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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EB1DF it is the complementary color #B14E20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EB1DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EB1DF shade: #53B1DA, #64C3ED, #75D5FF, #86E7FF and #97F9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EB1DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EB1DF shade: #4EB1DF, #3D9FCC, #2C8DB9, #1B7BA6 and #0A6993

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EB1DF shade: #4EB1DF, #4E8ADF, #4E63DF, #614EDF and #874EDF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EB1DF shade: #4EB1DF, #4E8ADF, #4E63DF and #4E4EDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EB1DF shade matches the following richer shades: #4EB1DF and #3DB7F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EB1DF shade: #4EB1DF, #5FABCE, #70A4BD, #819EAC and #92989B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EB1DF shade: #4EDFBF, #4ED7DF, #4EB1DF, #4E8ADF and #4E64DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EB1DF shade: #2289B9, #2BA1D8, #4EB1DF, #71C0E5 and #94D0EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EB1DF shade: #4EB1DF, #994EDF and #DFD34E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EB1DF shade: #4EB1DF, #DF4EB1 and #B1DF4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EB1DF shade: #4EB1DF, #994EDF, #DF7C4E and #94DF4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EB1DF shade: #4EB1DF, #C44EDF, #DF7C4E and #69DF4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 21 / 0 / 13

HEX #4EB1DF

RGB 78 177 223

HSL 199.03, 0.69%, 0.59%

LAB 68.31, -14.9, -31.68

 

Complementary color

CMYK 0 / 56 / 82 / 31

HEX #B14E20

RGB 177 78 32

HSL 19.03, 0.69%, 0.41%

LAB 45.5, 37.76, 44.77

 

CMYK 62 / 19 / 0 / 15

HEX #53B1DA

RGB 83 177 218

HSL 198.22, 0.65%, 0.59%

LAB 68.27, -15.62, -28.98

 

CMYK 58 / 18 / 0 / 7

HEX #64C3ED

RGB 100 195 237

HSL 198.39, 0.79%, 0.66%

LAB 74.73, -16.22, -29.33

 

CMYK 54 / 16 / 0 / 0

HEX #75D5FF

RGB 117 213 255

HSL 198.26, 1%, 0.73%

LAB 81.07, -16.98, -29.18

 

CMYK 47 / 9 / 0 / 0

HEX #86E7FF

RGB 134 231 255

HSL 191.9, 1%, 0.76%

LAB 86.72, -22.46, -20.51

 

CMYK 41 / 2 / 0 / 0

HEX #97F9FF

RGB 151 249 255

HSL 183.46, 1%, 0.8%

LAB 92.38, -27.33, -11.95

 

CMYK 65 / 21 / 0 / 13

HEX #4EB1DF

RGB 78 177 223

HSL 199.03, 0.69%, 0.59%

LAB 68.31, -14.9, -31.68

 

CMYK 70 / 22 / 0 / 20

HEX #3D9FCC

RGB 61 159 204

HSL 198.88, 0.58%, 0.52%

LAB 61.78, -13.96, -31.32

 

CMYK 76 / 24 / 0 / 27

HEX #2C8DB9

RGB 44 141 185

HSL 198.72, 0.62%, 0.45%

LAB 55.16, -12.75, -30.92

 

CMYK 84 / 26 / 0 / 35

HEX #1B7BA6

RGB 27 123 166

HSL 198.56, 0.72%, 0.38%

LAB 48.45, -11.15, -30.46

 

CMYK 93 / 29 / 0 / 42

HEX #0A6993

RGB 10 105 147

HSL 198.39, 0.87%, 0.31%

LAB 41.65, -9.01, -29.91

 

CMYK 65 / 21 / 0 / 13

HEX #4EB1DF

RGB 78 177 223

HSL 199.03, 0.69%, 0.59%

LAB 68.31, -14.9, -31.68

 

CMYK 65 / 38 / 0 / 13

HEX #4E8ADF

RGB 78 138 223

HSL 215.17, 0.69%, 0.59%

LAB 57.2, 7.19, -49.1

 

CMYK 65 / 56 / 0 / 13

HEX #4E63DF

RGB 78 99 223

HSL 231.31, 0.69%, 0.59%

LAB 46.8, 31.19, -65.77

 

CMYK 57 / 65 / 0 / 13

HEX #614EDF

RGB 97 78 223

HSL 247.86, 0.69%, 0.59%

LAB 43.24, 46.81, -71.52

 

CMYK 39 / 65 / 0 / 13

HEX #874EDF

RGB 135 78 223

HSL 263.59, 0.69%, 0.59%

LAB 46.88, 53.69, -65.44

 

CMYK 65 / 21 / 0 / 13

HEX #4EB1DF

RGB 78 177 223

HSL 199.03, 0.69%, 0.59%

LAB 68.31, -14.9, -31.68

 

CMYK 65 / 38 / 0 / 13

HEX #4E8ADF

RGB 78 138 223

HSL 215.17, 0.69%, 0.59%

LAB 57.2, 7.19, -49.1

 

CMYK 65 / 56 / 0 / 13

HEX #4E63DF

RGB 78 99 223

HSL 231.31, 0.69%, 0.59%

LAB 46.8, 31.19, -65.77

 

CMYK 65 / 65 / 0 / 13

HEX #4E4EDF

RGB 78 78 223

HSL 240, 0.69%, 0.59%

LAB 41.84, 44, -73.87

 

CMYK 65 / 21 / 0 / 13

HEX #4EB1DF

RGB 78 177 223

HSL 199.03, 0.69%, 0.59%

LAB 68.31, -14.9, -31.68

 

CMYK 75 / 24 / 0 / 6

HEX #3DB7F0

RGB 61 183 240

HSL 199.11, 0.86%, 0.59%

LAB 70.28, -14.94, -37.93

 

CMYK 65 / 21 / 0 / 13

HEX #4EB1DF

RGB 78 177 223

HSL 199.03, 0.69%, 0.59%

LAB 68.31, -14.9, -31.68

 

CMYK 54 / 17 / 0 / 19

HEX #5FABCE

RGB 95 171 206

HSL 198.92, 0.53%, 0.59%

LAB 66.53, -13.71, -25.01

 

CMYK 41 / 13 / 0 / 26

HEX #70A4BD

RGB 112 164 189

HSL 199.48, 0.37%, 0.59%

LAB 64.7, -10.68, -18.3

 

CMYK 25 / 8 / 0 / 33

HEX #819EAC

RGB 129 158 172

HSL 199.53, 0.21%, 0.59%

LAB 63.42, -6.8, -10.6

 

CMYK 6 / 2 / 0 / 39

HEX #92989B

RGB 146 152 155

HSL 200, 0.04%, 0.59%

LAB 62.45, -1.55, -2.33

 

CMYK 65 / 0 / 14 / 13

HEX #4EDFBF

RGB 78 223 191

HSL 166.76, 0.69%, 0.59%

LAB 80.83, -46.02, 4.38

 

CMYK 65 / 4 / 0 / 13

HEX #4ED7DF

RGB 78 215 223

HSL 183.31, 0.69%, 0.59%

LAB 79.36, -33.96, -14.84

 

CMYK 65 / 21 / 0 / 13

HEX #4EB1DF

RGB 78 177 223

HSL 199.03, 0.69%, 0.59%

LAB 68.31, -14.9, -31.68

 

CMYK 65 / 38 / 0 / 13

HEX #4E8ADF

RGB 78 138 223

HSL 215.17, 0.69%, 0.59%

LAB 57.2, 7.19, -49.1

 

CMYK 65 / 55 / 0 / 13

HEX #4E64DF

RGB 78 100 223

HSL 230.9, 0.69%, 0.59%

LAB 47.06, 30.57, -65.37

 

CMYK 82 / 26 / 0 / 27

HEX #2289B9

RGB 34 137 185

HSL 199.07, 0.69%, 0.43%

LAB 53.74, -11.57, -33.15

 

CMYK 80 / 25 / 0 / 15

HEX #2BA1D8

RGB 43 161 216

HSL 199.08, 0.69%, 0.51%

LAB 62.47, -13.11, -36.95

 

CMYK 65 / 21 / 0 / 13

HEX #4EB1DF

RGB 78 177 223

HSL 199.03, 0.69%, 0.59%

LAB 68.31, -14.9, -31.68

 

CMYK 51 / 16 / 0 / 10

HEX #71C0E5

RGB 113 192 229

HSL 199.14, 0.69%, 0.67%

LAB 74.1, -14.31, -25.92

 

CMYK 37 / 11 / 0 / 8

HEX #94D0EB

RGB 148 208 235

HSL 198.62, 0.69%, 0.75%

LAB 80.41, -12.56, -19.41

 

CMYK 65 / 21 / 0 / 13

HEX #4EB1DF

RGB 78 177 223

HSL 199.03, 0.69%, 0.59%

LAB 68.31, -14.9, -31.68

 

CMYK 31 / 65 / 0 / 13

HEX #994EDF

RGB 153 78 223

HSL 271.03, 0.69%, 0.59%

LAB 48.94, 57.37, -62

 

CMYK 0 / 5 / 65 / 13

HEX #DFD34E

RGB 223 211 78

HSL 55.03, 0.69%, 0.59%

LAB 83.35, -11.33, 64.82

 

CMYK 65 / 21 / 0 / 13

HEX #4EB1DF

RGB 78 177 223

HSL 199.03, 0.69%, 0.59%

LAB 68.31, -14.9, -31.68

 

CMYK 0 / 65 / 21 / 13

HEX #DF4EB1

RGB 223 78 177

HSL 319.03, 0.69%, 0.59%

LAB 56.4, 66.01, -23.18

 

CMYK 21 / 0 / 65 / 13

HEX #B1DF4E

RGB 177 223 78

HSL 79.03, 0.69%, 0.59%

LAB 83.27, -35.62, 63.7

 

CMYK 65 / 21 / 0 / 13

HEX #4EB1DF

RGB 78 177 223

HSL 199.03, 0.69%, 0.59%

LAB 68.31, -14.9, -31.68

 

CMYK 31 / 65 / 0 / 13

HEX #994EDF

RGB 153 78 223

HSL 271.03, 0.69%, 0.59%

LAB 48.94, 57.37, -62

 

CMYK 0 / 44 / 65 / 13

HEX #DF7C4E

RGB 223 124 78

HSL 19.03, 0.69%, 0.59%

LAB 62.21, 34.46, 41.51

 

CMYK 34 / 0 / 65 / 13

HEX #94DF4E

RGB 148 223 78

HSL 91.03, 0.69%, 0.59%

LAB 81.63, -46.21, 61.47

 

CMYK 65 / 21 / 0 / 13

HEX #4EB1DF

RGB 78 177 223

HSL 199.03, 0.69%, 0.59%

LAB 68.31, -14.9, -31.68

 

CMYK 12 / 65 / 0 / 13

HEX #C44EDF

RGB 196 78 223

HSL 288.83, 0.69%, 0.59%

LAB 54.57, 66.77, -52.67

 

CMYK 0 / 44 / 65 / 13

HEX #DF7C4E

RGB 223 124 78

HSL 19.03, 0.69%, 0.59%

LAB 62.21, 34.46, 41.51

 

CMYK 53 / 0 / 65 / 13

HEX #69DF4E

RGB 105 223 78

HSL 108.83, 0.69%, 0.59%

LAB 79.8, -59.43, 58.96

 

Description

Color code: HEX #4EB1DF | qconv.com Color code: HEX #4EB1DF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 177 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 177 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 21 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 21% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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