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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E09E68 it is the complementary color #1F6197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E09E68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E09E68: #E59E63, #F6B076, #FFC289, #FFD49C and #FFE6AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E09E68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E09E68: #E09E68, #CF8C55, #BE7A42, #AD682F and #9C561C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 54 / 12

HEX #E09E68

RGB 224 158 104

HSL 27, 0.66%, 0.64%

LAB 70.39, 18.69, 37.83

 

Complementary color

CMYK 79 / 36 / 0 / 41

HEX #1F6197

RGB 31 97 151

HSL 207, 0.66%, 0.36%

LAB 39.71, -0.77, -35.34

 

CMYK 0 / 31 / 57 / 10

HEX #E59E63

RGB 229 158 99

HSL 27.23, 0.71%, 0.64%

LAB 70.88, 20.32, 41.16

 

CMYK 0 / 28 / 52 / 4

HEX #F6B076

RGB 246 176 118

HSL 27.19, 0.88%, 0.71%

LAB 77.25, 19.21, 39.68

 

CMYK 0 / 24 / 46 / 0

HEX #FFC289

RGB 255 194 137

HSL 28.98, 1%, 0.77%

LAB 82.73, 15.08, 37.06

 

CMYK 0 / 17 / 39 / 0

HEX #FFD49C

RGB 255 212 156

HSL 33.94, 1%, 0.81%

LAB 87.36, 7.69, 33.35

 

CMYK 0 / 10 / 31 / 0

HEX #FFE6AF

RGB 255 230 175

HSL 41.25, 1%, 0.84%

LAB 92.11, 0.68, 29.95

 

CMYK 0 / 29 / 54 / 12

HEX #E09E68

RGB 224 158 104

HSL 27, 0.66%, 0.64%

LAB 70.39, 18.69, 37.83

 

CMYK 0 / 32 / 59 / 19

HEX #CF8C55

RGB 207 140 85

HSL 27.05, 0.56%, 0.57%

LAB 63.9, 19.87, 39.36

 

CMYK 0 / 36 / 65 / 25

HEX #BE7A42

RGB 190 122 66

HSL 27.1, 0.49%, 0.5%

LAB 57.33, 21.23, 40.98

 

CMYK 0 / 40 / 73 / 32

HEX #AD682F

RGB 173 104 47

HSL 27.14, 0.57%, 0.43%

LAB 50.68, 22.81, 42.59

 

CMYK 0 / 45 / 82 / 39

HEX #9C561C

RGB 156 86 28

HSL 27.19, 0.7%, 0.36%

LAB 43.96, 24.65, 43.96

 

CMYK 0 / 29 / 54 / 12

HEX #E09E68

RGB 224 158 104

HSL 27, 0.66%, 0.64%

LAB 70.39, 18.69, 37.83

 

CMYK 0 / 21 / 54 / 13

HEX #DFB166

RGB 223 177 102

HSL 37.19, 0.65%, 0.64%

LAB 74.88, 7.96, 44.36

 

CMYK 0 / 12 / 54 / 13

HEX #DFC566

RGB 223 197 102

HSL 47.11, 0.65%, 0.64%

LAB 79.94, -2.53, 50.4

 

CMYK 0 / 3 / 54 / 13

HEX #DFD966

RGB 223 217 102

HSL 57.02, 0.65%, 0.64%

LAB 85.14, -12.7, 56.44

 

CMYK 6 / 0 / 54 / 13

HEX #D1DF66

RGB 209 223 102

HSL 66.94, 0.65%, 0.64%

LAB 85.65, -21.29, 56.75

 

CMYK 0 / 29 / 54 / 12

HEX #E09E68

RGB 224 158 104

HSL 27, 0.66%, 0.64%

LAB 70.39, 18.69, 37.83

 

CMYK 0 / 30 / 55 / 92

HEX #140E09

RGB 20 14 9

HSL 27.27, 0.38%, 0.06%

LAB 4.36, 1.48, 2.86

 

CMYK 0 / 30 / 54 / 72

HEX #473221

RGB 71 50 33

HSL 26.84, 0.37%, 0.2%

LAB 22.76, 7.05, 14.52

 

CMYK 0 / 30 / 53 / 52

HEX #7A5639

RGB 122 86 57

HSL 26.77, 0.36%, 0.35%

LAB 39.73, 11.26, 22.72

 

CMYK 0 / 29 / 54 / 32

HEX #AD7A50

RGB 173 122 80

HSL 27.1, 0.37%, 0.5%

LAB 55.46, 15.04, 30.77

 

CMYK 0 / 29 / 54 / 12

HEX #E09E68

RGB 224 158 104

HSL 27, 0.66%, 0.64%

LAB 70.39, 18.69, 37.83

 

CMYK 35 / 0 / 54 / 13

HEX #91DF66

RGB 145 223 102

HSL 98.68, 0.65%, 0.64%

LAB 81.7, -45.01, 51.15

 

CMYK 52 / 54 / 0 / 13

HEX #6C66DF

RGB 108 102 223

HSL 242.98, 0.65%, 0.64%

LAB 49.52, 34.74, -61.29

 

CMYK 0 / 29 / 54 / 12

HEX #E09E68

RGB 224 158 104

HSL 27, 0.66%, 0.64%

LAB 70.39, 18.69, 37.83

 

CMYK 54 / 0 / 30 / 13

HEX #66DF9D

RGB 102 223 157

HSL 147.27, 0.65%, 0.64%

LAB 80.76, -48.87, 22.28

 

CMYK 30 / 54 / 0 / 13

HEX #9D66DF

RGB 157 102 223

HSL 267.27, 0.65%, 0.64%

LAB 54.03, 45.91, -53.81

 

CMYK 0 / 29 / 54 / 12

HEX #E09E68

RGB 224 158 104

HSL 27, 0.66%, 0.64%

LAB 70.39, 18.69, 37.83

 

CMYK 35 / 0 / 54 / 13

HEX #91DF66

RGB 145 223 102

HSL 98.68, 0.65%, 0.64%

LAB 81.7, -45.01, 51.15

 

CMYK 54 / 24 / 0 / 13

HEX #66A9DF

RGB 102 169 223

HSL 206.78, 0.65%, 0.64%

LAB 66.92, -6.05, -33.76

 

CMYK 19 / 54 / 0 / 13

HEX #B566DF

RGB 181 102 223

HSL 279.17, 0.65%, 0.64%

LAB 56.74, 51.98, -49.33

 

CMYK 0 / 29 / 54 / 12

HEX #E09E68

RGB 224 158 104

HSL 27, 0.66%, 0.64%

LAB 70.39, 18.69, 37.83

 

CMYK 52 / 0 / 54 / 13

HEX #6CDF66

RGB 108 223 102

HSL 117.02, 0.65%, 0.64%

LAB 80.14, -56.1, 48.9

 

CMYK 54 / 24 / 0 / 13

HEX #66A9DF

RGB 102 169 223

HSL 206.78, 0.65%, 0.64%

LAB 66.92, -6.05, -33.76

 

CMYK 3 / 54 / 0 / 13

HEX #D966DF

RGB 217 102 223

HSL 297.02, 0.65%, 0.64%

LAB 61.29, 61.35, -41.83

 

Description

Color code: HEX #E09E68 | qconv.com Color code: HEX #E09E68 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 158 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 158 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 54 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 54% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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