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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E27EAC it is the complementary color #1D8153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E27EAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E27EAC: #E77EA7, #F890BA, #FFA2CD, #FFB4E0 and #FFC6F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E27EAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E27EAC: #E27EAC, #D16C99, #C05A86, #AF4873 and #9E3660

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 24 / 11

HEX #E27EAC

RGB 226 126 172

HSL 332.4, 0.63%, 0.69%

LAB 65.02, 44.12, -7.24

 

Complementary color

CMYK 78 / 0 / 36 / 49

HEX #1D8153

RGB 29 129 83

HSL 152.4, 0.63%, 0.31%

LAB 47.73, -39.32, 17.13

 

CMYK 0 / 45 / 28 / 9

HEX #E77EA7

RGB 231 126 167

HSL 336.57, 0.69%, 0.7%

LAB 65.51, 45.12, -3.6

 

CMYK 0 / 42 / 25 / 3

HEX #F890BA

RGB 248 144 186

HSL 335.77, 0.88%, 0.77%

LAB 71.86, 44.29, -4.66

 

CMYK 0 / 36 / 20 / 0

HEX #FFA2CD

RGB 255 162 205

HSL 332.26, 1%, 0.82%

LAB 76.99, 40.12, -7.44

 

CMYK 0 / 29 / 12 / 0

HEX #FFB4E0

RGB 255 180 224

HSL 324.8, 1%, 0.85%

LAB 81.45, 33.67, -11.11

 

CMYK 0 / 22 / 5 / 0

HEX #FFC6F3

RGB 255 198 243

HSL 312.63, 1%, 0.89%

LAB 86.07, 27.4, -14.36

 

CMYK 0 / 44 / 24 / 11

HEX #E27EAC

RGB 226 126 172

HSL 332.4, 0.63%, 0.69%

LAB 65.02, 44.12, -7.24

 

CMYK 0 / 48 / 27 / 18

HEX #D16C99

RGB 209 108 153

HSL 333.27, 0.52%, 0.62%

LAB 58.58, 44.93, -6.15

 

CMYK 0 / 53 / 30 / 25

HEX #C05A86

RGB 192 90 134

HSL 334.12, 0.45%, 0.55%

LAB 52.11, 45.72, -4.87

 

CMYK 0 / 59 / 34 / 31

HEX #AF4873

RGB 175 72 115

HSL 334.95, 0.42%, 0.48%

LAB 45.62, 46.4, -3.32

 

CMYK 0 / 66 / 39 / 38

HEX #9E3660

RGB 158 54 96

HSL 335.77, 0.49%, 0.42%

LAB 39.16, 46.86, -1.36

 

CMYK 0 / 44 / 24 / 11

HEX #E27EAC

RGB 226 126 172

HSL 332.4, 0.63%, 0.69%

LAB 65.02, 44.12, -7.24

 

CMYK 0 / 44 / 31 / 12

HEX #E17E9C

RGB 225 126 156

HSL 341.82, 0.62%, 0.69%

LAB 64.43, 41.62, 0.96

 

CMYK 0 / 44 / 38 / 12

HEX #E17E8B

RGB 225 126 139

HSL 352.12, 0.62%, 0.69%

LAB 63.99, 39.55, 10.01

 

CMYK 0 / 43 / 44 / 12

HEX #E1817E

RGB 225 129 126

HSL 1.82, 0.62%, 0.69%

LAB 64.33, 36.58, 17.86

 

CMYK 0 / 35 / 44 / 12

HEX #E1927E

RGB 225 146 126

HSL 12.12, 0.62%, 0.69%

LAB 68.07, 27.59, 22.96

 

CMYK 0 / 44 / 24 / 11

HEX #E27EAC

RGB 226 126 172

HSL 332.4, 0.63%, 0.69%

LAB 65.02, 44.12, -7.24

 

CMYK 0 / 45 / 23 / 91

HEX #160C11

RGB 22 12 17

HSL 330, 0.29%, 0.07%

LAB 4.28, 4.63, -1.09

 

CMYK 0 / 44 / 23 / 71

HEX #492938

RGB 73 41 56

HSL 331.88, 0.28%, 0.22%

LAB 21.16, 17.35, -3.24

 

CMYK 0 / 44 / 24 / 51

HEX #7C455E

RGB 124 69 94

HSL 332.73, 0.28%, 0.38%

LAB 36.65, 27.07, -4.41

 

CMYK 0 / 44 / 24 / 31

HEX #AF6285

RGB 175 98 133

HSL 332.73, 0.32%, 0.54%

LAB 51.32, 35.58, -5.71

 

CMYK 0 / 44 / 24 / 11

HEX #E27EAC

RGB 226 126 172

HSL 332.4, 0.63%, 0.69%

LAB 65.02, 44.12, -7.24

 

CMYK 0 / 12 / 44 / 12

HEX #E1C77E

RGB 225 199 126

HSL 44.24, 0.62%, 0.69%

LAB 80.94, -0.58, 39.81

 

CMYK 44 / 6 / 0 / 12

HEX #7ED4E1

RGB 126 212 225

HSL 187.88, 0.62%, 0.69%

LAB 80.16, -22.65, -14.55

 

CMYK 0 / 44 / 24 / 11

HEX #E27EAC

RGB 226 126 172

HSL 332.4, 0.63%, 0.69%

LAB 65.02, 44.12, -7.24

 

CMYK 24 / 0 / 44 / 12

HEX #ACE17E

RGB 172 225 126

HSL 92.12, 0.62%, 0.69%

LAB 84.03, -33.82, 42.9

 

CMYK 44 / 24 / 0 / 12

HEX #7EACE1

RGB 126 172 225

HSL 212.12, 0.62%, 0.69%

LAB 69.02, -1.57, -31.51

 

CMYK 0 / 44 / 24 / 11

HEX #E27EAC

RGB 226 126 172

HSL 332.4, 0.63%, 0.69%

LAB 65.02, 44.12, -7.24

 

CMYK 0 / 12 / 44 / 12

HEX #E1C77E

RGB 225 199 126

HSL 44.24, 0.62%, 0.69%

LAB 80.94, -0.58, 39.81

 

CMYK 44 / 0 / 20 / 12

HEX #7EE1B3

RGB 126 225 179

HSL 152.12, 0.62%, 0.69%

LAB 82.67, -39.49, 13.56

 

CMYK 44 / 32 / 0 / 12

HEX #7E98E1

RGB 126 152 225

HSL 224.24, 0.62%, 0.69%

LAB 63.61, 9.76, -39.92

 

CMYK 0 / 44 / 24 / 11

HEX #E27EAC

RGB 226 126 172

HSL 332.4, 0.63%, 0.69%

LAB 65.02, 44.12, -7.24

 

CMYK 1 / 0 / 44 / 12

HEX #DEE17E

RGB 222 225 126

HSL 61.82, 0.62%, 0.69%

LAB 87.43, -14.97, 47.87

 

CMYK 44 / 0 / 20 / 12

HEX #7EE1B3

RGB 126 225 179

HSL 152.12, 0.62%, 0.69%

LAB 82.67, -39.49, 13.56

 

CMYK 43 / 44 / 0 / 12

HEX #817EE1

RGB 129 126 225

HSL 241.82, 0.62%, 0.69%

LAB 57.1, 25.74, -50.18

 

Description

Color code: HEX #E27EAC | qconv.com Color code: HEX #E27EAC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 126 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 126 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 24 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 24% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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