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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEF5CE it is the complementary color #210A31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEF5CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEF5CE shade: #E3F5C9, #F4FFDC, #FFFFEF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEF5CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEF5CE shade: #DEF5CE, #CDE3BB, #BCD1A8, #ABBF95 and #9AAD82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEF5CE shade: #DDF5CC, #E8F5CC, #F3F5CC, #F5ECCC and #F5E1CC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEF5CE shade: #DDF5CC, #D2F5CC, #CCF5D1, #CCF5DC and #CCF5E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEF5CE shade matches the following richer shades: #DDF5CC, #DCFAC7 and #DBFEC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEF5CE shade: #DDF5CC, #DEF0D1, #DFEBD6, #DFE6DB and #E0E1E0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEF5CE shade: #F3F5CC, #E8F5CC, #DDF5CC, #D2F5CC and #CCF5D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEF5CE shade: #AFE788, #C6EEAA, #DDF5CC, #F4FCEE and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEF5CE shade: #DEF5CE, #CCF5EC and #F5CCED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEF5CE shade: #DEF5CE, #CCDDF5 and #F5CCDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEF5CE shade: #DEF5CE, #CCF5EC, #E4CCF5 and #F5CCD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEF5CE shade: #DEF5CE, #CCF1F5, #E4CCF5 and #F5D0CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 16 / 4

HEX #DEF5CE

RGB 222 245 206

HSL 95.38, 0.66%, 0.88%

LAB 94.01, -14.37, 16.27

 

Complementary color

CMYK 33 / 80 / 0 / 81

HEX #210A31

RGB 33 10 49

HSL 275.38, 0.66%, 0.12%

LAB 6.88, 20.63, -20.85

 

CMYK 7 / 0 / 18 / 4

HEX #E3F5C9

RGB 227 245 201

HSL 84.55, 0.69%, 0.87%

LAB 94.25, -13.43, 19.23

 

CMYK 4 / 0 / 14 / 0

HEX #F4FFDC

RGB 244 255 220

HSL 78.86, 1%, 0.93%

LAB 98.4, -9.53, 15.51

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFEF

RGB 255 255 239

HSL 60, 1%, 0.97%

LAB 99.62, -2.71, 7.63

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 9 / 0 / 16 / 4

HEX #DEF5CE

RGB 222 245 206

HSL 95.38, 0.66%, 0.88%

LAB 94.01, -14.37, 16.27

 

CMYK 10 / 0 / 18 / 11

HEX #CDE3BB

RGB 205 227 187

HSL 93, 0.42%, 0.81%

LAB 87.73, -14.38, 17.12

 

CMYK 10 / 0 / 20 / 18

HEX #BCD1A8

RGB 188 209 168

HSL 90.73, 0.31%, 0.74%

LAB 81.36, -14.39, 18.02

 

CMYK 10 / 0 / 22 / 25

HEX #ABBF95

RGB 171 191 149

HSL 88.57, 0.25%, 0.67%

LAB 74.88, -14.4, 18.96

 

CMYK 11 / 0 / 25 / 32

HEX #9AAD82

RGB 154 173 130

HSL 86.51, 0.21%, 0.59%

LAB 68.29, -14.41, 19.96

 

CMYK 10 / 0 / 17 / 4

HEX #DDF5CC

RGB 221 245 204

HSL 95.12, 0.67%, 0.88%

LAB 93.9, -15.04, 17.14

 

CMYK 5 / 0 / 17 / 4

HEX #E8F5CC

RGB 232 245 204

HSL 79.02, 0.67%, 0.88%

LAB 94.66, -11.23, 18.32

 

CMYK 1 / 0 / 17 / 4

HEX #F3F5CC

RGB 243 245 204

HSL 62.93, 0.67%, 0.88%

LAB 95.46, -7.35, 19.56

 

CMYK 0 / 4 / 17 / 4

HEX #F5ECCC

RGB 245 236 204

HSL 46.83, 0.67%, 0.88%

LAB 93.35, -2.11, 16.61

 

CMYK 0 / 8 / 17 / 4

HEX #F5E1CC

RGB 245 225 204

HSL 30.73, 0.67%, 0.88%

LAB 90.61, 3.51, 12.74

 

CMYK 10 / 0 / 17 / 4

HEX #DDF5CC

RGB 221 245 204

HSL 95.12, 0.67%, 0.88%

LAB 93.9, -15.04, 17.14

 

CMYK 14 / 0 / 17 / 4

HEX #D2F5CC

RGB 210 245 204

HSL 111.22, 0.67%, 0.88%

LAB 93.17, -18.77, 16.01

 

CMYK 17 / 0 / 15 / 4

HEX #CCF5D1

RGB 204 245 209

HSL 127.32, 0.67%, 0.88%

LAB 92.9, -19.9, 13

 

CMYK 17 / 0 / 10 / 4

HEX #CCF5DC

RGB 204 245 220

HSL 143.41, 0.67%, 0.88%

LAB 93.15, -17.93, 7.66

 

CMYK 17 / 0 / 6 / 4

HEX #CCF5E7

RGB 204 245 231

HSL 159.51, 0.67%, 0.88%

LAB 93.41, -15.86, 2.34

 

CMYK 10 / 0 / 17 / 4

HEX #DDF5CC

RGB 221 245 204

HSL 95.12, 0.67%, 0.88%

LAB 93.9, -15.04, 17.14

 

CMYK 12 / 0 / 20 / 2

HEX #DCFAC7

RGB 220 250 199

HSL 95.29, 0.84%, 0.88%

LAB 95.04, -18.62, 21.28

 

CMYK 14 / 0 / 24 / 0

HEX #DBFEC2

RGB 219 254 194

HSL 95, 0.97%, 0.88%

LAB 95.93, -21.67, 25.05

 

CMYK 10 / 0 / 17 / 4

HEX #DDF5CC

RGB 221 245 204

HSL 95.12, 0.67%, 0.88%

LAB 93.9, -15.04, 17.14

 

CMYK 8 / 0 / 13 / 6

HEX #DEF0D1

RGB 222 240 209

HSL 94.84, 0.51%, 0.88%

LAB 92.77, -11.4, 12.98

 

CMYK 5 / 0 / 9 / 8

HEX #DFEBD6

RGB 223 235 214

HSL 94.29, 0.34%, 0.88%

LAB 91.67, -7.7, 8.81

 

CMYK 3 / 0 / 5 / 10

HEX #DFE6DB

RGB 223 230 219

HSL 98.18, 0.18%, 0.88%

LAB 90.5, -4.3, 4.53

 

CMYK 0 / 0 / 0 / 12

HEX #E0E1E0

RGB 224 225 224

HSL 120, 0.02%, 0.88%

LAB 89.43, -0.51, 0.36

 

CMYK 1 / 0 / 17 / 4

HEX #F3F5CC

RGB 243 245 204

HSL 62.93, 0.67%, 0.88%

LAB 95.46, -7.35, 19.56

 

CMYK 5 / 0 / 17 / 4

HEX #E8F5CC

RGB 232 245 204

HSL 79.02, 0.67%, 0.88%

LAB 94.66, -11.23, 18.32

 

CMYK 10 / 0 / 17 / 4

HEX #DDF5CC

RGB 221 245 204

HSL 95.12, 0.67%, 0.88%

LAB 93.9, -15.04, 17.14

 

CMYK 14 / 0 / 17 / 4

HEX #D2F5CC

RGB 210 245 204

HSL 111.22, 0.67%, 0.88%

LAB 93.17, -18.77, 16.01

 

CMYK 17 / 0 / 15 / 4

HEX #CCF5D1

RGB 204 245 209

HSL 127.32, 0.67%, 0.88%

LAB 92.9, -19.9, 13

 

CMYK 24 / 0 / 41 / 9

HEX #AFE788

RGB 175 231 136

HSL 95.37, 0.66%, 0.72%

LAB 86.03, -34.28, 40.55

 

CMYK 17 / 0 / 29 / 7

HEX #C6EEAA

RGB 198 238 170

HSL 95.29, 0.67%, 0.8%

LAB 89.89, -24.84, 28.79

 

CMYK 10 / 0 / 17 / 4

HEX #DDF5CC

RGB 221 245 204

HSL 95.12, 0.67%, 0.88%

LAB 93.9, -15.04, 17.14

 

CMYK 3 / 0 / 6 / 1

HEX #F4FCEE

RGB 244 252 238

HSL 94.29, 0.7%, 0.96%

LAB 98.04, -5.08, 5.78

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 9 / 0 / 16 / 4

HEX #DEF5CE

RGB 222 245 206

HSL 95.38, 0.66%, 0.88%

LAB 94.01, -14.37, 16.27

 

CMYK 17 / 0 / 4 / 4

HEX #CCF5EC

RGB 204 245 236

HSL 166.83, 0.67%, 0.88%

LAB 93.54, -14.89, -0.07

 

CMYK 0 / 17 / 3 / 4

HEX #F5CCED

RGB 245 204 237

HSL 311.71, 0.67%, 0.88%

LAB 86.36, 19.87, -10.83

 

CMYK 9 / 0 / 16 / 4

HEX #DEF5CE

RGB 222 245 206

HSL 95.38, 0.66%, 0.88%

LAB 94.01, -14.37, 16.27

 

CMYK 17 / 10 / 0 / 4

HEX #CCDDF5

RGB 204 221 245

HSL 215.12, 0.67%, 0.88%

LAB 87.55, -0.84, -13.62

 

CMYK 0 / 17 / 10 / 4

HEX #F5CCDD

RGB 245 204 221

HSL 335.12, 0.67%, 0.88%

LAB 85.92, 17.13, -3

 

CMYK 9 / 0 / 16 / 4

HEX #DEF5CE

RGB 222 245 206

HSL 95.38, 0.66%, 0.88%

LAB 94.01, -14.37, 16.27

 

CMYK 17 / 0 / 4 / 4

HEX #CCF5EC

RGB 204 245 236

HSL 166.83, 0.67%, 0.88%

LAB 93.54, -14.89, -0.07

 

CMYK 7 / 17 / 0 / 4

HEX #E4CCF5

RGB 228 204 245

HSL 275.12, 0.67%, 0.88%

LAB 85.14, 15.75, -17.06

 

CMYK 0 / 17 / 13 / 4

HEX #F5CCD5

RGB 245 204 213

HSL 346.83, 0.67%, 0.88%

LAB 85.71, 15.83, 0.95

 

CMYK 9 / 0 / 16 / 4

HEX #DEF5CE

RGB 222 245 206

HSL 95.38, 0.66%, 0.88%

LAB 94.01, -14.37, 16.27

 

CMYK 17 / 2 / 0 / 4

HEX #CCF1F5

RGB 204 241 245

HSL 185.85, 0.67%, 0.88%

LAB 92.72, -11.09, -5.93

 

CMYK 7 / 17 / 0 / 4

HEX #E4CCF5

RGB 228 204 245

HSL 275.12, 0.67%, 0.88%

LAB 85.14, 15.75, -17.06

 

CMYK 0 / 15 / 17 / 4

HEX #F5D0CC

RGB 245 208 204

HSL 5.85, 0.67%, 0.88%

LAB 86.45, 12.33, 6.8

 

Description

Color code: HEX #DEF5CE | qconv.com Color code: HEX #DEF5CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 245 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 245 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 16 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 16% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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