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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0AE5E it is the complementary color #1F51A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0AE5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0AE5E shade: #E5AE59, #F6C06C, #FFD27F, #FFE492 and #FFF6A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0AE5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0AE5E shade: #E0AE5E, #CF9C4B, #BE8A38, #AD7825 and #9C6612

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0AE5E shade: #E0AD5C, #E08A5C, #E0665C and #E05C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0AE5E shade: #E0AD5C, #E0D15C, #CCE05C, #A8E05C and #85E05C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0AE5E shade matches the following richer shades: #E0AD5C and #F0B14D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0AE5E shade: #E0AD5C, #D0AA6C, #C1A67C, #B1A28B and #A19F9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0AE5E shade: #E0655C, #E0885C, #E0AB5C, #E0CE5C and #CEE05C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0AE5E shade: #C48725, #D99C3A, #E0AD5C, #E7BF7F and #EDD0A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0AE5E shade: #E0AE5E, #77E05C and #775CE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0AE5E shade: #E0AE5E, #5CE0AB and #AB5CE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0AE5E shade: #E0AE5E, #77E05C, #5C91E0 and #C65CE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0AE5E shade: #E0AE5E, #5CE069, #5C91E0 and #E05CD3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 58 / 12

HEX #E0AE5E

RGB 224 174 94

HSL 36.92, 0.68%, 0.62%

LAB 74.14, 9.34, 47.47

 

Complementary color

CMYK 81 / 50 / 0 / 37

HEX #1F51A1

RGB 31 81 161

HSL 216.92, 0.68%, 0.38%

LAB 35.5, 13.6, -48.06

 

CMYK 0 / 24 / 61 / 10

HEX #E5AE59

RGB 229 174 89

HSL 36.43, 0.73%, 0.62%

LAB 74.6, 11.07, 50.56

 

CMYK 0 / 22 / 56 / 4

HEX #F6C06C

RGB 246 192 108

HSL 36.52, 0.88%, 0.69%

LAB 80.95, 10, 49.23

 

CMYK 0 / 18 / 50 / 0

HEX #FFD27F

RGB 255 210 127

HSL 38.91, 1%, 0.75%

LAB 86.45, 5.87, 46.8

 

CMYK 0 / 11 / 43 / 0

HEX #FFE492

RGB 255 228 146

HSL 45.14, 1%, 0.79%

LAB 91.15, -1.54, 43.32

 

CMYK 0 / 4 / 35 / 0

HEX #FFF6A5

RGB 255 246 165

HSL 54, 1%, 0.82%

LAB 95.95, -8.53, 40.09

 

CMYK 0 / 22 / 58 / 12

HEX #E0AE5E

RGB 224 174 94

HSL 36.92, 0.68%, 0.62%

LAB 74.14, 9.34, 47.47

 

CMYK 0 / 25 / 64 / 19

HEX #CF9C4B

RGB 207 156 75

HSL 36.82, 0.58%, 0.55%

LAB 67.69, 10.47, 48.79

 

CMYK 0 / 27 / 71 / 25

HEX #BE8A38

RGB 190 138 56

HSL 36.72, 0.54%, 0.48%

LAB 61.14, 11.81, 50

 

CMYK 0 / 31 / 79 / 32

HEX #AD7825

RGB 173 120 37

HSL 36.62, 0.65%, 0.41%

LAB 54.5, 13.38, 50.88

 

CMYK 0 / 35 / 88 / 39

HEX #9C6612

RGB 156 102 18

HSL 36.52, 0.79%, 0.34%

LAB 47.77, 15.26, 50.91

 

CMYK 0 / 23 / 59 / 12

HEX #E0AD5C

RGB 224 173 92

HSL 36.82, 0.68%, 0.62%

LAB 73.87, 9.72, 48.13

 

CMYK 0 / 38 / 59 / 12

HEX #E08A5C

RGB 224 138 92

HSL 20.91, 0.68%, 0.62%

LAB 65.59, 28.43, 38.21

 

CMYK 0 / 54 / 59 / 12

HEX #E0665C

RGB 224 102 92

HSL 4.55, 0.68%, 0.62%

LAB 58.15, 46.84, 28.88

 

CMYK 0 / 59 / 59 / 12

HEX #E05C5C

RGB 224 92 92

HSL 0, 0.68%, 0.62%

LAB 56.36, 51.53, 26.57

 

CMYK 0 / 23 / 59 / 12

HEX #E0AD5C

RGB 224 173 92

HSL 36.82, 0.68%, 0.62%

LAB 73.87, 9.72, 48.13

 

CMYK 0 / 7 / 59 / 12

HEX #E0D15C

RGB 224 209 92

HSL 53.18, 0.68%, 0.62%

LAB 83.03, -9.01, 58.57

 

CMYK 9 / 0 / 59 / 12

HEX #CCE05C

RGB 204 224 92

HSL 69.09, 0.68%, 0.62%

LAB 85.46, -24.54, 60.83

 

CMYK 25 / 0 / 59 / 12

HEX #A8E05C

RGB 168 224 92

HSL 85.45, 0.68%, 0.62%

LAB 83.13, -38.35, 57.58

 

CMYK 41 / 0 / 59 / 12

HEX #85E05C

RGB 133 224 92

HSL 101.36, 0.68%, 0.62%

LAB 81.33, -50.35, 55.06

 

CMYK 0 / 23 / 59 / 12

HEX #E0AD5C

RGB 224 173 92

HSL 36.82, 0.68%, 0.62%

LAB 73.87, 9.72, 48.13

 

CMYK 0 / 26 / 68 / 6

HEX #F0B14D

RGB 240 177 77

HSL 36.81, 0.84%, 0.62%

LAB 76.38, 13.35, 58.38

 

CMYK 0 / 23 / 59 / 12

HEX #E0AD5C

RGB 224 173 92

HSL 36.82, 0.68%, 0.62%

LAB 73.87, 9.72, 48.13

 

CMYK 0 / 18 / 48 / 18

HEX #D0AA6C

RGB 208 170 108

HSL 37.2, 0.52%, 0.62%

LAB 71.72, 6.02, 37.05

 

CMYK 0 / 14 / 36 / 24

HEX #C1A67C

RGB 193 166 124

HSL 36.52, 0.36%, 0.62%

LAB 69.52, 3.79, 25.41

 

CMYK 0 / 8 / 21 / 31

HEX #B1A28B

RGB 177 162 139

HSL 36.32, 0.2%, 0.62%

LAB 67.32, 1.68, 13.95

 

CMYK 0 / 1 / 4 / 37

HEX #A19F9B

RGB 161 159 155

HSL 40, 0.03%, 0.62%

LAB 65.55, -0.02, 2.33

 

CMYK 0 / 55 / 59 / 12

HEX #E0655C

RGB 224 101 92

HSL 4.09, 0.68%, 0.62%

LAB 57.97, 47.32, 28.64

 

CMYK 0 / 39 / 59 / 12

HEX #E0885C

RGB 224 136 92

HSL 20, 0.68%, 0.62%

LAB 65.14, 29.49, 37.66

 

CMYK 0 / 24 / 59 / 12

HEX #E0AB5C

RGB 224 171 92

HSL 35.91, 0.68%, 0.62%

LAB 73.38, 10.79, 47.55

 

CMYK 0 / 8 / 59 / 12

HEX #E0CE5C

RGB 224 206 92

HSL 51.82, 0.68%, 0.62%

LAB 82.25, -7.49, 57.7

 

CMYK 8 / 0 / 59 / 12

HEX #CEE05C

RGB 206 224 92

HSL 68.18, 0.68%, 0.62%

LAB 85.61, -23.74, 61.03

 

CMYK 0 / 31 / 81 / 23

HEX #C48725

RGB 196 135 37

HSL 36.98, 0.68%, 0.46%

LAB 60.96, 15.27, 57.81

 

CMYK 0 / 28 / 73 / 15

HEX #D99C3A

RGB 217 156 58

HSL 36.98, 0.68%, 0.54%

LAB 68.63, 13.82, 57.76

 

CMYK 0 / 23 / 59 / 12

HEX #E0AD5C

RGB 224 173 92

HSL 36.82, 0.68%, 0.62%

LAB 73.87, 9.72, 48.13

 

CMYK 0 / 17 / 45 / 9

HEX #E7BF7F

RGB 231 191 127

HSL 36.92, 0.68%, 0.7%

LAB 79.49, 6.11, 37.57

 

CMYK 0 / 12 / 32 / 7

HEX #EDD0A2

RGB 237 208 162

HSL 36.8, 0.68%, 0.78%

LAB 84.86, 3.53, 26.59

 

CMYK 0 / 22 / 58 / 12

HEX #E0AE5E

RGB 224 174 94

HSL 36.92, 0.68%, 0.62%

LAB 74.14, 9.34, 47.47

 

CMYK 47 / 0 / 59 / 12

HEX #77E05C

RGB 119 224 92

HSL 107.73, 0.68%, 0.62%

LAB 80.74, -54.58, 54.23

 

CMYK 47 / 59 / 0 / 12

HEX #775CE0

RGB 119 92 224

HSL 252.27, 0.68%, 0.62%

LAB 48.21, 43.13, -63.93

 

CMYK 0 / 22 / 58 / 12

HEX #E0AE5E

RGB 224 174 94

HSL 36.92, 0.68%, 0.62%

LAB 74.14, 9.34, 47.47

 

CMYK 59 / 0 / 24 / 12

HEX #5CE0AB

RGB 92 224 171

HSL 155.91, 0.68%, 0.62%

LAB 81.03, -48.54, 15.29

 

CMYK 24 / 59 / 0 / 12

HEX #AB5CE0

RGB 171 92 224

HSL 275.91, 0.68%, 0.62%

LAB 53.7, 54.77, -54.8

 

CMYK 0 / 22 / 58 / 12

HEX #E0AE5E

RGB 224 174 94

HSL 36.92, 0.68%, 0.62%

LAB 74.14, 9.34, 47.47

 

CMYK 47 / 0 / 59 / 12

HEX #77E05C

RGB 119 224 92

HSL 107.73, 0.68%, 0.62%

LAB 80.74, -54.58, 54.23

 

CMYK 59 / 35 / 0 / 12

HEX #5C91E0

RGB 92 145 224

HSL 215.91, 0.68%, 0.62%

LAB 59.81, 5.92, -45.48

 

CMYK 12 / 59 / 0 / 12

HEX #C65CE0

RGB 198 92 224

HSL 288.18, 0.68%, 0.62%

LAB 57.12, 61.31, -49.16

 

CMYK 0 / 22 / 58 / 12

HEX #E0AE5E

RGB 224 174 94

HSL 36.92, 0.68%, 0.62%

LAB 74.14, 9.34, 47.47

 

CMYK 59 / 0 / 53 / 12

HEX #5CE069

RGB 92 224 105

HSL 125.91, 0.68%, 0.62%

LAB 79.96, -60.01, 47.17

 

CMYK 59 / 35 / 0 / 12

HEX #5C91E0

RGB 92 145 224

HSL 215.91, 0.68%, 0.62%

LAB 59.81, 5.92, -45.48

 

CMYK 0 / 59 / 6 / 12

HEX #E05CD3

RGB 224 92 211

HSL 305.91, 0.68%, 0.62%

LAB 60.07, 65.59, -36.92

 

Description

Color code: HEX #E0AE5E | qconv.com Color code: HEX #E0AE5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 174 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 174 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 58 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 58% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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