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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFE0D3 it is the complementary color #201F2C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFE0D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #DFE0D3: #E4E0CE, #F5F2E1, #FFFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFE0D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #DFE0D3: #DFE0D3, #CECEC0, #BDBCAD, #ACAA9A and #9B9887

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 6 / 12

HEX #DFE0D3

RGB 223 224 211

HSL 64.62, 0.17%, 0.85%

LAB 88.78, -2.61, 6.23

 

Complementary color

CMYK 27 / 30 / 0 / 83

HEX #201F2C

RGB 32 31 44

HSL 244.62, 0.17%, 0.15%

LAB 12.41, 4.08, -8.5

 

CMYK 0 / 2 / 10 / 11

HEX #E4E0CE

RGB 228 224 206

HSL 49.09, 0.29%, 0.85%

LAB 89.05, -1.7, 9.29

 

CMYK 0 / 1 / 8 / 4

HEX #F5F2E1

RGB 245 242 225

HSL 51, 0.5%, 0.92%

LAB 95.31, -1.87, 8.55

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF4

RGB 255 255 244

HSL 60, 1%, 0.98%

LAB 99.73, -1.88, 5.24

 

CMYK 0 / 0 / 6 / 12

HEX #DFE0D3

RGB 223 224 211

HSL 64.62, 0.17%, 0.85%

LAB 88.78, -2.61, 6.23

 

CMYK 0 / 0 / 7 / 19

HEX #CECEC0

RGB 206 206 192

HSL 60, 0.13%, 0.78%

LAB 82.42, -2.47, 6.95

 

CMYK 0 / 1 / 8 / 26

HEX #BDBCAD

RGB 189 188 173

HSL 56.25, 0.11%, 0.71%

LAB 75.95, -2.31, 7.71

 

CMYK 0 / 1 / 10 / 33

HEX #ACAA9A

RGB 172 170 154

HSL 53.33, 0.1%, 0.64%

LAB 69.36, -2.14, 8.5

 

CMYK 0 / 2 / 13 / 39

HEX #9B9887

RGB 155 152 135

HSL 51, 0.09%, 0.57%

LAB 62.65, -1.96, 9.34

 

CMYK 0 / 0 / 6 / 12

HEX #DFE0D3

RGB 223 224 211

HSL 64.62, 0.17%, 0.85%

LAB 88.78, -2.61, 6.23

 

CMYK 1 / 0 / 6 / 13

HEX #DCDFD2

RGB 220 223 210

HSL 73.85, 0.17%, 0.85%

LAB 88.28, -3.3, 6

 

CMYK 2 / 0 / 6 / 13

HEX #DADFD2

RGB 218 223 210

HSL 83.08, 0.17%, 0.85%

LAB 88.13, -3.99, 5.77

 

CMYK 4 / 0 / 6 / 13

HEX #D7DFD2

RGB 215 223 210

HSL 96.92, 0.17%, 0.85%

LAB 87.91, -5.02, 5.42

 

CMYK 4 / 0 / 6 / 13

HEX #D5DFD2

RGB 213 223 210

HSL 106.15, 0.17%, 0.85%

LAB 87.76, -5.7, 5.2

 

CMYK 0 / 0 / 6 / 12

HEX #DFE0D3

RGB 223 224 211

HSL 64.62, 0.17%, 0.85%

LAB 88.78, -2.61, 6.23

 

CMYK 0 / 0 / 5 / 92

HEX #141413

RGB 20 20 19

HSL 60, 0.03%, 0.08%

LAB 6.29, -0.22, 0.6

 

CMYK 0 / 0 / 6 / 72

HEX #474743

RGB 71 71 67

HSL 60, 0.03%, 0.27%

LAB 30.04, -0.86, 2.4

 

CMYK 1 / 0 / 6 / 52

HEX #797A73

RGB 121 122 115

HSL 68.57, 0.03%, 0.46%

LAB 50.95, -1.75, 3.69

 

CMYK 1 / 0 / 6 / 32

HEX #ACADA3

RGB 172 173 163

HSL 66, 0.06%, 0.66%

LAB 70.39, -2.19, 5

 

CMYK 0 / 0 / 6 / 12

HEX #DFE0D3

RGB 223 224 211

HSL 64.62, 0.17%, 0.85%

LAB 88.78, -2.61, 6.23

 

CMYK 6 / 0 / 4 / 13

HEX #D2DFD5

RGB 210 223 213

HSL 133.85, 0.17%, 0.85%

LAB 87.62, -6.18, 3.38

 

CMYK 2 / 6 / 0 / 13

HEX #DAD2DF

RGB 218 210 223

HSL 276.92, 0.17%, 0.85%

LAB 85.16, 5.1, -5.43

 

CMYK 0 / 0 / 6 / 12

HEX #DFE0D3

RGB 223 224 211

HSL 64.62, 0.17%, 0.85%

LAB 88.78, -2.61, 6.23

 

CMYK 6 / 0 / 0 / 13

HEX #D2DEDF

RGB 210 222 223

HSL 184.62, 0.17%, 0.85%

LAB 87.62, -3.82, -1.89

 

CMYK 0 / 6 / 0 / 13

HEX #DFD2DE

RGB 223 210 222

HSL 304.62, 0.17%, 0.85%

LAB 85.53, 6.6, -4.31

 

CMYK 0 / 0 / 6 / 12

HEX #DFE0D3

RGB 223 224 211

HSL 64.62, 0.17%, 0.85%

LAB 88.78, -2.61, 6.23

 

CMYK 6 / 0 / 4 / 13

HEX #D2DFD5

RGB 210 223 213

HSL 133.85, 0.17%, 0.85%

LAB 87.62, -6.18, 3.38

 

CMYK 5 / 6 / 0 / 13

HEX #D3D2DF

RGB 211 210 223

HSL 244.62, 0.17%, 0.85%

LAB 84.62, 2.76, -6.29

 

CMYK 0 / 6 / 2 / 13

HEX #DFD2DB

RGB 223 210 219

HSL 318.46, 0.17%, 0.85%

LAB 85.45, 6.06, -2.84

 

CMYK 0 / 0 / 6 / 12

HEX #DFE0D3

RGB 223 224 211

HSL 64.62, 0.17%, 0.85%

LAB 88.78, -2.61, 6.23

 

CMYK 6 / 0 / 3 / 13

HEX #D2DFD9

RGB 210 223 217

HSL 152.31, 0.17%, 0.85%

LAB 87.72, -5.45, 1.42

 

CMYK 5 / 6 / 0 / 13

HEX #D3D2DF

RGB 211 210 223

HSL 244.62, 0.17%, 0.85%

LAB 84.62, 2.76, -6.29

 

CMYK 0 / 6 / 4 / 13

HEX #DFD2D7

RGB 223 210 215

HSL 336.92, 0.17%, 0.85%

LAB 85.35, 5.35, -0.87

 

Description

Color code: HEX #DFE0D3 | qconv.com Color code: HEX #DFE0D3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 224 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 224 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 6 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 6% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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