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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E017C7 it is the complementary color #1FE838. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E017C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E017C7 shade: #E517C2, #F629D5, #FF3BE8, #FF4DFB and #FF5FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E017C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E017C7 shade: #E017C7, #CF05B4, #BE00A1, #AD008E and #9C007B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E017C7 shade: #DE17C5, #DE178F, #DE175A, #DE1724 and #DE1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E017C7 shade: #DE17C5, #C117DE, #8B17DE, #5617DE and #2017DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E017C7 shade matches the following richer shades: #DE17C5 and #F103D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E017C7 shade: #DE17C5, #CA2BB6, #B63FA7, #A25398 and #8E6689

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E017C7 shade: #8B17DE, #C017DE, #DE17C6, #DE1792 and #DE175D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E017C7 shade: #930F83, #B813A4, #DE17C5, #EA34D3 and #EE5ADB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E017C7 shade: #E017C7, #DE5617 and #17DEA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E017C7 shade: #E017C7, #C6DE17 and #17C6DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E017C7 shade: #E017C7, #DE5617, #17DE2E and #179FDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E017C7 shade: #E017C7, #DE9217, #17DE2E and #1763DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 11 / 12

HEX #E017C7

RGB 224 23 199

HSL 307.46, 0.81%, 0.48%

LAB 52.49, 83.66, -41.99

 

Complementary color

CMYK 87 / 0 / 76 / 9

HEX #1FE838

RGB 31 232 56

HSL 127.46, 0.81%, 0.52%

LAB 80.9, -76.73, 67.58

 

CMYK 0 / 90 / 15 / 10

HEX #E517C2

RGB 229 23 194

HSL 310.19, 0.82%, 0.49%

LAB 53.13, 83.94, -38.03

 

CMYK 0 / 83 / 13 / 4

HEX #F629D5

RGB 246 41 213

HSL 309.66, 0.92%, 0.56%

LAB 58.02, 86.74, -41.03

 

CMYK 0 / 77 / 9 / 0

HEX #FF3BE8

RGB 255 59 232

HSL 307.04, 1%, 0.62%

LAB 61.84, 87.04, -45.63

 

CMYK 0 / 70 / 2 / 0

HEX #FF4DFB

RGB 255 77 251

HSL 301.35, 1%, 0.65%

LAB 64.59, 84.64, -51.83

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 0 / 90 / 11 / 12

HEX #E017C7

RGB 224 23 199

HSL 307.46, 0.81%, 0.48%

LAB 52.49, 83.66, -41.99

 

CMYK 0 / 98 / 13 / 19

HEX #CF05B4

RGB 207 5 180

HSL 308.02, 0.95%, 0.42%

LAB 47.84, 79.85, -38.47

 

CMYK 0 / 100 / 15 / 25

HEX #BE00A1

RGB 190 0 161

HSL 309.16, 1%, 0.37%

LAB 43.54, 74.75, -34.18

 

CMYK 0 / 100 / 18 / 32

HEX #AD008E

RGB 173 0 142

HSL 310.75, 1%, 0.34%

LAB 39.3, 69.15, -29.54

 

CMYK 0 / 100 / 21 / 39

HEX #9C007B

RGB 156 0 123

HSL 312.69, 1%, 0.31%

LAB 35, 63.46, -24.74

 

CMYK 0 / 90 / 11 / 13

HEX #DE17C5

RGB 222 23 197

HSL 307.54, 0.81%, 0.48%

LAB 52.03, 83.03, -41.58

 

CMYK 0 / 90 / 36 / 13

HEX #DE178F

RGB 222 23 143

HSL 323.82, 0.81%, 0.48%

LAB 49.65, 76.74, -13.42

 

CMYK 0 / 90 / 59 / 13

HEX #DE175A

RGB 222 23 90

HSL 339.8, 0.81%, 0.48%

LAB 48.11, 72.5, 16.74

 

CMYK 0 / 90 / 84 / 13

HEX #DE1724

RGB 222 23 36

HSL 356.08, 0.81%, 0.48%

LAB 47.33, 70.28, 47.54

 

CMYK 0 / 90 / 90 / 13

HEX #DE1717

RGB 222 23 23

HSL 0, 0.81%, 0.48%

LAB 47.24, 70.04, 53.54

 

CMYK 0 / 90 / 11 / 13

HEX #DE17C5

RGB 222 23 197

HSL 307.54, 0.81%, 0.48%

LAB 52.03, 83.03, -41.58

 

CMYK 13 / 90 / 0 / 13

HEX #C117DE

RGB 193 23 222

HSL 291.26, 0.81%, 0.48%

LAB 48.54, 81.83, -61.8

 

CMYK 37 / 90 / 0 / 13

HEX #8B17DE

RGB 139 23 222

HSL 274.97, 0.81%, 0.48%

LAB 40.21, 74.37, -75.73

 

CMYK 61 / 90 / 0 / 13

HEX #5617DE

RGB 86 23 222

HSL 258.99, 0.81%, 0.48%

LAB 33.7, 69.29, -86.69

 

CMYK 86 / 90 / 0 / 13

HEX #2017DE

RGB 32 23 222

HSL 242.71, 0.81%, 0.48%

LAB 29.9, 66.77, -93.12

 

CMYK 0 / 90 / 11 / 13

HEX #DE17C5

RGB 222 23 197

HSL 307.54, 0.81%, 0.48%

LAB 52.03, 83.03, -41.58

 

CMYK 0 / 99 / 12 / 5

HEX #F103D4

RGB 241 3 212

HSL 307.31, 0.98%, 0.48%

LAB 55.6, 90.07, -44.33

 

CMYK 0 / 90 / 11 / 13

HEX #DE17C5

RGB 222 23 197

HSL 307.54, 0.81%, 0.48%

LAB 52.03, 83.03, -41.58

 

CMYK 0 / 79 / 10 / 21

HEX #CA2BB6

RGB 202 43 182

HSL 307.55, 0.65%, 0.48%

LAB 49.08, 73.23, -37.74

 

CMYK 0 / 65 / 8 / 29

HEX #B63FA7

RGB 182 63 167

HSL 307.56, 0.49%, 0.48%

LAB 47.35, 59.79, -31.86

 

CMYK 0 / 49 / 6 / 36

HEX #A25398

RGB 162 83 152

HSL 307.59, 0.32%, 0.48%

LAB 47.15, 42.33, -23.5

 

CMYK 0 / 28 / 4 / 44

HEX #8E6689

RGB 142 102 137

HSL 307.5, 0.16%, 0.48%

LAB 48.34, 22.17, -12.97

 

CMYK 37 / 90 / 0 / 13

HEX #8B17DE

RGB 139 23 222

HSL 274.97, 0.81%, 0.48%

LAB 40.21, 74.37, -75.73

 

CMYK 14 / 90 / 0 / 13

HEX #C017DE

RGB 192 23 222

HSL 290.95, 0.81%, 0.48%

LAB 48.38, 81.68, -62.07

 

CMYK 0 / 90 / 11 / 13

HEX #DE17C6

RGB 222 23 198

HSL 307.24, 0.81%, 0.48%

LAB 52.08, 83.16, -42.07

 

CMYK 0 / 90 / 34 / 13

HEX #DE1792

RGB 222 23 146

HSL 322.91, 0.81%, 0.48%

LAB 49.76, 77.04, -15.05

 

CMYK 0 / 90 / 58 / 13

HEX #DE175D

RGB 222 23 93

HSL 338.89, 0.81%, 0.48%

LAB 48.18, 72.68, 14.98

 

CMYK 0 / 90 / 11 / 42

HEX #930F83

RGB 147 15 131

HSL 307.27, 0.81%, 0.32%

LAB 34.36, 60.72, -30.87

 

CMYK 0 / 90 / 11 / 28

HEX #B813A4

RGB 184 19 164

HSL 307.27, 0.81%, 0.4%

LAB 43.27, 72.01, -36.48

 

CMYK 0 / 90 / 11 / 13

HEX #DE17C5

RGB 222 23 197

HSL 307.54, 0.81%, 0.48%

LAB 52.03, 83.03, -41.58

 

CMYK 0 / 78 / 10 / 8

HEX #EA34D3

RGB 234 52 211

HSL 307.58, 0.81%, 0.56%

LAB 56.73, 81.65, -42.05

 

CMYK 0 / 62 / 8 / 7

HEX #EE5ADB

RGB 238 90 219

HSL 307.7, 0.81%, 0.64%

LAB 62.17, 71.21, -38

 

CMYK 0 / 90 / 11 / 12

HEX #E017C7

RGB 224 23 199

HSL 307.46, 0.81%, 0.48%

LAB 52.49, 83.66, -41.99

 

CMYK 0 / 61 / 90 / 13

HEX #DE5617

RGB 222 86 23

HSL 18.99, 0.81%, 0.48%

LAB 54.29, 50.6, 58.62

 

CMYK 90 / 0 / 26 / 13

HEX #17DEA5

RGB 23 222 165

HSL 162.81, 0.81%, 0.48%

LAB 79.12, -57.65, 15.6

 

CMYK 0 / 90 / 11 / 12

HEX #E017C7

RGB 224 23 199

HSL 307.46, 0.81%, 0.48%

LAB 52.49, 83.66, -41.99

 

CMYK 11 / 0 / 90 / 13

HEX #C6DE17

RGB 198 222 23

HSL 67.24, 0.81%, 0.48%

LAB 84.13, -29.13, 80.59

 

CMYK 90 / 11 / 0 / 13

HEX #17C6DE

RGB 23 198 222

HSL 187.24, 0.81%, 0.48%

LAB 73.44, -31.53, -23.34

 

CMYK 0 / 90 / 11 / 12

HEX #E017C7

RGB 224 23 199

HSL 307.46, 0.81%, 0.48%

LAB 52.49, 83.66, -41.99

 

CMYK 0 / 61 / 90 / 13

HEX #DE5617

RGB 222 86 23

HSL 18.99, 0.81%, 0.48%

LAB 54.29, 50.6, 58.62

 

CMYK 90 / 0 / 79 / 13

HEX #17DE2E

RGB 23 222 46

HSL 126.93, 0.81%, 0.48%

LAB 77.65, -75.12, 67.42

 

CMYK 90 / 28 / 0 / 13

HEX #179FDE

RGB 23 159 222

HSL 198.99, 0.81%, 0.48%

LAB 61.87, -11.34, -41.25

 

CMYK 0 / 90 / 11 / 12

HEX #E017C7

RGB 224 23 199

HSL 307.46, 0.81%, 0.48%

LAB 52.49, 83.66, -41.99

 

CMYK 0 / 34 / 90 / 13

HEX #DE9217

RGB 222 146 23

HSL 37.09, 0.81%, 0.48%

LAB 66.63, 20.25, 67.87

 

CMYK 90 / 0 / 79 / 13

HEX #17DE2E

RGB 23 222 46

HSL 126.93, 0.81%, 0.48%

LAB 77.65, -75.12, 67.42

 

CMYK 90 / 55 / 0 / 13

HEX #1763DE

RGB 23 99 222

HSL 217.09, 0.81%, 0.48%

LAB 44.77, 25.18, -68.6

 

Description

Color code: HEX #E017C7 | qconv.com Color code: HEX #E017C7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 23 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 23 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 11 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 11% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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