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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E15E8C it is the complementary color #1EA173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E15E8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E15E8C: #E65E87, #F7709A, #FF82AD, #FF94C0 and #FFA6D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E15E8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E15E8C: #E15E8C, #D04C79, #BF3A66, #AE2853 and #9D1640

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 38 / 12

HEX #E15E8C

RGB 225 94 140

HSL 338.93, 0.69%, 0.63%

LAB 57.95, 55.29, 0.75

Complementary color

CMYK 81 / 0 / 29 / 37

HEX #1EA173

RGB 30 161 115

HSL 158.93, 0.69%, 0.37%

LAB 58.98, -44.96, 14.51

 

CMYK 0 / 59 / 41 / 10

HEX #E65E87

RGB 230 94 135

HSL 341.91, 0.73%, 0.64%

LAB 58.58, 56.35, 4.68

 

CMYK 0 / 55 / 38 / 3

HEX #F7709A

RGB 247 112 154

HSL 341.33, 0.89%, 0.7%

LAB 64.72, 55.65, 2.9

 

CMYK 0 / 49 / 32 / 0

HEX #FF82AD

RGB 255 130 173

HSL 339.36, 1%, 0.75%

LAB 69.64, 51.92, -0.55

 

CMYK 0 / 42 / 25 / 0

HEX #FF94C0

RGB 255 148 192

HSL 335.33, 1%, 0.79%

LAB 73.7, 45.44, -5.16

 

CMYK 0 / 35 / 17 / 0

HEX #FFA6D3

RGB 255 166 211

HSL 329.66, 1%, 0.83%

LAB 78.01, 38.94, -9.19

 

CMYK 0 / 58 / 38 / 12

HEX #E15E8C

RGB 225 94 140

HSL 338.93, 0.69%, 0.63%

LAB 57.95, 55.29, 0.75

NCS® S1060-R20B

CMYK 0 / 63 / 42 / 18

HEX #D04C79

RGB 208 76 121

HSL 339.55, 0.58%, 0.56%

LAB 51.79, 55.81, 2.72

 

CMYK 0 / 70 / 47 / 25

HEX #BF3A66

RGB 191 58 102

HSL 340.15, 0.53%, 0.49%

LAB 45.72, 56.02, 5.13

 

CMYK 0 / 77 / 52 / 32

HEX #AE2853

RGB 174 40 83

HSL 340.75, 0.63%, 0.42%

LAB 39.82, 55.69, 8.18

 

CMYK 0 / 86 / 59 / 38

HEX #9D1640

RGB 157 22 64

HSL 341.33, 0.75%, 0.35%

LAB 34.22, 54.46, 12.11

 

CMYK 0 / 58 / 38 / 12

HEX #E15E8C

RGB 225 94 140

HSL 338.93, 0.69%, 0.63%

LAB 57.95, 55.29, 0.75

NCS® S1060-R20B

CMYK 0 / 58 / 46 / 12

HEX #E15F79

RGB 225 95 121

HSL 348, 0.68%, 0.63%

LAB 57.63, 52.89, 11.41

 

CMYK 0 / 58 / 56 / 12

HEX #E15F63

RGB 225 95 99

HSL 358.15, 0.68%, 0.63%

LAB 57.17, 51.01, 23.6

 

CMYK 0 / 50 / 58 / 12

HEX #E1705F

RGB 225 112 95

HSL 7.85, 0.68%, 0.63%

LAB 60.27, 42.52, 29.93

 

CMYK 0 / 40 / 58 / 12

HEX #E1865F

RGB 225 134 95

HSL 18, 0.68%, 0.63%

LAB 64.87, 31.17, 35.74

 

CMYK 0 / 58 / 38 / 12

HEX #E15E8C

RGB 225 94 140

HSL 338.93, 0.69%, 0.63%

LAB 57.95, 55.29, 0.75

NCS® S1060-R20B

CMYK 0 / 57 / 38 / 92

HEX #15090D

RGB 21 9 13

HSL 340, 0.4%, 0.06%

LAB 3.47, 4.7, -0.17

 

CMYK 0 / 58 / 38 / 72

HEX #481E2D

RGB 72 30 45

HSL 338.57, 0.41%, 0.2%

LAB 17.9, 21.96, -0.4

 

CMYK 0 / 59 / 37 / 52

HEX #7B334D

RGB 123 51 77

HSL 338.33, 0.41%, 0.34%

LAB 32.07, 34.18, -0.3

 

CMYK 0 / 58 / 38 / 32

HEX #AE496C

RGB 174 73 108

HSL 339.21, 0.41%, 0.48%

LAB 45.42, 44.75, 0.66

 

CMYK 0 / 58 / 38 / 12

HEX #E15E8C

RGB 225 94 140

HSL 338.93, 0.69%, 0.63%

LAB 57.95, 55.29, 0.75

NCS® S1060-R20B

CMYK 0 / 9 / 58 / 12

HEX #E1CC5F

RGB 225 204 95

HSL 50.31, 0.68%, 0.63%

LAB 81.85, -5.84, 55.92

 

CMYK 58 / 13 / 0 / 12

HEX #5FC3E1

RGB 95 195 225

HSL 193.85, 0.68%, 0.63%

LAB 74.13, -20.7, -23.79

 

CMYK 0 / 58 / 38 / 12

HEX #E15E8C

RGB 225 94 140

HSL 338.93, 0.69%, 0.63%

LAB 57.95, 55.29, 0.75

NCS® S1060-R20B

CMYK 36 / 0 / 58 / 12

HEX #8FE15F

RGB 143 225 95

HSL 97.85, 0.68%, 0.63%

LAB 82.12, -47.24, 54.76

 

CMYK 58 / 36 / 0 / 12

HEX #5F8FE1

RGB 95 143 225

HSL 217.85, 0.68%, 0.63%

LAB 59.45, 8.01, -46.6

 

CMYK 0 / 58 / 38 / 12

HEX #E15E8C

RGB 225 94 140

HSL 338.93, 0.69%, 0.63%

LAB 57.95, 55.29, 0.75

NCS® S1060-R20B

CMYK 0 / 9 / 58 / 12

HEX #E1CC5F

RGB 225 204 95

HSL 50.31, 0.68%, 0.63%

LAB 81.85, -5.84, 55.92

 

CMYK 58 / 0 / 21 / 12

HEX #5FE1B2

RGB 95 225 178

HSL 158.31, 0.68%, 0.63%

LAB 81.56, -46.84, 12.37

 

CMYK 58 / 48 / 0 / 12

HEX #5F75E1

RGB 95 117 225

HSL 229.85, 0.68%, 0.63%

LAB 52.5, 23.69, -57.67

 

CMYK 0 / 58 / 38 / 12

HEX #E15E8C

RGB 225 94 140

HSL 338.93, 0.69%, 0.63%

LAB 57.95, 55.29, 0.75

NCS® S1060-R20B

CMYK 8 / 0 / 58 / 12

HEX #D0E15F

RGB 208 225 95

HSL 67.85, 0.68%, 0.63%

LAB 86.05, -23.2, 60.27

 

CMYK 58 / 0 / 21 / 12

HEX #5FE1B2

RGB 95 225 178

HSL 158.31, 0.68%, 0.63%

LAB 81.56, -46.84, 12.37

 

CMYK 50 / 58 / 0 / 12

HEX #705FE1

RGB 112 95 225

HSL 247.85, 0.68%, 0.63%

LAB 48.34, 40.29, -64.31

 

Description

Color code: HEX #E15E8C | qconv.com Color code: HEX #E15E8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 94 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 94 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 38 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 38% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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