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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E098AD it is the complementary color #1F6752. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E098AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E098AD: #E598A8, #F6AABB, #FFBCCE, #FFCEE1 and #FFE0F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E098AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E098AD: #E098AD, #CF869A, #BE7487, #AD6274 and #9C5061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 23 / 12

HEX #E098AD

RGB 224 152 173

HSL 342.5, 0.54%, 0.74%

LAB 70.4, 29.89, 0.1

 

Complementary color

CMYK 70 / 0 / 20 / 60

HEX #1F6752

RGB 31 103 82

HSL 162.5, 0.54%, 0.26%

LAB 38.9, -27.67, 5.44

 

CMYK 0 / 34 / 27 / 10

HEX #E598A8

RGB 229 152 168

HSL 347.53, 0.6%, 0.75%

LAB 70.83, 30.99, 3.57

 

CMYK 0 / 31 / 24 / 4

HEX #F6AABB

RGB 246 170 187

HSL 346.58, 0.81%, 0.82%

LAB 77.24, 30.22, 2.64

 

CMYK 0 / 26 / 19 / 0

HEX #FFBCCE

RGB 255 188 206

HSL 343.88, 1%, 0.87%

LAB 82.74, 26.69, 0.48

 

CMYK 0 / 19 / 12 / 0

HEX #FFCEE1

RGB 255 206 225

HSL 336.73, 1%, 0.9%

LAB 87.41, 20.19, -2.82

 

CMYK 0 / 12 / 4 / 0

HEX #FFE0F4

RGB 255 224 244

HSL 321.29, 1%, 0.94%

LAB 92.18, 13.97, -5.8

 

CMYK 0 / 32 / 23 / 12

HEX #E098AD

RGB 224 152 173

HSL 342.5, 0.54%, 0.74%

LAB 70.4, 29.89, 0.1

 

CMYK 0 / 35 / 26 / 19

HEX #CF869A

RGB 207 134 154

HSL 343.56, 0.43%, 0.67%

LAB 63.88, 30.68, 1.03

 

CMYK 0 / 39 / 29 / 25

HEX #BE7487

RGB 190 116 135

HSL 344.59, 0.36%, 0.6%

LAB 57.26, 31.54, 2.06

 

CMYK 0 / 43 / 33 / 32

HEX #AD6274

RGB 173 98 116

HSL 345.6, 0.31%, 0.53%

LAB 50.55, 32.46, 3.24

 

CMYK 0 / 49 / 38 / 39

HEX #9C5061

RGB 156 80 97

HSL 346.58, 0.32%, 0.46%

LAB 43.75, 33.44, 4.64

 

CMYK 0 / 32 / 23 / 12

HEX #E098AD

RGB 224 152 173

HSL 342.5, 0.54%, 0.74%

LAB 70.4, 29.89, 0.1

 

CMYK 0 / 32 / 28 / 12

HEX #E098A2

RGB 224 152 162

HSL 351.67, 0.54%, 0.74%

LAB 70.11, 28.34, 5.8

 

CMYK 0 / 31 / 32 / 12

HEX #E09B98

RGB 224 155 152

HSL 2.5, 0.54%, 0.74%

LAB 70.56, 25.41, 12

 

CMYK 0 / 25 / 32 / 12

HEX #E0A798

RGB 224 167 152

HSL 12.5, 0.54%, 0.74%

LAB 73.38, 18.96, 15.96

 

CMYK 0 / 20 / 32 / 12

HEX #E0B398

RGB 224 179 152

HSL 22.5, 0.54%, 0.74%

LAB 76.29, 12.53, 19.98

 

CMYK 0 / 32 / 23 / 12

HEX #E098AD

RGB 224 152 173

HSL 342.5, 0.54%, 0.74%

LAB 70.4, 29.89, 0.1

 

CMYK 0 / 30 / 25 / 92

HEX #140E0F

RGB 20 14 15

HSL 350, 0.18%, 0.07%

LAB 4.49, 2.42, 0.31

 

CMYK 0 / 32 / 23 / 72

HEX #473037

RGB 71 48 55

HSL 341.74, 0.19%, 0.23%

LAB 22.76, 11.73, -0.24

 

CMYK 0 / 32 / 23 / 52

HEX #7A535E

RGB 122 83 94

HSL 343.08, 0.19%, 0.4%

LAB 39.8, 18.01, 0.2

 

CMYK 0 / 32 / 23 / 32

HEX #AD7586

RGB 173 117 134

HSL 341.79, 0.25%, 0.57%

LAB 55.41, 24.49, -0.3

 

CMYK 0 / 32 / 23 / 12

HEX #E098AD

RGB 224 152 173

HSL 342.5, 0.54%, 0.74%

LAB 70.4, 29.89, 0.1

 

CMYK 0 / 3 / 32 / 12

HEX #E0D998

RGB 224 217 152

HSL 54.17, 0.54%, 0.74%

LAB 85.88, -7.31, 32.94

 

CMYK 32 / 9 / 0 / 12

HEX #98CBE0

RGB 152 203 224

HSL 197.5, 0.54%, 0.74%

LAB 78.91, -11.58, -15.76

 

CMYK 0 / 32 / 23 / 12

HEX #E098AD

RGB 224 152 173

HSL 342.5, 0.54%, 0.74%

LAB 70.4, 29.89, 0.1

 

CMYK 22 / 0 / 32 / 12

HEX #AEE098

RGB 174 224 152

HSL 101.67, 0.54%, 0.74%

LAB 84.27, -29.15, 30.17

 

CMYK 32 / 22 / 0 / 12

HEX #98AEE0

RGB 152 174 224

HSL 221.67, 0.54%, 0.74%

LAB 71.1, 4.02, -27.63

 

CMYK 0 / 32 / 23 / 12

HEX #E098AD

RGB 224 152 173

HSL 342.5, 0.54%, 0.74%

LAB 70.4, 29.89, 0.1

 

CMYK 0 / 3 / 32 / 12

HEX #E0D998

RGB 224 217 152

HSL 54.17, 0.54%, 0.74%

LAB 85.88, -7.31, 32.94

 

CMYK 32 / 0 / 9 / 12

HEX #98E0CB

RGB 152 224 203

HSL 162.5, 0.54%, 0.74%

LAB 84.12, -26.9, 3.14

 

CMYK 32 / 29 / 0 / 12

HEX #98A0E0

RGB 152 160 224

HSL 233.33, 0.54%, 0.74%

LAB 67.43, 11.87, -33.3

 

CMYK 0 / 32 / 23 / 12

HEX #E098AD

RGB 224 152 173

HSL 342.5, 0.54%, 0.74%

LAB 70.4, 29.89, 0.1

 

CMYK 6 / 0 / 32 / 12

HEX #D2E098

RGB 210 224 152

HSL 71.67, 0.54%, 0.74%

LAB 86.64, -16.14, 33.76

 

CMYK 32 / 0 / 9 / 12

HEX #98E0CB

RGB 152 224 203

HSL 162.5, 0.54%, 0.74%

LAB 84.12, -26.9, 3.14

 

CMYK 25 / 32 / 0 / 12

HEX #A798E0

RGB 167 152 224

HSL 252.5, 0.54%, 0.74%

LAB 66.56, 20.75, -34.55

 

Description

Color code: HEX #E098AD | qconv.com Color code: HEX #E098AD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 152 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 152 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 23 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 23% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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