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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 38 / 59 / 12 it is the complementary color CMYK 81 / 29 / 0 / 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 38 / 59 / 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 38 / 59 / 12: CMYK 0 / 39 / 62 / 10, CMYK 0 / 36 / 57 / 4, CMYK 0 / 31 / 51 / 0, CMYK 0 / 24 / 44 / 0 and CMYK 0 / 17 / 36 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 38 / 59 / 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 38 / 59 / 12: CMYK 0 / 38 / 59 / 12, CMYK 0 / 42 / 65 / 19, CMYK 0 / 46 / 72 / 25, CMYK 0 / 51 / 80 / 32 and CMYK 0 / 57 / 90 / 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 59 / 12

HEX #E08B5C

RGB 224 139 92

HSL 21.36, 0.68%, 0.62%

LAB 65.81, 27.9, 38.49

 

Complementary color

CMYK 81 / 29 / 0 / 36

HEX #1F74A3

RGB 31 116 163

HSL 201.36, 0.68%, 0.38%

LAB 46.21, -7.79, -32.2

 

CMYK 0 / 39 / 62 / 10

HEX #E58B57

RGB 229 139 87

HSL 21.97, 0.73%, 0.62%

LAB 66.38, 29.56, 41.93

 

CMYK 0 / 36 / 57 / 4

HEX #F69D6A

RGB 246 157 106

HSL 21.86, 0.89%, 0.69%

LAB 72.73, 28.24, 40.25

 

CMYK 0 / 31 / 51 / 0

HEX #FFAF7D

RGB 255 175 125

HSL 23.08, 1%, 0.75%

LAB 78.11, 23.91, 37.34

 

CMYK 0 / 24 / 44 / 0

HEX #FFC190

RGB 255 193 144

HSL 26.49, 1%, 0.78%

LAB 82.6, 16.29, 33.26

 

CMYK 0 / 17 / 36 / 0

HEX #FFD3A3

RGB 255 211 163

HSL 31.3, 1%, 0.82%

LAB 87.24, 8.99, 29.57

 

CMYK 0 / 38 / 59 / 12

HEX #E08B5C

RGB 224 139 92

HSL 21.36, 0.68%, 0.62%

LAB 65.81, 27.9, 38.49

 

CMYK 0 / 42 / 65 / 19

HEX #CF7949

RGB 207 121 73

HSL 21.49, 0.58%, 0.55%

LAB 59.36, 29.3, 40.26

 

CMYK 0 / 46 / 72 / 25

HEX #BE6736

RGB 190 103 54

HSL 21.62, 0.56%, 0.48%

LAB 52.86, 30.88, 42.12

 

CMYK 0 / 51 / 80 / 32

HEX #AD5523

RGB 173 85 35

HSL 21.74, 0.66%, 0.41%

LAB 46.32, 32.64, 43.93

 

CMYK 0 / 57 / 90 / 39

HEX #9C4310

RGB 156 67 16

HSL 21.86, 0.81%, 0.34%

LAB 39.78, 34.55, 45.2

 

CMYK 0 / 38 / 59 / 12

HEX #E08B5C

RGB 224 139 92

HSL 21.36, 0.68%, 0.62%

LAB 65.81, 27.9, 38.49

 

CMYK 0 / 28 / 59 / 13

HEX #DFA05C

RGB 223 160 92

HSL 31.15, 0.67%, 0.62%

LAB 70.6, 16.25, 44.23

 

CMYK 0 / 18 / 59 / 13

HEX #DFB65C

RGB 223 182 92

HSL 41.22, 0.67%, 0.62%

LAB 76.02, 4.54, 50.59

 

CMYK 0 / 9 / 59 / 13

HEX #DFCC5C

RGB 223 204 92

HSL 51.3, 0.67%, 0.62%

LAB 81.65, -6.88, 57

 

CMYK 1 / 0 / 59 / 13

HEX #DDDF5C

RGB 221 223 92

HSL 60.92, 0.67%, 0.62%

LAB 86.46, -17.22, 62.29

 

CMYK 0 / 38 / 59 / 12

HEX #E08B5C

RGB 224 139 92

HSL 21.36, 0.68%, 0.62%

LAB 65.81, 27.9, 38.49

 

CMYK 0 / 40 / 60 / 92

HEX #140C08

RGB 20 12 8

HSL 20, 0.43%, 0.05%

LAB 3.88, 2.29, 2.56

 

CMYK 0 / 38 / 59 / 72

HEX #472C1D

RGB 71 44 29

HSL 21.43, 0.42%, 0.2%

LAB 20.94, 10.55, 14.81

 

CMYK 0 / 38 / 59 / 52

HEX #7A4C32

RGB 122 76 50

HSL 21.67, 0.42%, 0.34%

LAB 37, 16.59, 23.43

 

CMYK 0 / 38 / 59 / 32

HEX #AD6B47

RGB 173 107 71

HSL 21.18, 0.42%, 0.48%

LAB 51.67, 22.7, 31.04

 

CMYK 0 / 38 / 59 / 12

HEX #E08B5C

RGB 224 139 92

HSL 21.36, 0.68%, 0.62%

LAB 65.81, 27.9, 38.49

 

CMYK 32 / 0 / 59 / 13

HEX #97DF5C

RGB 151 223 92

HSL 92.98, 0.67%, 0.62%

LAB 81.91, -43.97, 55.95

 

CMYK 59 / 56 / 0 / 13

HEX #5C62DF

RGB 92 98 223

HSL 237.25, 0.67%, 0.62%

LAB 47.42, 34.12, -64.74

 

CMYK 0 / 38 / 59 / 12

HEX #E08B5C

RGB 224 139 92

HSL 21.36, 0.68%, 0.62%

LAB 65.81, 27.9, 38.49

 

CMYK 59 / 0 / 38 / 13

HEX #5CDF8A

RGB 92 223 138

HSL 141.07, 0.67%, 0.62%

LAB 80.12, -54.59, 31.16

 

CMYK 38 / 59 / 0 / 13

HEX #8A5CDF

RGB 138 92 223

HSL 261.07, 0.67%, 0.62%

LAB 49.96, 46.9, -60.44

 

CMYK 0 / 38 / 59 / 12

HEX #E08B5C

RGB 224 139 92

HSL 21.36, 0.68%, 0.62%

LAB 65.81, 27.9, 38.49

 

CMYK 32 / 0 / 59 / 13

HEX #97DF5C

RGB 151 223 92

HSL 92.98, 0.67%, 0.62%

LAB 81.91, -43.97, 55.95

 

CMYK 59 / 21 / 0 / 13

HEX #5CB1DF

RGB 92 177 223

HSL 201.07, 0.67%, 0.62%

LAB 68.79, -12.43, -30.91

 

CMYK 26 / 59 / 0 / 13

HEX #A45CDF

RGB 164 92 223

HSL 272.98, 0.67%, 0.62%

LAB 52.81, 52.88, -55.71

 

CMYK 0 / 38 / 59 / 12

HEX #E08B5C

RGB 224 139 92

HSL 21.36, 0.68%, 0.62%

LAB 65.81, 27.9, 38.49

 

CMYK 50 / 0 / 59 / 13

HEX #6FDF5C

RGB 111 223 92

HSL 111.3, 0.67%, 0.62%

LAB 80.14, -56.44, 53.46

 

CMYK 59 / 21 / 0 / 13

HEX #5CB1DF

RGB 92 177 223

HSL 201.07, 0.67%, 0.62%

LAB 68.79, -12.43, -30.91

 

CMYK 9 / 59 / 0 / 13

HEX #CC5CDF

RGB 204 92 223

HSL 291.3, 0.67%, 0.62%

LAB 57.87, 62.6, -47.35

 

Description

Color code: CMYK 0 / 38 / 59 / 12 | qconv.com Color code: CMYK 0 / 38 / 59 / 12 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 139 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 139 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 59 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 59% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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