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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0B042 it is the complementary color #1F4FBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0B042. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E0B042: #E5B03D, #F6C250, #FFD463, #FFE676 and #FFF889

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0B042. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E0B042: #E0B042, #CF9E2F, #BE8C1C, #AD7A09 and #9C6800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 71 / 12

HEX #E0B042

RGB 224 176 66

HSL 41.77, 0.72%, 0.57%

LAB 74.38, 6.53, 60.49

 

Complementary color

CMYK 84 / 58 / 0 / 26

HEX #1F4FBD

RGB 31 79 189

HSL 221.77, 0.72%, 0.43%

LAB 37.04, 25.98, -62.16

 

CMYK 0 / 23 / 73 / 10

HEX #E5B03D

RGB 229 176 61

HSL 41.07, 0.76%, 0.57%

LAB 74.85, 8.43, 63.15

 

CMYK 0 / 21 / 67 / 4

HEX #F6C250

RGB 246 194 80

HSL 41.2, 0.9%, 0.64%

LAB 81.16, 7.13, 62.34

 

CMYK 0 / 17 / 61 / 0

HEX #FFD463

RGB 255 212 99

HSL 43.46, 1%, 0.69%

LAB 86.63, 2.71, 60.23

 

CMYK 0 / 10 / 54 / 0

HEX #FFE676

RGB 255 230 118

HSL 49.05, 1%, 0.73%

LAB 91.31, -5.04, 56.95

 

CMYK 0 / 3 / 46 / 0

HEX #FFF889

RGB 255 248 137

HSL 56.44, 1%, 0.77%

LAB 96.08, -12.35, 53.81

 

CMYK 0 / 21 / 71 / 12

HEX #E0B042

RGB 224 176 66

HSL 41.77, 0.72%, 0.57%

LAB 74.38, 6.53, 60.49

 

CMYK 0 / 24 / 77 / 19

HEX #CF9E2F

RGB 207 158 47

HSL 41.63, 0.63%, 0.5%

LAB 67.96, 7.94, 61.06

 

CMYK 0 / 26 / 85 / 25

HEX #BE8C1C

RGB 190 140 28

HSL 41.48, 0.74%, 0.43%

LAB 61.47, 9.59, 60.9

 

CMYK 0 / 29 / 95 / 32

HEX #AD7A09

RGB 173 122 9

HSL 41.34, 0.9%, 0.36%

LAB 54.89, 11.53, 59.33

 

CMYK 0 / 33 / 100 / 39

HEX #9C6800

RGB 156 104 0

HSL 40, 1%, 0.31%

LAB 48.22, 13.79, 55.5

 

CMYK 0 / 21 / 71 / 12

HEX #E0B042

RGB 224 176 66

HSL 41.77, 0.72%, 0.57%

LAB 74.38, 6.53, 60.49

 

CMYK 0 / 11 / 71 / 12

HEX #E0C842

RGB 224 200 66

HSL 50.89, 0.72%, 0.57%

LAB 80.49, -5.97, 66.62

 

CMYK 1 / 0 / 71 / 12

HEX #DDE042

RGB 221 224 66

HSL 61.14, 0.72%, 0.57%

LAB 86.54, -19.22, 72.46

 

CMYK 13 / 0 / 71 / 12

HEX #C3E042

RGB 195 224 66

HSL 71.01, 0.72%, 0.57%

LAB 84.64, -29.78, 69.96

 

CMYK 25 / 0 / 71 / 12

HEX #A9E042

RGB 169 224 66

HSL 80.89, 0.72%, 0.57%

LAB 82.99, -39.88, 67.77

 

CMYK 0 / 21 / 71 / 12

HEX #E0B042

RGB 224 176 66

HSL 41.77, 0.72%, 0.57%

LAB 74.38, 6.53, 60.49

 

CMYK 0 / 20 / 70 / 92

HEX #141006

RGB 20 16 6

HSL 42.86, 0.54%, 0.05%

LAB 4.81, 0.02, 4.74

 

CMYK 0 / 21 / 70 / 72

HEX #473815

RGB 71 56 21

HSL 42, 0.54%, 0.18%

LAB 24.39, 1.93, 23.86

 

CMYK 0 / 21 / 70 / 52

HEX #7A6024

RGB 122 96 36

HSL 41.86, 0.54%, 0.31%

LAB 42.2, 3.59, 37.08

 

CMYK 0 / 21 / 71 / 32

HEX #AD8833

RGB 173 136 51

HSL 41.8, 0.54%, 0.44%

LAB 58.73, 5.11, 49.15

 

CMYK 0 / 21 / 71 / 12

HEX #E0B042

RGB 224 176 66

HSL 41.77, 0.72%, 0.57%

LAB 74.38, 6.53, 60.49

 

CMYK 63 / 0 / 71 / 12

HEX #54E042

RGB 84 224 66

HSL 113.16, 0.72%, 0.57%

LAB 79.38, -65.86, 62.94

 

CMYK 50 / 71 / 0 / 12

HEX #6F42E0

RGB 111 66 224

HSL 257.09, 0.72%, 0.57%

LAB 42.24, 55.75, -73.67

 

CMYK 0 / 21 / 71 / 12

HEX #E0B042

RGB 224 176 66

HSL 41.77, 0.72%, 0.57%

LAB 74.38, 6.53, 60.49

 

CMYK 71 / 0 / 22 / 12

HEX #42E0AE

RGB 66 224 174

HSL 161.01, 0.72%, 0.57%

LAB 80.47, -52.27, 12.84

 

CMYK 22 / 71 / 0 / 12

HEX #AE42E0

RGB 174 66 224

HSL 281.01, 0.72%, 0.57%

LAB 49.83, 67.17, -61

 

CMYK 0 / 21 / 71 / 12

HEX #E0B042

RGB 224 176 66

HSL 41.77, 0.72%, 0.57%

LAB 74.38, 6.53, 60.49

 

CMYK 63 / 0 / 71 / 12

HEX #54E042

RGB 84 224 66

HSL 113.16, 0.72%, 0.57%

LAB 79.38, -65.86, 62.94

 

CMYK 71 / 48 / 0 / 12

HEX #4274E0

RGB 66 116 224

HSL 221.01, 0.72%, 0.57%

LAB 50.72, 19.15, -60.04

 

CMYK 8 / 71 / 0 / 12

HEX #CD42E0

RGB 205 66 224

HSL 292.78, 0.72%, 0.57%

LAB 54.3, 73.48, -53.58

 

CMYK 0 / 21 / 71 / 12

HEX #E0B042

RGB 224 176 66

HSL 41.77, 0.72%, 0.57%

LAB 74.38, 6.53, 60.49

 

CMYK 71 / 0 / 58 / 12

HEX #42E05F

RGB 66 224 95

HSL 131.01, 0.72%, 0.57%

LAB 79.21, -66.34, 50.72

 

CMYK 71 / 48 / 0 / 12

HEX #4274E0

RGB 66 116 224

HSL 221.01, 0.72%, 0.57%

LAB 50.72, 19.15, -60.04

 

CMYK 0 / 71 / 13 / 12

HEX #E042C3

RGB 224 66 195

HSL 311.01, 0.72%, 0.57%

LAB 55.77, 73.11, -34.53

 

Description

Color code: HEX #E0B042 | qconv.com Color code: HEX #E0B042 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 176 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 176 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 71 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 71% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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