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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1DA71 it is the complementary color #1E258E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1DA71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E1DA71: #E6DA6C, #F7EC7F, #FFFE92, #FFFFA5 and #FFFFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1DA71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E1DA71: #E1DA71, #D0C85E, #BFB64B, #AEA438 and #9D9225

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 50 / 12

HEX #E1DA71

RGB 225 218 113

HSL 56.25, 0.65%, 0.66%

LAB 85.68, -11.49, 52.02

 

Complementary color

CMYK 79 / 74 / 0 / 44

HEX #1E258E

RGB 30 37 142

HSL 236.25, 0.65%, 0.34%

LAB 22.13, 35.6, -58.27

 

CMYK 0 / 5 / 53 / 10

HEX #E6DA6C

RGB 230 218 108

HSL 54.1, 0.71%, 0.66%

LAB 86.03, -9.89, 54.87

 

CMYK 0 / 4 / 49 / 3

HEX #F7EC7F

RGB 247 236 127

HSL 54.5, 0.88%, 0.73%

LAB 92.26, -10.47, 53.74

 

CMYK 0 / 0 / 43 / 0

HEX #FFFE92

RGB 255 254 146

HSL 59.45, 1%, 0.79%

LAB 97.72, -14.44, 51.57

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB8

RGB 255 255 184

HSL 60, 1%, 0.86%

LAB 98.53, -10.7, 34.03

 

CMYK 0 / 3 / 50 / 12

HEX #E1DA71

RGB 225 218 113

HSL 56.25, 0.65%, 0.66%

LAB 85.68, -11.49, 52.02

 

CMYK 0 / 4 / 55 / 18

HEX #D0C85E

RGB 208 200 94

HSL 55.79, 0.55%, 0.59%

LAB 79.34, -10.9, 53.13

 

CMYK 0 / 5 / 61 / 25

HEX #BFB64B

RGB 191 182 75

HSL 55.34, 0.48%, 0.52%

LAB 72.92, -10.19, 54.15

 

CMYK 0 / 6 / 68 / 32

HEX #AEA438

RGB 174 164 56

HSL 54.92, 0.51%, 0.45%

LAB 66.39, -9.33, 54.93

 

CMYK 0 / 7 / 76 / 38

HEX #9D9225

RGB 157 146 37

HSL 54.5, 0.62%, 0.38%

LAB 59.76, -8.27, 55.22

 

CMYK 0 / 3 / 50 / 12

HEX #E1DA71

RGB 225 218 113

HSL 56.25, 0.65%, 0.66%

LAB 85.68, -11.49, 52.02

 

CMYK 5 / 0 / 50 / 12

HEX #D5E06F

RGB 213 224 111

HSL 65.84, 0.65%, 0.66%

LAB 86.31, -19.42, 53.47

 

CMYK 13 / 0 / 50 / 12

HEX #C2E06F

RGB 194 224 111

HSL 75.93, 0.65%, 0.66%

LAB 84.96, -26.83, 51.54

 

CMYK 22 / 0 / 50 / 12

HEX #AFE06F

RGB 175 224 111

HSL 86.02, 0.65%, 0.66%

LAB 83.74, -33.97, 49.79

 

CMYK 30 / 0 / 50 / 12

HEX #9DE06F

RGB 157 224 111

HSL 95.58, 0.65%, 0.66%

LAB 82.71, -40.38, 48.31

 

CMYK 0 / 3 / 50 / 12

HEX #E1DA71

RGB 225 218 113

HSL 56.25, 0.65%, 0.66%

LAB 85.68, -11.49, 52.02

 

CMYK 0 / 5 / 48 / 92

HEX #15140B

RGB 21 20 11

HSL 54, 0.31%, 0.06%

LAB 6.18, -1.24, 4.7

 

CMYK 0 / 3 / 50 / 72

HEX #484624

RGB 72 70 36

HSL 56.67, 0.33%, 0.21%

LAB 29.12, -4.91, 20.71

 

CMYK 0 / 3 / 50 / 52

HEX #7B773E

RGB 123 119 62

HSL 56.07, 0.33%, 0.36%

LAB 49.19, -7.05, 31.68

 

CMYK 0 / 3 / 50 / 32

HEX #AEA957

RGB 174 169 87

HSL 56.55, 0.35%, 0.51%

LAB 68.07, -9.65, 42.56

 

CMYK 0 / 3 / 50 / 12

HEX #E1DA71

RGB 225 218 113

HSL 56.25, 0.65%, 0.66%

LAB 85.68, -11.49, 52.02

 

CMYK 50 / 0 / 44 / 12

HEX #6FE07E

RGB 111 224 126

HSL 127.96, 0.65%, 0.66%

LAB 80.85, -52.44, 38.27

 

CMYK 23 / 50 / 0 / 12

HEX #AC6FE0

RGB 172 111 224

HSL 272.39, 0.65%, 0.66%

LAB 57.58, 45.12, -48.62

 

CMYK 0 / 3 / 50 / 12

HEX #E1DA71

RGB 225 218 113

HSL 56.25, 0.65%, 0.66%

LAB 85.68, -11.49, 52.02

 

CMYK 50 / 0 / 3 / 12

HEX #6FE0D9

RGB 111 224 217

HSL 176.28, 0.65%, 0.66%

LAB 82.75, -33.85, -6.48

 

CMYK 3 / 50 / 0 / 12

HEX #D96FE0

RGB 217 111 224

HSL 296.28, 0.65%, 0.66%

LAB 62.93, 57.28, -39.82

 

CMYK 0 / 3 / 50 / 12

HEX #E1DA71

RGB 225 218 113

HSL 56.25, 0.65%, 0.66%

LAB 85.68, -11.49, 52.02

 

CMYK 50 / 0 / 44 / 12

HEX #6FE07E

RGB 111 224 126

HSL 127.96, 0.65%, 0.66%

LAB 80.85, -52.44, 38.27

 

CMYK 50 / 47 / 0 / 12

HEX #6F77E0

RGB 111 119 224

HSL 235.75, 0.65%, 0.66%

LAB 53.98, 25.45, -54.68

 

CMYK 0 / 50 / 7 / 12

HEX #E06FD1

RGB 224 111 209

HSL 307.96, 0.65%, 0.66%

LAB 63.19, 56.64, -30.94

 

CMYK 0 / 3 / 50 / 12

HEX #E1DA71

RGB 225 218 113

HSL 56.25, 0.65%, 0.66%

LAB 85.68, -11.49, 52.02

 

CMYK 50 / 0 / 29 / 12

HEX #6FE0A0

RGB 111 224 160

HSL 146.02, 0.65%, 0.66%

LAB 81.42, -46.6, 21.68

 

CMYK 50 / 47 / 0 / 12

HEX #6F77E0

RGB 111 119 224

HSL 235.75, 0.65%, 0.66%

LAB 53.98, 25.45, -54.68

 

CMYK 0 / 50 / 22 / 12

HEX #E06FAF

RGB 224 111 175

HSL 326.02, 0.65%, 0.66%

LAB 61.92, 51.4, -13.61

 

Description

Color code: HEX #E1DA71 | qconv.com Color code: HEX #E1DA71 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 218 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 218 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 50 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 50% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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