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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFDBBA it is the complementary color #202445. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFDBBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #DFDBBA: #E4DBB5, #F5EDC8, #FFFFDB, #FFFFEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFDBBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #DFDBBA: #DFDBBA, #CEC9A7, #BDB794, #ACA581 and #9B936E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 17 / 13

HEX #DFDBBA

RGB 223 219 186

HSL 53.51, 0.37%, 0.8%

LAB 86.95, -4.06, 16.74

 

Complementary color

CMYK 54 / 48 / 0 / 73

HEX #202445

RGB 32 36 69

HSL 233.51, 0.37%, 0.2%

LAB 15.48, 8.95, -21.38

 

CMYK 0 / 4 / 21 / 11

HEX #E4DBB5

RGB 228 219 181

HSL 48.51, 0.47%, 0.8%

LAB 87.24, -2.97, 19.82

 

CMYK 0 / 3 / 18 / 4

HEX #F5EDC8

RGB 245 237 200

HSL 49.33, 0.69%, 0.87%

LAB 93.52, -3.2, 18.92

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDB

RGB 255 255 219

HSL 60, 1%, 0.93%

LAB 99.18, -5.87, 17.23

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEE

RGB 255 255 238

HSL 60, 1%, 0.97%

LAB 99.59, -2.88, 8.11

 

CMYK 0 / 2 / 17 / 13

HEX #DFDBBA

RGB 223 219 186

HSL 53.51, 0.37%, 0.8%

LAB 86.95, -4.06, 16.74

 

CMYK 0 / 2 / 19 / 19

HEX #CEC9A7

RGB 206 201 167

HSL 52.31, 0.28%, 0.73%

LAB 80.56, -3.86, 17.64

 

CMYK 0 / 3 / 22 / 26

HEX #BDB794

RGB 189 183 148

HSL 51.22, 0.24%, 0.66%

LAB 74.08, -3.64, 18.6

 

CMYK 0 / 4 / 25 / 33

HEX #ACA581

RGB 172 165 129

HSL 50.23, 0.21%, 0.59%

LAB 67.48, -3.38, 19.61

 

CMYK 0 / 5 / 29 / 39

HEX #9B936E

RGB 155 147 110

HSL 49.33, 0.18%, 0.52%

LAB 60.75, -3.08, 20.7

 

CMYK 0 / 2 / 17 / 13

HEX #DFDBBA

RGB 223 219 186

HSL 53.51, 0.37%, 0.8%

LAB 86.95, -4.06, 16.74

 

CMYK 1 / 0 / 17 / 13

HEX #DCDEB9

RGB 220 222 185

HSL 63.24, 0.36%, 0.8%

LAB 87.47, -6.83, 17.96

 

CMYK 4 / 0 / 17 / 13

HEX #D6DEB9

RGB 214 222 185

HSL 72.97, 0.36%, 0.8%

LAB 87.02, -8.99, 17.26

 

CMYK 6 / 0 / 17 / 13

HEX #D0DEB9

RGB 208 222 185

HSL 82.7, 0.36%, 0.8%

LAB 86.58, -11.13, 16.59

 

CMYK 9 / 0 / 17 / 13

HEX #CADEB9

RGB 202 222 185

HSL 92.43, 0.36%, 0.8%

LAB 86.16, -13.24, 15.93

 

CMYK 0 / 2 / 17 / 13

HEX #DFDBBA

RGB 223 219 186

HSL 53.51, 0.37%, 0.8%

LAB 86.95, -4.06, 16.74

 

CMYK 0 / 0 / 16 / 93

HEX #131310

RGB 19 19 16

HSL 60, 0.09%, 0.07%

LAB 5.8, -0.61, 1.66

 

CMYK 0 / 1 / 17 / 73

HEX #46453A

RGB 70 69 58

HSL 55, 0.09%, 0.25%

LAB 29.07, -1.83, 6.81

 

CMYK 0 / 2 / 17 / 53

HEX #797765

RGB 121 119 101

HSL 54, 0.09%, 0.44%

LAB 49.74, -2.57, 10.19

 

CMYK 0 / 2 / 17 / 33

HEX #ACA98F

RGB 172 169 143

HSL 53.79, 0.15%, 0.62%

LAB 68.85, -3.42, 13.82

 

CMYK 0 / 2 / 17 / 13

HEX #DFDBBA

RGB 223 219 186

HSL 53.51, 0.37%, 0.8%

LAB 86.95, -4.06, 16.74

 

CMYK 17 / 0 / 15 / 13

HEX #B9DEBC

RGB 185 222 188

HSL 124.86, 0.36%, 0.8%

LAB 85.09, -18.57, 12.69

 

CMYK 9 / 17 / 0 / 13

HEX #CBB9DE

RGB 203 185 222

HSL 269.19, 0.36%, 0.8%

LAB 77.68, 13.28, -16.18

 

CMYK 0 / 2 / 17 / 13

HEX #DFDBBA

RGB 223 219 186

HSL 53.51, 0.37%, 0.8%

LAB 86.95, -4.06, 16.74

 

CMYK 17 / 0 / 2 / 13

HEX #B9DEDA

RGB 185 222 218

HSL 173.51, 0.36%, 0.8%

LAB 85.82, -12.86, -2.09

 

CMYK 2 / 17 / 0 / 13

HEX #DAB9DE

RGB 218 185 222

HSL 293.51, 0.36%, 0.8%

LAB 78.97, 18.24, -14.11

 

CMYK 0 / 2 / 17 / 13

HEX #DFDBBA

RGB 223 219 186

HSL 53.51, 0.37%, 0.8%

LAB 86.95, -4.06, 16.74

 

CMYK 17 / 0 / 15 / 13

HEX #B9DEBC

RGB 185 222 188

HSL 124.86, 0.36%, 0.8%

LAB 85.09, -18.57, 12.69

 

CMYK 17 / 15 / 0 / 13

HEX #B9BDDE

RGB 185 189 222

HSL 233.51, 0.36%, 0.8%

LAB 77.27, 5.3, -16.94

 

CMYK 0 / 17 / 1 / 13

HEX #DEB9DB

RGB 222 185 219

HSL 304.86, 0.36%, 0.8%

LAB 79.24, 19.03, -12.05

 

CMYK 0 / 2 / 17 / 13

HEX #DFDBBA

RGB 223 219 186

HSL 53.51, 0.37%, 0.8%

LAB 86.95, -4.06, 16.74

 

CMYK 17 / 0 / 10 / 13

HEX #B9DEC7

RGB 185 222 199

HSL 142.7, 0.36%, 0.8%

LAB 85.34, -16.56, 7.26

 

CMYK 17 / 15 / 0 / 13

HEX #B9BDDE

RGB 185 189 222

HSL 233.51, 0.36%, 0.8%

LAB 77.27, 5.3, -16.94

 

CMYK 0 / 17 / 6 / 13

HEX #DEB9D0

RGB 222 185 208

HSL 322.7, 0.36%, 0.8%

LAB 78.92, 17.06, -6.59

 

Description

Color code: HEX #DFDBBA | qconv.com Color code: HEX #DFDBBA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 219 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 219 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 17 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 17% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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