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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF58DB it is the complementary color #20A724. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF58DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF58DB shade: #E458D6, #F56AE9, #FF7CFC, #FF8EFF and #FFA0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF58DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF58DB shade: #DF58DB, #CE46C8, #BD34B5, #AC22A2 and #9B108F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF58DB shade: #DF58DB, #DF58B7, #DF5892, #DF586E and #DF5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF58DB shade: #DF58DB, #BF58DF, #9A58DF, #7658DF and #5858DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF58DB shade matches the following richer shades: #DF58DB and #EF48EA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF58DB shade: #DF58DB, #CF68CC, #BF78BD, #AF88AE and #9F989F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF58DB shade: #9958DF, #BD58DF, #DF58DD, #DF58B9 and #DF5895

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF58DB shade: #C025BB, #D935D4, #DF58DB, #E67BE3 and #EC9DEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF58DB shade: #DF58DB, #DF7558 and #58DFAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF58DB shade: #DF58DB, #DDDF58 and #58DDDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF58DB shade: #DF58DB, #DF7558, #58DF5A and #58C2DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF58DB shade: #DF58DB, #DF9E58, #58DF5A and #5899DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 2 / 13

HEX #DF58DB

RGB 223 88 219

HSL 301.78, 0.68%, 0.61%

LAB 59.69, 68.31, -42.04

 

Complementary color

CMYK 81 / 0 / 78 / 35

HEX #20A724

RGB 32 167 36

HSL 121.78, 0.68%, 0.39%

LAB 59.95, -58.8, 53.55

 

CMYK 0 / 61 / 6 / 11

HEX #E458D6

RGB 228 88 214

HSL 306, 0.72%, 0.62%

LAB 60.18, 68.74, -38.4

 

CMYK 0 / 57 / 5 / 4

HEX #F56AE9

RGB 245 106 233

HSL 305.18, 0.87%, 0.69%

LAB 66.22, 68.54, -39.42

 

CMYK 0 / 51 / 1 / 0

HEX #FF7CFC

RGB 255 124 252

HSL 301.37, 1%, 0.74%

LAB 71.35, 66.28, -41.74

 

CMYK 0 / 44 / 0 / 0

HEX #FF8EFF

RGB 255 142 255

HSL 300, 1%, 0.78%

LAB 74.72, 58.28, -38.13

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 0 / 61 / 2 / 13

HEX #DF58DB

RGB 223 88 219

HSL 301.78, 0.68%, 0.61%

LAB 59.69, 68.31, -42.04

 

CMYK 0 / 66 / 3 / 19

HEX #CE46C8

RGB 206 70 200

HSL 302.65, 0.58%, 0.54%

LAB 53.68, 68.23, -40.89

 

CMYK 0 / 72 / 4 / 26

HEX #BD34B5

RGB 189 52 181

HSL 303.5, 0.57%, 0.47%

LAB 47.77, 67.66, -39.38

 

CMYK 0 / 80 / 6 / 33

HEX #AC22A2

RGB 172 34 162

HSL 304.35, 0.67%, 0.4%

LAB 42.04, 66.34, -37.37

 

CMYK 0 / 90 / 8 / 39

HEX #9B108F

RGB 155 16 143

HSL 305.18, 0.81%, 0.34%

LAB 36.6, 63.89, -34.66

 

CMYK 0 / 61 / 2 / 13

HEX #DF58DB

RGB 223 88 219

HSL 301.78, 0.68%, 0.61%

LAB 59.69, 68.31, -42.04

 

CMYK 0 / 61 / 18 / 13

HEX #DF58B7

RGB 223 88 183

HSL 317.78, 0.68%, 0.61%

LAB 58.12, 62.77, -24

 

CMYK 0 / 61 / 35 / 13

HEX #DF5892

RGB 223 88 146

HSL 334.22, 0.68%, 0.61%

LAB 56.82, 58, -4.45

 

CMYK 0 / 61 / 51 / 13

HEX #DF586E

RGB 223 88 110

HSL 350.22, 0.68%, 0.61%

LAB 55.88, 54.38, 15.38

 

CMYK 0 / 61 / 61 / 13

HEX #DF5858

RGB 223 88 88

HSL 0, 0.68%, 0.61%

LAB 55.45, 52.71, 27.67

 

CMYK 0 / 61 / 2 / 13

HEX #DF58DB

RGB 223 88 219

HSL 301.78, 0.68%, 0.61%

LAB 59.69, 68.31, -42.04

 

CMYK 14 / 61 / 0 / 13

HEX #BF58DF

RGB 191 88 223

HSL 285.78, 0.68%, 0.61%

LAB 55.47, 61.25, -51.27

 

CMYK 31 / 61 / 0 / 13

HEX #9A58DF

RGB 154 88 223

HSL 269.33, 0.68%, 0.61%

LAB 50.89, 52.61, -58.85

 

CMYK 47 / 61 / 0 / 13

HEX #7658DF

RGB 118 88 223

HSL 253.33, 0.68%, 0.61%

LAB 47.18, 44.92, -65.03

 

CMYK 61 / 61 / 0 / 13

HEX #5858DF

RGB 88 88 223

HSL 240, 0.68%, 0.61%

LAB 44.78, 39.51, -69.04

 

CMYK 0 / 61 / 2 / 13

HEX #DF58DB

RGB 223 88 219

HSL 301.78, 0.68%, 0.61%

LAB 59.69, 68.31, -42.04

 

CMYK 0 / 70 / 2 / 6

HEX #EF48EA

RGB 239 72 234

HSL 301.8, 0.84%, 0.61%

LAB 60.72, 80.26, -48.68

 

CMYK 0 / 61 / 2 / 13

HEX #DF58DB

RGB 223 88 219

HSL 301.78, 0.68%, 0.61%

LAB 59.69, 68.31, -42.04

 

CMYK 0 / 50 / 1 / 19

HEX #CF68CC

RGB 207 104 204

HSL 301.75, 0.52%, 0.61%

LAB 59.46, 54.32, -34.09

 

CMYK 0 / 37 / 1 / 25

HEX #BF78BD

RGB 191 120 189

HSL 301.69, 0.36%, 0.61%

LAB 60.05, 38.53, -24.81

 

CMYK 0 / 22 / 1 / 31

HEX #AF88AE

RGB 175 136 174

HSL 301.54, 0.2%, 0.61%

LAB 61.46, 21.47, -14.3

 

CMYK 0 / 4 / 0 / 38

HEX #9F989F

RGB 159 152 159

HSL 300, 0.04%, 0.61%

LAB 63.62, 3.88, -2.76

 

CMYK 31 / 61 / 0 / 13

HEX #9958DF

RGB 153 88 223

HSL 268.89, 0.68%, 0.61%

LAB 50.78, 52.38, -59.04

 

CMYK 15 / 61 / 0 / 13

HEX #BD58DF

RGB 189 88 223

HSL 284.89, 0.68%, 0.61%

LAB 55.2, 60.78, -51.71

 

CMYK 0 / 61 / 1 / 13

HEX #DF58DD

RGB 223 88 221

HSL 300.89, 0.68%, 0.61%

LAB 59.79, 68.64, -43.02

 

CMYK 0 / 61 / 17 / 13

HEX #DF58B9

RGB 223 88 185

HSL 316.89, 0.68%, 0.61%

LAB 58.2, 63.06, -25.02

 

CMYK 0 / 61 / 33 / 13

HEX #DF5895

RGB 223 88 149

HSL 332.89, 0.68%, 0.61%

LAB 56.92, 58.35, -6.07

 

CMYK 0 / 81 / 3 / 25

HEX #C025BB

RGB 192 37 187

HSL 301.94, 0.68%, 0.45%

LAB 47.13, 73.43, -43.87

 

CMYK 0 / 76 / 2 / 15

HEX #D935D4

RGB 217 53 212

HSL 301.83, 0.68%, 0.53%

LAB 54.08, 78.07, -47

 

CMYK 0 / 61 / 2 / 13

HEX #DF58DB

RGB 223 88 219

HSL 301.78, 0.68%, 0.61%

LAB 59.69, 68.31, -42.04

 

CMYK 0 / 47 / 1 / 10

HEX #E67BE3

RGB 230 123 227

HSL 301.68, 0.68%, 0.69%

LAB 66.93, 55.6, -35.13

 

CMYK 0 / 33 / 1 / 7

HEX #EC9DEA

RGB 236 157 234

HSL 301.52, 0.68%, 0.77%

LAB 74.75, 41.28, -26.84

 

CMYK 0 / 61 / 2 / 13

HEX #DF58DB

RGB 223 88 219

HSL 301.78, 0.68%, 0.61%

LAB 59.69, 68.31, -42.04

 

CMYK 0 / 48 / 61 / 13

HEX #DF7558

RGB 223 117 88

HSL 12.89, 0.68%, 0.61%

LAB 60.88, 38.73, 34.53

 

CMYK 61 / 0 / 23 / 13

HEX #58DFAB

RGB 88 223 171

HSL 156.89, 0.68%, 0.61%

LAB 80.62, -48.9, 14.7

 

CMYK 0 / 61 / 2 / 13

HEX #DF58DB

RGB 223 88 219

HSL 301.78, 0.68%, 0.61%

LAB 59.69, 68.31, -42.04

 

CMYK 1 / 0 / 61 / 13

HEX #DDDF58

RGB 221 223 88

HSL 60.89, 0.68%, 0.61%

LAB 86.43, -17.49, 63.93

 

CMYK 61 / 1 / 0 / 13

HEX #58DDDF

RGB 88 221 223

HSL 180.89, 0.68%, 0.61%

LAB 81.35, -35.2, -11.82

 

CMYK 0 / 61 / 2 / 13

HEX #DF58DB

RGB 223 88 219

HSL 301.78, 0.68%, 0.61%

LAB 59.69, 68.31, -42.04

 

CMYK 0 / 48 / 61 / 13

HEX #DF7558

RGB 223 117 88

HSL 12.89, 0.68%, 0.61%

LAB 60.88, 38.73, 34.53

 

CMYK 61 / 0 / 60 / 13

HEX #58DF5A

RGB 88 223 90

HSL 120.89, 0.68%, 0.61%

LAB 79.38, -62.35, 53.27

 

CMYK 61 / 13 / 0 / 13

HEX #58C2DF

RGB 88 194 223

HSL 192.89, 0.68%, 0.61%

LAB 73.54, -22.05, -23.63

 

CMYK 0 / 61 / 2 / 13

HEX #DF58DB

RGB 223 88 219

HSL 301.78, 0.68%, 0.61%

LAB 59.69, 68.31, -42.04

 

CMYK 0 / 29 / 61 / 13

HEX #DF9E58

RGB 223 158 88

HSL 31.11, 0.68%, 0.61%

LAB 70.07, 17.03, 45.62

 

CMYK 61 / 0 / 60 / 13

HEX #58DF5A

RGB 88 223 90

HSL 120.89, 0.68%, 0.61%

LAB 79.38, -62.35, 53.27

 

CMYK 61 / 31 / 0 / 13

HEX #5899DF

RGB 88 153 223

HSL 211.11, 0.68%, 0.61%

LAB 61.81, 0.18, -41.78

 

Description

Color code: HEX #DF58DB | qconv.com Color code: HEX #DF58DB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 88 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 88 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 2 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 2% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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