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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5CCED it is the complementary color #0A3312. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5CCED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5CCED shade: #FACCE8, #FFDEFB, #FFF0FF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5CCED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5CCED shade: #F5CCED, #E4BADA, #D3A8C7, #C296B4 and #B184A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5CCED shade: #F5CCED, #F5CCE2, #F5CCD7 and #F5CCCC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5CCED shade: #F5CCED, #F2CCF5, #E7CCF5, #DCCCF5 and #D1CCF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5CCED shade matches the following richer shades: #F5CCED, #FAC7F0 and #FFC2F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5CCED shade: #F5CCED, #F0D1EA, #EBD6E7, #E6DBE4 and #E1E0E1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5CCED shade: #E7CCF5, #F1CCF5, #F5CCED, #F5CCE2 and #F5CCD8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5CCED shade: #E787D4, #EEA9E1, #F5CCED, #FCEEF9 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5CCED shade: #F5CCED, #F5DCCC and #CCF5EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5CCED shade: #F5CCED, #EDF5CC and #CCEDF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5CCED shade: #F5CCED, #F5DCCC, #CCF5D3 and #CCE5F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5CCED shade: #F5CCED, #F5E8CC, #CCF5D3 and #CCD9F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 3 / 4

HEX #F5CCED

RGB 245 204 237

HSL 311.71, 0.67%, 0.88%

LAB 86.36, 19.87, -10.83

 

Complementary color

CMYK 80 / 0 / 65 / 80

HEX #0A3312

RGB 10 51 18

HSL 131.71, 0.67%, 0.12%

LAB 17.81, -22.64, 16.75

 

CMYK 0 / 18 / 7 / 2

HEX #FACCE8

RGB 250 204 232

HSL 323.48, 0.82%, 0.89%

LAB 86.67, 20.69, -7.67

 

CMYK 0 / 13 / 2 / 0

HEX #FFDEFB

RGB 255 222 251

HSL 307.27, 1%, 0.94%

LAB 91.89, 16.23, -9.88

 

CMYK 0 / 6 / 0 / 0

HEX #FFF0FF

RGB 255 240 255

HSL 300, 1%, 0.97%

LAB 96.33, 7.63, -5.4

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 17 / 3 / 4

HEX #F5CCED

RGB 245 204 237

HSL 311.71, 0.67%, 0.88%

LAB 86.36, 19.87, -10.83

 

CMYK 0 / 18 / 4 / 11

HEX #E4BADA

RGB 228 186 218

HSL 314.29, 0.44%, 0.81%

LAB 80, 20.34, -10.32

 

CMYK 0 / 20 / 6 / 17

HEX #D3A8C7

RGB 211 168 199

HSL 316.74, 0.33%, 0.74%

LAB 73.53, 20.86, -9.8

 

CMYK 0 / 23 / 7 / 24

HEX #C296B4

RGB 194 150 180

HSL 319.09, 0.27%, 0.67%

LAB 66.96, 21.41, -9.24

 

CMYK 0 / 25 / 9 / 31

HEX #B184A1

RGB 177 132 161

HSL 321.33, 0.22%, 0.61%

LAB 60.27, 22.02, -8.66

 

CMYK 0 / 17 / 3 / 4

HEX #F5CCED

RGB 245 204 237

HSL 311.71, 0.67%, 0.88%

LAB 86.36, 19.87, -10.83

 

CMYK 0 / 17 / 8 / 4

HEX #F5CCE2

RGB 245 204 226

HSL 327.8, 0.67%, 0.88%

LAB 86.05, 17.97, -5.45

 

CMYK 0 / 17 / 12 / 4

HEX #F5CCD7

RGB 245 204 215

HSL 343.9, 0.67%, 0.88%

LAB 85.76, 16.15, -0.04

 

CMYK 0 / 17 / 17 / 4

HEX #F5CCCC

RGB 245 204 204

HSL 0, 0.67%, 0.88%

LAB 85.48, 14.43, 5.41

 

CMYK 0 / 17 / 3 / 4

HEX #F5CCED

RGB 245 204 237

HSL 311.71, 0.67%, 0.88%

LAB 86.36, 19.87, -10.83

 

CMYK 1 / 17 / 0 / 4

HEX #F2CCF5

RGB 242 204 245

HSL 295.61, 0.67%, 0.88%

LAB 86.33, 20.31, -15.14

 

CMYK 6 / 17 / 0 / 4

HEX #E7CCF5

RGB 231 204 245

HSL 279.51, 0.67%, 0.88%

LAB 85.39, 16.73, -16.66

 

CMYK 10 / 17 / 0 / 4

HEX #DCCCF5

RGB 220 204 245

HSL 263.41, 0.67%, 0.88%

LAB 84.48, 13.18, -18.12

 

CMYK 15 / 17 / 0 / 4

HEX #D1CCF5

RGB 209 204 245

HSL 247.32, 0.67%, 0.88%

LAB 83.62, 9.7, -19.5

 

CMYK 0 / 17 / 3 / 4

HEX #F5CCED

RGB 245 204 237

HSL 311.71, 0.67%, 0.88%

LAB 86.36, 19.87, -10.83

 

CMYK 0 / 20 / 4 / 2

HEX #FAC7F0

RGB 250 199 240

HSL 311.76, 0.84%, 0.88%

LAB 85.74, 24.7, -13.31

 

CMYK 0 / 24 / 5 / 0

HEX #FFC2F3

RGB 255 194 243

HSL 311.8, 1%, 0.88%

LAB 85.16, 29.5, -15.73

 

CMYK 0 / 17 / 3 / 4

HEX #F5CCED

RGB 245 204 237

HSL 311.71, 0.67%, 0.88%

LAB 86.36, 19.87, -10.83

 

CMYK 0 / 13 / 3 / 6

HEX #F0D1EA

RGB 240 209 234

HSL 311.61, 0.51%, 0.88%

LAB 87.03, 15.02, -8.3

 

CMYK 0 / 9 / 2 / 8

HEX #EBD6E7

RGB 235 214 231

HSL 311.43, 0.34%, 0.88%

LAB 87.74, 10.18, -5.71

 

CMYK 0 / 5 / 1 / 10

HEX #E6DBE4

RGB 230 219 228

HSL 310.91, 0.18%, 0.88%

LAB 88.49, 5.34, -3.07

 

CMYK 0 / 0 / 0 / 12

HEX #E1E0E1

RGB 225 224 225

HSL 300, 0.02%, 0.88%

LAB 89.28, 0.52, -0.38

 

CMYK 6 / 17 / 0 / 4

HEX #E7CCF5

RGB 231 204 245

HSL 279.51, 0.67%, 0.88%

LAB 85.39, 16.73, -16.66

 

CMYK 2 / 17 / 0 / 4

HEX #F1CCF5

RGB 241 204 245

HSL 294.15, 0.67%, 0.88%

LAB 86.25, 19.99, -15.28

 

CMYK 0 / 17 / 3 / 4

HEX #F5CCED

RGB 245 204 237

HSL 311.71, 0.67%, 0.88%

LAB 86.36, 19.87, -10.83

 

CMYK 0 / 17 / 8 / 4

HEX #F5CCE2

RGB 245 204 226

HSL 327.8, 0.67%, 0.88%

LAB 86.05, 17.97, -5.45

 

CMYK 0 / 17 / 12 / 4

HEX #F5CCD8

RGB 245 204 216

HSL 342.44, 0.67%, 0.88%

LAB 85.78, 16.32, -0.53

 

CMYK 0 / 42 / 8 / 9

HEX #E787D4

RGB 231 135 212

HSL 311.88, 0.67%, 0.72%

LAB 68.8, 47.31, -23.91

 

CMYK 0 / 29 / 5 / 7

HEX #EEA9E1

RGB 238 169 225

HSL 311.3, 0.67%, 0.8%

LAB 77.27, 33.99, -18.1

 

CMYK 0 / 17 / 3 / 4

HEX #F5CCED

RGB 245 204 237

HSL 311.71, 0.67%, 0.88%

LAB 86.36, 19.87, -10.83

 

CMYK 0 / 6 / 1 / 1

HEX #FCEEF9

RGB 252 238 249

HSL 312.86, 0.7%, 0.96%

LAB 95.45, 6.61, -3.61

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 17 / 3 / 4

HEX #F5CCED

RGB 245 204 237

HSL 311.71, 0.67%, 0.88%

LAB 86.36, 19.87, -10.83

 

CMYK 0 / 10 / 17 / 4

HEX #F5DCCC

RGB 245 220 204

HSL 23.41, 0.67%, 0.88%

LAB 89.37, 6.09, 10.99

 

CMYK 17 / 0 / 4 / 4

HEX #CCF5EC

RGB 204 245 236

HSL 166.83, 0.67%, 0.88%

LAB 93.54, -14.89, -0.07

 

CMYK 0 / 17 / 3 / 4

HEX #F5CCED

RGB 245 204 237

HSL 311.71, 0.67%, 0.88%

LAB 86.36, 19.87, -10.83

 

CMYK 3 / 0 / 17 / 4

HEX #EDF5CC

RGB 237 245 204

HSL 71.71, 0.67%, 0.88%

LAB 95.02, -9.47, 18.87

 

CMYK 17 / 3 / 0 / 4

HEX #CCEDF5

RGB 204 237 245

HSL 191.71, 0.67%, 0.88%

LAB 91.68, -9.07, -7.47

 

CMYK 0 / 17 / 3 / 4

HEX #F5CCED

RGB 245 204 237

HSL 311.71, 0.67%, 0.88%

LAB 86.36, 19.87, -10.83

 

CMYK 0 / 10 / 17 / 4

HEX #F5DCCC

RGB 245 220 204

HSL 23.41, 0.67%, 0.88%

LAB 89.37, 6.09, 10.99

 

CMYK 17 / 0 / 14 / 4

HEX #CCF5D3

RGB 204 245 211

HSL 130.24, 0.67%, 0.88%

LAB 92.95, -19.55, 12.03

 

CMYK 17 / 7 / 0 / 4

HEX #CCE5F5

RGB 204 229 245

HSL 203.41, 0.67%, 0.88%

LAB 89.61, -4.98, -10.55

 

CMYK 0 / 17 / 3 / 4

HEX #F5CCED

RGB 245 204 237

HSL 311.71, 0.67%, 0.88%

LAB 86.36, 19.87, -10.83

 

CMYK 0 / 5 / 17 / 4

HEX #F5E8CC

RGB 245 232 204

HSL 40.98, 0.67%, 0.88%

LAB 92.35, -0.08, 15.2

 

CMYK 17 / 0 / 14 / 4

HEX #CCF5D3

RGB 204 245 211

HSL 130.24, 0.67%, 0.88%

LAB 92.95, -19.55, 12.03

 

CMYK 17 / 11 / 0 / 4

HEX #CCD9F5

RGB 204 217 245

HSL 220.98, 0.67%, 0.88%

LAB 86.53, 1.26, -15.15

 

Description

Color code: HEX #F5CCED | qconv.com Color code: HEX #F5CCED | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 204 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 204 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 3 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 3% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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