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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58DF5A it is the complementary color #A720A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58DF5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58DF5A shade: #5DDF55, #6EF168, #7FFF7B, #90FF8E and #A1FFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58DF5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58DF5A shade: #58DF5A, #47CD47, #36BB34, #25A921 and #14970E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58DF5A shade: #58DF5A, #7ADF58, #9FDF58, #C3DF58 and #DFD758

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58DF5A shade: #58DF5A, #58DF7E, #58DFA3, #58DFC7 and #58D3DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58DF5A shade matches the following richer shades: #58DF5A and #48EF4A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58DF5A shade: #58DF5A, #68CF6A, #78BF79, #88AF89 and #989F98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58DF5A shade: #A0DF58, #7CDF58, #58DF58, #58DF7C and #58DFA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58DF5A shade: #25C027, #35D938, #58DF5A, #7BE67C and #9DEC9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58DF5A shade: #58DF5A, #58C4DF and #DF588E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58DF5A shade: #58DF5A, #5858DF and #DF5858

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58DF5A shade: #58DF5A, #58C4DF, #DF58DF and #DF7358

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58DF5A shade: #58DF5A, #589CDF, #DF58DF and #DF9C58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 60 / 13

HEX #58DF5A

RGB 88 223 90

HSL 120.89, 0.68%, 0.61%

LAB 79.38, -62.35, 53.27

 

Complementary color

CMYK 0 / 81 / 1 / 35

HEX #A720A5

RGB 167 32 165

HSL 300.89, 0.68%, 0.39%

LAB 41.16, 66.3, -40.61

 

CMYK 58 / 0 / 62 / 13

HEX #5DDF55

RGB 93 223 85

HSL 116.52, 0.68%, 0.6%

LAB 79.48, -61.75, 55.58

 

CMYK 54 / 0 / 57 / 5

HEX #6EF168

RGB 110 241 104

HSL 117.37, 0.83%, 0.68%

LAB 85.62, -62.12, 54.48

 

CMYK 50 / 0 / 52 / 0

HEX #7FFF7B

RGB 127 255 123

HSL 118.18, 1%, 0.74%

LAB 90.53, -60.78, 51.89

 

CMYK 44 / 0 / 44 / 0

HEX #90FF8E

RGB 144 255 142

HSL 118.94, 1%, 0.78%

LAB 91.42, -53.68, 44.18

 

CMYK 37 / 0 / 37 / 0

HEX #A1FFA1

RGB 161 255 161

HSL 120, 1%, 0.82%

LAB 92.43, -45.99, 36.35

 

CMYK 61 / 0 / 60 / 13

HEX #58DF5A

RGB 88 223 90

HSL 120.89, 0.68%, 0.61%

LAB 79.38, -62.35, 53.27

 

CMYK 65 / 0 / 65 / 20

HEX #47CD47

RGB 71 205 71

HSL 120, 0.57%, 0.54%

LAB 73.19, -61.68, 54.33

 

CMYK 71 / 0 / 72 / 27

HEX #36BB34

RGB 54 187 52

HSL 119.11, 0.56%, 0.47%

LAB 66.96, -60.61, 55.08

 

CMYK 78 / 0 / 80 / 34

HEX #25A921

RGB 37 169 33

HSL 118.24, 0.67%, 0.4%

LAB 60.67, -58.95, 55.21

 

CMYK 87 / 0 / 91 / 41

HEX #14970E

RGB 20 151 14

HSL 117.37, 0.83%, 0.32%

LAB 54.36, -56.44, 54.16

 

CMYK 61 / 0 / 60 / 13

HEX #58DF5A

RGB 88 223 90

HSL 120.89, 0.68%, 0.61%

LAB 79.38, -62.35, 53.27

 

CMYK 45 / 0 / 61 / 13

HEX #7ADF58

RGB 122 223 88

HSL 104.89, 0.68%, 0.61%

LAB 80.53, -53.71, 55.76

 

CMYK 29 / 0 / 61 / 13

HEX #9FDF58

RGB 159 223 88

HSL 88.44, 0.68%, 0.61%

LAB 82.3, -41.52, 58.23

 

CMYK 13 / 0 / 61 / 13

HEX #C3DF58

RGB 195 223 88

HSL 72.44, 0.68%, 0.61%

LAB 84.53, -27.92, 61.31

 

CMYK 0 / 4 / 61 / 13

HEX #DFD758

RGB 223 215 88

HSL 56.44, 0.68%, 0.61%

LAB 84.48, -12.71, 61.87

 

CMYK 61 / 0 / 60 / 13

HEX #58DF5A

RGB 88 223 90

HSL 120.89, 0.68%, 0.61%

LAB 79.38, -62.35, 53.27

 

CMYK 61 / 0 / 43 / 13

HEX #58DF7E

RGB 88 223 126

HSL 136.89, 0.68%, 0.61%

LAB 79.82, -57.45, 36.79

 

CMYK 61 / 0 / 27 / 13

HEX #58DFA3

RGB 88 223 163

HSL 153.33, 0.68%, 0.61%

LAB 80.46, -50.6, 18.67

 

CMYK 61 / 0 / 11 / 13

HEX #58DFC7

RGB 88 223 199

HSL 169.33, 0.68%, 0.61%

LAB 81.28, -42.37, 0.82

 

CMYK 61 / 5 / 0 / 13

HEX #58D3DF

RGB 88 211 223

HSL 185.33, 0.68%, 0.61%

LAB 78.46, -30.46, -16.17

 

CMYK 61 / 0 / 60 / 13

HEX #58DF5A

RGB 88 223 90

HSL 120.89, 0.68%, 0.61%

LAB 79.38, -62.35, 53.27

 

CMYK 70 / 0 / 69 / 6

HEX #48EF4A

RGB 72 239 74

HSL 120.72, 0.84%, 0.61%

LAB 83.76, -72.39, 64.47

 

CMYK 61 / 0 / 60 / 13

HEX #58DF5A

RGB 88 223 90

HSL 120.89, 0.68%, 0.61%

LAB 79.38, -62.35, 53.27

 

CMYK 50 / 0 / 49 / 19

HEX #68CF6A

RGB 104 207 106

HSL 121.17, 0.52%, 0.61%

LAB 75.21, -50.36, 40.96

 

CMYK 37 / 0 / 37 / 25

HEX #78BF79

RGB 120 191 121

HSL 120.85, 0.36%, 0.61%

LAB 71.31, -36.54, 28.48

 

CMYK 22 / 0 / 22 / 31

HEX #88AF89

RGB 136 175 137

HSL 121.54, 0.2%, 0.61%

LAB 67.8, -20.78, 15.27

 

CMYK 4 / 0 / 4 / 38

HEX #989F98

RGB 152 159 152

HSL 120, 0.04%, 0.61%

LAB 64.75, -3.85, 2.77

 

CMYK 28 / 0 / 61 / 13

HEX #A0DF58

RGB 160 223 88

HSL 88, 0.68%, 0.61%

LAB 82.35, -41.16, 58.31

 

CMYK 44 / 0 / 61 / 13

HEX #7CDF58

RGB 124 223 88

HSL 104, 0.68%, 0.61%

LAB 80.61, -53.11, 55.87

 

CMYK 61 / 0 / 61 / 13

HEX #58DF58

RGB 88 223 88

HSL 120, 0.68%, 0.61%

LAB 79.36, -62.57, 54.12

 

CMYK 61 / 0 / 44 / 13

HEX #58DF7C

RGB 88 223 124

HSL 136, 0.68%, 0.61%

LAB 79.79, -57.77, 37.75

 

CMYK 61 / 0 / 28 / 13

HEX #58DFA0

RGB 88 223 160

HSL 152, 0.68%, 0.61%

LAB 80.4, -51.22, 20.16

 

CMYK 81 / 0 / 80 / 25

HEX #25C027

RGB 37 192 39

HSL 120.77, 0.68%, 0.45%

LAB 68.2, -65.63, 60.54

 

CMYK 76 / 0 / 74 / 15

HEX #35D938

RGB 53 217 56

HSL 121.1, 0.68%, 0.53%

LAB 76.48, -69.95, 63.29

 

CMYK 61 / 0 / 60 / 13

HEX #58DF5A

RGB 88 223 90

HSL 120.89, 0.68%, 0.61%

LAB 79.38, -62.35, 53.27

 

CMYK 47 / 0 / 46 / 10

HEX #7BE67C

RGB 123 230 124

HSL 120.56, 0.68%, 0.69%

LAB 83.05, -51.93, 42.14

 

CMYK 33 / 0 / 33 / 7

HEX #9DEC9E

RGB 157 236 158

HSL 120.76, 0.68%, 0.77%

LAB 86.81, -39.34, 30.36

 

CMYK 61 / 0 / 60 / 13

HEX #58DF5A

RGB 88 223 90

HSL 120.89, 0.68%, 0.61%

LAB 79.38, -62.35, 53.27

 

CMYK 61 / 12 / 0 / 13

HEX #58C4DF

RGB 88 196 223

HSL 192, 0.68%, 0.61%

LAB 74.11, -23.07, -22.74

 

CMYK 0 / 61 / 36 / 13

HEX #DF588E

RGB 223 88 142

HSL 336, 0.68%, 0.61%

LAB 56.7, 57.54, -2.28

 

CMYK 61 / 0 / 60 / 13

HEX #58DF5A

RGB 88 223 90

HSL 120.89, 0.68%, 0.61%

LAB 79.38, -62.35, 53.27

 

CMYK 61 / 61 / 0 / 13

HEX #5858DF

RGB 88 88 223

HSL 240, 0.68%, 0.61%

LAB 44.78, 39.51, -69.04

 

CMYK 0 / 61 / 61 / 13

HEX #DF5858

RGB 223 88 88

HSL 0, 0.68%, 0.61%

LAB 55.45, 52.71, 27.67

 

CMYK 61 / 0 / 60 / 13

HEX #58DF5A

RGB 88 223 90

HSL 120.89, 0.68%, 0.61%

LAB 79.38, -62.35, 53.27

 

CMYK 61 / 12 / 0 / 13

HEX #58C4DF

RGB 88 196 223

HSL 192, 0.68%, 0.61%

LAB 74.11, -23.07, -22.74

 

CMYK 0 / 61 / 0 / 13

HEX #DF58DF

RGB 223 88 223

HSL 300, 0.68%, 0.61%

LAB 59.88, 68.97, -43.99

 

CMYK 0 / 48 / 61 / 13

HEX #DF7358

RGB 223 115 88

HSL 12, 0.68%, 0.61%

LAB 60.48, 39.75, 34.02

 

CMYK 61 / 0 / 60 / 13

HEX #58DF5A

RGB 88 223 90

HSL 120.89, 0.68%, 0.61%

LAB 79.38, -62.35, 53.27

 

CMYK 61 / 30 / 0 / 13

HEX #589CDF

RGB 88 156 223

HSL 209.78, 0.68%, 0.61%

LAB 62.66, -1.54, -40.45

 

CMYK 0 / 61 / 0 / 13

HEX #DF58DF

RGB 223 88 223

HSL 300, 0.68%, 0.61%

LAB 59.88, 68.97, -43.99

 

CMYK 0 / 30 / 61 / 13

HEX #DF9C58

RGB 223 156 88

HSL 30.22, 0.68%, 0.61%

LAB 69.59, 18.11, 45.06

 

Description

Color code: HEX #58DF5A | qconv.com Color code: HEX #58DF5A | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 223 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 223 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 60 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 60% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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