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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1C49C it is the complementary color #1E3B63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1C49C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E1C49C: #E6C497, #F7D6AA, #FFE8BD, #FFFAD0 and #FFFFE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1C49C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E1C49C: #E1C49C, #D0B289, #BFA076, #AE8E63 and #9D7C50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 31 / 12

HEX #E1C49C

RGB 225 196 156

HSL 34.78, 0.53%, 0.75%

LAB 80.68, 4.43, 23.88

 

Complementary color

CMYK 70 / 40 / 0 / 61

HEX #1E3B63

RGB 30 59 99

HSL 214.78, 0.53%, 0.25%

LAB 24.65, 3.63, -26.86

 

CMYK 0 / 15 / 34 / 10

HEX #E6C497

RGB 230 196 151

HSL 34.18, 0.61%, 0.75%

LAB 81.04, 5.74, 27.09

 

CMYK 0 / 13 / 31 / 3

HEX #F7D6AA

RGB 247 214 170

HSL 34.29, 0.83%, 0.82%

LAB 87.37, 5.23, 25.99

 

CMYK 0 / 9 / 26 / 0

HEX #FFE8BD

RGB 255 232 189

HSL 39.09, 1%, 0.87%

LAB 92.86, 1.45, 23.8

 

CMYK 0 / 2 / 18 / 0

HEX #FFFAD0

RGB 255 250 208

HSL 53.62, 1%, 0.91%

LAB 97.71, -5, 20.78

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE3

RGB 255 255 227

HSL 60, 1%, 0.95%

LAB 99.35, -4.64, 13.39

 

CMYK 0 / 13 / 31 / 12

HEX #E1C49C

RGB 225 196 156

HSL 34.78, 0.53%, 0.75%

LAB 80.68, 4.43, 23.88

 

CMYK 0 / 14 / 34 / 18

HEX #D0B289

RGB 208 178 137

HSL 34.65, 0.43%, 0.68%

LAB 74.23, 4.93, 24.99

 

CMYK 0 / 16 / 38 / 25

HEX #BFA076

RGB 191 160 118

HSL 34.52, 0.36%, 0.61%

LAB 67.67, 5.51, 26.16

 

CMYK 0 / 18 / 43 / 32

HEX #AE8E63

RGB 174 142 99

HSL 34.4, 0.32%, 0.54%

LAB 61, 6.19, 27.43

 

CMYK 0 / 21 / 49 / 38

HEX #9D7C50

RGB 157 124 80

HSL 34.29, 0.32%, 0.46%

LAB 54.2, 7, 28.8

 

CMYK 0 / 13 / 31 / 12

HEX #E1C49C

RGB 225 196 156

HSL 34.78, 0.53%, 0.75%

LAB 80.68, 4.43, 23.88

 

CMYK 0 / 8 / 30 / 12

HEX #E1CF9D

RGB 225 207 157

HSL 44.12, 0.53%, 0.75%

LAB 83.48, -1.18, 27.16

 

CMYK 0 / 3 / 30 / 12

HEX #E1DA9D

RGB 225 218 157

HSL 53.82, 0.53%, 0.75%

LAB 86.3, -6.82, 30.95

 

CMYK 2 / 0 / 30 / 12

HEX #DCE19D

RGB 220 225 157

HSL 64.41, 0.53%, 0.75%

LAB 87.73, -12.25, 32.79

 

CMYK 7 / 0 / 30 / 12

HEX #D1E19D

RGB 209 225 157

HSL 74.12, 0.53%, 0.75%

LAB 86.92, -16.36, 31.57

 

CMYK 0 / 13 / 31 / 12

HEX #E1C49C

RGB 225 196 156

HSL 34.78, 0.53%, 0.75%

LAB 80.68, 4.43, 23.88

 

CMYK 0 / 14 / 29 / 92

HEX #15120F

RGB 21 18 15

HSL 30, 0.17%, 0.07%

LAB 5.66, 0.67, 2.02

 

CMYK 0 / 13 / 31 / 72

HEX #483F32

RGB 72 63 50

HSL 35.45, 0.18%, 0.24%

LAB 27.19, 1.49, 9.41

 

CMYK 0 / 13 / 31 / 52

HEX #7B6B55

RGB 123 107 85

HSL 34.74, 0.18%, 0.41%

LAB 46.15, 2.69, 14.67

 

CMYK 0 / 13 / 30 / 32

HEX #AE9879

RGB 174 152 121

HSL 35.09, 0.25%, 0.58%

LAB 64.03, 3.38, 19.33

 

CMYK 0 / 13 / 31 / 12

HEX #E1C49C

RGB 225 196 156

HSL 34.78, 0.53%, 0.75%

LAB 80.68, 4.43, 23.88

 

CMYK 23 / 0 / 30 / 12

HEX #ADE19D

RGB 173 225 157

HSL 105.88, 0.53%, 0.75%

LAB 84.57, -29.21, 28.01

 

CMYK 25 / 30 / 0 / 12

HEX #A89DE1

RGB 168 157 225

HSL 249.71, 0.53%, 0.75%

LAB 67.93, 18.46, -32.97

 

CMYK 0 / 13 / 31 / 12

HEX #E1C49C

RGB 225 196 156

HSL 34.78, 0.53%, 0.75%

LAB 80.68, 4.43, 23.88

 

CMYK 30 / 0 / 13 / 12

HEX #9DE1C3

RGB 157 225 195

HSL 153.53, 0.53%, 0.75%

LAB 84.46, -27.58, 7.89

 

CMYK 13 / 30 / 0 / 12

HEX #C39DE1

RGB 195 157 225

HSL 273.53, 0.53%, 0.75%

LAB 70.28, 26.69, -29.14

 

CMYK 0 / 13 / 31 / 12

HEX #E1C49C

RGB 225 196 156

HSL 34.78, 0.53%, 0.75%

LAB 80.68, 4.43, 23.88

 

CMYK 23 / 0 / 30 / 12

HEX #ADE19D

RGB 173 225 157

HSL 105.88, 0.53%, 0.75%

LAB 84.57, -29.21, 28.01

 

CMYK 30 / 17 / 0 / 12

HEX #9DBAE1

RGB 157 186 225

HSL 214.41, 0.53%, 0.75%

LAB 74.65, -0.88, -22.72

 

CMYK 7 / 30 / 0 / 12

HEX #D19DE1

RGB 209 157 225

HSL 285.88, 0.53%, 0.75%

LAB 71.63, 31.09, -26.96

 

CMYK 0 / 13 / 31 / 12

HEX #E1C49C

RGB 225 196 156

HSL 34.78, 0.53%, 0.75%

LAB 80.68, 4.43, 23.88

 

CMYK 30 / 0 / 28 / 12

HEX #9DE1A1

RGB 157 225 161

HSL 123.53, 0.53%, 0.75%

LAB 83.75, -33.85, 24.68

 

CMYK 30 / 17 / 0 / 12

HEX #9DBAE1

RGB 157 186 225

HSL 214.41, 0.53%, 0.75%

LAB 74.65, -0.88, -22.72

 

CMYK 0 / 30 / 2 / 12

HEX #E19DDC

RGB 225 157 220

HSL 304.41, 0.53%, 0.75%

LAB 73.08, 35.26, -21.85

 

Description

Color code: HEX #E1C49C | qconv.com Color code: HEX #E1C49C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 196 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 196 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 31 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 31% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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