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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF7E4E it is the complementary color #2081B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF7E4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF7E4E shade: #E47E49, #F5905C, #FFA26F, #FFB482 and #FFC695

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF7E4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF7E4E shade: #DF7E4E, #CE6C3B, #BD5A28, #AC4815 and #9B3602

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF7E4E shade: #DE7E4E, #DE574E and #DE4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF7E4E shade: #DE7E4E, #DEA44E, #DECB4E, #CADE4E and #A3DE4E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF7E4E shade matches the following richer shades: #DE7E4E and #EF783D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF7E4E shade: #DE7E4E, #CD835F, #BC8970, #AB8F81 and #9A9491

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF7E4E shade: #DE4E6D, #DE554E, #DE7B4E, #DEA24E and #DEC84E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF7E4E shade: #B85321, #D8642B, #DE7E4E, #E49771 and #EBB094

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF7E4E shade: #DF7E4E, #94DE4E and #4E5ADE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF7E4E shade: #DF7E4E, #4EDE7B and #7B4EDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF7E4E shade: #DF7E4E, #94DE4E, #4EB0DE and #984EDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF7E4E shade: #DF7E4E, #68DE4E, #4EB0DE and #C44EDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 65 / 13

HEX #DF7E4E

RGB 223 126 78

HSL 19.86, 0.69%, 0.59%

LAB 62.64, 33.42, 42.01

 

Complementary color

CMYK 82 / 27 / 0 / 31

HEX #2081B1

RGB 32 129 177

HSL 199.86, 0.69%, 0.41%

LAB 50.9, -10.1, -33

 

CMYK 0 / 45 / 68 / 11

HEX #E47E49

RGB 228 126 73

HSL 20.52, 0.74%, 0.59%

LAB 63.26, 35.11, 45.47

 

CMYK 0 / 41 / 62 / 4

HEX #F5905C

RGB 245 144 92

HSL 20.39, 0.88%, 0.66%

LAB 69.56, 33.64, 43.64

 

CMYK 0 / 36 / 56 / 0

HEX #FFA26F

RGB 255 162 111

HSL 21.25, 1%, 0.72%

LAB 74.98, 29.56, 40.68

 

CMYK 0 / 29 / 49 / 0

HEX #FFB482

RGB 255 180 130

HSL 24, 1%, 0.75%

LAB 79.34, 21.74, 36.31

 

CMYK 0 / 22 / 42 / 0

HEX #FFC695

RGB 255 198 149

HSL 27.74, 1%, 0.79%

LAB 83.87, 14.2, 32.34

 

CMYK 0 / 43 / 65 / 13

HEX #DF7E4E

RGB 223 126 78

HSL 19.86, 0.69%, 0.59%

LAB 62.64, 33.42, 42.01

 

CMYK 0 / 48 / 71 / 19

HEX #CE6C3B

RGB 206 108 59

HSL 20, 0.6%, 0.52%

LAB 56.25, 34.98, 43.93

 

CMYK 0 / 52 / 79 / 26

HEX #BD5A28

RGB 189 90 40

HSL 20.13, 0.65%, 0.45%

LAB 49.84, 36.68, 45.84

 

CMYK 0 / 58 / 88 / 33

HEX #AC4815

RGB 172 72 21

HSL 20.26, 0.78%, 0.38%

LAB 43.45, 38.48, 47.36

 

CMYK 0 / 65 / 99 / 39

HEX #9B3602

RGB 155 54 2

HSL 20.39, 0.97%, 0.31%

LAB 37.14, 40.25, 47.99

 

CMYK 0 / 43 / 65 / 13

HEX #DE7E4E

RGB 222 126 78

HSL 20, 0.69%, 0.59%

LAB 62.51, 33.02, 41.82

 

CMYK 0 / 61 / 65 / 13

HEX #DE574E

RGB 222 87 78

HSL 3.75, 0.69%, 0.59%

LAB 54.97, 52.18, 32.76

 

CMYK 0 / 65 / 65 / 13

HEX #DE4E4E

RGB 222 78 78

HSL 0, 0.69%, 0.59%

LAB 53.52, 56.04, 30.98

 

CMYK 0 / 43 / 65 / 13

HEX #DE7E4E

RGB 222 126 78

HSL 20, 0.69%, 0.59%

LAB 62.51, 33.02, 41.82

 

CMYK 0 / 26 / 65 / 13

HEX #DEA44E

RGB 222 164 78

HSL 35.83, 0.69%, 0.59%

LAB 71.3, 12.74, 51.85

 

CMYK 0 / 9 / 65 / 13

HEX #DECB4E

RGB 222 203 78

HSL 52.08, 0.69%, 0.59%

LAB 81.18, -7.7, 62.51

 

CMYK 9 / 0 / 65 / 13

HEX #CADE4E

RGB 202 222 78

HSL 68.33, 0.69%, 0.59%

LAB 84.66, -25.34, 65.68

 

CMYK 27 / 0 / 65 / 13

HEX #A3DE4E

RGB 163 222 78

HSL 84.58, 0.69%, 0.59%

LAB 82.15, -40.42, 62.27

 

CMYK 0 / 43 / 65 / 13

HEX #DE7E4E

RGB 222 126 78

HSL 20, 0.69%, 0.59%

LAB 62.51, 33.02, 41.82

 

CMYK 0 / 50 / 74 / 6

HEX #EF783D

RGB 239 120 61

HSL 19.89, 0.85%, 0.59%

LAB 63.44, 41.87, 52.03

 

CMYK 0 / 43 / 65 / 13

HEX #DE7E4E

RGB 222 126 78

HSL 20, 0.69%, 0.59%

LAB 62.51, 33.02, 41.82

 

CMYK 0 / 36 / 54 / 20

HEX #CD835F

RGB 205 131 95

HSL 19.64, 0.52%, 0.59%

LAB 61.69, 24.74, 31.2

 

CMYK 0 / 27 / 40 / 26

HEX #BC8970

RGB 188 137 112

HSL 19.74, 0.36%, 0.59%

LAB 61.44, 16.24, 21.07

 

CMYK 0 / 16 / 25 / 33

HEX #AB8F81

RGB 171 143 129

HSL 20, 0.2%, 0.59%

LAB 61.56, 8.31, 11.37

 

CMYK 0 / 4 / 6 / 40

HEX #9A9491

RGB 154 148 145

HSL 20, 0.04%, 0.59%

LAB 61.74, 1.65, 2.36

 

CMYK 0 / 65 / 51 / 13

HEX #DE4E6D

RGB 222 78 109

HSL 347.08, 0.69%, 0.59%

LAB 54.11, 58.23, 13.5

 

CMYK 0 / 62 / 65 / 13

HEX #DE554E

RGB 222 85 78

HSL 2.92, 0.69%, 0.59%

LAB 54.63, 53.06, 32.35

 

CMYK 0 / 45 / 65 / 13

HEX #DE7B4E

RGB 222 123 78

HSL 18.75, 0.69%, 0.59%

LAB 61.87, 34.59, 41.07

 

CMYK 0 / 27 / 65 / 13

HEX #DEA24E

RGB 222 162 78

HSL 35, 0.69%, 0.59%

LAB 70.82, 13.81, 51.31

 

CMYK 0 / 10 / 65 / 13

HEX #DEC84E

RGB 222 200 78

HSL 50.83, 0.69%, 0.59%

LAB 80.4, -6.17, 61.69

 

CMYK 0 / 55 / 82 / 28

HEX #B85321

RGB 184 83 33

HSL 19.87, 0.7%, 0.43%

LAB 47.61, 38.02, 46.68

 

CMYK 0 / 54 / 80 / 15

HEX #D8642B

RGB 216 100 43

HSL 19.77, 0.69%, 0.51%

LAB 55.98, 42.29, 51.81

 

CMYK 0 / 43 / 65 / 13

HEX #DE7E4E

RGB 222 126 78

HSL 20, 0.69%, 0.59%

LAB 62.51, 33.02, 41.82

 

CMYK 0 / 34 / 50 / 11

HEX #E49771

RGB 228 151 113

HSL 19.83, 0.68%, 0.67%

LAB 69.34, 24.84, 31.8

 

CMYK 0 / 25 / 37 / 8

HEX #EBB094

RGB 235 176 148

HSL 19.31, 0.69%, 0.75%

LAB 76.59, 17.9, 22.73

 

CMYK 0 / 43 / 65 / 13

HEX #DF7E4E

RGB 223 126 78

HSL 19.86, 0.69%, 0.59%

LAB 62.64, 33.42, 42.01

 

CMYK 33 / 0 / 65 / 13

HEX #94DE4E

RGB 148 222 78

HSL 90.83, 0.69%, 0.59%

LAB 81.34, -45.79, 61.16

 

CMYK 65 / 59 / 0 / 13

HEX #4E5ADE

RGB 78 90 222

HSL 235, 0.69%, 0.59%

LAB 44.53, 36.42, -68.91

 

CMYK 0 / 43 / 65 / 13

HEX #DF7E4E

RGB 223 126 78

HSL 19.86, 0.69%, 0.59%

LAB 62.64, 33.42, 42.01

 

CMYK 65 / 0 / 45 / 13

HEX #4EDE7B

RGB 78 222 123

HSL 138.75, 0.69%, 0.59%

LAB 79.21, -59.54, 37.46

 

CMYK 45 / 65 / 0 / 13

HEX #7B4EDE

RGB 123 78 222

HSL 258.75, 0.69%, 0.59%

LAB 45.54, 51.1, -67.1

 

CMYK 0 / 43 / 65 / 13

HEX #DF7E4E

RGB 223 126 78

HSL 19.86, 0.69%, 0.59%

LAB 62.64, 33.42, 42.01

 

CMYK 33 / 0 / 65 / 13

HEX #94DE4E

RGB 148 222 78

HSL 90.83, 0.69%, 0.59%

LAB 81.34, -45.79, 61.16

 

CMYK 65 / 21 / 0 / 13

HEX #4EB0DE

RGB 78 176 222

HSL 199.17, 0.69%, 0.59%

LAB 67.98, -14.68, -31.64

 

CMYK 32 / 65 / 0 / 13

HEX #984EDE

RGB 152 78 222

HSL 270.83, 0.69%, 0.59%

LAB 48.76, 56.93, -61.74

 

CMYK 0 / 43 / 65 / 13

HEX #DF7E4E

RGB 223 126 78

HSL 19.86, 0.69%, 0.59%

LAB 62.64, 33.42, 42.01

 

CMYK 53 / 0 / 65 / 13

HEX #68DE4E

RGB 104 222 78

HSL 109.17, 0.69%, 0.59%

LAB 79.46, -59.33, 58.58

 

CMYK 65 / 21 / 0 / 13

HEX #4EB0DE

RGB 78 176 222

HSL 199.17, 0.69%, 0.59%

LAB 67.98, -14.68, -31.64

 

CMYK 12 / 65 / 0 / 13

HEX #C44EDE

RGB 196 78 222

HSL 289.17, 0.69%, 0.59%

LAB 54.51, 66.59, -52.19

 

Description

Color code: HEX #DF7E4E | qconv.com Color code: HEX #DF7E4E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 126 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 126 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 65 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 65% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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