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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF4DC2 it is the complementary color #20B23D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF4DC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #DF4DC2: #E44DBD, #F55FD0, #FF71E3, #FF83F6 and #FF95FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF4DC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #DF4DC2: #DF4DC2, #CE3BAF, #BD299C, #AC1789 and #9B0576

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 13 / 13

HEX #DF4DC2

RGB 223 77 194

HSL 311.92, 0.7%, 0.59%

LAB 56.97, 68.79, -32.1

 

Complementary color

CMYK 82 / 0 / 66 / 30

HEX #20B23D

RGB 32 178 61

HSL 131.92, 0.7%, 0.41%

LAB 63.74, -60.03, 47.95

 

CMYK 0 / 66 / 17 / 11

HEX #E44DBD

RGB 228 77 189

HSL 315.5, 0.74%, 0.6%

LAB 57.54, 69.34, -28.28

 

CMYK 0 / 61 / 15 / 4

HEX #F55FD0

RGB 245 95 208

HSL 314.8, 0.88%, 0.67%

LAB 63.47, 69.36, -29.71

 

CMYK 0 / 56 / 11 / 0

HEX #FF71E3

RGB 255 113 227

HSL 311.83, 1%, 0.72%

LAB 68.47, 67.21, -32.48

 

CMYK 0 / 49 / 4 / 0

HEX #FF83F6

RGB 255 131 246

HSL 304.35, 1%, 0.76%

LAB 72.33, 62.03, -36.95

 

CMYK 0 / 42 / 0 / 0

HEX #FF95FF

RGB 255 149 255

HSL 300, 1%, 0.79%

LAB 76.05, 54.83, -36.06

 

CMYK 0 / 65 / 13 / 13

HEX #DF4DC2

RGB 223 77 194

HSL 311.92, 0.7%, 0.59%

LAB 56.97, 68.79, -32.1

 

CMYK 0 / 71 / 15 / 19

HEX #CE3BAF

RGB 206 59 175

HSL 312.65, 0.6%, 0.52%

LAB 51.09, 68.37, -30.45

 

CMYK 0 / 78 / 17 / 26

HEX #BD299C

RGB 189 41 156

HSL 313.38, 0.64%, 0.45%

LAB 45.37, 67.31, -28.33

 

CMYK 0 / 87 / 20 / 33

HEX #AC1789

RGB 172 23 137

HSL 314.09, 0.76%, 0.38%

LAB 39.9, 65.29, -25.56

 

CMYK 0 / 97 / 24 / 39

HEX #9B0576

RGB 155 5 118

HSL 314.8, 0.94%, 0.31%

LAB 34.77, 61.99, -21.96

 

CMYK 0 / 65 / 13 / 13

HEX #DF4DC2

RGB 223 77 194

HSL 311.92, 0.7%, 0.59%

LAB 56.97, 68.79, -32.1

 

CMYK 0 / 65 / 23 / 13

HEX #DF4DAC

RGB 223 77 172

HSL 320.96, 0.7%, 0.59%

LAB 56.06, 65.74, -20.79

 

CMYK 0 / 65 / 34 / 13

HEX #DF4D94

RGB 223 77 148

HSL 330.82, 0.7%, 0.59%

LAB 55.21, 62.79, -8.02

 

CMYK 0 / 65 / 45 / 13

HEX #DF4D7B

RGB 223 77 123

HSL 341.1, 0.7%, 0.59%

LAB 54.48, 60.19, 5.71

 

CMYK 0 / 65 / 56 / 13

HEX #DF4D63

RGB 223 77 99

HSL 350.96, 0.7%, 0.59%

LAB 53.92, 58.16, 19.2

 

CMYK 0 / 65 / 13 / 13

HEX #DF4DC2

RGB 223 77 194

HSL 311.92, 0.7%, 0.59%

LAB 56.97, 68.79, -32.1

 

CMYK 0 / 63 / 11 / 93

HEX #130711

RGB 19 7 17

HSL 310, 0.46%, 0.05%

LAB 2.99, 5.38, -3.01

 

CMYK 0 / 66 / 13 / 73

HEX #46183D

RGB 70 24 61

HSL 311.74, 0.49%, 0.18%

LAB 16.95, 27.34, -13.16

 

CMYK 0 / 65 / 13 / 53

HEX #792A69

RGB 121 42 105

HSL 312.15, 0.48%, 0.32%

LAB 31.21, 42.1, -19.72

 

CMYK 0 / 66 / 13 / 33

HEX #AC3B96

RGB 172 59 150

HSL 311.68, 0.49%, 0.45%

LAB 44.38, 56.15, -26.49

 

CMYK 0 / 65 / 13 / 13

HEX #DF4DC2

RGB 223 77 194

HSL 311.92, 0.7%, 0.59%

LAB 56.97, 68.79, -32.1

 

CMYK 0 / 40 / 65 / 13

HEX #DF854D

RGB 223 133 77

HSL 23.01, 0.7%, 0.59%

LAB 64.16, 29.67, 44.29

 

CMYK 65 / 0 / 14 / 13

HEX #4DDFBF

RGB 77 223 191

HSL 166.85, 0.7%, 0.59%

LAB 80.8, -46.18, 4.35

 

CMYK 0 / 65 / 13 / 13

HEX #DF4DC2

RGB 223 77 194

HSL 311.92, 0.7%, 0.59%

LAB 56.97, 68.79, -32.1

 

CMYK 12 / 0 / 65 / 13

HEX #C4DF4D

RGB 196 223 77

HSL 71.1, 0.7%, 0.59%

LAB 84.51, -28.28, 65.77

 

CMYK 65 / 12 / 0 / 13

HEX #4DC4DF

RGB 77 196 223

HSL 191.1, 0.7%, 0.59%

LAB 73.79, -24.88, -23.26

 

CMYK 0 / 65 / 13 / 13

HEX #DF4DC2

RGB 223 77 194

HSL 311.92, 0.7%, 0.59%

LAB 56.97, 68.79, -32.1

 

CMYK 0 / 40 / 65 / 13

HEX #DF854D

RGB 223 133 77

HSL 23.01, 0.7%, 0.59%

LAB 64.16, 29.67, 44.29

 

CMYK 65 / 0 / 53 / 13

HEX #4DDF68

RGB 77 223 104

HSL 131.1, 0.7%, 0.59%

LAB 79.24, -62.89, 46.68

 

CMYK 65 / 25 / 0 / 13

HEX #4DA7DF

RGB 77 167 223

HSL 203.01, 0.7%, 0.59%

LAB 65.39, -9.64, -36.21

 

CMYK 0 / 65 / 13 / 13

HEX #DF4DC2

RGB 223 77 194

HSL 311.92, 0.7%, 0.59%

LAB 56.97, 68.79, -32.1

 

CMYK 0 / 21 / 65 / 13

HEX #DFB14D

RGB 223 177 77

HSL 41.1, 0.7%, 0.59%

LAB 74.62, 6.18, 55.97

 

CMYK 65 / 0 / 53 / 13

HEX #4DDF68

RGB 77 223 104

HSL 131.1, 0.7%, 0.59%

LAB 79.24, -62.89, 46.68

 

CMYK 65 / 45 / 0 / 13

HEX #4D7BDF

RGB 77 123 223

HSL 221.1, 0.7%, 0.59%

LAB 53.03, 16.12, -55.75

 

Description

Color code: HEX #DF4DC2 | qconv.com Color code: HEX #DF4DC2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 77 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 77 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 13 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 13% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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