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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFCCC5 it is the complementary color #20333A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFCCC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFCCC5 shade: #E4CCC0, #F5DED3, #FFF0E6, #FFFFF9 and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFCCC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFCCC5 shade: #DFCCC5, #CEBAB2, #BDA89F, #AC968C and #9B8479

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFCCC5 shade: #DECBC4 and #DEC4C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFCCC5 shade: #DECBC4, #DED2C4, #DED9C4, #DCDEC4 and #D5DEC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFCCC5 shade matches the following richer shades: #DECBC4, #E6C8BC, #EDC4B5, #F5C1AE and #FCBDA6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFCCC5 shade: #DECBC4, #D7CECB, #D0D2D3, #C8D5DA and #C1D9E1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFCCC5 shade: #DEC4CB, #DEC4C4, #DECBC4, #DED2C4 and #DED9C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFCCC5 shade: #C19C8F, #D0B4A9, #DECBC4, #EDE2DE and #FCFAF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFCCC5 shade: #DFCCC5, #D2DEC4 and #C4C7DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFCCC5 shade: #DFCCC5, #C4DECB and #CBC4DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFCCC5 shade: #DFCCC5, #D2DEC4, #C4D7DE and #D0C4DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFCCC5 shade: #DFCCC5, #CADEC4, #C4D7DE and #D8C4DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 12 / 13

HEX #DFCCC5

RGB 223 204 197

HSL 16.15, 0.29%, 0.82%

LAB 83.39, 5.46, 5.87

 

Complementary color

CMYK 45 / 12 / 0 / 77

HEX #20333A

RGB 32 51 58

HSL 196.15, 0.29%, 0.18%

LAB 19.96, -5.47, -6.85

 

CMYK 0 / 11 / 16 / 11

HEX #E4CCC0

RGB 228 204 192

HSL 20, 0.4%, 0.82%

LAB 83.7, 6.46, 9.03

 

CMYK 0 / 9 / 14 / 4

HEX #F5DED3

RGB 245 222 211

HSL 19.41, 0.63%, 0.89%

LAB 90.03, 6.13, 8.25

 

CMYK 0 / 6 / 10 / 0

HEX #FFF0E6

RGB 255 240 230

HSL 24, 1%, 0.95%

LAB 95.7, 3.4, 6.63

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9

RGB 255 255 249

HSL 60, 1%, 0.99%

LAB 99.85, -1.03, 2.85

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 9 / 12 / 13

HEX #DFCCC5

RGB 223 204 197

HSL 16.15, 0.29%, 0.82%

LAB 83.39, 5.46, 5.87

 

CMYK 0 / 10 / 14 / 19

HEX #CEBAB2

RGB 206 186 178

HSL 17.14, 0.22%, 0.75%

LAB 76.95, 5.77, 6.62

 

CMYK 0 / 11 / 16 / 26

HEX #BDA89F

RGB 189 168 159

HSL 18, 0.19%, 0.68%

LAB 70.4, 6.11, 7.42

 

CMYK 0 / 13 / 19 / 33

HEX #AC968C

RGB 172 150 140

HSL 18.75, 0.16%, 0.61%

LAB 63.74, 6.5, 8.27

 

CMYK 0 / 15 / 22 / 39

HEX #9B8479

RGB 155 132 121

HSL 19.41, 0.15%, 0.54%

LAB 56.93, 6.94, 9.18

 

CMYK 0 / 9 / 12 / 13

HEX #DECBC4

RGB 222 203 196

HSL 16.15, 0.28%, 0.82%

LAB 83.03, 5.46, 5.88

 

CMYK 0 / 12 / 12 / 13

HEX #DEC4C4

RGB 222 196 196

HSL 0, 0.28%, 0.82%

LAB 81.29, 9.16, 3.35

 

CMYK 0 / 9 / 12 / 13

HEX #DECBC4

RGB 222 203 196

HSL 16.15, 0.28%, 0.82%

LAB 83.03, 5.46, 5.88

 

CMYK 0 / 5 / 12 / 13

HEX #DED2C4

RGB 222 210 196

HSL 32.31, 0.28%, 0.82%

LAB 84.8, 1.79, 8.41

 

CMYK 0 / 2 / 12 / 13

HEX #DED9C4

RGB 222 217 196

HSL 48.46, 0.28%, 0.82%

LAB 86.57, -1.84, 10.95

 

CMYK 1 / 0 / 12 / 13

HEX #DCDEC4

RGB 220 222 196

HSL 64.62, 0.28%, 0.82%

LAB 87.7, -5.12, 12.53

 

CMYK 4 / 0 / 12 / 13

HEX #D5DEC4

RGB 213 222 196

HSL 80.77, 0.28%, 0.82%

LAB 87.18, -7.58, 11.72

 

CMYK 0 / 9 / 12 / 13

HEX #DECBC4

RGB 222 203 196

HSL 16.15, 0.28%, 0.82%

LAB 83.03, 5.46, 5.88

 

CMYK 0 / 13 / 18 / 10

HEX #E6C8BC

RGB 230 200 188

HSL 17.14, 0.46%, 0.82%

LAB 82.79, 8.67, 9.88

 

CMYK 0 / 17 / 24 / 7

HEX #EDC4B5

RGB 237 196 181

HSL 16.07, 0.61%, 0.82%

LAB 82.28, 12.33, 12.99

 

CMYK 0 / 21 / 29 / 4

HEX #F5C1AE

RGB 245 193 174

HSL 16.06, 0.78%, 0.82%

LAB 82.17, 15.94, 16.67

 

CMYK 0 / 25 / 34 / 1

HEX #FCBDA6

RGB 252 189 166

HSL 16.05, 0.93%, 0.82%

LAB 81.75, 19.67, 20.46

 

CMYK 0 / 9 / 12 / 13

HEX #DECBC4

RGB 222 203 196

HSL 16.15, 0.28%, 0.82%

LAB 83.03, 5.46, 5.88

 

CMYK 0 / 4 / 6 / 16

HEX #D7CECB

RGB 215 206 203

HSL 15, 0.13%, 0.82%

LAB 83.39, 2.59, 2.59

 

CMYK 1 / 0 / 0 / 17

HEX #D0D2D3

RGB 208 210 211

HSL 200, 0.03%, 0.82%

LAB 84.07, -0.49, -0.74

 

CMYK 8 / 2 / 0 / 15

HEX #C8D5DA

RGB 200 213 218

HSL 196.67, 0.2%, 0.82%

LAB 84.45, -3.41, -3.98

 

CMYK 14 / 4 / 0 / 12

HEX #C1D9E1

RGB 193 217 225

HSL 195, 0.35%, 0.82%

LAB 85.2, -6.35, -6.64

 

CMYK 0 / 12 / 9 / 13

HEX #DEC4CB

RGB 222 196 203

HSL 343.85, 0.28%, 0.82%

LAB 81.47, 10.33, -0.14

 

CMYK 0 / 12 / 12 / 13

HEX #DEC4C4

RGB 222 196 196

HSL 0, 0.28%, 0.82%

LAB 81.29, 9.16, 3.35

 

CMYK 0 / 9 / 12 / 13

HEX #DECBC4

RGB 222 203 196

HSL 16.15, 0.28%, 0.82%

LAB 83.03, 5.46, 5.88

 

CMYK 0 / 5 / 12 / 13

HEX #DED2C4

RGB 222 210 196

HSL 32.31, 0.28%, 0.82%

LAB 84.8, 1.79, 8.41

 

CMYK 0 / 2 / 12 / 13

HEX #DED9C4

RGB 222 217 196

HSL 48.46, 0.28%, 0.82%

LAB 86.57, -1.84, 10.95

 

CMYK 0 / 19 / 26 / 24

HEX #C19C8F

RGB 193 156 143

HSL 15.6, 0.29%, 0.66%

LAB 67.35, 11.76, 11.99

 

CMYK 0 / 13 / 19 / 18

HEX #D0B4A9

RGB 208 180 169

HSL 16.92, 0.29%, 0.74%

LAB 75.4, 8.3, 9.31

 

CMYK 0 / 9 / 12 / 13

HEX #DECBC4

RGB 222 203 196

HSL 16.15, 0.28%, 0.82%

LAB 83.03, 5.46, 5.88

 

CMYK 0 / 5 / 6 / 7

HEX #EDE2DE

RGB 237 226 222

HSL 16, 0.29%, 0.9%

LAB 90.63, 3.06, 3.28

 

CMYK 0 / 1 / 1 / 1

HEX #FCFAF9

RGB 252 250 249

HSL 20, 0.33%, 0.98%

LAB 98.39, 0.49, 0.7

 

CMYK 0 / 9 / 12 / 13

HEX #DFCCC5

RGB 223 204 197

HSL 16.15, 0.29%, 0.82%

LAB 83.39, 5.46, 5.87

 

CMYK 5 / 0 / 12 / 13

HEX #D2DEC4

RGB 210 222 196

HSL 87.69, 0.28%, 0.82%

LAB 86.96, -8.63, 11.38

 

CMYK 12 / 10 / 0 / 13

HEX #C4C7DE

RGB 196 199 222

HSL 233.08, 0.28%, 0.82%

LAB 80.66, 3.46, -11.77

 

CMYK 0 / 9 / 12 / 13

HEX #DFCCC5

RGB 223 204 197

HSL 16.15, 0.29%, 0.82%

LAB 83.39, 5.46, 5.87

 

CMYK 12 / 0 / 9 / 13

HEX #C4DECB

RGB 196 222 203

HSL 136.15, 0.28%, 0.82%

LAB 86.15, -12.19, 6.4

 

CMYK 9 / 12 / 0 / 13

HEX #CBC4DE

RGB 203 196 222

HSL 256.15, 0.28%, 0.82%

LAB 80.43, 7.35, -12.05

 

CMYK 0 / 9 / 12 / 13

HEX #DFCCC5

RGB 223 204 197

HSL 16.15, 0.29%, 0.82%

LAB 83.39, 5.46, 5.87

 

CMYK 5 / 0 / 12 / 13

HEX #D2DEC4

RGB 210 222 196

HSL 87.69, 0.28%, 0.82%

LAB 86.96, -8.63, 11.38

 

CMYK 12 / 3 / 0 / 13

HEX #C4D7DE

RGB 196 215 222

HSL 196.15, 0.28%, 0.82%

LAB 84.8, -4.96, -5.62

 

CMYK 6 / 12 / 0 / 13

HEX #D0C4DE

RGB 208 196 222

HSL 267.69, 0.28%, 0.82%

LAB 80.83, 9, -11.41

 

CMYK 0 / 9 / 12 / 13

HEX #DFCCC5

RGB 223 204 197

HSL 16.15, 0.29%, 0.82%

LAB 83.39, 5.46, 5.87

 

CMYK 9 / 0 / 12 / 13

HEX #CADEC4

RGB 202 222 196

HSL 106.15, 0.28%, 0.82%

LAB 86.4, -11.4, 10.5

 

CMYK 12 / 3 / 0 / 13

HEX #C4D7DE

RGB 196 215 222

HSL 196.15, 0.28%, 0.82%

LAB 84.8, -4.96, -5.62

 

CMYK 3 / 12 / 0 / 13

HEX #D8C4DE

RGB 216 196 222

HSL 286.15, 0.28%, 0.82%

LAB 81.49, 11.67, -10.37

 

Description

Color code: HEX #DFCCC5 | qconv.com Color code: HEX #DFCCC5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 204 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 204 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 12 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 12% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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