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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFCCF0 it is the complementary color #20330F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFCCF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFCCF0 shade: #E4CCEB, #F5DEFE, #FFF0FF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFCCF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFCCF0 shade: #DFCCF0, #CEBADD, #BDA8CA, #AC96B7 and #9B84A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFCCF0 shade: #DFCCF0, #E9CCF0, #F0CCEE, #F0CCE4 and #F0CCDA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFCCF0 shade: #DFCCF0, #D5CCF0 and #CCCCF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFCCF0 shade matches the following richer shades: #DFCCF0, #DFC6F5 and #DFC1FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFCCF0 shade: #DFCCF0, #DFD1EB, #DED6E5, #DEDCE0 and #DEE1DB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFCCF0 shade: #CCCCF0, #D5CCF0, #DECCF0, #E8CCF0 and #F0CCEE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFCCF0 shade: #B78CDE, #CBACE7, #DFCCF0, #F3ECF9 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFCCF0 shade: #DFCCF0, #F0CCD6 and #CCF0D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFCCF0 shade: #DFCCF0, #F0DECC and #CCF0DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFCCF0 shade: #DFCCF0, #F0CCD6, #DDF0CC and #CCF0E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFCCF0 shade: #DFCCF0, #F0CCCC, #DDF0CC and #CCEFF0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 15 / 0 / 6

HEX #DFCCF0

RGB 223 204 240

HSL 271.67, 0.55%, 0.87%

LAB 84.57, 13.16, -15.3

 

Complementary color

CMYK 37 / 0 / 71 / 80

HEX #20330F

RGB 32 51 15

HSL 91.67, 0.55%, 0.13%

LAB 18.84, -15.29, 19.94

 

CMYK 3 / 13 / 0 / 8

HEX #E4CCEB

RGB 228 204 235

HSL 286.45, 0.44%, 0.86%

LAB 84.83, 13.85, -12.21

 

CMYK 4 / 13 / 0 / 0

HEX #F5DEFE

RGB 245 222 254

HSL 283.13, 0.94%, 0.93%

LAB 91.15, 13.49, -12.65

 

CMYK 0 / 6 / 0 / 0

HEX #FFF0FF

RGB 255 240 255

HSL 300, 1%, 0.97%

LAB 96.33, 7.63, -5.4

 

CMYK 7 / 15 / 0 / 6

HEX #DFCCF0

RGB 223 204 240

HSL 271.67, 0.55%, 0.87%

LAB 84.57, 13.16, -15.3

 

CMYK 7 / 16 / 0 / 13

HEX #CEBADD

RGB 206 186 221

HSL 274.29, 0.34%, 0.8%

LAB 78.15, 13.52, -14.91

 

CMYK 6 / 17 / 0 / 21

HEX #BDA8CA

RGB 189 168 202

HSL 277.06, 0.24%, 0.73%

LAB 71.61, 13.91, -14.52

 

CMYK 6 / 18 / 0 / 28

HEX #AC96B7

RGB 172 150 183

HSL 280, 0.19%, 0.65%

LAB 64.96, 14.34, -14.13

 

CMYK 5 / 20 / 0 / 36

HEX #9B84A4

RGB 155 132 164

HSL 283.13, 0.15%, 0.58%

LAB 58.18, 14.8, -13.74

 

CMYK 7 / 15 / 0 / 6

HEX #DFCCF0

RGB 223 204 240

HSL 271.67, 0.55%, 0.87%

LAB 84.57, 13.16, -15.3

 

CMYK 3 / 15 / 0 / 6

HEX #E9CCF0

RGB 233 204 240

HSL 288.33, 0.55%, 0.87%

LAB 85.4, 16.43, -13.97

 

CMYK 0 / 15 / 1 / 6

HEX #F0CCEE

RGB 240 204 238

HSL 303.33, 0.55%, 0.87%

LAB 85.95, 18.38, -12.03

 

CMYK 0 / 15 / 5 / 6

HEX #F0CCE4

RGB 240 204 228

HSL 320, 0.55%, 0.87%

LAB 85.66, 16.61, -7.14

 

CMYK 0 / 15 / 9 / 6

HEX #F0CCDA

RGB 240 204 218

HSL 336.67, 0.55%, 0.87%

LAB 85.39, 14.9, -2.23

 

CMYK 7 / 15 / 0 / 6

HEX #DFCCF0

RGB 223 204 240

HSL 271.67, 0.55%, 0.87%

LAB 84.57, 13.16, -15.3

 

CMYK 11 / 15 / 0 / 6

HEX #D5CCF0

RGB 213 204 240

HSL 255, 0.55%, 0.87%

LAB 83.77, 9.94, -16.58

 

CMYK 15 / 15 / 0 / 6

HEX #CCCCF0

RGB 204 204 240

HSL 240, 0.55%, 0.87%

LAB 83.08, 7.08, -17.69

 

CMYK 7 / 15 / 0 / 6

HEX #DFCCF0

RGB 223 204 240

HSL 271.67, 0.55%, 0.87%

LAB 84.57, 13.16, -15.3

 

CMYK 9 / 19 / 0 / 4

HEX #DFC6F5

RGB 223 198 245

HSL 271.91, 0.7%, 0.87%

LAB 83.27, 17.35, -19.92

 

CMYK 11 / 23 / 0 / 2

HEX #DFC1FB

RGB 223 193 251

HSL 271.03, 0.88%, 0.87%

LAB 82.27, 21.23, -24.64

 

CMYK 7 / 15 / 0 / 6

HEX #DFCCF0

RGB 223 204 240

HSL 271.67, 0.55%, 0.87%

LAB 84.57, 13.16, -15.3

 

CMYK 5 / 11 / 0 / 8

HEX #DFD1EB

RGB 223 209 235

HSL 272.31, 0.39%, 0.87%

LAB 85.65, 9.55, -11.03

 

CMYK 3 / 7 / 0 / 10

HEX #DED6E5

RGB 222 214 229

HSL 272, 0.22%, 0.87%

LAB 86.64, 5.45, -6.39

 

CMYK 1 / 2 / 0 / 12

HEX #DEDCE0

RGB 222 220 224

HSL 270, 0.06%, 0.87%

LAB 88.02, 1.4, -1.73

 

CMYK 1 / 0 / 3 / 12

HEX #DEE1DB

RGB 222 225 219

HSL 90, 0.09%, 0.87%

LAB 89.16, -2.08, 2.57

 

CMYK 15 / 15 / 0 / 6

HEX #CCCCF0

RGB 204 204 240

HSL 240, 0.55%, 0.87%

LAB 83.08, 7.08, -17.69

 

CMYK 11 / 15 / 0 / 6

HEX #D5CCF0

RGB 213 204 240

HSL 255, 0.55%, 0.87%

LAB 83.77, 9.94, -16.58

 

CMYK 8 / 15 / 0 / 6

HEX #DECCF0

RGB 222 204 240

HSL 270, 0.55%, 0.87%

LAB 84.49, 12.84, -15.43

 

CMYK 3 / 15 / 0 / 6

HEX #E8CCF0

RGB 232 204 240

HSL 286.67, 0.55%, 0.87%

LAB 85.32, 16.1, -14.1

 

CMYK 0 / 15 / 1 / 6

HEX #F0CCEE

RGB 240 204 238

HSL 303.33, 0.55%, 0.87%

LAB 85.95, 18.38, -12.03

 

CMYK 18 / 37 / 0 / 13

HEX #B78CDE

RGB 183 140 222

HSL 271.46, 0.55%, 0.71%

LAB 65.04, 31.8, -35.7

 

CMYK 12 / 26 / 0 / 9

HEX #CBACE7

RGB 203 172 231

HSL 271.53, 0.55%, 0.79%

LAB 74.81, 22.21, -25.42

 

CMYK 7 / 15 / 0 / 6

HEX #DFCCF0

RGB 223 204 240

HSL 271.67, 0.55%, 0.87%

LAB 84.57, 13.16, -15.3

 

CMYK 2 / 5 / 0 / 2

HEX #F3ECF9

RGB 243 236 249

HSL 272.31, 0.52%, 0.95%

LAB 94.26, 4.66, -5.44

 

CMYK 7 / 15 / 0 / 6

HEX #DFCCF0

RGB 223 204 240

HSL 271.67, 0.55%, 0.87%

LAB 84.57, 13.16, -15.3

 

CMYK 0 / 15 / 11 / 6

HEX #F0CCD6

RGB 240 204 214

HSL 343.33, 0.55%, 0.87%

LAB 85.28, 14.24, -0.25

 

CMYK 15 / 0 / 13 / 6

HEX #CCF0D0

RGB 204 240 208

HSL 126.67, 0.55%, 0.87%

LAB 91.56, -17.62, 11.6

 

CMYK 7 / 15 / 0 / 6

HEX #DFCCF0

RGB 223 204 240

HSL 271.67, 0.55%, 0.87%

LAB 84.57, 13.16, -15.3

 

CMYK 0 / 8 / 15 / 6

HEX #F0DECC

RGB 240 222 204

HSL 30, 0.55%, 0.87%

LAB 89.45, 3.26, 11.04

 

CMYK 15 / 0 / 8 / 6

HEX #CCF0DE

RGB 204 240 222

HSL 150, 0.55%, 0.87%

LAB 91.88, -15.08, 4.79

 

CMYK 7 / 15 / 0 / 6

HEX #DFCCF0

RGB 223 204 240

HSL 271.67, 0.55%, 0.87%

LAB 84.57, 13.16, -15.3

 

CMYK 0 / 15 / 11 / 6

HEX #F0CCD6

RGB 240 204 214

HSL 343.33, 0.55%, 0.87%

LAB 85.28, 14.24, -0.25

 

CMYK 8 / 0 / 15 / 6

HEX #DDF0CC

RGB 221 240 204

HSL 91.67, 0.55%, 0.87%

LAB 92.6, -12.56, 15.3

 

CMYK 15 / 0 / 4 / 6

HEX #CCF0E6

RGB 204 240 230

HSL 163.33, 0.55%, 0.87%

LAB 92.07, -13.56, 0.91

 

CMYK 7 / 15 / 0 / 6

HEX #DFCCF0

RGB 223 204 240

HSL 271.67, 0.55%, 0.87%

LAB 84.57, 13.16, -15.3

 

CMYK 0 / 15 / 15 / 6

HEX #F0CCCC

RGB 240 204 204

HSL 0, 0.55%, 0.87%

LAB 85.03, 12.64, 4.7

 

CMYK 8 / 0 / 15 / 6

HEX #DDF0CC

RGB 221 240 204

HSL 91.67, 0.55%, 0.87%

LAB 92.6, -12.56, 15.3

 

CMYK 15 / 0 / 0 / 6

HEX #CCEFF0

RGB 204 239 240

HSL 181.67, 0.55%, 0.87%

LAB 92.07, -11.09, -4.3

 

Description

Color code: HEX #DFCCF0 | qconv.com Color code: HEX #DFCCF0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 204 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 204 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 15 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 15% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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