F

RGB 200 152 159

HSL 351.25, 0.3%, 0.69%

LAB 67.46, 19, 3.31

 

CMYK 0 / 24 / 24 / 22

HEX #C89898

RGB 200 152 152

HSL 0, 0.3%, 0.69%

LAB 67.28, 17.95, 6.97

 

CMYK 0 / 24 / 1 / 22

HEX #C898C6

RGB 200 152 198

HSL 302.5, 0.3%, 0.69%

LAB 68.62, 25.67, -16.73

 

CMYK 5 / 24 / 0 / 22

HEX #BD98C8

RGB 189 152 200

HSL 286.25, 0.3%, 0.69%

LAB 67.61, 22.37, -19.47

 

CMYK 12 / 24 / 0 / 22

HEX #B098C8

RGB 176 152 200

HSL 270, 0.3%, 0.69%

LAB 66.41, 18.09, -21.41

 

CMYK 19 / 24 / 0 / 22

HEX #A398C8

RGB 163 152 200

HSL 253.75, 0.3%, 0.69%

LAB 65.29, 13.9, -23.22

 

CMYK 24 / 24 / 0 / 22

HEX #9898C8

RGB 152 152 200

HSL 240, 0.3%, 0.69%

LAB 64.4, 10.45, -24.65

 

CMYK 0 / 24 / 1 / 22

HEX #C898C6

RGB 200 152 198

HSL 302.5, 0.3%, 0.69%

LAB 68.62, 25.67, -16.73

 

CMYK 0 / 34 / 1 / 17

HEX #D48BD1

RGB 212 139 209

HSL 302.47, 0.46%, 0.69%

LAB 67.33, 38.71, -24.69

 

CMYK 0 / 44 / 2 / 12

HEX #E17FDD

RGB 225 127 221

HSL 302.45, 0.62%, 0.69%

LAB 66.83, 51.11, -32

 

CMYK 0 / 52 / 2 / 7

HEX #EE72E9

RGB 238 114 233

HSL 302.42, 0.78%, 0.69%

LAB 66.59, 63.13, -38.9

 

CMYK 0 / 60 / 2 / 2

HEX #FB65F5

RGB 251 101 245

HSL 302.4, 0.95%, 0.69%

LAB 66.83, 74.06, -45.03

 

CMYK 0 / 24 / 1 / 22

HEX #C898C6

RGB 200 152 198

HSL 302.5, 0.3%, 0.69%

LAB 68.62, 25.67, -16.73

 

CMYK 0 / 12 / 1 / 27

HEX #BBA5BA

RGB 187 165 186

HSL 302.73, 0.14%, 0.69%

LAB 70.19, 11.77, -7.84

 

CMYK 2 / 0 / 2 / 30

HEX #AEB2AE

RGB 174 178 174

HSL 120, 0.03%, 0.69%

LAB 72.16, -2.15, 1.54

 

CMYK 16 / 0 / 15 / 25

HEX #A1BFA3

RGB 161 191 163

HSL 124, 0.19%, 0.69%

LAB 74.5, -15.57, 10.78

 

CMYK 27 / 0 / 26 / 20

HEX #95CB97

RGB 149 203 151

HSL 122.22, 0.34%, 0.69%

LAB 76.88, -27.74, 20.43

 

CMYK 12 / 24 / 0 / 22

HEX #B098C8

RGB 176 152 200

HSL 270, 0.3%, 0.69%

LAB 66.41, 18.09, -21.41

 

CMYK 5 / 24 / 0 / 22

HEX #BD98C8

RGB 189 152 200

HSL 286.25, 0.3%, 0.69%

LAB 67.61, 22.37, -19.47

 

CMYK 0 / 24 / 1 / 22

HEX #C898C6

RGB 200 152 198

HSL 302.5, 0.3%, 0.69%

LAB 68.62, 25.67, -16.73

 

CMYK 0 / 24 / 8 / 22

HEX #C898B9

RGB 200 152 185

HSL 318.75, 0.3%, 0.69%

LAB 68.2, 23.3, -10.13

 

CMYK 0 / 24 / 14 / 22

HEX #C898AD

RGB 200 152 173

HSL 333.75, 0.3%, 0.69%

LAB 67.84, 21.24, -3.96

 

CMYK 0 / 42 / 2 / 33

HEX #AB63A8

RGB 171 99 168

HSL 302.5, 0.3%, 0.53%

LAB 52.3, 39.59, -24.88

 

CMYK 0 / 32 / 1 / 27

HEX #B97DB7

RGB 185 125 183

HSL 302, 0.3%, 0.61%

LAB 60.25, 32.73, -21.16

 

CMYK 0 / 24 / 1 / 22

HEX #C898C6

RGB 200 152 198

HSL 302.5, 0.3%, 0.69%

LAB 68.62, 25.67, -16.73

 

CMYK 0 / 16 / 0 / 16

HEX #D6B3D5

RGB 214 179 213

HSL 301.71, 0.3%, 0.77%

LAB 76.88, 18.46, -12.4

 

CMYK 0 / 10 / 0 / 10

HEX #E5CEE4

RGB 229 206 228

HSL 302.61, 0.31%, 0.85%

LAB 85.2, 11.83, -7.93

 

CMYK 0 / 24 / 1 / 22

HEX #C797C5

RGB 199 151 197

HSL 302.5, 0.3%, 0.69%

LAB 68.25, 25.69, -16.75

 

CMYK 0 / 19 / 24 / 22

HEX #C8A398

RGB 200 163 152

HSL 13.75, 0.3%, 0.69%

LAB 69.99, 11.93, 10.84

 

CMYK 24 / 0 / 9 / 22

HEX #98C8B6

RGB 152 200 182

HSL 157.5, 0.3%, 0.69%

LAB 76.9, -19.44, 3.88

 

CMYK 0 / 24 / 1 / 22

HEX #C797C5

RGB 199 151 197

HSL 302.5, 0.3%, 0.69%

LAB 68.25, 25.69, -16.75

 

CMYK 1 / 0 / 24 / 22

HEX #C6C898

RGB 198 200 152

HSL 62.5, 0.3%, 0.69%

LAB 79.37, -8.52, 23.85

 

CMYK 24 / 1 / 0 / 22

HEX #98C6C8

RGB 152 198 200

HSL 182.5, 0.3%, 0.69%

LAB 76.82, -14.57, -5.95

 

CMYK 0 / 24 / 1 / 22

HEX #C797C5

RGB 199 151 197

HSL 302.5, 0.3%, 0.69%

LAB 68.25, 25.69, -16.75

 

CMYK 0 / 19 / 24 / 22

HEX #C8A398

RGB 200 163 152

HSL 13.75, 0.3%, 0.69%

LAB 69.99, 11.93, 10.84

 

CMYK 24 / 0 / 23 / 22

HEX #98C89A

RGB 152 200 154

HSL 122.5, 0.3%, 0.69%

LAB 76.26, -24.76, 18.01

 

CMYK 24 / 5 / 0 / 22

HEX #98BDC8

RGB 152 189 200

HSL 193.75, 0.3%, 0.69%

LAB 74.34, -9.87, -9.62

 

CMYK 0 / 24 / 1 / 22

HEX #C797C5

RGB 199 151 197

HSL 302.5, 0.3%, 0.69%

LAB 68.25, 25.69, -16.75

 

CMYK 0 / 11 / 24 / 22

HEX #C8B298

RGB 200 178 152

HSL 32.5, 0.3%, 0.69%

LAB 73.8, 3.82, 16.18

 

CMYK 24 / 0 / 23 / 22

HEX #98C89A

RGB 152 200 154

HSL 122.5, 0.3%, 0.69%

LAB 76.26, -24.76, 18.01

 

CMYK 24 / 13 / 0 / 22

HEX #98AEC8

RGB 152 174 200

HSL 212.5, 0.3%, 0.69%

LAB 70.26, -1.82, -15.75

 

Description

Color code: CMYK 0 / 24 / 1 / 22 | qconv.com Color code: CMYK 0 / 24 / 1 / 22 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 151 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 151 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 1 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 1% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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