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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCDE3F it is the complementary color #2321C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCDE3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCDE3F shade: #E1DE3A, #F2F04D, #FFFF60, #FFFF73 and #FFFF86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCDE3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCDE3F shade: #DCDE3F, #CBCC2C, #BABA19, #A9A806 and #989600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCDE3F shade: #DCDE3F, #DEB53F, #DE8B3F, #DE603F and #DE3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCDE3F shade: #DCDE3F, #B2DE3F, #87DE3F, #5CDE3F and #3FDE4E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCDE3F shade matches the following richer shades: #DCDE3F and #EEF12D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCDE3F shade: #DCDE3F, #CBCC51, #B9BA63, #A7A876 and #969688

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCDE3F shade: #DE893F, #DEB43F, #DEDE3F, #B4DE3F and #89DE3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCDE3F shade: #ACAE1D, #CFD123, #DCDE3F, #E3E462 and #E9EA86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCDE3F shade: #DCDE3F, #3FDE5F and #9F3FDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCDE3F shade: #DCDE3F, #3FDEDE and #DE3FDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCDE3F shade: #DCDE3F, #3FDE5F, #3F3FDE and #DE3FBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCDE3F shade: #DCDE3F, #3FDE8F, #3F3FDE and #DE3F8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 72 / 13

HEX #DCDE3F

RGB 220 222 63

HSL 60.75, 0.71%, 0.56%

LAB 85.91, -18.79, 72.85

 

Complementary color

CMYK 82 / 83 / 0 / 25

HEX #2321C0

RGB 35 33 192

HSL 240.75, 0.71%, 0.44%

LAB 27.44, 54.58, -79.73

 

CMYK 0 / 1 / 74 / 12

HEX #E1DE3A

RGB 225 222 58

HSL 58.92, 0.74%, 0.55%

LAB 86.28, -16.93, 74.97

 

CMYK 0 / 1 / 68 / 5

HEX #F2F04D

RGB 242 240 77

HSL 59.27, 0.86%, 0.63%

LAB 92.46, -17.86, 74.93

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF60

RGB 255 255 96

HSL 60, 1%, 0.69%

LAB 97.48, -18.81, 73.24

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF73

RGB 255 255 115

HSL 60, 1%, 0.73%

LAB 97.64, -17.55, 65.58

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF86

RGB 255 255 134

HSL 60, 1%, 0.76%

LAB 97.83, -16.03, 57.32

 

CMYK 1 / 0 / 72 / 13

HEX #DCDE3F

RGB 220 222 63

HSL 60.75, 0.71%, 0.56%

LAB 85.91, -18.79, 72.85

 

CMYK 0 / 0 / 78 / 20

HEX #CBCC2C

RGB 203 204 44

HSL 60.38, 0.65%, 0.49%

LAB 79.65, -17.81, 72.49

 

CMYK 0 / 0 / 87 / 27

HEX #BABA19

RGB 186 186 25

HSL 60, 0.76%, 0.41%

LAB 73.3, -16.64, 71.18

 

CMYK 0 / 1 / 96 / 34

HEX #A9A806

RGB 169 168 6

HSL 59.63, 0.93%, 0.34%

LAB 66.86, -15.25, 68.47

 

CMYK 0 / 1 / 100 / 40

HEX #989600

RGB 152 150 0

HSL 59.21, 1%, 0.3%

LAB 60.33, -13.6, 63.8

 

CMYK 1 / 0 / 72 / 13

HEX #DCDE3F

RGB 220 222 63

HSL 60.75, 0.71%, 0.56%

LAB 85.91, -18.79, 72.85

 

CMYK 0 / 18 / 72 / 13

HEX #DEB53F

RGB 222 181 63

HSL 44.53, 0.71%, 0.56%

LAB 75.41, 2.9, 62.68

 

CMYK 0 / 37 / 72 / 13

HEX #DE8B3F

RGB 222 139 63

HSL 28.68, 0.71%, 0.56%

LAB 65.24, 25.3, 52.27

 

CMYK 0 / 57 / 72 / 13

HEX #DE603F

RGB 222 96 63

HSL 12.45, 0.71%, 0.56%

LAB 56.34, 47.26, 42.64

 

CMYK 0 / 72 / 72 / 13

HEX #DE3F3F

RGB 222 63 63

HSL 0, 0.71%, 0.56%

LAB 51.2, 61.04, 36.8

 

CMYK 1 / 0 / 72 / 13

HEX #DCDE3F

RGB 220 222 63

HSL 60.75, 0.71%, 0.56%

LAB 85.91, -18.79, 72.85

 

CMYK 20 / 0 / 72 / 13

HEX #B2DE3F

RGB 178 222 63

HSL 76.6, 0.71%, 0.56%

LAB 82.95, -35.72, 68.96

 

CMYK 39 / 0 / 72 / 13

HEX #87DE3F

RGB 135 222 63

HSL 92.83, 0.71%, 0.56%

LAB 80.6, -51.27, 65.85

 

CMYK 59 / 0 / 72 / 13

HEX #5CDE3F

RGB 92 222 63

HSL 109.06, 0.71%, 0.56%

LAB 78.97, -63.59, 63.67

 

CMYK 72 / 0 / 65 / 13

HEX #3FDE4E

RGB 63 222 78

HSL 125.66, 0.71%, 0.56%

LAB 78.37, -68.08, 57.08

 

CMYK 1 / 0 / 72 / 13

HEX #DCDE3F

RGB 220 222 63

HSL 60.75, 0.71%, 0.56%

LAB 85.91, -18.79, 72.85

 

CMYK 1 / 0 / 81 / 5

HEX #EEF12D

RGB 238 241 45

HSL 60.92, 0.88%, 0.56%

LAB 92.25, -21.21, 84.21

 

CMYK 1 / 0 / 72 / 13

HEX #DCDE3F

RGB 220 222 63

HSL 60.75, 0.71%, 0.56%

LAB 85.91, -18.79, 72.85

 

CMYK 0 / 0 / 60 / 20

HEX #CBCC51

RGB 203 204 81

HSL 60.49, 0.55%, 0.56%

LAB 79.88, -15.93, 59.4

 

CMYK 1 / 0 / 47 / 27

HEX #B9BA63

RGB 185 186 99

HSL 60.69, 0.39%, 0.56%

LAB 73.76, -12.77, 43.69

 

CMYK 1 / 0 / 30 / 34

HEX #A7A876

RGB 167 168 118

HSL 61.2, 0.22%, 0.56%

LAB 67.67, -8.49, 25.79

 

CMYK 0 / 0 / 9 / 41

HEX #969688

RGB 150 150 136

HSL 60, 0.06%, 0.56%

LAB 61.72, -2.59, 7.38

 

CMYK 0 / 38 / 72 / 13

HEX #DE893F

RGB 222 137 63

HSL 27.92, 0.71%, 0.56%

LAB 64.79, 26.37, 51.79

 

CMYK 0 / 19 / 72 / 13

HEX #DEB43F

RGB 222 180 63

HSL 44.15, 0.71%, 0.56%

LAB 75.16, 3.42, 62.43

 

CMYK 0 / 0 / 72 / 13

HEX #DEDE3F

RGB 222 222 63

HSL 60, 0.71%, 0.56%

LAB 86.07, -17.97, 73.06

 

CMYK 19 / 0 / 72 / 13

HEX #B4DE3F

RGB 180 222 63

HSL 75.85, 0.71%, 0.56%

LAB 83.08, -34.94, 69.13

 

CMYK 38 / 0 / 72 / 13

HEX #89DE3F

RGB 137 222 63

HSL 92.08, 0.71%, 0.56%

LAB 80.69, -50.6, 65.97

 

CMYK 1 / 0 / 83 / 32

HEX #ACAE1D

RGB 172 174 29

HSL 60.83, 0.71%, 0.4%

LAB 68.85, -16.54, 66.13

 

CMYK 1 / 0 / 83 / 18

HEX #CFD123

RGB 207 209 35

HSL 60.69, 0.71%, 0.48%

LAB 81.28, -18.86, 76.3

 

CMYK 1 / 0 / 72 / 13

HEX #DCDE3F

RGB 220 222 63

HSL 60.75, 0.71%, 0.56%

LAB 85.91, -18.79, 72.85

 

CMYK 0 / 0 / 57 / 11

HEX #E3E462

RGB 227 228 98

HSL 60.46, 0.71%, 0.64%

LAB 88.3, -16.83, 61.87

 

CMYK 0 / 0 / 43 / 8

HEX #E9EA86

RGB 233 234 134

HSL 60.6, 0.7%, 0.72%

LAB 90.73, -14.32, 48.28

 

CMYK 1 / 0 / 72 / 13

HEX #DCDE3F

RGB 220 222 63

HSL 60.75, 0.71%, 0.56%

LAB 85.91, -18.79, 72.85

 

CMYK 72 / 0 / 57 / 13

HEX #3FDE5F

RGB 63 222 95

HSL 132.08, 0.71%, 0.56%

LAB 78.53, -66.15, 49.91

 

CMYK 28 / 72 / 0 / 13

HEX #9F3FDE

RGB 159 63 222

HSL 276.23, 0.71%, 0.56%

LAB 47.24, 65.04, -64.15

 

CMYK 1 / 0 / 72 / 13

HEX #DCDE3F

RGB 220 222 63

HSL 60.75, 0.71%, 0.56%

LAB 85.91, -18.79, 72.85

 

CMYK 72 / 0 / 0 / 13

HEX #3FDEDE

RGB 63 222 222

HSL 180, 0.71%, 0.56%

LAB 81.06, -39.47, -11.79

 

CMYK 0 / 72 / 0 / 13

HEX #DE3FDE

RGB 222 63 222

HSL 300, 0.71%, 0.56%

LAB 56.44, 77.68, -48.88

 

CMYK 1 / 0 / 72 / 13

HEX #DCDE3F

RGB 220 222 63

HSL 60.75, 0.71%, 0.56%

LAB 85.91, -18.79, 72.85

 

CMYK 72 / 0 / 57 / 13

HEX #3FDE5F

RGB 63 222 95

HSL 132.08, 0.71%, 0.56%

LAB 78.53, -66.15, 49.91

 

CMYK 72 / 72 / 0 / 13

HEX #3F3FDE

RGB 63 63 222

HSL 240, 0.71%, 0.56%

LAB 37.64, 50.59, -80.23

 

CMYK 0 / 72 / 14 / 13

HEX #DE3FBF

RGB 222 63 191

HSL 311.7, 0.71%, 0.56%

LAB 54.91, 73.07, -33.59

 

CMYK 1 / 0 / 72 / 13

HEX #DCDE3F

RGB 220 222 63

HSL 60.75, 0.71%, 0.56%

LAB 85.91, -18.79, 72.85

 

CMYK 72 / 0 / 36 / 13

HEX #3FDE8F

RGB 63 222 143

HSL 150.19, 0.71%, 0.56%

LAB 79.2, -58.48, 27.26

 

CMYK 72 / 72 / 0 / 13

HEX #3F3FDE

RGB 63 63 222

HSL 240, 0.71%, 0.56%

LAB 37.64, 50.59, -80.23

 

CMYK 0 / 72 / 36 / 13

HEX #DE3F8F

RGB 222 63 143

HSL 329.81, 0.71%, 0.56%

LAB 53.02, 67.1, -8.34

 

Description

Color code: HEX #DCDE3F | qconv.com Color code: HEX #DCDE3F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 222 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 222 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 72 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 72% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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