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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFD223 it is the complementary color #202DDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFD223. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFD223 shade: #E4D21E, #F5E431, #FFF644, #FFFF57 and #FFFF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFD223. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFD223 shade: #DFD223, #CEC010, #BDAE00, #AC9C00 and #9B8A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFD223 shade: #E0D324, #E0A024, #E06E24, #E03B24 and #E02424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFD223 shade: #E0D324, #BAE024, #88E024, #55E024 and #24E026

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFD223 shade matches the following richer shades: #E0D324 and #F4E410

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFD223 shade: #E0D324, #CCC139, #B7B04D, #A39F61 and #8F8D75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFD223 shade: #E06C24, #E09E24, #E0D024, #BDE024 and #8BE024

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFD223 shade: #9B9216, #BFB41B, #E0D324, #E5DA48 and #EAE16D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFD223 shade: #DFD223, #24E03A and #8524E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFD223 shade: #DFD223, #24E0D0 and #D024E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFD223 shade: #DFD223, #24E03A, #2434E0 and #E024CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFD223 shade: #DFD223, #24E072, #2434E0 and #E02492

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 84 / 13

HEX #DFD223

RGB 223 210 35

HSL 55.85, 0.75%, 0.51%

LAB 82.86, -12.57, 78.15

 

Complementary color

CMYK 85 / 80 / 0 / 14

HEX #202DDC

RGB 32 45 220

HSL 235.85, 0.75%, 0.49%

LAB 32.59, 57.42, -87.48

 

CMYK 0 / 8 / 87 / 11

HEX #E4D21E

RGB 228 210 30

HSL 54.55, 0.79%, 0.51%

LAB 83.27, -10.55, 79.7

 

CMYK 0 / 7 / 80 / 4

HEX #F5E431

RGB 245 228 49

HSL 54.8, 0.91%, 0.58%

LAB 89.45, -11.86, 81.03

 

CMYK 0 / 4 / 73 / 0

HEX #FFF644

RGB 255 246 68

HSL 57.11, 1%, 0.63%

LAB 94.99, -15.87, 80.77

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF57

RGB 255 255 87

HSL 60, 1%, 0.67%

LAB 97.42, -19.31, 76.59

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6A

RGB 255 255 106

HSL 60, 1%, 0.71%

LAB 97.56, -18.18, 69.3

 

CMYK 0 / 6 / 84 / 13

HEX #DFD223

RGB 223 210 35

HSL 55.85, 0.75%, 0.51%

LAB 82.86, -12.57, 78.15

 

CMYK 0 / 7 / 92 / 19

HEX #CEC010

RGB 206 192 16

HSL 55.58, 0.86%, 0.44%

LAB 76.59, -11.16, 75.99

 

CMYK 0 / 8 / 100 / 26

HEX #BDAE00

RGB 189 174 0

HSL 55.24, 1%, 0.37%

LAB 70.24, -9.55, 72.47

 

CMYK 0 / 9 / 100 / 33

HEX #AC9C00

RGB 172 156 0

HSL 54.42, 1%, 0.34%

LAB 63.79, -7.71, 67.12

 

CMYK 0 / 11 / 100 / 39

HEX #9B8A00

RGB 155 138 0

HSL 53.42, 1%, 0.3%

LAB 57.22, -5.8, 61.68

 

CMYK 0 / 6 / 84 / 12

HEX #E0D324

RGB 224 211 36

HSL 55.85, 0.75%, 0.51%

LAB 83.21, -12.62, 78.25

 

CMYK 0 / 29 / 84 / 12

HEX #E0A024

RGB 224 160 36

HSL 39.57, 0.75%, 0.51%

LAB 70.26, 13.9, 67.45

 

CMYK 0 / 51 / 84 / 12

HEX #E06E24

RGB 224 110 36

HSL 23.62, 0.75%, 0.51%

LAB 59.09, 40.21, 57.97

 

CMYK 0 / 74 / 84 / 12

HEX #E03B24

RGB 224 59 36

HSL 7.34, 0.75%, 0.51%

LAB 50.81, 62.12, 50.77

 

CMYK 0 / 84 / 84 / 12

HEX #E02424

RGB 224 36 36

HSL 0, 0.75%, 0.51%

LAB 48.56, 68.45, 48.79

 

CMYK 0 / 6 / 84 / 12

HEX #E0D324

RGB 224 211 36

HSL 55.85, 0.75%, 0.51%

LAB 83.21, -12.62, 78.25

 

CMYK 17 / 0 / 84 / 12

HEX #BAE024

RGB 186 224 36

HSL 72.13, 0.75%, 0.51%

LAB 83.9, -34.6, 77.68

 

CMYK 39 / 0 / 84 / 12

HEX #88E024

RGB 136 224 36

HSL 88.09, 0.75%, 0.51%

LAB 81.11, -53.08, 74.18

 

CMYK 62 / 0 / 84 / 12

HEX #55E024

RGB 85 224 36

HSL 104.36, 0.75%, 0.51%

LAB 79.25, -67.44, 71.83

 

CMYK 84 / 0 / 83 / 12

HEX #24E026

RGB 36 224 38

HSL 120.64, 0.75%, 0.51%

LAB 78.36, -75.09, 70.22

 

CMYK 0 / 6 / 84 / 12

HEX #E0D324

RGB 224 211 36

HSL 55.85, 0.75%, 0.51%

LAB 83.21, -12.62, 78.25

 

CMYK 0 / 7 / 93 / 4

HEX #F4E410

RGB 244 228 16

HSL 55.79, 0.91%, 0.51%

LAB 89.28, -12.95, 87.01

 

CMYK 0 / 6 / 84 / 12

HEX #E0D324

RGB 224 211 36

HSL 55.85, 0.75%, 0.51%

LAB 83.21, -12.62, 78.25

 

CMYK 0 / 5 / 72 / 20

HEX #CCC139

RGB 204 193 57

HSL 55.51, 0.59%, 0.51%

LAB 76.84, -11.33, 65.78

 

CMYK 0 / 4 / 58 / 28

HEX #B7B04D

RGB 183 176 77

HSL 56.04, 0.42%, 0.51%

LAB 70.63, -10.34, 50.52

 

CMYK 0 / 2 / 40 / 36

HEX #A39F61

RGB 163 159 97

HSL 56.36, 0.26%, 0.51%

LAB 64.52, -7.93, 32.85

 

CMYK 0 / 1 / 18 / 44

HEX #8F8D75

RGB 143 141 117

HSL 55.38, 0.1%, 0.51%

LAB 58.2, -3.53, 13.09

 

CMYK 0 / 52 / 84 / 12

HEX #E06C24

RGB 224 108 36

HSL 22.98, 0.75%, 0.51%

LAB 58.7, 41.21, 57.63

 

CMYK 0 / 29 / 84 / 12

HEX #E09E24

RGB 224 158 36

HSL 38.94, 0.75%, 0.51%

LAB 69.77, 14.97, 67.04

 

CMYK 0 / 7 / 84 / 12

HEX #E0D024

RGB 224 208 36

HSL 54.89, 0.75%, 0.51%

LAB 82.43, -11.12, 77.59

 

CMYK 16 / 0 / 84 / 12

HEX #BDE024

RGB 189 224 36

HSL 71.17, 0.75%, 0.51%

LAB 84.1, -33.4, 77.93

 

CMYK 38 / 0 / 84 / 12

HEX #8BE024

RGB 139 224 36

HSL 87.13, 0.75%, 0.51%

LAB 81.25, -52.07, 74.36

 

CMYK 0 / 6 / 86 / 39

HEX #9B9216

RGB 155 146 22

HSL 55.94, 0.75%, 0.35%

LAB 59.51, -9.71, 59.43

 

CMYK 0 / 6 / 86 / 25

HEX #BFB41B

RGB 191 180 27

HSL 55.98, 0.75%, 0.43%

LAB 72.09, -11.35, 69.95

 

CMYK 0 / 6 / 84 / 12

HEX #E0D324

RGB 224 211 36

HSL 55.85, 0.75%, 0.51%

LAB 83.21, -12.62, 78.25

 

CMYK 0 / 5 / 69 / 10

HEX #E5DA48

RGB 229 218 72

HSL 55.8, 0.75%, 0.59%

LAB 85.64, -12.66, 69.64

 

CMYK 0 / 4 / 53 / 8

HEX #EAE16D

RGB 234 225 109

HSL 55.68, 0.75%, 0.67%

LAB 88.18, -11.7, 57

 

CMYK 0 / 6 / 84 / 13

HEX #DFD223

RGB 223 210 35

HSL 55.85, 0.75%, 0.51%

LAB 82.86, -12.57, 78.15

 

CMYK 84 / 0 / 74 / 12

HEX #24E03A

RGB 36 224 58

HSL 127.02, 0.75%, 0.51%

LAB 78.46, -73.87, 64.52

 

CMYK 41 / 84 / 0 / 12

HEX #8524E0

RGB 133 36 224

HSL 270.96, 0.75%, 0.51%

LAB 40.62, 70.9, -76.22

 

CMYK 0 / 6 / 84 / 13

HEX #DFD223

RGB 223 210 35

HSL 55.85, 0.75%, 0.51%

LAB 82.86, -12.57, 78.15

 

CMYK 84 / 0 / 7 / 12

HEX #24E0D0

RGB 36 224 208

HSL 174.89, 0.75%, 0.51%

LAB 80.87, -46.74, -4.66

 

CMYK 7 / 84 / 0 / 12

HEX #D024E0

RGB 208 36 224

HSL 294.89, 0.75%, 0.51%

LAB 51.9, 82.34, -57.4

 

CMYK 0 / 6 / 84 / 13

HEX #DFD223

RGB 223 210 35

HSL 55.85, 0.75%, 0.51%

LAB 82.86, -12.57, 78.15

 

CMYK 84 / 0 / 74 / 12

HEX #24E03A

RGB 36 224 58

HSL 127.02, 0.75%, 0.51%

LAB 78.46, -73.87, 64.52

 

CMYK 84 / 77 / 0 / 12

HEX #2434E0

RGB 36 52 224

HSL 234.89, 0.75%, 0.51%

LAB 34.42, 55.3, -86.74

 

CMYK 0 / 84 / 10 / 12

HEX #E024CA

RGB 224 36 202

HSL 307.02, 0.75%, 0.51%

LAB 53.36, 81.99, -42.35

 

CMYK 0 / 6 / 84 / 13

HEX #DFD223

RGB 223 210 35

HSL 55.85, 0.75%, 0.51%

LAB 82.86, -12.57, 78.15

 

CMYK 84 / 0 / 49 / 12

HEX #24E072

RGB 36 224 114

HSL 144.89, 0.75%, 0.51%

LAB 78.98, -67.4, 41.44

 

CMYK 84 / 77 / 0 / 12

HEX #2434E0

RGB 36 52 224

HSL 234.89, 0.75%, 0.51%

LAB 34.42, 55.3, -86.74

 

CMYK 0 / 84 / 35 / 12

HEX #E02492

RGB 224 36 146

HSL 324.89, 0.75%, 0.51%

LAB 50.9, 75.26, -13.29

 

Description

Color code: HEX #DFD223 | qconv.com Color code: HEX #DFD223 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 210 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 210 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 84 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 84% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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