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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E27DD3 it is the complementary color #1D822C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E27DD3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E27DD3: #E77DCE, #F88FE1, #FFA1F4, #FFB3FF and #FFC5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E27DD3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E27DD3: #E27DD3, #D16BC0, #C059AD, #AF479A and #9E3587

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 7 / 11

HEX #E27DD3

RGB 226 125 211

HSL 308.91, 0.64%, 0.69%

LAB 66.17, 50.68, -27.45

 

Complementary color

CMYK 78 / 0 / 66 / 49

HEX #1D822C

RGB 29 130 44

HSL 128.91, 0.64%, 0.31%

LAB 47.51, -46.31, 37.5

 

CMYK 0 / 46 / 11 / 9

HEX #E77DCE

RGB 231 125 206

HSL 314.15, 0.69%, 0.7%

LAB 66.61, 51.38, -23.93

 

CMYK 0 / 42 / 9 / 3

HEX #F88FE1

RGB 248 143 225

HSL 313.14, 0.88%, 0.77%

LAB 72.92, 50.66, -24.61

 

CMYK 0 / 37 / 4 / 0

HEX #FFA1F4

RGB 255 161 244

HSL 307.02, 1%, 0.82%

LAB 78.04, 46.86, -27.05

 

CMYK 0 / 30 / 0 / 0

HEX #FFB3FF

RGB 255 179 255

HSL 300, 1%, 0.85%

LAB 82.23, 39.48, -26.56

 

CMYK 0 / 23 / 0 / 0

HEX #FFC5FF

RGB 255 197 255

HSL 300, 1%, 0.89%

LAB 86.21, 30.05, -20.51

 

CMYK 0 / 45 / 7 / 11

HEX #E27DD3

RGB 226 125 211

HSL 308.91, 0.64%, 0.69%

LAB 66.17, 50.68, -27.45

 

CMYK 0 / 49 / 8 / 18

HEX #D16BC0

RGB 209 107 192

HSL 310, 0.53%, 0.62%

LAB 59.78, 51.37, -26.76

 

CMYK 0 / 54 / 10 / 25

HEX #C059AD

RGB 192 89 173

HSL 311.07, 0.45%, 0.55%

LAB 53.35, 51.98, -25.94

 

CMYK 0 / 59 / 12 / 31

HEX #AF479A

RGB 175 71 154

HSL 312.12, 0.42%, 0.48%

LAB 46.91, 52.42, -24.91

 

CMYK 0 / 66 / 15 / 38

HEX #9E3587

RGB 158 53 135

HSL 313.14, 0.5%, 0.41%

LAB 40.52, 52.53, -23.56

 

CMYK 0 / 45 / 7 / 11

HEX #E27DD3

RGB 226 125 211

HSL 308.91, 0.64%, 0.69%

LAB 66.17, 50.68, -27.45

 

CMYK 0 / 45 / 13 / 11

HEX #E27DC4

RGB 226 125 196

HSL 317.82, 0.64%, 0.69%

LAB 65.61, 48.23, -19.9

 

CMYK 0 / 45 / 21 / 11

HEX #E27DB3

RGB 226 125 179

HSL 327.92, 0.64%, 0.69%

LAB 65.03, 45.64, -11.18

 

CMYK 0 / 45 / 28 / 11

HEX #E27DA2

RGB 226 125 162

HSL 338.02, 0.64%, 0.69%

LAB 64.52, 43.26, -2.3

 

CMYK 0 / 45 / 36 / 11

HEX #E27D91

RGB 226 125 145

HSL 348.12, 0.64%, 0.69%

LAB 64.06, 41.12, 6.72

 

CMYK 0 / 45 / 7 / 11

HEX #E27DD3

RGB 226 125 211

HSL 308.91, 0.64%, 0.69%

LAB 66.17, 50.68, -27.45

 

CMYK 0 / 45 / 5 / 91

HEX #160C15

RGB 22 12 21

HSL 306, 0.29%, 0.07%

LAB 4.4, 5.5, -3.45

 

CMYK 0 / 45 / 7 / 71

HEX #492844

RGB 73 40 68

HSL 309.09, 0.29%, 0.22%

LAB 21.4, 20.34, -11.1

 

CMYK 0 / 44 / 6 / 51

HEX #7C4574

RGB 124 69 116

HSL 308.73, 0.28%, 0.38%

LAB 37.49, 30.93, -16.93

 

CMYK 0 / 45 / 7 / 31

HEX #AF61A3

RGB 175 97 163

HSL 309.23, 0.33%, 0.53%

LAB 52.18, 41.02, -22.09

 

CMYK 0 / 45 / 7 / 11

HEX #E27DD3

RGB 226 125 211

HSL 308.91, 0.64%, 0.69%

LAB 66.17, 50.68, -27.45

 

CMYK 0 / 30 / 45 / 11

HEX #E29F7D

RGB 226 159 125

HSL 20.2, 0.64%, 0.69%

LAB 71.18, 20.92, 27.69

 

CMYK 45 / 0 / 12 / 11

HEX #7DE2C7

RGB 125 226 199

HSL 163.96, 0.64%, 0.69%

LAB 83.38, -35.89, 4.03

 

CMYK 0 / 45 / 7 / 11

HEX #E27DD3

RGB 226 125 211

HSL 308.91, 0.64%, 0.69%

LAB 66.17, 50.68, -27.45

 

CMYK 6 / 0 / 45 / 11

HEX #D5E27D

RGB 213 226 125

HSL 67.72, 0.64%, 0.69%

LAB 87.01, -19.07, 47.68

 

CMYK 45 / 6 / 0 / 11

HEX #7DD5E2

RGB 125 213 226

HSL 187.72, 0.64%, 0.69%

LAB 80.43, -23.13, -14.68

 

CMYK 0 / 45 / 7 / 11

HEX #E27DD3

RGB 226 125 211

HSL 308.91, 0.64%, 0.69%

LAB 66.17, 50.68, -27.45

 

CMYK 0 / 30 / 45 / 11

HEX #E29F7D

RGB 226 159 125

HSL 20.2, 0.64%, 0.69%

LAB 71.18, 20.92, 27.69

 

CMYK 45 / 0 / 39 / 11

HEX #7DE28A

RGB 125 226 138

HSL 127.72, 0.64%, 0.69%

LAB 82.16, -47.64, 34.06

 

CMYK 45 / 15 / 0 / 11

HEX #7DC0E2

RGB 125 192 226

HSL 200.2, 0.64%, 0.69%

LAB 74.54, -12.36, -23.59

 

CMYK 0 / 45 / 7 / 11

HEX #E27DD3

RGB 226 125 211

HSL 308.91, 0.64%, 0.69%

LAB 66.17, 50.68, -27.45

 

CMYK 0 / 16 / 45 / 11

HEX #E2BD7D

RGB 226 189 125

HSL 38.02, 0.64%, 0.69%

LAB 78.49, 4.95, 37.22

 

CMYK 45 / 0 / 39 / 11

HEX #7DE28A

RGB 125 226 138

HSL 127.72, 0.64%, 0.69%

LAB 82.16, -47.64, 34.06

 

CMYK 45 / 28 / 0 / 11

HEX #7DA2E2

RGB 125 162 226

HSL 218.02, 0.64%, 0.69%

LAB 66.28, 4.07, -36.31

 

Description

Color code: HEX #E27DD3 | qconv.com Color code: HEX #E27DD3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 125 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 125 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 7 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 7% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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