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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E269EA it is the complementary color #1D9615. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E269EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E269EA: #E769E5, #F87BF8, #FF8DFF, #FF9FFF and #FFB1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E269EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E269EA: #E269EA, #D157D7, #C045C4, #AF33B1 and #9E219E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 55 / 0 / 8

HEX #E269EA

RGB 226 105 234

HSL 296.28, 0.75%, 0.66%

LAB 63.52, 64.26, -44.39

 

Complementary color

CMYK 81 / 0 / 86 / 41

HEX #1D9615

RGB 29 150 21

HSL 116.28, 0.75%, 0.34%

LAB 54.16, -54.78, 52.48

 

CMYK 0 / 55 / 1 / 9

HEX #E769E5

RGB 231 105 229

HSL 300.95, 0.72%, 0.66%

LAB 63.96, 64.69, -40.87

 

CMYK 0 / 50 / 0 / 3

HEX #F87BF8

RGB 248 123 248

HSL 300, 0.9%, 0.73%

LAB 70.11, 64.2, -41.57

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 0 / 38 / 0 / 0

HEX #FF9FFF

RGB 255 159 255

HSL 300, 1%, 0.81%

LAB 78.04, 49.8, -32.99

 

CMYK 0 / 31 / 0 / 0

HEX #FFB1FF

RGB 255 177 255

HSL 300, 1%, 0.85%

LAB 81.8, 40.52, -27.22

 

CMYK 3 / 55 / 0 / 8

HEX #E269EA

RGB 226 105 234

HSL 296.28, 0.75%, 0.66%

LAB 63.52, 64.26, -44.39

 

CMYK 3 / 60 / 0 / 16

HEX #D157D7

RGB 209 87 215

HSL 297.19, 0.62%, 0.59%

LAB 57.35, 64.6, -43.62

 

CMYK 2 / 65 / 0 / 23

HEX #C045C4

RGB 192 69 196

HSL 298.11, 0.52%, 0.52%

LAB 51.21, 64.66, -42.63

 

CMYK 1 / 71 / 0 / 31

HEX #AF33B1

RGB 175 51 177

HSL 299.05, 0.55%, 0.45%

LAB 45.16, 64.25, -41.3

 

CMYK 0 / 79 / 0 / 38

HEX #9E219E

RGB 158 33 158

HSL 300, 0.65%, 0.37%

LAB 39.28, 63.09, -39.48

 

CMYK 3 / 55 / 0 / 8

HEX #E269EA

RGB 226 105 234

HSL 296.28, 0.75%, 0.66%

LAB 63.52, 64.26, -44.39

 

CMYK 0 / 56 / 6 / 9

HEX #E967DC

RGB 233 103 220

HSL 306, 0.75%, 0.66%

LAB 63.5, 64.61, -36.54

 

CMYK 0 / 56 / 15 / 9

HEX #E967C6

RGB 233 103 198

HSL 316.15, 0.75%, 0.66%

LAB 62.59, 61.19, -25.56

 

CMYK 0 / 56 / 24 / 9

HEX #E967B0

RGB 233 103 176

HSL 326.31, 0.75%, 0.66%

LAB 61.79, 58.08, -14.25

 

CMYK 0 / 56 / 33 / 9

HEX #E9679B

RGB 233 103 155

HSL 336, 0.75%, 0.66%

LAB 61.12, 55.44, -3.17

 

CMYK 3 / 55 / 0 / 8

HEX #E269EA

RGB 226 105 234

HSL 296.28, 0.75%, 0.66%

LAB 63.52, 64.26, -44.39

 

CMYK 3 / 57 / 0 / 88

HEX #1D0D1E

RGB 29 13 30

HSL 296.47, 0.4%, 0.08%

LAB 5.81, 11.2, -8.18

 

CMYK 4 / 56 / 0 / 68

HEX #4E2451

RGB 78 36 81

HSL 296, 0.38%, 0.23%

LAB 21.86, 27.34, -19.12

 

CMYK 4 / 55 / 0 / 48

HEX #7F3B84

RGB 127 59 132

HSL 295.89, 0.38%, 0.37%

LAB 36.57, 40.47, -28.24

 

CMYK 3 / 55 / 0 / 28

HEX #B152B7

RGB 177 82 183

HSL 296.44, 0.41%, 0.52%

LAB 50.45, 52.84, -36.43

 

CMYK 3 / 55 / 0 / 8

HEX #E269EA

RGB 226 105 234

HSL 296.28, 0.75%, 0.66%

LAB 63.52, 64.26, -44.39

 

CMYK 0 / 48 / 56 / 9

HEX #E97867

RGB 233 120 103

HSL 7.85, 0.75%, 0.66%

LAB 63.12, 42.1, 29.36

 

CMYK 56 / 0 / 26 / 9

HEX #67E9AC

RGB 103 233 172

HSL 151.85, 0.75%, 0.66%

LAB 84.04, -49.82, 19.02

 

CMYK 3 / 55 / 0 / 8

HEX #E269EA

RGB 226 105 234

HSL 296.28, 0.75%, 0.66%

LAB 63.52, 64.26, -44.39

 

CMYK 0 / 4 / 56 / 9

HEX #E9E067

RGB 233 224 103

HSL 55.85, 0.75%, 0.66%

LAB 87.78, -12.06, 59.22

 

CMYK 56 / 0 / 4 / 9

HEX #67E9E0

RGB 103 233 224

HSL 175.85, 0.75%, 0.66%

LAB 85.27, -37.83, -6.48

 

CMYK 3 / 55 / 0 / 8

HEX #E269EA

RGB 226 105 234

HSL 296.28, 0.75%, 0.66%

LAB 63.52, 64.26, -44.39

 

CMYK 0 / 48 / 56 / 9

HEX #E97867

RGB 233 120 103

HSL 7.85, 0.75%, 0.66%

LAB 63.12, 42.1, 29.36

 

CMYK 52 / 0 / 56 / 9

HEX #6FE967

RGB 111 233 103

HSL 116.31, 0.75%, 0.66%

LAB 83.25, -59, 52.16

 

CMYK 56 / 8 / 0 / 9

HEX #67D7E9

RGB 103 215 233

HSL 188.31, 0.75%, 0.66%

LAB 80.39, -26.91, -18.56

 

CMYK 3 / 55 / 0 / 8

HEX #E269EA

RGB 226 105 234

HSL 296.28, 0.75%, 0.66%

LAB 63.52, 64.26, -44.39

 

CMYK 0 / 32 / 56 / 9

HEX #E99F67

RGB 233 159 103

HSL 25.85, 0.75%, 0.66%

LAB 71.62, 21.73, 40.11

 

CMYK 52 / 0 / 56 / 9

HEX #6FE967

RGB 111 233 103

HSL 116.31, 0.75%, 0.66%

LAB 83.25, -59, 52.16

 

CMYK 56 / 24 / 0 / 9

HEX #67B0E9

RGB 103 176 233

HSL 206.31, 0.75%, 0.66%

LAB 69.34, -6.66, -35.48

 

Description

Color code: HEX #E269EA | qconv.com Color code: HEX #E269EA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 105 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 105 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 55 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 55% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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