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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 224 36 it is the complementary color RGB 66 31 219. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 224 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 224 36 shade: RGB 194 224 31, RGB 211 242 50, RGB 228 255 69, RGB 245 255 88 and RGB 255 255 107

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 224 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 224 36 shade: RGB 189 224 36, RGB 172 206 17, RGB 155 188 0, RGB 138 170 0 and RGB 121 152 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 224 36 shade: RGB 189 224 36, RGB 224 208 36, RGB 224 158 36, RGB 224 107 36 and RGB 224 56 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 224 36 shade: RGB 189 224 36, RGB 138 224 36, RGB 88 224 36, RGB 37 224 36 and RGB 36 224 86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 224 36 shade matches the following richer shades: RGB 189 224 36 and RGB 202 244 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 224 36 shade: RGB 189 224 36, RGB 176 204 57, RGB 163 183 77, RGB 151 163 97 and RGB 138 143 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 224 36 shade: RGB 224 158 36, RGB 224 208 36, RGB 189 224 36, RGB 139 224 36 and RGB 89 224 36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 224 36 shade: RGB 131 155 22, RGB 161 191 27, RGB 189 224 36, RGB 200 229 72 and RGB 211 234 109

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 224 36 shade: RGB 189 224 36, RGB 36 224 108 and RGB 183 36 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 224 36 shade: RGB 189 224 36, RGB 36 189 224 and RGB 224 36 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 224 36 shade: RGB 189 224 36, RGB 36 224 108, RGB 71 36 224 and RGB 224 36 152

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 224 36 shade: RGB 189 224 36, RGB 36 224 164, RGB 71 36 224 and RGB 224 36 96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 84 / 12

HEX #BDE024

RGB 189 224 36

HSL 71.17, 0.75%, 0.51%

LAB 84.1, -33.4, 77.93

 

Complementary color

CMYK 70 / 86 / 0 / 14

HEX #421FDB

RGB 66 31 219

HSL 251.17, 0.75%, 0.49%

LAB 32.38, 64.79, -87.21

 

CMYK 13 / 0 / 86 / 12

HEX #C2E01F

RGB 194 224 31

HSL 69.33, 0.76%, 0.5%

LAB 84.42, -31.52, 79.35

 

CMYK 13 / 0 / 79 / 5

HEX #D3F232

RGB 211 242 50

HSL 69.69, 0.88%, 0.57%

LAB 90.59, -32.45, 80.77

 

CMYK 11 / 0 / 73 / 0

HEX #E4FF45

RGB 228 255 69

HSL 68.71, 1%, 0.64%

LAB 95.35, -30.94, 80.07

 

CMYK 4 / 0 / 65 / 0

HEX #F5FF58

RGB 245 255 88

HSL 63.59, 1%, 0.67%

LAB 96.67, -23.25, 75.22

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6B

RGB 255 255 107

HSL 60, 1%, 0.71%

LAB 97.57, -18.11, 68.89

 

CMYK 16 / 0 / 84 / 12

HEX #BDE024

RGB 189 224 36

HSL 71.17, 0.75%, 0.51%

LAB 84.1, -33.4, 77.93

 

CMYK 17 / 0 / 92 / 19

HEX #ACCE11

RGB 172 206 17

HSL 70.79, 0.85%, 0.44%

LAB 77.85, -32.38, 75.71

 

CMYK 18 / 0 / 100 / 26

HEX #9BBC00

RGB 155 188 0

HSL 70.53, 1%, 0.37%

LAB 71.51, -31.18, 72.21

 

CMYK 19 / 0 / 100 / 33

HEX #8AAA00

RGB 138 170 0

HSL 71.29, 1%, 0.33%

LAB 65.08, -29.76, 66.86

 

CMYK 20 / 0 / 100 / 40

HEX #799800

RGB 121 152 0

HSL 72.24, 1%, 0.3%

LAB 58.53, -28.31, 61.4

 

CMYK 16 / 0 / 84 / 12

HEX #BDE024

RGB 189 224 36

HSL 71.17, 0.75%, 0.51%

LAB 84.1, -33.4, 77.93

 

CMYK 0 / 7 / 84 / 12

HEX #E0D024

RGB 224 208 36

HSL 54.89, 0.75%, 0.51%

LAB 82.43, -11.12, 77.59

 

CMYK 0 / 29 / 84 / 12

HEX #E09E24

RGB 224 158 36

HSL 38.94, 0.75%, 0.51%

LAB 69.77, 14.97, 67.04

 

CMYK 0 / 52 / 84 / 12

HEX #E06B24

RGB 224 107 36

HSL 22.66, 0.75%, 0.51%

LAB 58.5, 41.7, 57.46

 

CMYK 0 / 75 / 84 / 12

HEX #E03824

RGB 224 56 36

HSL 6.38, 0.75%, 0.51%

LAB 50.46, 63.09, 50.47

 

CMYK 16 / 0 / 84 / 12

HEX #BDE024

RGB 189 224 36

HSL 71.17, 0.75%, 0.51%

LAB 84.1, -33.4, 77.93

 

CMYK 38 / 0 / 84 / 12

HEX #8AE024

RGB 138 224 36

HSL 87.45, 0.75%, 0.51%

LAB 81.2, -52.41, 74.3

 

CMYK 61 / 0 / 84 / 12

HEX #58E024

RGB 88 224 36

HSL 103.4, 0.75%, 0.51%

LAB 79.34, -66.76, 71.93

 

CMYK 83 / 0 / 84 / 12

HEX #25E024

RGB 37 224 36

HSL 119.68, 0.75%, 0.51%

LAB 78.36, -75.09, 70.7

 

CMYK 84 / 0 / 62 / 12

HEX #24E056

RGB 36 224 86

HSL 135.96, 0.75%, 0.51%

LAB 78.67, -71.21, 53.94

 

CMYK 16 / 0 / 84 / 12

HEX #BDE024

RGB 189 224 36

HSL 71.17, 0.75%, 0.51%

LAB 84.1, -33.4, 77.93

 

CMYK 17 / 0 / 93 / 4

HEX #CAF410

RGB 202 244 16

HSL 71.05, 0.91%, 0.51%

LAB 90.46, -37.71, 86.56

 

CMYK 16 / 0 / 84 / 12

HEX #BDE024

RGB 189 224 36

HSL 71.17, 0.75%, 0.51%

LAB 84.1, -33.4, 77.93

 

CMYK 14 / 0 / 72 / 20

HEX #B0CC39

RGB 176 204 57

HSL 71.43, 0.59%, 0.51%

LAB 77.7, -28.47, 65.87

 

CMYK 11 / 0 / 58 / 28

HEX #A3B74D

RGB 163 183 77

HSL 71.32, 0.42%, 0.51%

LAB 71, -22.25, 50.51

 

CMYK 7 / 0 / 40 / 36

HEX #97A361

RGB 151 163 97

HSL 70.91, 0.26%, 0.51%

LAB 64.67, -14.97, 32.84

 

CMYK 3 / 0 / 18 / 44

HEX #8A8F75

RGB 138 143 117

HSL 71.54, 0.1%, 0.51%

LAB 58.35, -6.6, 13.24

 

CMYK 0 / 29 / 84 / 12

HEX #E09E24

RGB 224 158 36

HSL 38.94, 0.75%, 0.51%

LAB 69.77, 14.97, 67.04

 

CMYK 0 / 7 / 84 / 12

HEX #E0D024

RGB 224 208 36

HSL 54.89, 0.75%, 0.51%

LAB 82.43, -11.12, 77.59

 

CMYK 16 / 0 / 84 / 12

HEX #BDE024

RGB 189 224 36

HSL 71.17, 0.75%, 0.51%

LAB 84.1, -33.4, 77.93

 

CMYK 38 / 0 / 84 / 12

HEX #8BE024

RGB 139 224 36

HSL 87.13, 0.75%, 0.51%

LAB 81.25, -52.07, 74.36

 

CMYK 60 / 0 / 84 / 12

HEX #59E024

RGB 89 224 36

HSL 103.09, 0.75%, 0.51%

LAB 79.36, -66.53, 71.97

 

CMYK 15 / 0 / 86 / 39

HEX #839B16

RGB 131 155 22

HSL 70.83, 0.75%, 0.35%

LAB 60.18, -25.02, 59.22

 

CMYK 16 / 0 / 86 / 25

HEX #A1BF1B

RGB 161 191 27

HSL 70.98, 0.75%, 0.43%

LAB 72.84, -29.64, 69.61

 

CMYK 16 / 0 / 84 / 12

HEX #BDE024

RGB 189 224 36

HSL 71.17, 0.75%, 0.51%

LAB 84.1, -33.4, 77.93

 

CMYK 13 / 0 / 69 / 10

HEX #C8E548

RGB 200 229 72

HSL 71.08, 0.75%, 0.59%

LAB 86.4, -29.8, 69.67

 

CMYK 10 / 0 / 53 / 8

HEX #D3EA6D

RGB 211 234 109

HSL 71.04, 0.75%, 0.67%

LAB 88.83, -25.21, 57.3

 

CMYK 16 / 0 / 84 / 12

HEX #BDE024

RGB 189 224 36

HSL 71.17, 0.75%, 0.51%

LAB 84.1, -33.4, 77.93

 

CMYK 84 / 0 / 52 / 12

HEX #24E06C

RGB 36 224 108

HSL 142.98, 0.75%, 0.51%

LAB 78.91, -68.31, 44.23

 

CMYK 18 / 84 / 0 / 12

HEX #B724E0

RGB 183 36 224

HSL 286.91, 0.75%, 0.51%

LAB 47.89, 78.18, -64.06

 

CMYK 16 / 0 / 84 / 12

HEX #BDE024

RGB 189 224 36

HSL 71.17, 0.75%, 0.51%

LAB 84.1, -33.4, 77.93

 

CMYK 84 / 16 / 0 / 12

HEX #24BDE0

RGB 36 189 224

HSL 191.17, 0.75%, 0.51%

LAB 70.98, -25.69, -28.19

 

CMYK 0 / 84 / 16 / 12

HEX #E024BD

RGB 224 36 189

HSL 311.17, 0.75%, 0.51%

LAB 52.71, 80.25, -35.85

 

CMYK 16 / 0 / 84 / 12

HEX #BDE024

RGB 189 224 36

HSL 71.17, 0.75%, 0.51%

LAB 84.1, -33.4, 77.93

 

CMYK 84 / 0 / 52 / 12

HEX #24E06C

RGB 36 224 108

HSL 142.98, 0.75%, 0.51%

LAB 78.91, -68.31, 44.23

 

CMYK 68 / 84 / 0 / 12

HEX #4724E0

RGB 71 36 224

HSL 251.17, 0.75%, 0.51%

LAB 33.95, 64.66, -87.46

 

CMYK 0 / 84 / 32 / 12

HEX #E02498

RGB 224 36 152

HSL 322.98, 0.75%, 0.51%

LAB 51.12, 75.88, -16.54

 

CMYK 16 / 0 / 84 / 12

HEX #BDE024

RGB 189 224 36

HSL 71.17, 0.75%, 0.51%

LAB 84.1, -33.4, 77.93

 

CMYK 84 / 0 / 27 / 12

HEX #24E0A4

RGB 36 224 164

HSL 160.85, 0.75%, 0.51%

LAB 79.82, -57.8, 17.12

 

CMYK 68 / 84 / 0 / 12

HEX #4724E0

RGB 71 36 224

HSL 251.17, 0.75%, 0.51%

LAB 33.95, 64.66, -87.46

 

CMYK 0 / 84 / 57 / 12

HEX #E02460

RGB 224 36 96

HSL 340.85, 0.75%, 0.51%

LAB 49.44, 71.06, 14.94

 

Description

Color code: RGB 189 224 36 | qconv.com Color code: RGB 189 224 36 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 224 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 224 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 84 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 84% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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