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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF4DFB it is the complementary color #00B204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF4DFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF4DFB shade: #FF4DF6, #FF5FFF, #FF71FF, #FF83FF and #FF95FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF4DFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF4DFB shade: #FF4DFB, #EE3BE8, #DD29D5, #CC17C2 and #BB05AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF4DFB shade: #FF4DFB, #FF4DCB, #FF4D9B, #FF4D6B and #FF4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF4DFB shade: #FF4DFB, #D34DFF, #A34DFF, #734DFF and #4D4DFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF4DFB shade matches the following richer shades: #FF4DFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF4DFB shade: #FF4DFB, #F15BED, #E269DF, #D478D2 and #C586C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF4DFB shade: #A34DFF, #D24DFF, #FF4DFC, #FF4DCC and #FF4D9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF4DFB shade: #F900F3, #FF23FA, #FF4DFB, #FF76FC and #FF9FFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF4DFB shade: #FF4DFB, #FF734D and #4DFFBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF4DFB shade: #FF4DFB, #FCFF4D and #4DFCFF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF4DFB shade: #FF4DFB, #FF734D, #4DFF4F and #4DD8FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF4DFB shade: #FF4DFB, #FFA94D, #4DFF4F and #4DA3FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 2 / 0

HEX #FF4DFB

RGB 255 77 251

HSL 301.35, 1%, 0.65%

LAB 64.59, 84.64, -51.83

 

Complementary color

CMYK 100 / 0 / 98 / 30

HEX #00B204

RGB 0 178 4

HSL 121.35, 1%, 0.35%

LAB 63.22, -65.71, 63

 

CMYK 0 / 70 / 4 / 0

HEX #FF4DF6

RGB 255 77 246

HSL 303.03, 1%, 0.65%

LAB 64.34, 83.88, -49.47

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FF

RGB 255 113 255

HSL 300, 1%, 0.72%

LAB 69.68, 71.66, -46.01

 

CMYK 0 / 49 / 0 / 0

HEX #FF83FF

RGB 255 131 255

HSL 300, 1%, 0.76%

LAB 72.7, 63.55, -41.27

 

CMYK 0 / 42 / 0 / 0

HEX #FF95FF

RGB 255 149 255

HSL 300, 1%, 0.79%

LAB 76.05, 54.83, -36.06

 

CMYK 0 / 70 / 2 / 0

HEX #FF4DFB

RGB 255 77 251

HSL 301.35, 1%, 0.65%

LAB 64.59, 84.64, -51.83

 

CMYK 0 / 75 / 3 / 7

HEX #EE3BE8

RGB 238 59 232

HSL 302.01, 0.84%, 0.58%

LAB 59.1, 83.64, -50.14

 

CMYK 0 / 81 / 4 / 13

HEX #DD29D5

RGB 221 41 213

HSL 302.67, 0.73%, 0.51%

LAB 53.77, 81.96, -48.02

 

CMYK 0 / 89 / 5 / 20

HEX #CC17C2

RGB 204 23 194

HSL 303.31, 0.8%, 0.45%

LAB 48.69, 79.35, -45.34

 

CMYK 0 / 97 / 6 / 27

HEX #BB05AF

RGB 187 5 175

HSL 303.96, 0.95%, 0.38%

LAB 43.9, 75.63, -41.99

 

CMYK 0 / 70 / 2 / 0

HEX #FF4DFB

RGB 255 77 251

HSL 301.35, 1%, 0.65%

LAB 64.59, 84.64, -51.83

 

CMYK 0 / 70 / 20 / 0

HEX #FF4DCB

RGB 255 77 203

HSL 317.53, 1%, 0.65%

LAB 62.41, 77.87, -28.4

 

CMYK 0 / 70 / 39 / 0

HEX #FF4D9B

RGB 255 77 155

HSL 333.71, 1%, 0.65%

LAB 60.72, 72.41, -3.36

 

CMYK 0 / 70 / 58 / 0

HEX #FF4D6B

RGB 255 77 107

HSL 349.89, 1%, 0.65%

LAB 59.55, 68.46, 23.01

 

CMYK 0 / 70 / 70 / 0

HEX #FF4D4D

RGB 255 77 77

HSL 0, 1%, 0.65%

LAB 59.07, 66.79, 39.59

 

CMYK 0 / 70 / 2 / 0

HEX #FF4DFB

RGB 255 77 251

HSL 301.35, 1%, 0.65%

LAB 64.59, 84.64, -51.83

 

CMYK 17 / 70 / 0 / 0

HEX #D34DFF

RGB 211 77 255

HSL 285.17, 1%, 0.65%

LAB 58.39, 76.31, -64.31

 

CMYK 36 / 70 / 0 / 0

HEX #A34DFF

RGB 163 77 255

HSL 268.99, 1%, 0.65%

LAB 52.19, 67.19, -74.63

 

CMYK 55 / 70 / 0 / 0

HEX #734DFF

RGB 115 77 255

HSL 252.81, 1%, 0.65%

LAB 47.2, 59.38, -82.99

 

CMYK 70 / 70 / 0 / 0

HEX #4D4DFF

RGB 77 77 255

HSL 240, 1%, 0.65%

LAB 44.38, 54.72, -87.72

 

CMYK 0 / 70 / 2 / 0

HEX #FF4DFB

RGB 255 77 251

HSL 301.35, 1%, 0.65%

LAB 64.59, 84.64, -51.83

 

CMYK 0 / 70 / 2 / 0

HEX #FF4DFB

RGB 255 77 251

HSL 301.35, 1%, 0.65%

LAB 64.59, 84.64, -51.83

 

CMYK 0 / 62 / 2 / 5

HEX #F15BED

RGB 241 91 237

HSL 301.6, 0.84%, 0.65%

LAB 63.59, 74.37, -45.8

 

CMYK 0 / 54 / 1 / 11

HEX #E269DF

RGB 226 105 223

HSL 301.49, 0.68%, 0.65%

LAB 63.01, 62.35, -39.05

 

CMYK 0 / 43 / 1 / 17

HEX #D478D2

RGB 212 120 210

HSL 301.3, 0.52%, 0.65%

LAB 63.41, 48.85, -31.28

 

CMYK 0 / 32 / 1 / 23

HEX #C586C4

RGB 197 134 196

HSL 300.95, 0.35%, 0.65%

LAB 64.08, 34.17, -22.53

 

CMYK 36 / 70 / 0 / 0

HEX #A34DFF

RGB 163 77 255

HSL 268.99, 1%, 0.65%

LAB 52.19, 67.19, -74.63

 

CMYK 18 / 70 / 0 / 0

HEX #D24DFF

RGB 210 77 255

HSL 284.83, 1%, 0.65%

LAB 58.25, 76.12, -64.54

 

CMYK 0 / 70 / 1 / 0

HEX #FF4DFC

RGB 255 77 252

HSL 301.01, 1%, 0.65%

LAB 64.64, 84.79, -52.3

 

CMYK 0 / 70 / 20 / 0

HEX #FF4DCC

RGB 255 77 204

HSL 317.19, 1%, 0.65%

LAB 62.45, 78, -28.91

 

CMYK 0 / 70 / 38 / 0

HEX #FF4D9D

RGB 255 77 157

HSL 333.03, 1%, 0.65%

LAB 60.78, 72.61, -4.44

 

CMYK 0 / 100 / 2 / 2

HEX #F900F3

RGB 249 0 243

HSL 301.45, 1%, 0.49%

LAB 58.61, 95.67, -56.96

 

CMYK 0 / 86 / 2 / 0

HEX #FF23FA

RGB 255 35 250

HSL 301.36, 1%, 0.57%

LAB 61.1, 94.42, -56.82

 

CMYK 0 / 70 / 2 / 0

HEX #FF4DFB

RGB 255 77 251

HSL 301.35, 1%, 0.65%

LAB 64.59, 84.64, -51.83

 

CMYK 0 / 54 / 1 / 0

HEX #FF76FC

RGB 255 118 252

HSL 301.31, 1%, 0.73%

LAB 70.35, 68.98, -43.31

 

CMYK 0 / 38 / 1 / 0

HEX #FF9FFD

RGB 255 159 253

HSL 301.25, 1%, 0.81%

LAB 77.96, 49.45, -32.03

 

CMYK 0 / 70 / 2 / 0

HEX #FF4DFB

RGB 255 77 251

HSL 301.35, 1%, 0.65%

LAB 64.59, 84.64, -51.83

 

CMYK 0 / 55 / 70 / 0

HEX #FF734D

RGB 255 115 77

HSL 12.81, 1%, 0.65%

LAB 65.01, 50.95, 46.44

 

CMYK 70 / 0 / 27 / 0

HEX #4DFFBB

RGB 77 255 187

HSL 157.08, 1%, 0.65%

LAB 90.18, -60.07, 19.74

 

CMYK 0 / 70 / 2 / 0

HEX #FF4DFB

RGB 255 77 251

HSL 301.35, 1%, 0.65%

LAB 64.59, 84.64, -51.83

 

CMYK 1 / 0 / 70 / 0

HEX #FCFF4D

RGB 252 255 77

HSL 61.01, 1%, 0.65%

LAB 97.13, -21.01, 79.76

 

CMYK 70 / 1 / 0 / 0

HEX #4DFCFF

RGB 77 252 255

HSL 181.01, 1%, 0.65%

LAB 90.97, -42.11, -14.28

 

CMYK 0 / 70 / 2 / 0

HEX #FF4DFB

RGB 255 77 251

HSL 301.35, 1%, 0.65%

LAB 64.59, 84.64, -51.83

 

CMYK 0 / 55 / 70 / 0

HEX #FF734D

RGB 255 115 77

HSL 12.81, 1%, 0.65%

LAB 65.01, 50.95, 46.44

 

CMYK 70 / 0 / 69 / 0

HEX #4DFF4F

RGB 77 255 79

HSL 120.67, 1%, 0.65%

LAB 88.76, -76.15, 67.9

 

CMYK 70 / 15 / 0 / 0

HEX #4DD8FF

RGB 77 216 255

HSL 193.15, 1%, 0.65%

LAB 80.69, -25.15, -29.87

 

CMYK 0 / 70 / 2 / 0

HEX #FF4DFB

RGB 255 77 251

HSL 301.35, 1%, 0.65%

LAB 64.59, 84.64, -51.83

 

CMYK 0 / 34 / 70 / 0

HEX #FFA94D

RGB 255 169 77

HSL 31.01, 1%, 0.65%

LAB 76.17, 23.77, 58.67

 

CMYK 70 / 0 / 69 / 0

HEX #4DFF4F

RGB 77 255 79

HSL 120.67, 1%, 0.65%

LAB 88.76, -76.15, 67.9

 

CMYK 70 / 36 / 0 / 0

HEX #4DA3FF

RGB 77 163 255

HSL 211.01, 1%, 0.65%

LAB 65.74, 3.32, -53.18

 

Description

Color code: HEX #FF4DFB | qconv.com Color code: HEX #FF4DFB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 77 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 77 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 2 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 2% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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