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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 223 149 174 it is the complementary color RGB 32 106 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 223 149 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 223 149 174 shade: RGB 228 149 169, RGB 245 167 188, RGB 255 185 207, RGB 255 203 226 and RGB 255 221 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 223 149 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 223 149 174 shade: RGB 223 149 174, RGB 206 131 155, RGB 189 113 136, RGB 172 95 117 and RGB 155 77 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 223 149 174 shade: RGB 223 149 174, RGB 223 149 154 and RGB 223 149 149

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 223 149 174 shade: RGB 223 149 174, RGB 223 149 194, RGB 223 149 214, RGB 212 149 223 and RGB 192 149 223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 223 149 174 shade matches the following richer shades: RGB 223 149 174, RGB 234 138 170 and RGB 246 127 167

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 223 149 174 shade: RGB 223 149 174, RGB 212 160 178, RGB 201 171 181, RGB 190 182 185 and RGB 179 194 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 223 149 174 shade: RGB 223 149 215, RGB 223 149 195, RGB 223 149 175, RGB 223 149 155 and RGB 223 163 149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 223 149 174 shade: RGB 204 85 126, RGB 214 117 150, RGB 223 149 174, RGB 233 181 198 and RGB 242 213 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 223 149 174 shade: RGB 223 149 174, RGB 223 212 149 and RGB 149 205 223

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 223 149 174 shade: RGB 223 149 174, RGB 175 223 149 and RGB 149 175 223

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 223 149 174 shade: RGB 223 149 174, RGB 223 212 149, RGB 149 223 197 and RGB 149 160 223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 223 149 174 shade: RGB 223 149 174, RGB 212 223 149, RGB 149 223 197 and RGB 160 149 223

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 22 / 13

HEX #DF95AE

RGB 223 149 174

HSL 339.73, 0.54%, 0.73%

LAB 69.64, 31.29, -1.58

 

Complementary color

CMYK 70 / 0 / 24 / 58

HEX #206A51

RGB 32 106 81

HSL 159.73, 0.54%, 0.27%

LAB 39.93, -29.18, 7.52

 

CMYK 0 / 35 / 26 / 11

HEX #E495A9

RGB 228 149 169

HSL 344.81, 0.59%, 0.74%

LAB 70.07, 32.36, 1.9

 

CMYK 0 / 32 / 23 / 4

HEX #F5A7BC

RGB 245 167 188

HSL 343.85, 0.8%, 0.81%

LAB 76.49, 31.59, 0.98

 

CMYK 0 / 27 / 19 / 0

HEX #FFB9CF

RGB 255 185 207

HSL 341.14, 1%, 0.86%

LAB 82.09, 28.42, -1.01

 

CMYK 0 / 20 / 11 / 0

HEX #FFCBE2

RGB 255 203 226

HSL 333.46, 1%, 0.9%

LAB 86.73, 21.93, -4.34

 

CMYK 0 / 13 / 4 / 0

HEX #FFDDF5

RGB 255 221 245

HSL 317.65, 1%, 0.93%

LAB 91.49, 15.7, -7.34

 

CMYK 0 / 33 / 22 / 13

HEX #DF95AE

RGB 223 149 174

HSL 339.73, 0.54%, 0.73%

LAB 69.64, 31.29, -1.58

 

CMYK 0 / 36 / 25 / 19

HEX #CE839B

RGB 206 131 155

HSL 340.8, 0.43%, 0.66%

LAB 63.11, 32.09, -0.67

 

CMYK 0 / 40 / 28 / 26

HEX #BD7188

RGB 189 113 136

HSL 341.84, 0.37%, 0.59%

LAB 56.49, 32.94, 0.35

 

CMYK 0 / 45 / 32 / 33

HEX #AC5F75

RGB 172 95 117

HSL 342.86, 0.32%, 0.52%

LAB 49.79, 33.85, 1.53

 

CMYK 0 / 50 / 37 / 39

HEX #9B4D62

RGB 155 77 98

HSL 343.85, 0.34%, 0.45%

LAB 43, 34.8, 2.92

 

CMYK 0 / 33 / 22 / 13

HEX #DF95AE

RGB 223 149 174

HSL 339.73, 0.54%, 0.73%

LAB 69.64, 31.29, -1.58

 

CMYK 0 / 33 / 31 / 13

HEX #DF959A

RGB 223 149 154

HSL 355.95, 0.54%, 0.73%

LAB 69.12, 28.51, 8.83

 

CMYK 0 / 33 / 33 / 13

HEX #DF9595

RGB 223 149 149

HSL 0, 0.54%, 0.73%

LAB 69.01, 27.87, 11.45

 

CMYK 0 / 33 / 22 / 13

HEX #DF95AE

RGB 223 149 174

HSL 339.73, 0.54%, 0.73%

LAB 69.64, 31.29, -1.58

 

CMYK 0 / 33 / 13 / 13

HEX #DF95C2

RGB 223 149 194

HSL 323.51, 0.54%, 0.73%

LAB 70.23, 34.4, -11.84

 

CMYK 0 / 33 / 4 / 13

HEX #DF95D6

RGB 223 149 214

HSL 307.3, 0.54%, 0.73%

LAB 70.9, 37.8, -21.9

 

CMYK 5 / 33 / 0 / 13

HEX #D495DF

RGB 212 149 223

HSL 291.08, 0.54%, 0.73%

LAB 70.05, 35.98, -28.26

 

CMYK 14 / 33 / 0 / 13

HEX #C095DF

RGB 192 149 223

HSL 274.86, 0.54%, 0.73%

LAB 68.04, 29.76, -31.52

 

CMYK 0 / 33 / 22 / 13

HEX #DF95AE

RGB 223 149 174

HSL 339.73, 0.54%, 0.73%

LAB 69.64, 31.29, -1.58

 

CMYK 0 / 41 / 27 / 8

HEX #EA8AAA

RGB 234 138 170

HSL 340, 0.7%, 0.73%

LAB 68.44, 40.4, -0.95

 

CMYK 0 / 48 / 32 / 4

HEX #F67FA7

RGB 246 127 167

HSL 339.83, 0.87%, 0.73%

LAB 67.7, 49.67, -0.16

 

CMYK 0 / 33 / 22 / 13

HEX #DF95AE

RGB 223 149 174

HSL 339.73, 0.54%, 0.73%

LAB 69.64, 31.29, -1.58

 

CMYK 0 / 25 / 16 / 17

HEX #D4A0B2

RGB 212 160 178

HSL 339.23, 0.38%, 0.73%

LAB 71.11, 22.01, -1.78

 

CMYK 0 / 15 / 10 / 21

HEX #C9ABB5

RGB 201 171 181

HSL 340, 0.22%, 0.73%

LAB 72.81, 12.55, -1.07

 

CMYK 0 / 4 / 3 / 25

HEX #BEB6B9

RGB 190 182 185

HSL 337.5, 0.06%, 0.73%

LAB 74.77, 3.37, -0.52

 

CMYK 8 / 0 / 3 / 24

HEX #B3C2BD

RGB 179 194 189

HSL 160, 0.11%, 0.73%

LAB 77.19, -6.09, 0.74

 

CMYK 0 / 33 / 4 / 13

HEX #DF95D7

RGB 223 149 215

HSL 306.49, 0.54%, 0.73%

LAB 70.93, 37.98, -22.4

 

CMYK 0 / 33 / 13 / 13

HEX #DF95C3

RGB 223 149 195

HSL 322.7, 0.54%, 0.73%

LAB 70.26, 34.56, -12.35

 

CMYK 0 / 33 / 22 / 13

HEX #DF95AF

RGB 223 149 175

HSL 338.92, 0.54%, 0.73%

LAB 69.67, 31.44, -2.1

 

CMYK 0 / 33 / 30 / 13

HEX #DF959B

RGB 223 149 155

HSL 355.14, 0.54%, 0.73%

LAB 69.15, 28.64, 8.3

 

CMYK 0 / 27 / 33 / 13

HEX #DFA395

RGB 223 163 149

HSL 11.35, 0.54%, 0.73%

LAB 72.26, 20.35, 16.02

 

CMYK 0 / 58 / 38 / 20

HEX #CC557E

RGB 204 85 126

HSL 339.33, 0.54%, 0.57%

LAB 52.77, 51.09, 1.08

 

CMYK 0 / 45 / 30 / 16

HEX #D67596

RGB 214 117 150

HSL 339.59, 0.54%, 0.65%

LAB 60.98, 41.64, -0.82

 

CMYK 0 / 33 / 22 / 13

HEX #DF95AE

RGB 223 149 174

HSL 339.73, 0.54%, 0.73%

LAB 69.64, 31.29, -1.58

 

CMYK 0 / 22 / 15 / 9

HEX #E9B5C6

RGB 233 181 198

HSL 340.38, 0.54%, 0.81%

LAB 78.72, 21.39, -1.34

 

CMYK 0 / 12 / 8 / 5

HEX #F2D5DF

RGB 242 213 223

HSL 339.31, 0.53%, 0.89%

LAB 87.87, 11.71, -1.22

 

CMYK 0 / 33 / 22 / 13

HEX #DF95AE

RGB 223 149 174

HSL 339.73, 0.54%, 0.73%

LAB 69.64, 31.29, -1.58

 

CMYK 0 / 5 / 33 / 13

HEX #DFD495

RGB 223 212 149

HSL 51.08, 0.54%, 0.73%

LAB 84.46, -5.51, 32.59

 

CMYK 33 / 8 / 0 / 13

HEX #95CDDF

RGB 149 205 223

HSL 194.59, 0.54%, 0.73%

LAB 79.26, -13.69, -14.71

 

CMYK 0 / 33 / 22 / 13

HEX #DF95AE

RGB 223 149 174

HSL 339.73, 0.54%, 0.73%

LAB 69.64, 31.29, -1.58

 

CMYK 22 / 0 / 33 / 13

HEX #AFDF95

RGB 175 223 149

HSL 98.92, 0.54%, 0.73%

LAB 84, -28.76, 31.36

 

CMYK 33 / 22 / 0 / 13

HEX #95AFDF

RGB 149 175 223

HSL 218.92, 0.54%, 0.73%

LAB 71.13, 2.36, -27.05

 

CMYK 0 / 33 / 22 / 13

HEX #DF95AE

RGB 223 149 174

HSL 339.73, 0.54%, 0.73%

LAB 69.64, 31.29, -1.58

 

CMYK 0 / 5 / 33 / 13

HEX #DFD495

RGB 223 212 149

HSL 51.08, 0.54%, 0.73%

LAB 84.46, -5.51, 32.59

 

CMYK 33 / 0 / 12 / 13

HEX #95DFC5

RGB 149 223 197

HSL 158.92, 0.54%, 0.73%

LAB 83.55, -28.54, 5.46

 

CMYK 33 / 28 / 0 / 13

HEX #95A0DF

RGB 149 160 223

HSL 231.08, 0.54%, 0.73%

LAB 67.17, 10.76, -33.16

 

CMYK 0 / 33 / 22 / 13

HEX #DF95AE

RGB 223 149 174

HSL 339.73, 0.54%, 0.73%

LAB 69.64, 31.29, -1.58

 

CMYK 5 / 0 / 33 / 13

HEX #D4DF95

RGB 212 223 149

HSL 68.92, 0.54%, 0.73%

LAB 86.48, -15.27, 35.09

 

CMYK 33 / 0 / 12 / 13

HEX #95DFC5

RGB 149 223 197

HSL 158.92, 0.54%, 0.73%

LAB 83.55, -28.54, 5.46

 

CMYK 28 / 33 / 0 / 13

HEX #A095DF

RGB 160 149 223

HSL 248.92, 0.54%, 0.73%

LAB 65.2, 20.17, -36.16

 

Description

Color code: RGB 223 149 174 | qconv.com Color code: RGB 223 149 174 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 149 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 149 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 22 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 22% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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