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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E00BC0 it is the complementary color #1FF43F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E00BC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E00BC0: #E50BBB, #F61DCE, #FF2FE1, #FF41F4 and #FF53FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E00BC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E00BC0: #E00BC0, #CF00AD, #BE009A, #AD0087 and #9C0074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 14 / 12

HEX #E00BC0

RGB 224 11 192

HSL 309.01, 0.91%, 0.46%

LAB 51.72, 83.98, -39.16

 

Complementary color

CMYK 87 / 0 / 74 / 4

HEX #1FF43F

RGB 31 244 63

HSL 129.01, 0.91%, 0.54%

LAB 84.66, -79.61, 69.05

 

CMYK 0 / 95 / 18 / 10

HEX #E50BBB

RGB 229 11 187

HSL 311.56, 0.91%, 0.47%

LAB 52.38, 84.28, -35.14

 

CMYK 0 / 88 / 16 / 4

HEX #F61DCE

RGB 246 29 206

HSL 311.06, 0.92%, 0.54%

LAB 57, 87.83, -38.63

 

CMYK 0 / 82 / 12 / 0

HEX #FF2FE1

RGB 255 47 225

HSL 308.65, 1%, 0.59%

LAB 60.54, 88.86, -43.74

 

CMYK 0 / 75 / 4 / 0

HEX #FF41F4

RGB 255 65 244

HSL 303.47, 1%, 0.63%

LAB 62.99, 87.16, -50.5

 

CMYK 0 / 67 / 0 / 0

HEX #FF53FF

RGB 255 83 255

HSL 300, 1%, 0.66%

LAB 65.49, 83.28, -52.61

 

CMYK 0 / 95 / 14 / 12

HEX #E00BC0

RGB 224 11 192

HSL 309.01, 0.91%, 0.46%

LAB 51.72, 83.98, -39.16

 

CMYK 0 / 100 / 16 / 19

HEX #CF00AD

RGB 207 0 173

HSL 309.86, 1%, 0.41%

LAB 47.34, 79.36, -35.12

 

CMYK 0 / 100 / 19 / 25

HEX #BE009A

RGB 190 0 154

HSL 311.37, 1%, 0.37%

LAB 43.18, 73.86, -30.53

 

CMYK 0 / 100 / 22 / 32

HEX #AD0087

RGB 173 0 135

HSL 313.18, 1%, 0.34%

LAB 38.96, 68.27, -25.78

 

CMYK 0 / 100 / 26 / 39

HEX #9C0074

RGB 156 0 116

HSL 315.38, 1%, 0.31%

LAB 34.66, 62.6, -20.86

 

CMYK 0 / 95 / 14 / 12

HEX #E00BC0

RGB 224 11 192

HSL 309.01, 0.91%, 0.46%

LAB 51.72, 83.98, -39.16

 

CMYK 0 / 96 / 30 / 12

HEX #E00A9C

RGB 224 10 156

HSL 319.07, 0.91%, 0.46%

LAB 50.05, 79.87, -20.56

 

CMYK 0 / 96 / 46 / 12

HEX #E00A78

RGB 224 10 120

HSL 329.16, 0.91%, 0.46%

LAB 48.79, 76.52, -0.7

 

CMYK 0 / 96 / 62 / 12

HEX #E00A55

RGB 224 10 85

HSL 338.97, 0.91%, 0.46%

LAB 47.91, 74.14, 19.62

 

CMYK 0 / 96 / 78 / 12

HEX #E00A31

RGB 224 10 49

HSL 349.07, 0.91%, 0.46%

LAB 47.35, 72.61, 40.62

 

CMYK 0 / 95 / 14 / 12

HEX #E00BC0

RGB 224 11 192

HSL 309.01, 0.91%, 0.46%

LAB 51.72, 83.98, -39.16

 

CMYK 0 / 95 / 15 / 92

HEX #140111

RGB 20 1 17

HSL 309.47, 0.9%, 0.04%

LAB 1.91, 8.2, -4.58

 

CMYK 0 / 96 / 14 / 72

HEX #47033D

RGB 71 3 61

HSL 308.82, 0.92%, 0.15%

LAB 14.07, 36.32, -17.65

 

CMYK 0 / 95 / 14 / 52

HEX #7A0669

RGB 122 6 105

HSL 308.79, 0.91%, 0.25%

LAB 27.54, 53.31, -25.45

 

CMYK 0 / 95 / 14 / 32

HEX #AD0894

RGB 173 8 148

HSL 309.09, 0.91%, 0.35%

LAB 39.91, 69.08, -32.26

 

CMYK 0 / 95 / 14 / 12

HEX #E00BC0

RGB 224 11 192

HSL 309.01, 0.91%, 0.46%

LAB 51.72, 83.98, -39.16

 

CMYK 0 / 62 / 96 / 12

HEX #E0550A

RGB 224 85 10

HSL 21.03, 0.91%, 0.46%

LAB 54.41, 51.58, 62.3

 

CMYK 96 / 0 / 24 / 12

HEX #0AE0AA

RGB 10 224 170

HSL 164.86, 0.91%, 0.46%

LAB 79.77, -57.75, 13.87

 

CMYK 0 / 95 / 14 / 12

HEX #E00BC0

RGB 224 11 192

HSL 309.01, 0.91%, 0.46%

LAB 51.72, 83.98, -39.16

 

CMYK 14 / 0 / 96 / 12

HEX #C0E00A

RGB 192 224 10

HSL 68.97, 0.91%, 0.46%

LAB 84.25, -32.69, 82.03

 

CMYK 96 / 14 / 0 / 12

HEX #0AC0E0

RGB 10 192 224

HSL 188.97, 0.91%, 0.46%

LAB 71.65, -28.43, -27.17

 

CMYK 0 / 95 / 14 / 12

HEX #E00BC0

RGB 224 11 192

HSL 309.01, 0.91%, 0.46%

LAB 51.72, 83.98, -39.16

 

CMYK 0 / 62 / 96 / 12

HEX #E0550A

RGB 224 85 10

HSL 21.03, 0.91%, 0.46%

LAB 54.41, 51.58, 62.3

 

CMYK 96 / 0 / 81 / 12

HEX #0AE02A

RGB 10 224 42

HSL 128.97, 0.91%, 0.46%

LAB 78.19, -76.52, 69

 

CMYK 96 / 33 / 0 / 12

HEX #0A95E0

RGB 10 149 224

HSL 201.03, 0.91%, 0.46%

LAB 58.92, -5.47, -47.02

 

CMYK 0 / 95 / 14 / 12

HEX #E00BC0

RGB 224 11 192

HSL 309.01, 0.91%, 0.46%

LAB 51.72, 83.98, -39.16

 

CMYK 0 / 33 / 96 / 12

HEX #E0950A

RGB 224 149 10

HSL 38.97, 0.91%, 0.46%

LAB 67.55, 19.32, 70.98

 

CMYK 96 / 0 / 81 / 12

HEX #0AE02A

RGB 10 224 42

HSL 128.97, 0.91%, 0.46%

LAB 78.19, -76.52, 69

 

CMYK 96 / 62 / 0 / 12

HEX #0A55E0

RGB 10 85 224

HSL 218.97, 0.91%, 0.46%

LAB 41.13, 34.53, -75.7

 

Description

Color code: HEX #E00BC0 | qconv.com Color code: HEX #E00BC0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 11 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 11 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 14 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 14% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HEX

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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HKS® to Sherwin Williams®

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PANTONE® to HEX

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PANTONE® to RAL®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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Sherwin Williams® to HEX

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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NCS® to RAL®

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NCS® to HKS®

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NCS® to PANTONE®

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NCS® to Sherwin Williams®

convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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