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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E16931 it is the complementary color #1E96CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E16931. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E16931: #E6692C, #F77B3F, #FF8D52, #FF9F65 and #FFB178

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E16931. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E16931: #E16931, #D0571E, #BF450B, #AE3300 and #9D2100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 78 / 12

HEX #E16931

RGB 225 105 49

HSL 19.09, 0.75%, 0.54%

LAB 58.35, 43.47, 51.85

 

Complementary color

CMYK 85 / 27 / 0 / 19

HEX #1E96CE

RGB 30 150 206

HSL 199.09, 0.75%, 0.46%

LAB 58.55, -11.66, -37.52

 

CMYK 0 / 54 / 81 / 10

HEX #E6692C

RGB 230 105 44

HSL 19.68, 0.79%, 0.54%

LAB 59.07, 45.2, 55.04

 

CMYK 0 / 50 / 74 / 3

HEX #F77B3F

RGB 247 123 63

HSL 19.57, 0.92%, 0.61%

LAB 65.2, 43.53, 53.26

 

CMYK 0 / 45 / 68 / 0

HEX #FF8D52

RGB 255 141 82

HSL 20.46, 1%, 0.66%

LAB 70.12, 38.49, 49.68

 

CMYK 0 / 38 / 60 / 0

HEX #FF9F65

RGB 255 159 101

HSL 22.6, 1%, 0.7%

LAB 74.19, 30.4, 44.86

 

CMYK 0 / 31 / 53 / 0

HEX #FFB178

RGB 255 177 120

HSL 25.33, 1%, 0.74%

LAB 78.5, 22.44, 40.42

 

CMYK 0 / 53 / 78 / 12

HEX #E16931

RGB 225 105 49

HSL 19.09, 0.75%, 0.54%

LAB 58.35, 43.47, 51.85

 

CMYK 0 / 58 / 86 / 18

HEX #D0571E

RGB 208 87 30

HSL 19.21, 0.75%, 0.47%

LAB 52.2, 45.17, 53.46

 

CMYK 0 / 64 / 94 / 25

HEX #BF450B

RGB 191 69 11

HSL 19.33, 0.89%, 0.4%

LAB 46.12, 46.84, 54.04

 

CMYK 0 / 71 / 100 / 32

HEX #AE3300

RGB 174 51 0

HSL 17.59, 1%, 0.34%

LAB 40.19, 48.29, 52.23

 

CMYK 0 / 79 / 100 / 38

HEX #9D2100

RGB 157 33 0

HSL 12.61, 1%, 0.31%

LAB 34.51, 49.13, 47.6

 

CMYK 0 / 53 / 78 / 12

HEX #E16931

RGB 225 105 49

HSL 19.09, 0.75%, 0.54%

LAB 58.35, 43.47, 51.85

 

CMYK 0 / 40 / 78 / 12

HEX #E18631

RGB 225 134 49

HSL 28.98, 0.75%, 0.54%

LAB 64.39, 28.61, 57.67

 

CMYK 0 / 27 / 78 / 12

HEX #E1A431

RGB 225 164 49

HSL 39.2, 0.75%, 0.54%

LAB 71.41, 12.61, 64.24

 

CMYK 0 / 14 / 78 / 12

HEX #E1C131

RGB 225 193 49

HSL 49.09, 0.75%, 0.54%

LAB 78.68, -2.65, 70.86

 

CMYK 0 / 1 / 78 / 12

HEX #E1DE31

RGB 225 222 49

HSL 58.98, 0.75%, 0.54%

LAB 86.24, -17.27, 77.6

 

CMYK 0 / 53 / 78 / 12

HEX #E16931

RGB 225 105 49

HSL 19.09, 0.75%, 0.54%

LAB 58.35, 43.47, 51.85

 

CMYK 0 / 52 / 76 / 92

HEX #150A05

RGB 21 10 5

HSL 18.75, 0.62%, 0.05%

LAB 3.5, 3.15, 3.25

 

CMYK 0 / 53 / 78 / 72

HEX #482210

RGB 72 34 16

HSL 19.29, 0.64%, 0.17%

LAB 18.18, 16.39, 19.79

 

CMYK 0 / 54 / 78 / 52

HEX #7B391B

RGB 123 57 27

HSL 18.75, 0.64%, 0.29%

LAB 32.29, 26.53, 31.28

 

CMYK 0 / 53 / 78 / 32

HEX #AE5126

RGB 174 81 38

HSL 18.97, 0.64%, 0.42%

LAB 45.67, 35.25, 41.89

 

CMYK 0 / 53 / 78 / 12

HEX #E16931

RGB 225 105 49

HSL 19.09, 0.75%, 0.54%

LAB 58.35, 43.47, 51.85

 

CMYK 40 / 0 / 78 / 12

HEX #86E131

RGB 134 225 49

HSL 91.02, 0.75%, 0.54%

LAB 81.37, -53.59, 71.05

 

CMYK 78 / 72 / 0 / 12

HEX #3140E1

RGB 49 64 225

HSL 234.89, 0.75%, 0.54%

LAB 37.4, 49.82, -82.36

 

CMYK 0 / 53 / 78 / 12

HEX #E16931

RGB 225 105 49

HSL 19.09, 0.75%, 0.54%

LAB 58.35, 43.47, 51.85

 

CMYK 78 / 0 / 53 / 12

HEX #31E169

RGB 49 225 105

HSL 139.09, 0.75%, 0.54%

LAB 79.34, -67.74, 46.21

 

CMYK 53 / 78 / 0 / 12

HEX #6931E1

RGB 105 49 225

HSL 259.09, 0.75%, 0.54%

LAB 38.96, 63.02, -79.65

 

CMYK 0 / 53 / 78 / 12

HEX #E16931

RGB 225 105 49

HSL 19.09, 0.75%, 0.54%

LAB 58.35, 43.47, 51.85

 

CMYK 40 / 0 / 78 / 12

HEX #86E131

RGB 134 225 49

HSL 91.02, 0.75%, 0.54%

LAB 81.37, -53.59, 71.05

 

CMYK 78 / 25 / 0 / 12

HEX #31A9E1

RGB 49 169 225

HSL 199.09, 0.75%, 0.54%

LAB 65.33, -13.78, -37.46

 

CMYK 38 / 78 / 0 / 12

HEX #8C31E1

RGB 140 49 225

HSL 271.02, 0.75%, 0.54%

LAB 43.08, 67.86, -72.74

 

CMYK 0 / 53 / 78 / 12

HEX #E16931

RGB 225 105 49

HSL 19.09, 0.75%, 0.54%

LAB 58.35, 43.47, 51.85

 

CMYK 64 / 0 / 78 / 12

HEX #51E131

RGB 81 225 49

HSL 109.09, 0.75%, 0.54%

LAB 79.51, -67.99, 68.65

 

CMYK 78 / 25 / 0 / 12

HEX #31A9E1

RGB 49 169 225

HSL 199.09, 0.75%, 0.54%

LAB 65.33, -13.78, -37.46

 

CMYK 14 / 78 / 0 / 12

HEX #C131E1

RGB 193 49 225

HSL 289.09, 0.75%, 0.54%

LAB 50.65, 76.74, -60.1

 

Description

Color code: HEX #E16931 | qconv.com Color code: HEX #E16931 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 105 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 105 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 78 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 78% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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