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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF94C0 it is the complementary color #206B3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF94C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF94C0 shade: #E494BB, #F5A6CE, #FFB8E1, #FFCAF4 and #FFDCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF94C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF94C0 shade: #DF94C0, #CE82AD, #BD709A, #AC5E87 and #9B4C74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF94C0 shade: #DF95C1, #DF95AD, #DF9598 and #DF9595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF94C0 shade: #DF95C1, #DF95D5, #D695DF, #C295DF and #AE95DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF94C0 shade matches the following richer shades: #DF95C1, #EA8AC3 and #F67FC4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF94C0 shade: #DF95C1, #D4A0BF, #C9ABBD, #BEB6BB and #B3C2B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF94C0 shade: #D595DF, #DF95D5, #DF95C2, #DF95AE and #DF959A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF94C0 shade: #CC559B, #D675AE, #DF95C1, #E9B5D3 and #F2D5E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF94C0 shade: #DF94C0, #DFC295 and #95DFDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF94C0 shade: #DF94C0, #C2DF95 and #95C2DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF94C0 shade: #DF94C0, #DFC295, #95DFB3 and #95B3DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF94C0 shade: #DF94C0, #DFD895, #95DFB3 and #959CDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 14 / 13

HEX #DF94C0

RGB 223 148 192

HSL 324.8, 0.54%, 0.73%

LAB 69.95, 34.6, -11.15

 

Complementary color

CMYK 70 / 0 / 41 / 58

HEX #206B3F

RGB 32 107 63

HSL 144.8, 0.54%, 0.27%

LAB 39.88, -33.82, 18.17

 

CMYK 0 / 35 / 18 / 11

HEX #E494BB

RGB 228 148 187

HSL 330.75, 0.6%, 0.74%

LAB 70.36, 35.53, -7.7

 

CMYK 0 / 32 / 16 / 4

HEX #F5A6CE

RGB 245 166 206

HSL 329.62, 0.8%, 0.81%

LAB 76.76, 34.79, -8.44

 

CMYK 0 / 28 / 12 / 0

HEX #FFB8E1

RGB 255 184 225

HSL 325.35, 1%, 0.86%

LAB 82.37, 31.74, -10.28

 

CMYK 0 / 21 / 4 / 0

HEX #FFCAF4

RGB 255 202 244

HSL 312.45, 1%, 0.9%

LAB 87.01, 25.47, -13.47

 

CMYK 0 / 14 / 0 / 0

HEX #FFDCFF

RGB 255 220 255

HSL 300, 1%, 0.93%

LAB 91.53, 17.99, -12.51

 

CMYK 0 / 34 / 14 / 13

HEX #DF94C0

RGB 223 148 192

HSL 324.8, 0.54%, 0.73%

LAB 69.95, 34.6, -11.15

 

CMYK 0 / 37 / 16 / 19

HEX #CE82AD

RGB 206 130 173

HSL 326.05, 0.44%, 0.66%

LAB 63.43, 35.36, -10.44

 

CMYK 0 / 41 / 19 / 26

HEX #BD709A

RGB 189 112 154

HSL 327.27, 0.37%, 0.59%

LAB 56.82, 36.16, -9.64

 

CMYK 0 / 45 / 22 / 33

HEX #AC5E87

RGB 172 94 135

HSL 328.46, 0.32%, 0.52%

LAB 50.13, 36.98, -8.72

 

CMYK 0 / 51 / 25 / 39

HEX #9B4C74

RGB 155 76 116

HSL 329.62, 0.34%, 0.45%

LAB 43.36, 37.8, -7.62

 

CMYK 0 / 33 / 13 / 13

HEX #DF95C1

RGB 223 149 193

HSL 324.32, 0.54%, 0.73%

LAB 70.2, 34.23, -11.33

 

CMYK 0 / 33 / 22 / 13

HEX #DF95AD

RGB 223 149 173

HSL 340.54, 0.54%, 0.73%

LAB 69.61, 31.14, -1.07

 

CMYK 0 / 33 / 32 / 13

HEX #DF9598

RGB 223 149 152

HSL 357.57, 0.54%, 0.73%

LAB 69.08, 28.25, 9.87

 

CMYK 0 / 33 / 33 / 13

HEX #DF9595

RGB 223 149 149

HSL 0, 0.54%, 0.73%

LAB 69.01, 27.87, 11.45

 

CMYK 0 / 33 / 13 / 13

HEX #DF95C1

RGB 223 149 193

HSL 324.32, 0.54%, 0.73%

LAB 70.2, 34.23, -11.33

 

CMYK 0 / 33 / 4 / 13

HEX #DF95D5

RGB 223 149 213

HSL 308.11, 0.54%, 0.73%

LAB 70.86, 37.63, -21.4

 

CMYK 4 / 33 / 0 / 13

HEX #D695DF

RGB 214 149 223

HSL 292.7, 0.54%, 0.73%

LAB 70.26, 36.6, -27.92

 

CMYK 13 / 33 / 0 / 13

HEX #C295DF

RGB 194 149 223

HSL 276.49, 0.54%, 0.73%

LAB 68.24, 30.37, -31.21

 

CMYK 22 / 33 / 0 / 13

HEX #AE95DF

RGB 174 149 223

HSL 260.27, 0.54%, 0.73%

LAB 66.38, 24.29, -34.23

 

CMYK 0 / 33 / 13 / 13

HEX #DF95C1

RGB 223 149 193

HSL 324.32, 0.54%, 0.73%

LAB 70.2, 34.23, -11.33

 

CMYK 0 / 41 / 17 / 8

HEX #EA8AC3

RGB 234 138 195

HSL 324.38, 0.7%, 0.73%

LAB 69.19, 44.01, -13.83

 

CMYK 0 / 48 / 20 / 4

HEX #F67FC4

RGB 246 127 196

HSL 325.21, 0.87%, 0.73%

LAB 68.57, 53.52, -15.16

 

CMYK 0 / 33 / 13 / 13

HEX #DF95C1

RGB 223 149 193

HSL 324.32, 0.54%, 0.73%

LAB 70.2, 34.23, -11.33

 

CMYK 0 / 25 / 10 / 17

HEX #D4A0BF

RGB 212 160 191

HSL 324.23, 0.38%, 0.73%

LAB 71.49, 24.16, -8.42

 

CMYK 0 / 15 / 6 / 21

HEX #C9ABBD

RGB 201 171 189

HSL 324, 0.22%, 0.73%

LAB 73.03, 13.95, -5.14

 

CMYK 0 / 4 / 2 / 25

HEX #BEB6BB

RGB 190 182 187

HSL 322.5, 0.06%, 0.73%

LAB 74.82, 3.74, -1.53

 

CMYK 8 / 0 / 5 / 24

HEX #B3C2B9

RGB 179 194 185

HSL 144, 0.11%, 0.73%

LAB 77.08, -6.85, 2.75

 

CMYK 4 / 33 / 0 / 13

HEX #D595DF

RGB 213 149 223

HSL 291.89, 0.54%, 0.73%

LAB 70.15, 36.29, -28.09

 

CMYK 0 / 33 / 4 / 13

HEX #DF95D5

RGB 223 149 213

HSL 308.11, 0.54%, 0.73%

LAB 70.86, 37.63, -21.4

 

CMYK 0 / 33 / 13 / 13

HEX #DF95C2

RGB 223 149 194

HSL 323.51, 0.54%, 0.73%

LAB 70.23, 34.4, -11.84

 

CMYK 0 / 33 / 22 / 13

HEX #DF95AE

RGB 223 149 174

HSL 339.73, 0.54%, 0.73%

LAB 69.64, 31.29, -1.58

 

CMYK 0 / 33 / 31 / 13

HEX #DF959A

RGB 223 149 154

HSL 355.95, 0.54%, 0.73%

LAB 69.12, 28.51, 8.83

 

CMYK 0 / 58 / 24 / 20

HEX #CC559B

RGB 204 85 155

HSL 324.71, 0.54%, 0.57%

LAB 53.71, 54.7, -14.7

 

CMYK 0 / 45 / 19 / 16

HEX #D675AE

RGB 214 117 174

HSL 324.74, 0.54%, 0.65%

LAB 61.72, 45.03, -13.47

 

CMYK 0 / 33 / 13 / 13

HEX #DF95C1

RGB 223 149 193

HSL 324.32, 0.54%, 0.73%

LAB 70.2, 34.23, -11.33

 

CMYK 0 / 22 / 9 / 9

HEX #E9B5D3

RGB 233 181 211

HSL 325.38, 0.54%, 0.81%

LAB 79.08, 23.52, -7.85

 

CMYK 0 / 12 / 5 / 5

HEX #F2D5E6

RGB 242 213 230

HSL 324.83, 0.53%, 0.89%

LAB 88.05, 12.9, -4.65

 

CMYK 0 / 34 / 14 / 13

HEX #DF94C0

RGB 223 148 192

HSL 324.8, 0.54%, 0.73%

LAB 69.95, 34.6, -11.15

 

CMYK 0 / 13 / 33 / 13

HEX #DFC295

RGB 223 194 149

HSL 36.49, 0.54%, 0.73%

LAB 79.86, 3.82, 26.45

 

CMYK 33 / 0 / 0 / 13

HEX #95DFDF

RGB 149 223 223

HSL 180, 0.54%, 0.73%

LAB 84.22, -22.79, -7.31

 

CMYK 0 / 34 / 14 / 13

HEX #DF94C0

RGB 223 148 192

HSL 324.8, 0.54%, 0.73%

LAB 69.95, 34.6, -11.15

 

CMYK 13 / 0 / 33 / 13

HEX #C2DF95

RGB 194 223 149

HSL 83.51, 0.54%, 0.73%

LAB 85.21, -21.97, 33.19

 

CMYK 33 / 13 / 0 / 13

HEX #95C2DF

RGB 149 194 223

HSL 203.51, 0.54%, 0.73%

LAB 76.25, -7.93, -19.24

 

CMYK 0 / 34 / 14 / 13

HEX #DF94C0

RGB 223 148 192

HSL 324.8, 0.54%, 0.73%

LAB 69.95, 34.6, -11.15

 

CMYK 0 / 13 / 33 / 13

HEX #DFC295

RGB 223 194 149

HSL 36.49, 0.54%, 0.73%

LAB 79.86, 3.82, 26.45

 

CMYK 33 / 0 / 20 / 13

HEX #95DFB3

RGB 149 223 179

HSL 144.32, 0.54%, 0.73%

LAB 83.14, -32.15, 14.37

 

CMYK 33 / 20 / 0 / 13

HEX #95B3DF

RGB 149 179 223

HSL 215.68, 0.54%, 0.73%

LAB 72.2, 0.16, -25.41

 

CMYK 0 / 34 / 14 / 13

HEX #DF94C0

RGB 223 148 192

HSL 324.8, 0.54%, 0.73%

LAB 69.95, 34.6, -11.15

 

CMYK 0 / 3 / 33 / 13

HEX #DFD895

RGB 223 216 149

HSL 54.32, 0.54%, 0.73%

LAB 85.49, -7.55, 33.95

 

CMYK 33 / 0 / 20 / 13

HEX #95DFB3

RGB 149 223 179

HSL 144.32, 0.54%, 0.73%

LAB 83.14, -32.15, 14.37

 

CMYK 33 / 30 / 0 / 13

HEX #959CDF

RGB 149 156 223

HSL 234.32, 0.54%, 0.73%

LAB 66.13, 13.04, -34.77

 

Description

Color code: HEX #DF94C0 | qconv.com Color code: HEX #DF94C0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 148 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 148 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 14 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 14% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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