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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFFF15 it is the complementary color #2000EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFFF15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #DFFF15: #E4FF10, #F5FF23, #FFFF36, #FFFF49 and #FFFF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFFF15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #DFFF15: #DFFF15, #CEED02, #BDDB00, #ACC900 and #9BB700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 92 / 0

HEX #DFFF15

RGB 223 255 21

HSL 68.21, 1%, 0.54%

LAB 94.85, -34.31, 90.04

 

Complementary color

CMYK 86 / 100 / 0 / 8

HEX #2000EA

RGB 32 0 234

HSL 248.21, 1%, 0.46%

LAB 30.03, 74.46, -99.77

 

CMYK 11 / 0 / 94 / 0

HEX #E4FF10

RGB 228 255 16

HSL 66.78, 1%, 0.53%

LAB 95.18, -32.38, 90.97

 

CMYK 4 / 0 / 86 / 0

HEX #F5FF23

RGB 245 255 35

HSL 62.73, 1%, 0.57%

LAB 96.43, -25.23, 89.92

 

CMYK 0 / 0 / 79 / 0

HEX #FFFF36

RGB 255 255 54

HSL 60, 1%, 0.61%

LAB 97.25, -20.68, 86.81

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF49

RGB 255 255 73

HSL 60, 1%, 0.64%

LAB 97.33, -19.98, 81.37

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5C

RGB 255 255 92

HSL 60, 1%, 0.68%

LAB 97.45, -19.04, 74.76

 

CMYK 13 / 0 / 92 / 0

HEX #DFFF15

RGB 223 255 21

HSL 68.21, 1%, 0.54%

LAB 94.85, -34.31, 90.04

 

CMYK 13 / 0 / 99 / 7

HEX #CEED02

RGB 206 237 2

HSL 67.91, 0.98%, 0.47%

LAB 88.78, -33.09, 86.54

 

CMYK 14 / 0 / 100 / 14

HEX #BDDB00

RGB 189 219 0

HSL 68.22, 1%, 0.43%

LAB 82.64, -31.69, 81.59

 

CMYK 14 / 0 / 100 / 21

HEX #ACC900

RGB 172 201 0

HSL 68.66, 1%, 0.39%

LAB 76.4, -30.27, 76.4

 

CMYK 15 / 0 / 100 / 28

HEX #9BB700

RGB 155 183 0

HSL 69.18, 1%, 0.36%

LAB 70.06, -28.82, 71.12

 

CMYK 13 / 0 / 92 / 0

HEX #DFFF15

RGB 223 255 21

HSL 68.21, 1%, 0.54%

LAB 94.85, -34.31, 90.04

 

CMYK 28 / 0 / 92 / 0

HEX #B8FF14

RGB 184 255 20

HSL 78.13, 1%, 0.54%

LAB 92.47, -49.24, 87.26

 

CMYK 43 / 0 / 92 / 0

HEX #91FF14

RGB 145 255 20

HSL 88.09, 1%, 0.54%

LAB 90.59, -62.49, 84.97

 

CMYK 58 / 0 / 92 / 0

HEX #6AFF14

RGB 106 255 20

HSL 98.04, 1%, 0.54%

LAB 89.22, -73.22, 83.28

 

CMYK 74 / 0 / 92 / 0

HEX #43FF14

RGB 67 255 20

HSL 108, 1%, 0.54%

LAB 88.33, -80.73, 82.19

 

CMYK 13 / 0 / 92 / 0

HEX #DFFF15

RGB 223 255 21

HSL 68.21, 1%, 0.54%

LAB 94.85, -34.31, 90.04

 

CMYK 12 / 0 / 92 / 80

HEX #2D3304

RGB 45 51 4

HSL 67.66, 0.85%, 0.11%

LAB 19.78, -9.85, 26.08

 

CMYK 13 / 0 / 92 / 60

HEX #596608

RGB 89 102 8

HSL 68.3, 0.85%, 0.22%

LAB 40.64, -16.98, 44.83

 

CMYK 12 / 0 / 92 / 40

HEX #86990D

RGB 134 153 13

HSL 68.14, 0.84%, 0.33%

LAB 59.78, -22.96, 60.8

 

CMYK 13 / 0 / 92 / 20

HEX #B2CC11

RGB 178 204 17

HSL 68.34, 0.85%, 0.43%

LAB 77.69, -28.98, 75.76

 

CMYK 13 / 0 / 92 / 0

HEX #DFFF15

RGB 223 255 21

HSL 68.21, 1%, 0.54%

LAB 94.85, -34.31, 90.04

 

CMYK 92 / 0 / 62 / 0

HEX #14FF62

RGB 20 255 98

HSL 139.91, 1%, 0.54%

LAB 88.23, -80.12, 59.67

 

CMYK 25 / 92 / 0 / 0

HEX #C014FF

RGB 192 20 255

HSL 283.91, 1%, 0.54%

LAB 50.6, 87.74, -77.05

 

CMYK 13 / 0 / 92 / 0

HEX #DFFF15

RGB 223 255 21

HSL 68.21, 1%, 0.54%

LAB 94.85, -34.31, 90.04

 

CMYK 92 / 13 / 0 / 0

HEX #14DFFF

RGB 20 223 255

HSL 188.17, 1%, 0.54%

LAB 81.92, -33.15, -28.05

 

CMYK 0 / 92 / 13 / 0

HEX #FF14DF

RGB 255 20 223

HSL 308.17, 1%, 0.54%

LAB 59.06, 92.66, -44.96

 

CMYK 13 / 0 / 92 / 0

HEX #DFFF15

RGB 223 255 21

HSL 68.21, 1%, 0.54%

LAB 94.85, -34.31, 90.04

 

CMYK 92 / 0 / 62 / 0

HEX #14FF62

RGB 20 255 98

HSL 139.91, 1%, 0.54%

LAB 88.23, -80.12, 59.67

 

CMYK 80 / 92 / 0 / 0

HEX #3314FF

RGB 51 20 255

HSL 247.91, 1%, 0.54%

LAB 34.85, 76.54, -103.57

 

CMYK 0 / 92 / 31 / 0

HEX #FF14B0

RGB 255 20 176

HSL 320.17, 1%, 0.54%

LAB 56.97, 87.27, -21.24

 

CMYK 13 / 0 / 92 / 0

HEX #DFFF15

RGB 223 255 21

HSL 68.21, 1%, 0.54%

LAB 94.85, -34.31, 90.04

 

CMYK 92 / 0 / 34 / 0

HEX #14FFA8

RGB 20 255 168

HSL 157.79, 1%, 0.54%

LAB 89.16, -69.08, 27.88

 

CMYK 80 / 92 / 0 / 0

HEX #3314FF

RGB 51 20 255

HSL 247.91, 1%, 0.54%

LAB 34.85, 76.54, -103.57

 

CMYK 0 / 92 / 58 / 0

HEX #FF146A

RGB 255 20 106

HSL 338.04, 1%, 0.54%

LAB 54.87, 81.6, 17.28

 

Description

Color code: HEX #DFFF15 | qconv.com Color code: HEX #DFFF15 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 255 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 255 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 92 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 92% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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