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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1BCE5 it is the complementary color #1E431A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1BCE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E1BCE5: #E6BCE0, #F7CEF3, #FFE0FF, #FFF2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1BCE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E1BCE5: #E1BCE5, #D0AAD2, #BF98BF, #AE86AC and #9D7499

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 18 / 0 / 10

HEX #E1BCE5

RGB 225 188 229

HSL 294.15, 0.44%, 0.82%

LAB 80.53, 20.27, -15.47

 

Complementary color

CMYK 55 / 0 / 61 / 74

HEX #1E431A

RGB 30 67 26

HSL 114.15, 0.44%, 0.18%

LAB 24.84, -22.94, 20.67

 

CMYK 0 / 18 / 3 / 10

HEX #E6BCE0

RGB 230 188 224

HSL 308.57, 0.46%, 0.82%

LAB 80.83, 21.02, -12.28

 

CMYK 0 / 17 / 2 / 3

HEX #F7CEF3

RGB 247 206 243

HSL 305.85, 0.72%, 0.89%

LAB 87.19, 20.54, -12.76

 

CMYK 0 / 12 / 0 / 0

HEX #FFE0FF

RGB 255 224 255

HSL 300, 1%, 0.94%

LAB 92.48, 15.9, -11.1

 

CMYK 0 / 5 / 0 / 0

HEX #FFF2FF

RGB 255 242 255

HSL 300, 1%, 0.97%

LAB 96.81, 6.61, -4.68

 

CMYK 2 / 18 / 0 / 10

HEX #E1BCE5

RGB 225 188 229

HSL 294.15, 0.44%, 0.82%

LAB 80.53, 20.27, -15.47

 

CMYK 1 / 19 / 0 / 18

HEX #D0AAD2

RGB 208 170 210

HSL 297, 0.31%, 0.75%

LAB 74.07, 20.76, -15.04

 

CMYK 0 / 20 / 0 / 25

HEX #BF98BF

RGB 191 152 191

HSL 300, 0.23%, 0.67%

LAB 67.5, 21.29, -14.61

 

CMYK 0 / 23 / 1 / 32

HEX #AE86AC

RGB 174 134 172

HSL 303, 0.2%, 0.6%

LAB 60.81, 21.87, -14.16

 

CMYK 0 / 26 / 3 / 38

HEX #9D7499

RGB 157 116 153

HSL 305.85, 0.17%, 0.54%

LAB 53.98, 22.51, -13.7

 

CMYK 2 / 18 / 0 / 10

HEX #E1BCE5

RGB 225 188 229

HSL 294.15, 0.44%, 0.82%

LAB 80.53, 20.27, -15.47

 

CMYK 0 / 18 / 1 / 10

HEX #E5BCE2

RGB 229 188 226

HSL 304.39, 0.44%, 0.82%

LAB 80.8, 21.05, -13.41

 

CMYK 0 / 18 / 4 / 10

HEX #E5BCDB

RGB 229 188 219

HSL 314.63, 0.44%, 0.82%

LAB 80.59, 19.79, -9.96

 

CMYK 0 / 18 / 7 / 10

HEX #E5BCD5

RGB 229 188 213

HSL 323.41, 0.44%, 0.82%

LAB 80.42, 18.74, -6.99

 

CMYK 0 / 18 / 10 / 10

HEX #E5BCCE

RGB 229 188 206

HSL 333.66, 0.44%, 0.82%

LAB 80.22, 17.55, -3.5

 

CMYK 2 / 18 / 0 / 10

HEX #E1BCE5

RGB 225 188 229

HSL 294.15, 0.44%, 0.82%

LAB 80.53, 20.27, -15.47

 

CMYK 0 / 16 / 0 / 90

HEX #191519

RGB 25 21 25

HSL 300, 0.09%, 0.09%

LAB 7.35, 2.93, -2.08

 

CMYK 1 / 18 / 0 / 70

HEX #4B3E4C

RGB 75 62 76

HSL 295.71, 0.1%, 0.27%

LAB 28.01, 8.58, -6.39

 

CMYK 2 / 18 / 0 / 50

HEX #7D687F

RGB 125 104 127

HSL 294.78, 0.1%, 0.45%

LAB 46.7, 12.76, -9.64

 

CMYK 2 / 18 / 0 / 30

HEX #AF92B2

RGB 175 146 178

HSL 294.38, 0.17%, 0.64%

LAB 64.07, 16.62, -12.64

 

CMYK 2 / 18 / 0 / 10

HEX #E1BCE5

RGB 225 188 229

HSL 294.15, 0.44%, 0.82%

LAB 80.53, 20.27, -15.47

 

CMYK 0 / 16 / 18 / 10

HEX #E5C0BC

RGB 229 192 188

HSL 5.85, 0.44%, 0.82%

LAB 80.73, 12.54, 6.93

 

CMYK 18 / 0 / 9 / 10

HEX #BCE5D1

RGB 188 229 209

HSL 150.73, 0.44%, 0.82%

LAB 87.65, -17.2, 5.34

 

CMYK 2 / 18 / 0 / 10

HEX #E1BCE5

RGB 225 188 229

HSL 294.15, 0.44%, 0.82%

LAB 80.53, 20.27, -15.47

 

CMYK 0 / 2 / 18 / 10

HEX #E5E1BC

RGB 229 225 188

HSL 54.15, 0.44%, 0.82%

LAB 88.99, -4.65, 18.62

 

CMYK 18 / 0 / 2 / 10

HEX #BCE5E1

RGB 188 229 225

HSL 174.15, 0.44%, 0.82%

LAB 88.05, -14.04, -2.48

 

CMYK 2 / 18 / 0 / 10

HEX #E1BCE5

RGB 225 188 229

HSL 294.15, 0.44%, 0.82%

LAB 80.53, 20.27, -15.47

 

CMYK 0 / 16 / 18 / 10

HEX #E5C0BC

RGB 229 192 188

HSL 5.85, 0.44%, 0.82%

LAB 80.73, 12.54, 6.93

 

CMYK 16 / 0 / 18 / 10

HEX #C0E5BC

RGB 192 229 188

HSL 114.15, 0.44%, 0.82%

LAB 87.42, -19.67, 16.05

 

CMYK 18 / 2 / 0 / 10

HEX #BCE1E5

RGB 188 225 229

HSL 185.85, 0.44%, 0.82%

LAB 87.09, -11.19, -5.99

 

CMYK 2 / 18 / 0 / 10

HEX #E1BCE5

RGB 225 188 229

HSL 294.15, 0.44%, 0.82%

LAB 80.53, 20.27, -15.47

 

CMYK 0 / 10 / 18 / 10

HEX #E5CDBC

RGB 229 205 188

HSL 24.88, 0.44%, 0.82%

LAB 83.94, 5.68, 11.51

 

CMYK 16 / 0 / 18 / 10

HEX #C0E5BC

RGB 192 229 188

HSL 114.15, 0.44%, 0.82%

LAB 87.42, -19.67, 16.05

 

CMYK 18 / 7 / 0 / 10

HEX #BCD5E5

RGB 188 213 229

HSL 203.41, 0.44%, 0.82%

LAB 83.93, -5.01, -10.68

 

Description

Color code: HEX #E1BCE5 | qconv.com Color code: HEX #E1BCE5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 188 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 188 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 18 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 18% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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