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Color name
HEX #DF8C40

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF8C40 it is the complementary color #2073BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF8C40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF8C40 shade: #E48C3B, #F59E4E, #FFB061, #FFC274 and #FFD487

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF8C40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF8C40 shade: #DF8C40, #CE7A2D, #BD681A, #AC5607 and #9B4400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF8C40 shade: #DE8B3F, #DE603F and #DE3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF8C40 shade: #DE8B3F, #DEB63F, #DCDE3F, #B1DE3F and #86DE3F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF8C40 shade matches the following richer shades: #DE8B3F and #F18A2D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF8C40 shade: #DE8B3F, #CC8C51, #BA8D63, #A88E76 and #968E88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF8C40 shade: #DE3F4A, #DE5F3F, #DE893F, #DEB43F and #DEDE3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF8C40 shade: #AE621D, #D17623, #DE8B3F, #E4A162 and #EAB686

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF8C40 shade: #DF8C40, #74DE3F and #4A3FDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF8C40 shade: #DF8C40, #3FDE89 and #893FDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF8C40 shade: #DF8C40, #74DE3F, #3F94DE and #A93FDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF8C40 shade: #DF8C40, #44DE3F, #3F94DE and #D93FDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 71 / 13

HEX #DF8C40

RGB 223 140 64

HSL 28.68, 0.71%, 0.56%

LAB 65.6, 25.23, 52.23

 

Complementary color

CMYK 83 / 40 / 0 / 25

HEX #2073BF

RGB 32 115 191

HSL 208.68, 0.71%, 0.44%

LAB 47.4, 3.53, -46.6

 

CMYK 0 / 39 / 74 / 11

HEX #E48C3B

RGB 228 140 59

HSL 28.76, 0.76%, 0.56%

LAB 66.19, 27.07, 55.29

 

CMYK 0 / 36 / 68 / 4

HEX #F59E4E

RGB 245 158 78

HSL 28.74, 0.89%, 0.63%

LAB 72.51, 25.49, 53.91

 

CMYK 0 / 31 / 62 / 0

HEX #FFB061

RGB 255 176 97

HSL 30, 1%, 0.69%

LAB 77.98, 21.26, 51.32

 

CMYK 0 / 24 / 55 / 0

HEX #FFC274

RGB 255 194 116

HSL 33.67, 1%, 0.73%

LAB 82.43, 13.23, 47.31

 

CMYK 0 / 17 / 47 / 0

HEX #FFD487

RGB 255 212 135

HSL 38.5, 1%, 0.76%

LAB 87.04, 5.56, 43.58

 

CMYK 0 / 37 / 71 / 13

HEX #DF8C40

RGB 223 140 64

HSL 28.68, 0.71%, 0.56%

LAB 65.6, 25.23, 52.23

 

CMYK 0 / 41 / 78 / 19

HEX #CE7A2D

RGB 206 122 45

HSL 28.7, 0.64%, 0.49%

LAB 59.19, 26.94, 53.5

 

CMYK 0 / 45 / 86 / 26

HEX #BD681A

RGB 189 104 26

HSL 28.71, 0.76%, 0.42%

LAB 52.72, 28.86, 54.21

 

CMYK 0 / 50 / 96 / 33

HEX #AC5607

RGB 172 86 7

HSL 28.73, 0.92%, 0.35%

LAB 46.23, 31.02, 53.6

 

CMYK 0 / 56 / 100 / 39

HEX #9B4400

RGB 155 68 0

HSL 26.32, 1%, 0.3%

LAB 39.75, 33.35, 50.16

 

CMYK 0 / 37 / 72 / 13

HEX #DE8B3F

RGB 222 139 63

HSL 28.68, 0.71%, 0.56%

LAB 65.24, 25.3, 52.27

 

CMYK 0 / 57 / 72 / 13

HEX #DE603F

RGB 222 96 63

HSL 12.45, 0.71%, 0.56%

LAB 56.34, 47.26, 42.64

 

CMYK 0 / 72 / 72 / 13

HEX #DE3F3F

RGB 222 63 63

HSL 0, 0.71%, 0.56%

LAB 51.2, 61.04, 36.8

 

CMYK 0 / 37 / 72 / 13

HEX #DE8B3F

RGB 222 139 63

HSL 28.68, 0.71%, 0.56%

LAB 65.24, 25.3, 52.27

 

CMYK 0 / 18 / 72 / 13

HEX #DEB63F

RGB 222 182 63

HSL 44.91, 0.71%, 0.56%

LAB 75.67, 2.37, 62.93

 

CMYK 1 / 0 / 72 / 13

HEX #DCDE3F

RGB 220 222 63

HSL 60.75, 0.71%, 0.56%

LAB 85.91, -18.79, 72.85

 

CMYK 20 / 0 / 72 / 13

HEX #B1DE3F

RGB 177 222 63

HSL 76.98, 0.71%, 0.56%

LAB 82.89, -36.1, 68.88

 

CMYK 40 / 0 / 72 / 13

HEX #86DE3F

RGB 134 222 63

HSL 93.21, 0.71%, 0.56%

LAB 80.55, -51.6, 65.79

 

CMYK 0 / 37 / 72 / 13

HEX #DE8B3F

RGB 222 139 63

HSL 28.68, 0.71%, 0.56%

LAB 65.24, 25.3, 52.27

 

CMYK 0 / 43 / 81 / 5

HEX #F18A2D

RGB 241 138 45

HSL 28.47, 0.88%, 0.56%

LAB 67.33, 32.93, 62.71

 

CMYK 0 / 37 / 72 / 13

HEX #DE8B3F

RGB 222 139 63

HSL 28.68, 0.71%, 0.56%

LAB 65.24, 25.3, 52.27

 

CMYK 0 / 31 / 60 / 20

HEX #CC8C51

RGB 204 140 81

HSL 28.78, 0.55%, 0.56%

LAB 63.5, 18.31, 40.88

 

CMYK 0 / 24 / 47 / 27

HEX #BA8D63

RGB 186 141 99

HSL 28.97, 0.39%, 0.56%

LAB 61.99, 11.77, 28.96

 

CMYK 0 / 15 / 30 / 34

HEX #A88E76

RGB 168 142 118

HSL 28.8, 0.22%, 0.56%

LAB 60.76, 6.09, 16.43

HEX #A88E76

CMYK 0 / 5 / 9 / 41

HEX #968E88

RGB 150 142 136

HSL 25.71, 0.06%, 0.56%

LAB 59.53, 1.87, 4.25

HEX #968E88

CMYK 0 / 72 / 67 / 13

HEX #DE3F4A

RGB 222 63 74

HSL 355.85, 0.71%, 0.56%

LAB 51.36, 61.57, 30.62

 

CMYK 0 / 57 / 72 / 13

HEX #DE5F3F

RGB 222 95 63

HSL 12.08, 0.71%, 0.56%

LAB 56.16, 47.73, 42.44

 

CMYK 0 / 38 / 72 / 13

HEX #DE893F

RGB 222 137 63

HSL 27.92, 0.71%, 0.56%

LAB 64.79, 26.37, 51.79

 

CMYK 0 / 19 / 72 / 13

HEX #DEB43F

RGB 222 180 63

HSL 44.15, 0.71%, 0.56%

LAB 75.16, 3.42, 62.43

 

CMYK 0 / 0 / 72 / 13

HEX #DEDE3F

RGB 222 222 63

HSL 60, 0.71%, 0.56%

LAB 86.07, -17.97, 73.06

 

CMYK 0 / 44 / 83 / 32

HEX #AE621D

RGB 174 98 29

HSL 28.55, 0.71%, 0.4%

LAB 49.28, 25.82, 49.32

 

CMYK 0 / 44 / 83 / 18

HEX #D17623

RGB 209 118 35

HSL 28.62, 0.71%, 0.48%

LAB 58.63, 30, 57.12

 

CMYK 0 / 37 / 72 / 13

HEX #DE8B3F

RGB 222 139 63

HSL 28.68, 0.71%, 0.56%

LAB 65.24, 25.3, 52.27

 

CMYK 0 / 29 / 57 / 11

HEX #E4A162

RGB 228 161 98

HSL 29.08, 0.71%, 0.64%

LAB 71.46, 18.23, 42.36

 

CMYK 0 / 22 / 43 / 8

HEX #EAB686

RGB 234 182 134

HSL 28.8, 0.7%, 0.72%

LAB 77.68, 12.77, 31.63

 

CMYK 0 / 37 / 71 / 13

HEX #DF8C40

RGB 223 140 64

HSL 28.68, 0.71%, 0.56%

LAB 65.6, 25.23, 52.23

 

CMYK 48 / 0 / 72 / 13

HEX #74DE3F

RGB 116 222 63

HSL 100, 0.71%, 0.56%

LAB 79.79, -57.2, 64.77

 

CMYK 67 / 72 / 0 / 13

HEX #4A3FDE

RGB 74 63 222

HSL 244.15, 0.71%, 0.56%

LAB 38.35, 51.73, -79.04

 

CMYK 0 / 37 / 71 / 13

HEX #DF8C40

RGB 223 140 64

HSL 28.68, 0.71%, 0.56%

LAB 65.6, 25.23, 52.23

 

CMYK 72 / 0 / 38 / 13

HEX #3FDE89

RGB 63 222 137

HSL 147.92, 0.71%, 0.56%

LAB 79.1, -59.62, 30.2

 

CMYK 38 / 72 / 0 / 13

HEX #893FDE

RGB 137 63 222

HSL 267.92, 0.71%, 0.56%

LAB 44.44, 61.01, -68.82

 

CMYK 0 / 37 / 71 / 13

HEX #DF8C40

RGB 223 140 64

HSL 28.68, 0.71%, 0.56%

LAB 65.6, 25.23, 52.23

 

CMYK 48 / 0 / 72 / 13

HEX #74DE3F

RGB 116 222 63

HSL 100, 0.71%, 0.56%

LAB 79.79, -57.2, 64.77

 

CMYK 72 / 33 / 0 / 13

HEX #3F94DE

RGB 63 148 222

HSL 207.92, 0.71%, 0.56%

LAB 59.44, -1.35, -45.01

 

CMYK 24 / 72 / 0 / 13

HEX #A93FDE

RGB 169 63 222

HSL 280, 0.71%, 0.56%

LAB 48.59, 66.96, -61.9

 

CMYK 0 / 37 / 71 / 13

HEX #DF8C40

RGB 223 140 64

HSL 28.68, 0.71%, 0.56%

LAB 65.6, 25.23, 52.23

 

CMYK 69 / 0 / 72 / 13

HEX #44DE3F

RGB 68 222 63

HSL 118.11, 0.71%, 0.56%

LAB 78.36, -68.58, 62.86

 

CMYK 72 / 33 / 0 / 13

HEX #3F94DE

RGB 63 148 222

HSL 207.92, 0.71%, 0.56%

LAB 59.44, -1.35, -45.01

 

CMYK 2 / 72 / 0 / 13

HEX #D93FDE

RGB 217 63 222

HSL 298.11, 0.71%, 0.56%

LAB 55.67, 76.64, -50.17

 

Description

Color code: HEX #DF8C40 | qconv.com Color code: HEX #DF8C40 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 140 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 140 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 71 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 71% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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