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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF2B8D it is the complementary color #20D472. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF2B8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF2B8D shade: #E42B88, #F53D9B, #FF4FAE, #FF61C1 and #FF73D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF2B8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF2B8D shade: #DF2B8D, #CE197A, #BD0767, #AC0054 and #9B0041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF2B8D shade: #DF2A8D, #DF2A5C, #DF2A2B and #DF2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF2B8D shade: #DF2A8D, #DF2ABE, #D02ADF, #9F2ADF and #6E2ADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF2B8D shade matches the following richer shades: #DF2A8D and #F3168E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF2B8D shade: #DF2A8D, #CB3E8B, #B85289, #A46587 and #907986

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF2B8D shade: #D02ADF, #DF2ABE, #DF2A8E, #DF2A5D and #DF2A2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF2B8D shade: #9F1861, #C31D77, #DF2A8D, #E54EA0 and #EA72B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF2B8D shade: #DF2B8D, #DFA02A and #2AD6DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF2B8D shade: #DF2B8D, #8EDF2A and #2A8EDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF2B8D shade: #DF2B8D, #DFA02A, #2ADF7C and #2A69DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF2B8D shade: #DF2B8D, #DFD62A, #2ADF7C and #2A33DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 37 / 13

HEX #DF2B8D

RGB 223 43 141

HSL 327.33, 0.74%, 0.52%

LAB 51.08, 72.96, -10.04

 

Complementary color

CMYK 85 / 0 / 46 / 17

HEX #20D472

RGB 32 212 114

HSL 147.33, 0.74%, 0.48%

LAB 75.21, -63.74, 36.66

 

CMYK 0 / 81 / 40 / 11

HEX #E42B88

RGB 228 43 136

HSL 329.84, 0.77%, 0.53%

LAB 51.84, 73.68, -5.81

 

CMYK 0 / 75 / 37 / 4

HEX #F53D9B

RGB 245 61 155

HSL 329.35, 0.9%, 0.6%

LAB 57.19, 74.92, -8.8

 

CMYK 0 / 69 / 32 / 0

HEX #FF4FAE

RGB 255 79 174

HSL 327.61, 1%, 0.65%

LAB 61.57, 73.71, -13.09

 

CMYK 0 / 62 / 24 / 0

HEX #FF61C1

RGB 255 97 193

HSL 323.54, 1%, 0.69%

LAB 64.69, 69.2, -19.23

 

CMYK 0 / 55 / 17 / 0

HEX #FF73D4

RGB 255 115 212

HSL 318.43, 1%, 0.73%

LAB 68.22, 64.1, -24.52

 

CMYK 0 / 81 / 37 / 13

HEX #DF2B8D

RGB 223 43 141

HSL 327.33, 0.74%, 0.52%

LAB 51.08, 72.96, -10.04

 

CMYK 0 / 88 / 41 / 19

HEX #CE197A

RGB 206 25 122

HSL 327.85, 0.78%, 0.45%

LAB 45.94, 70.85, -6.53

 

CMYK 0 / 96 / 46 / 26

HEX #BD0767

RGB 189 7 103

HSL 328.35, 0.93%, 0.38%

LAB 41.14, 67.59, -2.19

 

CMYK 0 / 100 / 51 / 33

HEX #AC0054

RGB 172 0 84

HSL 330.7, 1%, 0.34%

LAB 36.76, 62.93, 3.14

 

CMYK 0 / 100 / 58 / 39

HEX #9B0041

RGB 155 0 65

HSL 334.84, 1%, 0.3%

LAB 32.59, 57.55, 9.15

 

CMYK 0 / 81 / 37 / 13

HEX #DF2A8D

RGB 223 42 141

HSL 327.18, 0.74%, 0.52%

LAB 51, 73.2, -10.16

 

CMYK 0 / 81 / 59 / 13

HEX #DF2A5C

RGB 223 42 92

HSL 343.43, 0.74%, 0.52%

LAB 49.64, 69.18, 17.62

 

CMYK 0 / 81 / 81 / 13

HEX #DF2A2B

RGB 223 42 43

HSL 359.67, 0.74%, 0.52%

LAB 48.91, 66.96, 45.44

 

CMYK 0 / 81 / 81 / 13

HEX #DF2A2A

RGB 223 42 42

HSL 0, 0.74%, 0.52%

LAB 48.9, 66.93, 45.96

 

CMYK 0 / 81 / 37 / 13

HEX #DF2A8D

RGB 223 42 141

HSL 327.18, 0.74%, 0.52%

LAB 51, 73.2, -10.16

 

CMYK 0 / 81 / 15 / 13

HEX #DF2ABE

RGB 223 42 190

HSL 310.94, 0.74%, 0.52%

LAB 53.02, 78.93, -35.96

 

CMYK 7 / 81 / 0 / 13

HEX #D02ADF

RGB 208 42 223

HSL 295.03, 0.74%, 0.52%

LAB 52.28, 80.89, -56.22

 

CMYK 29 / 81 / 0 / 13

HEX #9F2ADF

RGB 159 42 223

HSL 278.78, 0.74%, 0.52%

LAB 44.74, 72.65, -68.78

 

CMYK 51 / 81 / 0 / 13

HEX #6E2ADF

RGB 110 42 223

HSL 262.54, 0.74%, 0.52%

LAB 38.37, 65.86, -79.45

 

CMYK 0 / 81 / 37 / 13

HEX #DF2A8D

RGB 223 42 141

HSL 327.18, 0.74%, 0.52%

LAB 51, 73.2, -10.16

 

CMYK 0 / 91 / 42 / 5

HEX #F3168E

RGB 243 22 142

HSL 327.42, 0.9%, 0.52%

LAB 53.58, 81.32, -6.51

 

CMYK 0 / 81 / 37 / 13

HEX #DF2A8D

RGB 223 42 141

HSL 327.18, 0.74%, 0.52%

LAB 51, 73.2, -10.16

 

CMYK 0 / 69 / 32 / 20

HEX #CB3E8B

RGB 203 62 139

HSL 327.23, 0.58%, 0.52%

LAB 49.5, 61.87, -11.57

 

CMYK 0 / 55 / 26 / 28

HEX #B85289

RGB 184 82 137

HSL 327.65, 0.42%, 0.52%

LAB 49.53, 47.42, -10.62

 

CMYK 0 / 38 / 18 / 36

HEX #A46587

RGB 164 101 135

HSL 327.62, 0.26%, 0.52%

LAB 50.63, 30.31, -8.08

 

CMYK 0 / 16 / 7 / 44

HEX #907986

RGB 144 121 134

HSL 326.09, 0.09%, 0.52%

LAB 53.3, 11.23, -3.75

 

CMYK 7 / 81 / 0 / 13

HEX #D02ADF

RGB 208 42 223

HSL 295.03, 0.74%, 0.52%

LAB 52.28, 80.89, -56.22

 

CMYK 0 / 81 / 15 / 13

HEX #DF2ABE

RGB 223 42 190

HSL 310.94, 0.74%, 0.52%

LAB 53.02, 78.93, -35.96

 

CMYK 0 / 81 / 36 / 13

HEX #DF2A8E

RGB 223 42 142

HSL 326.85, 0.74%, 0.52%

LAB 51.03, 73.3, -10.71

 

CMYK 0 / 81 / 58 / 13

HEX #DF2A5D

RGB 223 42 93

HSL 343.09, 0.74%, 0.52%

LAB 49.66, 69.24, 17.04

 

CMYK 0 / 81 / 80 / 13

HEX #DF2A2D

RGB 223 42 45

HSL 359.01, 0.74%, 0.52%

LAB 48.93, 67.02, 44.39

 

CMYK 0 / 85 / 39 / 38

HEX #9F1861

RGB 159 24 97

HSL 327.56, 0.74%, 0.36%

LAB 35.77, 57.37, -7.01

 

CMYK 0 / 85 / 39 / 24

HEX #C31D77

RGB 195 29 119

HSL 327.47, 0.74%, 0.44%

LAB 43.96, 67.25, -7.85

 

CMYK 0 / 81 / 37 / 13

HEX #DF2A8D

RGB 223 42 141

HSL 327.18, 0.74%, 0.52%

LAB 51, 73.2, -10.16

 

CMYK 0 / 66 / 30 / 10

HEX #E54EA0

RGB 229 78 160

HSL 327.42, 0.74%, 0.6%

LAB 56.73, 65.48, -12.69

 

CMYK 0 / 51 / 24 / 8

HEX #EA72B3

RGB 234 114 179

HSL 327.5, 0.74%, 0.68%

LAB 63.98, 53.65, -12.65

 

CMYK 0 / 81 / 37 / 13

HEX #DF2B8D

RGB 223 43 141

HSL 327.33, 0.74%, 0.52%

LAB 51.08, 72.96, -10.04

 

CMYK 0 / 28 / 81 / 13

HEX #DFA02A

RGB 223 160 42

HSL 39.12, 0.74%, 0.52%

LAB 70.17, 13.64, 65.46

 

CMYK 81 / 4 / 0 / 13

HEX #2AD6DF

RGB 42 214 223

HSL 182.98, 0.74%, 0.52%

LAB 78.41, -37.57, -16.33

 

CMYK 0 / 81 / 37 / 13

HEX #DF2B8D

RGB 223 43 141

HSL 327.33, 0.74%, 0.52%

LAB 51.08, 72.96, -10.04

 

CMYK 36 / 0 / 81 / 13

HEX #8EDF2A

RGB 142 223 42

HSL 86.85, 0.74%, 0.52%

LAB 81.12, -50.42, 72.86

 

CMYK 81 / 36 / 0 / 13

HEX #2A8EDF

RGB 42 142 223

HSL 206.85, 0.74%, 0.52%

LAB 57.24, 0.12, -49.1

 

CMYK 0 / 81 / 37 / 13

HEX #DF2B8D

RGB 223 43 141

HSL 327.33, 0.74%, 0.52%

LAB 51.08, 72.96, -10.04

 

CMYK 0 / 28 / 81 / 13

HEX #DFA02A

RGB 223 160 42

HSL 39.12, 0.74%, 0.52%

LAB 70.17, 13.64, 65.46

 

CMYK 81 / 0 / 44 / 13

HEX #2ADF7C

RGB 42 223 124

HSL 147.18, 0.74%, 0.52%

LAB 78.88, -64.87, 36.41

 

CMYK 81 / 53 / 0 / 13

HEX #2A69DF

RGB 42 105 223

HSL 219.12, 0.74%, 0.52%

LAB 46.87, 23.01, -65.73

 

CMYK 0 / 81 / 37 / 13

HEX #DF2B8D

RGB 223 43 141

HSL 327.33, 0.74%, 0.52%

LAB 51.08, 72.96, -10.04

 

CMYK 0 / 4 / 81 / 13

HEX #DFD62A

RGB 223 214 42

HSL 57.02, 0.74%, 0.52%

LAB 83.94, -14.38, 77.39

 

CMYK 81 / 0 / 44 / 13

HEX #2ADF7C

RGB 42 223 124

HSL 147.18, 0.74%, 0.52%

LAB 78.88, -64.87, 36.41

 

CMYK 81 / 77 / 0 / 13

HEX #2A33DF

RGB 42 51 223

HSL 237.02, 0.74%, 0.52%

LAB 34.37, 55.81, -86.24

 

Description

Color code: HEX #DF2B8D | qconv.com Color code: HEX #DF2B8D | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 43 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 43 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 37 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 37% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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