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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E18C5F it is the complementary color #1E73A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E18C5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E18C5F: #E68C5A, #F79E6D, #FFB080, #FFC293 and #FFD4A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E18C5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E18C5F: #E18C5F, #D07A4C, #BF6839, #AE5626 and #9D4413

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 58 / 12

HEX #E18C5F

RGB 225 140 95

HSL 20.77, 0.68%, 0.63%

LAB 66.21, 27.99, 37.4

 

Complementary color

CMYK 81 / 28 / 0 / 37

HEX #1E73A0

RGB 30 115 160

HSL 200.77, 0.68%, 0.37%

LAB 45.74, -8.42, -31.19

 

CMYK 0 / 39 / 61 / 10

HEX #E68C5A

RGB 230 140 90

HSL 21.43, 0.74%, 0.63%

LAB 66.76, 29.64, 40.86

 

CMYK 0 / 36 / 56 / 3

HEX #F79E6D

RGB 247 158 109

HSL 21.3, 0.9%, 0.7%

LAB 73.11, 28.34, 39.18

 

CMYK 0 / 31 / 50 / 0

HEX #FFB080

RGB 255 176 128

HSL 22.68, 1%, 0.75%

LAB 78.39, 23.66, 36.12

 

CMYK 0 / 24 / 42 / 0

HEX #FFC293

RGB 255 194 147

HSL 26.11, 1%, 0.79%

LAB 82.89, 16.08, 32.08

 

CMYK 0 / 17 / 35 / 0

HEX #FFD4A6

RGB 255 212 166

HSL 31.01, 1%, 0.83%

LAB 87.53, 8.82, 28.41

 

CMYK 0 / 38 / 58 / 12

HEX #E18C5F

RGB 225 140 95

HSL 20.77, 0.68%, 0.63%

LAB 66.21, 27.99, 37.4

 

CMYK 0 / 41 / 63 / 18

HEX #D07A4C

RGB 208 122 76

HSL 20.91, 0.58%, 0.56%

LAB 59.75, 29.37, 39.17

 

CMYK 0 / 46 / 70 / 25

HEX #BF6839

RGB 191 104 57

HSL 21.04, 0.54%, 0.49%

LAB 53.25, 30.92, 41.05

 

CMYK 0 / 51 / 78 / 32

HEX #AE5626

RGB 174 86 38

HSL 21.18, 0.64%, 0.42%

LAB 46.7, 32.64, 42.93

 

CMYK 0 / 57 / 88 / 38

HEX #9D4413

RGB 157 68 19

HSL 21.3, 0.78%, 0.35%

LAB 40.16, 34.51, 44.43

 

CMYK 0 / 38 / 58 / 12

HEX #E18C5F

RGB 225 140 95

HSL 20.77, 0.68%, 0.63%

LAB 66.21, 27.99, 37.4

 

CMYK 0 / 29 / 57 / 12

HEX #E0A060

RGB 224 160 96

HSL 30, 0.67%, 0.63%

LAB 70.76, 16.97, 42.42

 

CMYK 0 / 19 / 57 / 12

HEX #E0B660

RGB 224 182 96

HSL 40.31, 0.67%, 0.63%

LAB 76.16, 5.25, 48.86

 

CMYK 0 / 9 / 57 / 12

HEX #E0CB60

RGB 224 203 96

HSL 50.16, 0.67%, 0.63%

LAB 81.51, -5.67, 55.05

 

CMYK 0 / 0 / 57 / 12

HEX #E0E060

RGB 224 224 96

HSL 60, 0.67%, 0.63%

LAB 87, -16.22, 61.23

 

CMYK 0 / 38 / 58 / 12

HEX #E18C5F

RGB 225 140 95

HSL 20.77, 0.68%, 0.63%

LAB 66.21, 27.99, 37.4

 

CMYK 0 / 38 / 57 / 92

HEX #150D09

RGB 21 13 9

HSL 20, 0.4%, 0.06%

LAB 4.22, 2.4, 2.67

 

CMYK 0 / 38 / 58 / 72

HEX #482D1E

RGB 72 45 30

HSL 21.43, 0.41%, 0.2%

LAB 21.39, 10.49, 14.75

 

CMYK 0 / 37 / 58 / 52

HEX #7B4D34

RGB 123 77 52

HSL 21.13, 0.41%, 0.34%

LAB 37.42, 16.62, 22.8

 

CMYK 0 / 38 / 58 / 32

HEX #AE6C49

RGB 174 108 73

HSL 20.79, 0.41%, 0.48%

LAB 52.07, 22.72, 30.44

 

CMYK 0 / 38 / 58 / 12

HEX #E18C5F

RGB 225 140 95

HSL 20.77, 0.68%, 0.63%

LAB 66.21, 27.99, 37.4

 

CMYK 30 / 0 / 57 / 12

HEX #9CE060

RGB 156 224 96

HSL 91.88, 0.67%, 0.63%

LAB 82.5, -42.29, 54.93

 

CMYK 57 / 53 / 0 / 12

HEX #6069E0

RGB 96 105 224

HSL 235.78, 0.67%, 0.63%

LAB 49.46, 30.9, -61.99

 

CMYK 0 / 38 / 58 / 12

HEX #E18C5F

RGB 225 140 95

HSL 20.77, 0.68%, 0.63%

LAB 66.21, 27.99, 37.4

 

CMYK 57 / 0 / 38 / 12

HEX #60E08B

RGB 96 224 139

HSL 140.16, 0.67%, 0.63%

LAB 80.55, -53.94, 31.25

 

CMYK 38 / 57 / 0 / 12

HEX #8B60E0

RGB 139 96 224

HSL 260.16, 0.67%, 0.63%

LAB 50.96, 45.18, -59.39

 

CMYK 0 / 38 / 58 / 12

HEX #E18C5F

RGB 225 140 95

HSL 20.77, 0.68%, 0.63%

LAB 66.21, 27.99, 37.4

 

CMYK 30 / 0 / 57 / 12

HEX #9CE060

RGB 156 224 96

HSL 91.88, 0.67%, 0.63%

LAB 82.5, -42.29, 54.93

 

CMYK 57 / 19 / 0 / 12

HEX #60B6E0

RGB 96 182 224

HSL 199.69, 0.67%, 0.63%

LAB 70.4, -14.02, -28.95

 

CMYK 27 / 57 / 0 / 12

HEX #A460E0

RGB 164 96 224

HSL 271.88, 0.67%, 0.63%

LAB 53.64, 51.05, -54.94

 

CMYK 0 / 38 / 58 / 12

HEX #E18C5F

RGB 225 140 95

HSL 20.77, 0.68%, 0.63%

LAB 66.21, 27.99, 37.4

 

CMYK 48 / 0 / 57 / 12

HEX #75E060

RGB 117 224 96

HSL 110.16, 0.67%, 0.63%

LAB 80.7, -54.72, 52.39

 

CMYK 57 / 19 / 0 / 12

HEX #60B6E0

RGB 96 182 224

HSL 199.69, 0.67%, 0.63%

LAB 70.4, -14.02, -28.95

 

CMYK 9 / 57 / 0 / 12

HEX #CB60E0

RGB 203 96 224

HSL 290.16, 0.67%, 0.63%

LAB 58.46, 60.71, -46.99

 

Description

Color code: HEX #E18C5F | qconv.com Color code: HEX #E18C5F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 140 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 140 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 58 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 58% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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