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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF8D79 it is the complementary color #207286. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF8D79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF8D79 shade: #E48D74, #F59F87, #FFB19A, #FFC3AD and #FFD5C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF8D79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF8D79 shade: #DF8D79, #CE7B66, #BD6953, #AC5740 and #9B452D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF8D79 shade: #DE8C78 and #DE7878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF8D79 shade: #DE8C78, #DEA778, #DEC378, #DEDE78 and #C2DE78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF8D79 shade matches the following richer shades: #DE8C78, #EC836A and #F97B5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF8D79 shade: #DE8C78, #D19485, #C39C93, #B5A4A0 and #A8ADAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF8D79 shade: #DE789B, #DE7880, #DE8A78, #DEA678 and #DEC178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF8D79 shade: #CE5335, #D66F56, #DE8C78, #E6A899 and #EEC4BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF8D79 shade: #DF8D79, #B7DE78 and #788EDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF8D79 shade: #DF8D79, #78DE8A and #8A78DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF8D79 shade: #DF8D79, #B7DE78, #78CBDE and #9F78DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF8D79 shade: #DF8D79, #98DE78, #78CBDE and #BE78DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 46 / 13

HEX #DF8D79

RGB 223 141 121

HSL 11.76, 0.61%, 0.67%

LAB 66.61, 28.97, 23.71

 

Complementary color

CMYK 76 / 15 / 0 / 47

HEX #207286

RGB 32 114 134

HSL 191.76, 0.61%, 0.33%

LAB 44.32, -16.97, -17.96

 

CMYK 0 / 38 / 49 / 11

HEX #E48D74

RGB 228 141 116

HSL 13.39, 0.67%, 0.67%

LAB 67.13, 30.43, 27.28

 

CMYK 0 / 35 / 45 / 4

HEX #F59F87

RGB 245 159 135

HSL 13.09, 0.85%, 0.75%

LAB 73.52, 29.35, 25.78

 

CMYK 0 / 31 / 40 / 0

HEX #FFB19A

RGB 255 177 154

HSL 13.66, 1%, 0.8%

LAB 79.06, 25.72, 23.23

 

CMYK 0 / 24 / 32 / 0

HEX #FFC3AD

RGB 255 195 173

HSL 16.1, 1%, 0.84%

LAB 83.6, 18.52, 19.35

 

CMYK 0 / 16 / 25 / 0

HEX #FFD5C0

RGB 255 213 192

HSL 20, 1%, 0.88%

LAB 88.28, 11.62, 15.86

 

CMYK 0 / 37 / 46 / 13

HEX #DF8D79

RGB 223 141 121

HSL 11.76, 0.61%, 0.67%

LAB 66.61, 28.97, 23.71

 

CMYK 0 / 40 / 50 / 19

HEX #CE7B66

RGB 206 123 102

HSL 12.12, 0.51%, 0.6%

LAB 60.11, 30.09, 25.29

 

CMYK 0 / 44 / 56 / 26

HEX #BD6953

RGB 189 105 83

HSL 12.45, 0.45%, 0.53%

LAB 53.54, 31.35, 27.07

 

CMYK 0 / 49 / 63 / 33

HEX #AC5740

RGB 172 87 64

HSL 12.78, 0.46%, 0.46%

LAB 46.92, 32.73, 29.11

 

CMYK 0 / 55 / 71 / 39

HEX #9B452D

RGB 155 69 45

HSL 13.09, 0.55%, 0.39%

LAB 40.27, 34.22, 31.45

 

CMYK 0 / 37 / 46 / 13

HEX #DE8C78

RGB 222 140 120

HSL 11.76, 0.61%, 0.67%

LAB 66.25, 29.01, 23.76

 

CMYK 0 / 46 / 46 / 13

HEX #DE7878

RGB 222 120 120

HSL 0, 0.61%, 0.67%

LAB 61.93, 39.52, 17.89

 

CMYK 0 / 37 / 46 / 13

HEX #DE8C78

RGB 222 140 120

HSL 11.76, 0.61%, 0.67%

LAB 66.25, 29.01, 23.76

 

CMYK 0 / 25 / 46 / 13

HEX #DEA778

RGB 222 167 120

HSL 27.65, 0.61%, 0.67%

LAB 72.58, 14.52, 32.13

 

CMYK 0 / 12 / 46 / 13

HEX #DEC378

RGB 222 195 120

HSL 44.12, 0.61%, 0.67%

LAB 79.57, -0.3, 41.06

 

CMYK 0 / 0 / 46 / 13

HEX #DEDE78

RGB 222 222 120

HSL 60, 0.61%, 0.67%

LAB 86.57, -14.05, 49.7

 

CMYK 13 / 0 / 46 / 13

HEX #C2DE78

RGB 194 222 120

HSL 76.47, 0.61%, 0.67%

LAB 84.52, -24.96, 46.73

 

CMYK 0 / 37 / 46 / 13

HEX #DE8C78

RGB 222 140 120

HSL 11.76, 0.61%, 0.67%

LAB 66.25, 29.01, 23.76

 

CMYK 0 / 44 / 55 / 7

HEX #EC836A

RGB 236 131 106

HSL 11.54, 0.77%, 0.67%

LAB 65.83, 37.87, 31.27

 

CMYK 0 / 51 / 63 / 2

HEX #F97B5C

RGB 249 123 92

HSL 11.85, 0.93%, 0.67%

LAB 65.81, 45.77, 39.24

 

CMYK 0 / 37 / 46 / 13

HEX #DE8C78

RGB 222 140 120

HSL 11.76, 0.61%, 0.67%

LAB 66.25, 29.01, 23.76

 

CMYK 0 / 29 / 36 / 18

HEX #D19485

RGB 209 148 133

HSL 11.84, 0.45%, 0.67%

LAB 66.85, 21.06, 17.1

 

CMYK 0 / 20 / 25 / 24

HEX #C39C93

RGB 195 156 147

HSL 11.25, 0.29%, 0.67%

LAB 67.64, 13.12, 10.21

 

CMYK 0 / 9 / 12 / 29

HEX #B5A4A0

RGB 181 164 160

HSL 11.43, 0.12%, 0.67%

LAB 68.69, 5.48, 4.31

 

CMYK 3 / 1 / 0 / 32

HEX #A8ADAE

RGB 168 173 174

HSL 190, 0.04%, 0.67%

LAB 70.36, -1.56, -1.13

 

CMYK 0 / 46 / 30 / 13

HEX #DE789B

RGB 222 120 155

HSL 339.41, 0.61%, 0.67%

LAB 62.78, 43.52, -0.91

 

CMYK 0 / 46 / 42 / 13

HEX #DE7880

RGB 222 120 128

HSL 355.29, 0.61%, 0.67%

LAB 62.1, 40.34, 13.57

 

CMYK 0 / 38 / 46 / 13

HEX #DE8A78

RGB 222 138 120

HSL 10.59, 0.61%, 0.67%

LAB 65.8, 30.08, 23.15

 

CMYK 0 / 25 / 46 / 13

HEX #DEA678

RGB 222 166 120

HSL 27.06, 0.61%, 0.67%

LAB 72.33, 15.06, 31.81

 

CMYK 0 / 13 / 46 / 13

HEX #DEC178

RGB 222 193 120

HSL 42.94, 0.61%, 0.67%

LAB 79.06, 0.74, 40.42

 

CMYK 0 / 60 / 74 / 19

HEX #CE5335

RGB 206 83 53

HSL 11.76, 0.61%, 0.51%

LAB 51.34, 47.07, 41.7

 

CMYK 0 / 48 / 60 / 16

HEX #D66F56

RGB 214 111 86

HSL 11.72, 0.61%, 0.59%

LAB 58.36, 38.21, 32.21

 

CMYK 0 / 37 / 46 / 13

HEX #DE8C78

RGB 222 140 120

HSL 11.76, 0.61%, 0.67%

LAB 66.25, 29.01, 23.76

 

CMYK 0 / 27 / 33 / 10

HEX #E6A899

RGB 230 168 153

HSL 11.69, 0.61%, 0.75%

LAB 74.27, 20.84, 16.74

 

CMYK 0 / 18 / 22 / 7

HEX #EEC4BA

RGB 238 196 186

HSL 11.54, 0.6%, 0.83%

LAB 82.49, 13.42, 10.62

 

CMYK 0 / 37 / 46 / 13

HEX #DF8D79

RGB 223 141 121

HSL 11.76, 0.61%, 0.67%

LAB 66.61, 28.97, 23.71

 

CMYK 18 / 0 / 46 / 13

HEX #B7DE78

RGB 183 222 120

HSL 82.94, 0.61%, 0.67%

LAB 83.79, -29.11, 45.67

 

CMYK 46 / 36 / 0 / 13

HEX #788EDE

RGB 120 142 222

HSL 227.06, 0.61%, 0.67%

LAB 60.44, 13.22, -43.27

 

CMYK 0 / 37 / 46 / 13

HEX #DF8D79

RGB 223 141 121

HSL 11.76, 0.61%, 0.67%

LAB 66.61, 28.97, 23.71

 

CMYK 46 / 0 / 38 / 13

HEX #78DE8A

RGB 120 222 138

HSL 130.59, 0.61%, 0.67%

LAB 80.78, -47.34, 32.21

 

CMYK 38 / 46 / 0 / 13

HEX #8A78DE

RGB 138 120 222

HSL 250.59, 0.61%, 0.67%

LAB 56.2, 30.68, -49.89

 

CMYK 0 / 37 / 46 / 13

HEX #DF8D79

RGB 223 141 121

HSL 11.76, 0.61%, 0.67%

LAB 66.61, 28.97, 23.71

 

CMYK 18 / 0 / 46 / 13

HEX #B7DE78

RGB 183 222 120

HSL 82.94, 0.61%, 0.67%

LAB 83.79, -29.11, 45.67

 

CMYK 46 / 9 / 0 / 13

HEX #78CBDE

RGB 120 203 222

HSL 191.18, 0.61%, 0.67%

LAB 77.27, -20.32, -17.31

 

CMYK 28 / 46 / 0 / 13

HEX #9F78DE

RGB 159 120 222

HSL 262.94, 0.61%, 0.67%

LAB 58.11, 36.19, -46.74

 

CMYK 0 / 37 / 46 / 13

HEX #DF8D79

RGB 223 141 121

HSL 11.76, 0.61%, 0.67%

LAB 66.61, 28.97, 23.71

 

CMYK 32 / 0 / 46 / 13

HEX #98DE78

RGB 152 222 120

HSL 101.18, 0.61%, 0.67%

LAB 81.99, -40.13, 43.04

 

CMYK 46 / 9 / 0 / 13

HEX #78CBDE

RGB 120 203 222

HSL 191.18, 0.61%, 0.67%

LAB 77.27, -20.32, -17.31

 

CMYK 14 / 46 / 0 / 13

HEX #BE78DE

RGB 190 120 222

HSL 281.18, 0.61%, 0.67%

LAB 61.35, 44.79, -41.41

 

Description

Color code: HEX #DF8D79 | qconv.com Color code: HEX #DF8D79 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 141 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 141 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 46 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 46% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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