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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0A04D it is the complementary color #1F5FB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0A04D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E0A04D: #E5A048, #F6B25B, #FFC46E, #FFD681 and #FFE894

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0A04D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E0A04D: #E0A04D, #CF8E3A, #BE7C27, #AD6A14 and #9C5801

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 66 / 12

HEX #E0A04D

RGB 224 160 77

HSL 33.88, 0.7%, 0.59%

LAB 70.54, 15.66, 51.54

 

Complementary color

CMYK 83 / 47 / 0 / 30

HEX #1F5FB2

RGB 31 95 178

HSL 213.88, 0.7%, 0.41%

LAB 40.72, 11.09, -49.74

 

CMYK 0 / 30 / 69 / 10

HEX #E5A048

RGB 229 160 72

HSL 33.63, 0.75%, 0.59%

LAB 71.05, 17.48, 54.57

 

CMYK 0 / 28 / 63 / 4

HEX #F6B25B

RGB 246 178 91

HSL 33.68, 0.9%, 0.66%

LAB 77.39, 16.14, 53.27

 

CMYK 0 / 23 / 57 / 0

HEX #FFC46E

RGB 255 196 110

HSL 35.59, 1%, 0.72%

LAB 82.84, 11.73, 50.74

 

CMYK 0 / 16 / 49 / 0

HEX #FFD681

RGB 255 214 129

HSL 40.48, 1%, 0.75%

LAB 87.45, 3.99, 47.07

 

CMYK 0 / 9 / 42 / 0

HEX #FFE894

RGB 255 232 148

HSL 47.1, 1%, 0.79%

LAB 92.18, -3.35, 43.64

 

CMYK 0 / 29 / 66 / 12

HEX #E0A04D

RGB 224 160 77

HSL 33.88, 0.7%, 0.59%

LAB 70.54, 15.66, 51.54

 

CMYK 0 / 31 / 72 / 19

HEX #CF8E3A

RGB 207 142 58

HSL 33.83, 0.61%, 0.52%

LAB 64.09, 17.1, 52.78

 

CMYK 0 / 35 / 79 / 25

HEX #BE7C27

RGB 190 124 39

HSL 33.77, 0.66%, 0.45%

LAB 57.57, 18.76, 53.7

 

CMYK 0 / 39 / 88 / 32

HEX #AD6A14

RGB 173 106 20

HSL 33.73, 0.79%, 0.38%

LAB 50.97, 20.7, 53.81

 

CMYK 0 / 44 / 99 / 39

HEX #9C5801

RGB 156 88 1

HSL 33.68, 0.99%, 0.31%

LAB 44.3, 22.91, 52.71

 

CMYK 0 / 29 / 66 / 12

HEX #E0A04D

RGB 224 160 77

HSL 33.88, 0.7%, 0.59%

LAB 70.54, 15.66, 51.54

 

CMYK 0 / 18 / 65 / 13

HEX #DFB64D

RGB 223 182 77

HSL 43.15, 0.7%, 0.59%

LAB 75.87, 3.55, 57.33

 

CMYK 0 / 8 / 65 / 13

HEX #DFCE4D

RGB 223 206 77

HSL 53.01, 0.7%, 0.59%

LAB 82.04, -8.86, 63.85

 

CMYK 3 / 0 / 65 / 13

HEX #D8DF4D

RGB 216 223 77

HSL 62.88, 0.7%, 0.59%

LAB 85.96, -20.21, 67.73

 

CMYK 14 / 0 / 65 / 13

HEX #BFDF4D

RGB 191 223 77

HSL 73.15, 0.7%, 0.59%

LAB 84.17, -30.26, 65.31

 

CMYK 0 / 29 / 66 / 12

HEX #E0A04D

RGB 224 160 77

HSL 33.88, 0.7%, 0.59%

LAB 70.54, 15.66, 51.54

 

CMYK 0 / 30 / 65 / 92

HEX #140E07

RGB 20 14 7

HSL 32.31, 0.48%, 0.05%

LAB 4.32, 1.21, 3.62

 

CMYK 0 / 28 / 66 / 72

HEX #473318

RGB 71 51 24

HSL 34.47, 0.49%, 0.19%

LAB 22.91, 5.45, 20.4

 

CMYK 0 / 29 / 66 / 52

HEX #7A572A

RGB 122 87 42

HSL 33.75, 0.49%, 0.32%

LAB 39.78, 9.35, 31.33

 

CMYK 0 / 28 / 66 / 32

HEX #AD7C3B

RGB 173 124 59

HSL 34.21, 0.49%, 0.45%

LAB 55.7, 12.29, 42.13

 

CMYK 0 / 29 / 66 / 12

HEX #E0A04D

RGB 224 160 77

HSL 33.88, 0.7%, 0.59%

LAB 70.54, 15.66, 51.54

 

CMYK 49 / 0 / 65 / 13

HEX #71DF4D

RGB 113 223 77

HSL 105.21, 0.7%, 0.59%

LAB 80.08, -57.34, 59.74

 

CMYK 56 / 65 / 0 / 13

HEX #634DDF

RGB 99 77 223

HSL 249.04, 0.7%, 0.59%

LAB 43.19, 47.69, -71.59

 

CMYK 0 / 29 / 66 / 12

HEX #E0A04D

RGB 224 160 77

HSL 33.88, 0.7%, 0.59%

LAB 70.54, 15.66, 51.54

 

CMYK 65 / 0 / 30 / 13

HEX #4DDF9D

RGB 77 223 157

HSL 152.88, 0.7%, 0.59%

LAB 80.06, -53.86, 21.21

 

CMYK 30 / 65 / 0 / 13

HEX #9D4DDF

RGB 157 77 223

HSL 272.88, 0.7%, 0.59%

LAB 49.26, 58.69, -61.47

 

CMYK 0 / 29 / 66 / 12

HEX #E0A04D

RGB 224 160 77

HSL 33.88, 0.7%, 0.59%

LAB 70.54, 15.66, 51.54

 

CMYK 49 / 0 / 65 / 13

HEX #71DF4D

RGB 113 223 77

HSL 105.21, 0.7%, 0.59%

LAB 80.08, -57.34, 59.74

 

CMYK 65 / 36 / 0 / 13

HEX #4D8FDF

RGB 77 143 223

HSL 212.88, 0.7%, 0.59%

LAB 58.56, 4.05, -46.94

 

CMYK 16 / 65 / 0 / 13

HEX #BB4DDF

RGB 187 77 223

HSL 285.21, 0.7%, 0.59%

LAB 53.17, 65.18, -54.97

 

CMYK 0 / 29 / 66 / 12

HEX #E0A04D

RGB 224 160 77

HSL 33.88, 0.7%, 0.59%

LAB 70.54, 15.66, 51.54

 

CMYK 65 / 0 / 62 / 13

HEX #4DDF54

RGB 77 223 84

HSL 122.88, 0.7%, 0.59%

LAB 79.04, -65.29, 55.4

 

CMYK 65 / 36 / 0 / 13

HEX #4D8FDF

RGB 77 143 223

HSL 212.88, 0.7%, 0.59%

LAB 58.56, 4.05, -46.94

 

CMYK 0 / 65 / 3 / 13

HEX #DF4DD8

RGB 223 77 216

HSL 302.88, 0.7%, 0.59%

LAB 57.99, 72.14, -43.03

 

Description

Color code: HEX #E0A04D | qconv.com Color code: HEX #E0A04D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 160 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 160 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 66 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 66% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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